Entertainment
How Cord Jefferson Made the Oscars Not So White

A number of weeks ago, an area supermarket owner informed me that he was halfway through my newest book, “Black AF History: The Unwhitewashed Story of America,” and said he had never read anything prefer it. His compliment made no mention of history, research or storytelling, but since I had received the same compliment myself, I knew exactly where he was going.
“I love stories about your family,” he explained. “You never hear stories about regular black families.”
“Yes,” I replied.
That’s all. That’s the whole story.
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On Sunday, “Black screenwriter” and director Cord Jefferson took home the Oscar for best adapted screenplay for writing “American Fiction,” a dark film about “Black novelist”, who was uninterested in writing “The Black Books”. During his victory speechJefferson graciously thanked his colleagues for “trusting a 40-year-old black guy who had never directed anything before” and implored studio executives to “recognize that there are such a lot of individuals who want the opportunity I’ve been given.” However, what caused the most emotion was Jefferson’s press conference behind the scenes.
“There are audiences who are interested in something else.” Jefferson explained. “A story with black characters that will appeal to a lot of people doesn’t have to take place on a plantation. It doesn’t have to take place in projects. There doesn’t have to be drug dealers involved. You don’t have to have gang members involved. There is an audience that presents different representations of people’s lives. There is a market for representations of Black life that is as broad and as deep as any representation of people’s lives.”
Some viewers, each black and white, interpreted the newly minted Oscar winner’s public remarks as an elitist shot at black filmmakers or movies about black people. Others saw Jefferson’s criticism as a part of an ongoing dialogue in Black America about Hollywood’s obsession with “movies about slaves”, white saviors and movies that fetishize Black trauma.
I’m not aware about Jefferson’s internal dialogue, so it’s unattainable to say which side of this argument is more correct. Regardless of his intentions, there was a subtle, fundamental point in Jefferson’s speech that everybody appeared to miss:
Why won’t Hollywood let black people make “white movies”?
While the mainstream media eagerly discusses “Black cinema” — films with majority black actors in leading roles — the converse is rarely discussed (even during the 337-day period of white history months). That’s why no one takes it into account Martin Scorsese a “white director”, although in his half-century profession he made dozens of movies and not using a single black lead role.
White movies are called “films”.
Perhaps the most surprising thing about American Fiction is its lack of extraordinary. It would take 4 hands to count the variety of movies depicting an peculiar white family coping with grief, loss and familial turmoil. Erica Alexander was pretty much as good in “American Fiction” as Meryl Streep in “August: Osage County” or Frances McDormand in “Nomadland” or any of her Oscar-winning performances as a white woman playing a white woman. While Jeffrey Wright’s performance was spot on, it didn’t live as much as his gut-wrenching performance in “All day and night” Or “OG” While Cord Jefferson undoubtedly made a great movie, what’s much more remarkable is that a black filmmaker was allowed to make a movie that did not depend on the tropes mentioned earlier. The fact is that it is a movie revenue from ticket sales greater than double budget just isn’t surprising. Studios that relegate black movies to lower budgets have experienced this studies which show that “African-American films are doing better at the box office.”
In Caucasian cinema, making a great, interesting white film is the surest strategy to gain critical acclaim. Young white actresses can strike Oscar gold by playing a spunky housewife who stares longingly into the distance (truthfully, I can not tell Cate Blanchett from Kate Winslet, which is why I call all young white actresses “Gwyneth Paltrows”). More white actors won (94) than the total variety of black actors and actresses who’ve ever been nominated (76).
But because quite a few Research shows that white audiences are less curious about and fewer prone to empathize with movies that feature “minority cast members” Black characters, Black actors and filmmakers must portray a specific brand of black pain to receive the same accolades as their white counterparts. White audiences cannot see the humanity of Black people unless it falls into one in all 4 categories:
- Be an actual person: One-third of Black’s Oscar-nominated performances feature historical figures, including Ray Charles (Jamie Foxx), Idi Amin (Forest Whitaker), Richard Williams (Will Smith) and Fred Hampton (Daniel Kaluuya)
- Be helpful: You could be a slave (Hattie McDaniel in “Gone with the Wind”; Lupita Nyong’o in “12 Years a Slave”; Denzel Washington in “Glory”) a servant (Octavia Spencer in “The Help”; Sidney Poitier in “Lily of the Valley”, Morgan Freeman in “Driving Miss Daisy”) or just serving the white hero. (Whoopi Goldberg in “Ghost” Morgan Freeman in “Million Dollar Baby”
- A black one who can sing, dance, run, or do something that white people appreciate can almost change into a human being(Mahershala Ali in “Green Book”, Jennifer Hudson in “Dreamgirls”, Cuba Gooding Jr. in “Jerry Maguire”)
- Suffer: High-stakes, hyperbolic trauma is one in all the few lenses through which white people can see the humanity of black people. (Da’Vine Joy Randolph in “The Holdovers”; Mary J. Blige in “Mudbound”; Halle Berry in “Monster’s Ball”)
None of which means Academy of Motion Picture Arts and Sciences voters hate Black people or think less of the movies we make. The best Black art, music, and other types of cultural meaning-making accurately represent Black lives and inform Black individuals who they’re to one another. Conversely, the job of an Oscar voter is to guage black art through the lens of how black people perceive it. And for that specific purpose, the Oscars.
In fact, the most notable achievement of “American Fiction” could also be that white people took notice.
Jefferson didn’t mean that movies about bandits, maids, and slaves were less worthy of attention and praise. It wasn’t even about the need for mid-budget movies (studios were greenlighting white mid-budget movies all the time). His ultimate premise was that everybody deserved to be told because… Or as some call it:
Diversity.
Right.
Inclusion.
That’s all. That’s the whole story.
Entertainment
Minnesota Lynx, Nafiesa Collier, joins the WNBA Jordan Brand – AndScape list

