google-site-verification=cXrcMGa94PjI5BEhkIFIyc9eZiIwZzNJc4mTXSXtGRM How Cord Jefferson Made the Oscars Not So White - 360WISE MEDIA
Connect with us

Entertainment

How Cord Jefferson Made the Oscars Not So White

Published

on

96th Annual Academy Awards - Backstage

A number of weeks ago, an area supermarket owner informed me that he was halfway through my newest book, “Black AF History: The Unwhitewashed Story of America,” and said he had never read anything prefer it. His compliment made no mention of history, research or storytelling, but since I had received the same compliment myself, I knew exactly where he was going.

“I love stories about your family,” he explained. “You never hear stories about regular black families.”

“Yes,” I replied.

That’s all. That’s the whole story.

Featured Stories

On Sunday, “Black screenwriter” and director Cord Jefferson took home the Oscar for best adapted screenplay for writing “American Fiction,” a dark film about “Black novelist”, who was uninterested in writing “The Black Books”. During his victory speechJefferson graciously thanked his colleagues for “trusting a 40-year-old black guy who had never directed anything before” and implored studio executives to “recognize that there are such a lot of individuals who want the opportunity I’ve been given.” However, what caused the most emotion was Jefferson’s press conference behind the scenes.

“There are audiences who are interested in something else.” Jefferson explained. “A story with black characters that will appeal to a lot of people doesn’t have to take place on a plantation. It doesn’t have to take place in projects. There doesn’t have to be drug dealers involved. You don’t have to have gang members involved. There is an audience that presents different representations of people’s lives. There is a market for representations of Black life that is as broad and as deep as any representation of people’s lives.”

Some viewers, each black and white, interpreted the newly minted Oscar winner’s public remarks as an elitist shot at black filmmakers or movies about black people. Others saw Jefferson’s criticism as a part of an ongoing dialogue in Black America about Hollywood’s obsession with “movies about slaves”, white saviors and movies that fetishize Black trauma.

I’m not aware about Jefferson’s internal dialogue, so it’s unattainable to say which side of this argument is more correct. Regardless of his intentions, there was a subtle, fundamental point in Jefferson’s speech that everybody appeared to miss:

Why won’t Hollywood let black people make “white movies”?

While the mainstream media eagerly discusses “Black cinema” — films with majority black actors in leading roles — the converse is rarely discussed (even during the 337-day period of white history months). That’s why no one takes it into account Martin Scorsese a “white director”, although in his half-century profession he made dozens of movies and not using a single black lead role.

White movies are called “films”.

Perhaps the most surprising thing about American Fiction is its lack of extraordinary. It would take 4 hands to count the variety of movies depicting an peculiar white family coping with grief, loss and familial turmoil. Erica Alexander was pretty much as good in “American Fiction” as Meryl Streep in “August: Osage County” or Frances McDormand in “Nomadland” or any of her Oscar-winning performances as a white woman playing a white woman. While Jeffrey Wright’s performance was spot on, it didn’t live as much as his gut-wrenching performance in “All day and night” Or “OG” While Cord Jefferson undoubtedly made a great movie, what’s much more remarkable is that a black filmmaker was allowed to make a movie that did not depend on the tropes mentioned earlier. The fact is that it is a movie revenue from ticket sales greater than double budget just isn’t surprising. Studios that relegate black movies to lower budgets have experienced this studies which show that “African-American films are doing better at the box office.”

In Caucasian cinema, making a great, interesting white film is the surest strategy to gain critical acclaim. Young white actresses can strike Oscar gold by playing a spunky housewife who stares longingly into the distance (truthfully, I can not tell Cate Blanchett from Kate Winslet, which is why I call all young white actresses “Gwyneth Paltrows”). More white actors won (94) than the total variety of black actors and actresses who’ve ever been nominated (76).

But because quite a few Research shows that white audiences are less curious about and fewer prone to empathize with movies that feature “minority cast members” Black characters, Black actors and filmmakers must portray a specific brand of black pain to receive the same accolades as their white counterparts. White audiences cannot see the humanity of Black people unless it falls into one in all 4 categories:

  1. Be an actual person: One-third of Black’s Oscar-nominated performances feature historical figures, including Ray Charles (Jamie Foxx), Idi Amin (Forest Whitaker), Richard Williams (Will Smith) and Fred Hampton (Daniel Kaluuya)
  2. Be helpful: You could be a slave (Hattie McDaniel in “Gone with the Wind”; Lupita Nyong’o in “12 Years a Slave”; Denzel Washington in “Glory”) a servant (Octavia Spencer in “The Help”; Sidney Poitier in “Lily of the Valley”, Morgan Freeman in “Driving Miss Daisy”) or just serving the white hero. (Whoopi Goldberg in “Ghost” Morgan Freeman in “Million Dollar Baby”
  3. A black one who can sing, dance, run, or do something that white people appreciate can almost change into a human being(Mahershala Ali in “Green Book”, Jennifer Hudson in “Dreamgirls”, Cuba Gooding Jr. in “Jerry Maguire”)
  4. Suffer: High-stakes, hyperbolic trauma is one in all the few lenses through which white people can see the humanity of black people. (Da’Vine Joy Randolph in “The Holdovers”; Mary J. Blige in “Mudbound”; Halle Berry in “Monster’s Ball”)

None of which means Academy of Motion Picture Arts and Sciences voters hate Black people or think less of the movies we make. The best Black art, music, and other types of cultural meaning-making accurately represent Black lives and inform Black individuals who they’re to one another. Conversely, the job of an Oscar voter is to guage black art through the lens of how black people perceive it. And for that specific purpose, the Oscars.

In fact, the most notable achievement of “American Fiction” could also be that white people took notice.

Jefferson didn’t mean that movies about bandits, maids, and slaves were less worthy of attention and praise. It wasn’t even about the need for mid-budget movies (studios were greenlighting white mid-budget movies all the time). His ultimate premise was that everybody deserved to be told because… Or as some call it:

Diversity.

Right.

Inclusion.

That’s all. That’s the whole story.



This article was originally published on : thegrio.com

Entertainment

We need to talk about Kat Williams because something is missing

Published

on

By

Touré, theGrio.com

We need to talk truthfully about Katt Williams because I watched his latest special on Netflix.I woke up Foke” and I actually have questions. Williams is undoubtedly a comedy icon. We love him. But there’s something missing in his performance and I feel a variety of persons are afraid to say it. In the spirit of comedy, where nothing is unimaginable to say, I’ll say this. In a second. I actually have to prepare for this. I’m afraid of what you all will say. I don’t desire Katt and Kendrick Lamar with me.

You know the old joke about how you’ll be able to go to a Chinese restaurant and eat a whole meal and still be hungry half-hour later? Well, when I’m watching a comedy special, I don’t desire the comedy to slip out of my mind half-hour into the show. I need greater than just laughter; I need jokes, a minimum of one which I can walk away and think about. He said x, then y, then blam! – that was an incredible point. I would wonder why saying x after which y then the punch line will work. I need these well-crafted moments that I can repeat to myself, or perhaps friends, to remind me how good this comic was. Dave Chappelle, Chris Rock, Trevor Noah and others will at all times give it to me. Or Williams? Sigh.

I feel there are two varieties of comedians – there are individuals who have great material and there are individuals with a funny vibe whose whole stage presence is so funny they might read the phone book and it will be funny. No one might be this or that; you need to have a few of either side, but some comics are much heavier on one side than the opposite.

Entertainment

Chappelle is each. It’s the identical with Wanda Sykes. Rock is a way more material guy. His work is fastidiously crafted and I feel that is what he needs to kill. Tracy Morgan, alternatively, is more like a phone book. His energy is so fun that he can get through a set exuding fun energy. Bernie Mac had good material – a few of his work was really smart — but his success was really based on his vibe, his voice and his energy. He could make a restaurant menu sound funny.