Jordan Brand officially signed the 4-time WnBA All-Star Nafiesa Collier, today announced the company. This announcement coincides with the Tipoff of the WNBA 2025 season.
Collier, the prevailing defensive player of the 12 months, and second place in the MVP race last season, still strengthens his place as one in all the most talented league stars. In addition to W can also be a co -founder of unparalleled, the latest 3 × 3 basketball league, which goals to lift the rim of girls.
“Attaching to the Jordan family, I am now part of the legacy, which consistently defined what is possible in basketball,” said Collier in a press release. “This partnership seems particularly significant since it combines my results on the pitch with influence that goes far beyond the game itself.
“When young girls see this cult figure, I want them to inspire them to aim higher than they think. It is an honor to help achieve a tradition that smoothly combines the athletic size with cultural importance.”

Jordan Brand

Jordan Brand
Collier earlier signed a contract with Nike in 2020, which included each footwear and clothing. During her stick with Nike, she wore several models and debuted Exclusive colours for a lot of KD15 players in 2022
Her signing of Jordan appears when the brand refreshes its women’s basketball composition amongst the popularity of WNBA. Current athletes from Jordan are comparable to Rhyne Howard, Kia Nurse and Jordin Canada.
“Jordan Brand believes that the current monumental transition in women’s basketball can change the world in a similar way that Michael Jordan did in 1984 and later,” said the company in a press release. “By investing in trailblazers such as Collier, Jordan Brand confirms his commitment to shaping the future of basketball, while crossing cultural borders around the world.”
In the first round in 2019, Collier comes out of the best season with Minnesota Lynx. She obtained a mean of 20.4 points, 9.7 rebounds, 3.4 assists and 1.9 thefts per match, leading the team to the WNBA finals.
Entertainment
Bet Awards 2025: Lil Wayne, Teyana Taylor, Glorilla and more to perform – essence