Williams is probably the largest comic within the phone book straight away. His vibe, energy and voice make his comedy come alive. The way he pronounces the N-word is hysterical due to his melodic voice and Midwestern accent. Plus, greater than anyone else, he plays a personality on stage – a troublesome, supremely confident, super black man who may or will not be a pimp. This character adds lots to the humor. Seeing this little man imagine in himself a lot is each hilarious and galvanizing. It makes us want to root for him. It’s interesting that Williams relies so heavily on playing a personality in an era where many comics try to deconstruct artifice and wish to appear to be he’s just being himself.

I’ve said that almost all comics have either side of the dichotomy – funny atmosphere and material – but I feel like Williams is so good at giving off a funny atmosphere that he’s began to omit the jokes. This wasn’t the case early in his profession, but at the tip of “Woke Foke” (and his earlier Netflix special “World War III”) I said, wait a minute, where are the jokes? Williams gives us the wisecracks which are a key a part of a comic book’s arsenal, but as a substitute of real, solid jokes, he focuses on Katt, his voice, and his funny energy. He doesn’t put within the work to write great jokes and I do know he can do it. I need this from him.

I’m afraid the subsequent time Williams appears on “Club Shay Shay” I’ll be verbally assaulted, but I feel like he had more well-crafted comedic thoughts on that couch than on stage. A extremely great comedy show might be printed on a bit of paper and skim by another person and still be funny. If we printed Williams’ special, we might see that there are few real jokes in it, which is a testament to how funny he is. He can pick up a whisper of fabric in an hour. But I wish this truly talented comic would return to making real jokes.



This article was originally published on : thegrio.com
Continue Reading

Entertainment

Gary Owen claims his estranged father fed ex-wife Kenya Duke ‘filth’ to use in their divorce

Published

on

By

(L to R) Gary Owen reveal his dad was never fond of his Black ex-wife, Kenya Duke.

Comedian Gary Owen has opened up about his family struggles as husband, father and son, revealing what it’s like behind the scenes as a white comedian on the black comedy stage.

One of the traumas the “Think Like A Man” actor discusses in detail is his estranged relationship with his biological father. On “Club Shay Shay,” he described his dad as a racist who contacted his black ex-wife, Kenya Duke, only to feed her “dirt” concerning the funnyman during their highly publicized split.

(From left) Gary Owen reveals his dad never liked his black ex-wife, Kenya Duke.
(From left) Gary Owen reveals his dad never liked his black ex-wife, Kenya Duke. (Photos: Gary Owen/Facebook; Moses Robinson/Getty Images)

After explaining that he was raised by his mother and stepfather, whom he claimed were abusive, he said he was terrified by the prospect of being the male figure in Duke’s household. Owen told host Shannon Sharpe that he thought he is likely to be repeating the behavior he saw as a baby.

Between his stepfather and his biological father, Owen felt stuck as he thought of his own masculinity in the sunshine of those male role models. He said the last time things went mistaken was with his father, who repeatedly let him down when he was a baby. As he became famous, his dad began “hanging out more often” and the 2 became closer. But then his father betrayed him once more in a much greater way than before.

Owen and Duke were married for nearly 18 years. Before either of them received official divorce papers, the “Ride Along” star recalled flying to his hometown of Cinncinati for a Reds game. He said he didn’t want to take seats in the stands because he didn’t want to be served in public.

– I actually have a representative who works for the Reds. He has an apartment for me, not in my name. I pay for it,” he said.

Owen says he invited five to six friends, but not his father. His dad came upon they were on the ballpark and attacked his son via voicemail and text message. The two eventually spoke on the phone, and Owen claims that in the course of the heated conversation, the 2 exchanged curse words and vowed to stay out of one another’s lives.

“He started calling my ex, with whom he wanted nothing to do. … (He) was on my side during the divorce… he started pouring out all his dirty laundry on me,” the “Daddy Day Care” star said.

He continued: “He posted it on his Facebook page. Then he posted an image of my ex-wife on Facebook and said, “I made an effort” to get back to that divorce. You have all the time been like a daughter to me. He doesn’t even like black people. It’s Trump Stump. I’m not saying he was on the Capitol, but he was on the monument. Now she wants to support a black woman.

After their divorce, Owen and Duke had minimal contact, having only met a number of times since their separation. The couple, who had been together for 23 years and married for nearly 18, finalized their divorce in March 2021 in California.

Owen revealed that he initiated divorce proceedings by filing in Ohio, while Duke filed in California, citing Owen’s infidelity, which he admitted to in the interview. “I have nothing to hide now,” he told Sharpe.

Their three children, Kennedy, Emilio and Austin, cut off all communication with Owen amid the tumultuous split. Duke claims that a month after filing, Owen stopped supporting them financially, publicly labeling him a loser father in a series of social media posts since their split.

The comic hasn’t seen the youngsters, who range in age from 16 to 22, for 3 years.

The current podcaster shared in the newest episode of his YouTube show “Get Some” that he met Duke on a flight from Atlanta to Cincinnati. He mentioned his upcoming appearance on “Club Shay Shay”, prompting her to ask him not to do it. Owen revealed his intention to proceed, but assured her that he would select his words fastidiously.

“She didn’t see me when she got on the plane. We go to baggage claim and he or she sees me. He comes over, we start talking, and after I ask how to solve this example with the kids? I keep telling her, ‘Look, once they call, I’m there,'” he said, before telling Duke, “I wish you’ll just say, ‘It’s time,’ because they really listen to you.”

Owen said he never physically or mentally abused his children, adding that he gave them a “wonderful childhood.”

“I don’t know how I became this bad person they don’t want to have anything to do with. Of course, I’m not perfect,” he said. “It’s been so long that I have to sneak out just to look at them.”

Gary Owen’s “Club Shay Shay” episode debuted Wednesday, May 8 on YouTube.


This article was originally published on : atlantablackstar.com
Continue Reading

Entertainment

Michael Arceneaux’s latest book is a study of grief, debt, and self-healing – Andscape

Published

on

By

Creating content in the center of grief can have a huge impact on what you create. This is very true for authors like Michael Arceneaux, who published his third book while coping with the loss of friends and family and the devastating pain that comes with it. As Arceneaux noted, “Sadness sends the mind into many different spaces.” These experiences made him wonder how people would receive the book.

“I was really worried that I was missing the point, that this book wasn’t meeting the standards I wanted to set, because I was writing it under tremendous duress and in so much pain,” Arceneaux told Andscape. “Some people think it’s one of my best books and biggest work. I appreciate it and it was very nice to listen to it from people. It makes me feel good.”

In Arceneaux, she touches on a number of topics, equivalent to finally having enough money to take care of herself (hence the Jordans within the book’s title), writing about (and being blocked by) celebrities previously, coming to terms along with her relationship along with her family, and complicated feelings about money and coping with sadness. Overall, this is a clever, honest, and heartfelt book that invites readers to explore the various facets of Arceneaux’s world. From razor-sharp political evaluation to multi-layered stories about parenting, the bestselling writer once more challenges readers to think deeply about family, popular culture, politics, and the journey to greater economic stability.

Andscape caught up with Arceneaux to discuss his work, grief, and what he hopes all of us take away from his latest book.

You capture serious historical moments on this book while being your witty and funny self. For example, in a single chapter you wrote about (former Democratic candidate for Florida governor) Andrew Gilliam with great nuance, and in one other you mentioned your dissatisfaction with (performing oral sex). So what exactly was your review of this book and what was your standard?

The book is very different from what I originally intended, but I carried a lot of sadness with me while writing it. I lost one friend to suicide. I had one other friend with brain cancer – all this stuff were happening, and then the pandemic hit and I discovered myself in Harlem. When I finally found the space to focus and shape the book the way in which I wanted, my mother was diagnosed with cancer. At the time, I used to be ending the book and rewriting every thing, so I needed to be sure that that my writing activities would not interfere with spending time with my mother. My priority was spending time with my mom, but my mom insisted that I finish and really give attention to the book and my work. So when writing this book, I needed to be really honest about where I used to be at. I took the pressure off myself to be funny, which ultimately made the book what it was presupposed to be, and not necessarily what I had planned.

Taking the pressure off may be hard enough, considering the multi-layered grief involved in ending a book, and it just sounds brutal. How did you navigate all of this?

I needed to lean on some of the things my mother taught me. My mom all the time emphasized the importance of doing all your job, being responsible, and having a strong work ethic, so I had to construct on that and really have a lot of discipline to write down the book and really be honest about where I used to be at. , which wasn’t where I felt like being particularly funny.

Working through grief is often like showing up at book events and conducting interviews on particularly emotional days. How do you take care of it?

The love people show me during these events has truly validated me. I also enjoyed going back to bookstores – which I wasn’t in a position to do with my second book since it was published when the plague began, so every thing was closed – and connecting with readers. There was a lot love within the room at every event. Even though it is not one of the best time, I’m lucky that individuals understand my pain and show me a lot love.

Shortly after my book was published, my grandmother and two of my mother’s sisters died. One of them helped my mother raise me. I quickly learned that I needed a set of different coping mechanisms to assist me get through each moment. Is there something concerning the way you captured your mom or the stories you shared about her that offers you peace now?

One day my aunt texted me and jogged my memory of one particular chapter. I used to be in Texas during a freezing cold spell when the facility grid went down. I used to be there without water or electricity, in an Airbnb that I rented to be near my mother. (While frozen) I felt trapped within the Airbnb. My (cellphone) battery was dying and there was no electricity. I used to be on the Airbnb for about two days and my mom hadn’t heard from me. One day, once I was attempting to use the toilet without water, I heard a banging on the door. It was my mother with a flashlight saying stand up, we’re leaving. She said she got here to select up the child. Her power had returned the night before. She wasn’t going to let her son freeze to death. This chapter jogs my memory of who she was since it is the quintessence of my mother. No matter how old we’re, my mother will do anything for her children and grandchildren. She drove through the streets without electricity with a large flashlight, on the lookout for her child. This story encourages me and jogs my memory that my mother truly loved us.

You did a great job of capturing the love your mother had for you. You also perfectly captured the nuances of a complicated relationship with a parent, and for you it is your dad. What has helped you grow to a place where you may recognize his unconventional ways as a form of love?

It’s funny because now he actually says “I love you.” But I needed to learn that you’ve to fulfill people where they’re. Sometimes in your individual healing you could not achieve the result you would like, but you could achieve a result that may offer you peace or something near it. For me, I needed to learn to actually understand who my father was and how he became that person. This helped me get rid of all of the anger I had towards him. Thanks to this, I used to be in a position to observe my father’s development. If you really need to interrupt the cycle, it is advisable work out what a room might appear to be.

I do know many deeply personal stories have been shaped by your grief, but how did you choose which stories from popular culture and politics to incorporate within the book?

Some of the essays covered topics that I had not been in a position to return to in some of my online publications, so I desired to return to them on this book. I also wanted the stories to return from a real perspective of what was happening on the time (equivalent to the coronavirus pandemic). Some things I didn’t even mean to be super political, like my essay on my disdain for the mistreatment of service staff or the way in which politicians demean working-class black people. However, I used to be concerned about whether some of the events that occurred in 2020 would still apply.

Experiencing long periods of economic hardship and finally attending to a place where you may breathe financially is a very close call. A number of years ago my automobile was repossessed and once I hear a large truck slowing down near my house my heart skips a beat. Do you continue to have similar moments?

Yes, I still have those moments. I keep having to remind myself that I deserve nice things, irrespective of what I would like. Yes, I actually have post-traumatic stress disorder (PTSD), but I feel higher now.

After reading Is there one thing you would like readers to sit down down for?

I often have easy goals. I would like people to laugh. I would like people to think. Plus, I hope this book helps people not feel alone because a lot of people need to forget that 2020 even happened. And I would like to remind those that in the event you can, call your mom.

Shanita Hubbard is a author, assistant professor of sociology, fellowship scholar, and writer of the upcoming book Miseducation: A Woman’s Guide To Hip-Hop.

This article was originally published on : andscape.com
Continue Reading
Advertisement

OUR NEWSLETTER

Subscribe Us To Receive Our Latest News Directly In Your Inbox!

We don’t spam! Read our privacy policy for more info.

Trending