Glorilla on the Coachella Valley 2025 music and art festival on April 18, 2025 in Indio, California. (Photo of Christopher Polk/Variety via Getty Images)
Bet Awards 2025 is preparing for an unforgettable celebration of black musical perfection and culture with the primary wave of performers announced. The hip-hop legend Lil Wayne, Multihyfenate Powerhouse and Black Women in Hollywood Honree Teyana Taylor, Breakout Star Glorilla, Playboi Carti and winner of the Grammy Award Singer and the creator of the lyrics, Leon Thomas, are prepared for the stage on the twenty fifth anniversary night of culture. The event, led by comedian and Kevin Hart’s global sensation, can be broadcast live with Los Angeles on Monday, June 9, 2025, at 20:00 et/
“Let’s pretend to be the tone of the night, which celebrates 25 years of influence, creativity and black culture,” shared by Connie Orlando, vice chairman of special affairs, musical programming and music strategy in Bet. “Thanks to the electrifying performances of one of the greatest musical names and the iconic comedy host” Bet Awards “2025 will be the holiday of everything that culture represents.”

The performance of Teyana Taylor is already generating a serious noise, since it guarantees that it’ll be an experience for under one night that opposes expectations. Known for her creativity supporting the border and breathtaking stage presence, Taylor may also manage the creative direction in tribute to the twenty fifth anniversary. The beloved Countdown program will return with the unique hosts AJ Calloway, Free Marie Wright, Julissa Bermudez, Keshia Chanté, Rocsi Diaz and Terrence J, that the nostalgic celebration of music and culture. In homage, he has explosive results from Bow Wow, Amerie, B2K, Jim Jones, Mya, Ti and others, reviving energy and influences which have change into black entertainment water stone.
The night may also forged the highlight on this yr’s most significant nominees. Kendrick Lamar runs ten nominations, while the Doechi, Drake, Future and Glorilla strictly follow the six nod. Metro Boomin won five nominations, and Shah and Weeknd won 4 pieces. As the expectations are built, fans also can expect further advertisers’ announcements, special distinctions and the return of Bet Experience 2025 (Betx)-a thinner event of engaging fans from June 5 to June 8.
Made by Jesse Collins Entertainment, with Connie Orlando, Jamal Noisette, Jesse Collins, Dionne Harmon and Jeanae Rouzan-Clay, who’re executive producers, Bet Awards 2025 are able to be a orientation point for black music and culture. After Kevin Hart’s characteristic humor established the scene and a suggestion of unforgettable performances, the most important night of culture is prepared to create history again.
At the start of the deduction by June 9, the twenty fifth anniversary of the BET awards guarantees not only performances, but additionally the feast of the legacy and cultural influence – the moment when the past, present and way forward for black music are connected under one roof.
Entertainment
American basketball player, Jarred Dwayne Shaw, arrested in Indonesia for alleged drug smuggling

The police said that the American basketball player in the Indonesian league was arrested for the alleged try and smuggle illegal drugs to the country, the police said on Thursday.
The country of Southeast Asia has extremely harsh drugs on drugs, and the convicted smugglers are sometimes performed by the shooting unit.
Jarred Dwayne Shaw, 34, from Dallas in Texas, was arrested on May 7, after the police attacked his apartment in Tangerang Regency, just before the capital, Jakarta, and took 132 pieces of hemp candy, said Ronald Sipayung, head of the police in Soekarno-Hatta.
Sipayung said that the arrest took place on the side of the customary airport in which Shaw received a suspicious respiratory tract package from Thailand. Sipayung said that cannabis have been decriminated in Thailand since November 2024. As a part of the anti -drust regulations, Indonesia Shaw has change into a life sentence or death sentence whether it is found guilty.
The film circulating on social media allegedly showed Shaw, dressed in a black T -shirt and shorts, based when he’s pushed out by the police and shouting “Help … help!” When he was to be arrested.
Shaw played in several clubs in the Indonesian basketball league since 2022 and signed a contract with Tangerang Hawk last 12 months. According to Sipayung, he told the police throughout the interrogation that he desired to share marijuana sweets with other basketball players.
He said that the candies contained a complete gross mass of 869 grams (30.6 ounces) of the illegal cannabinoid in the package.
“We are still investigating to discover the international drug network by this matter and stop its distribution,” said Sipayung.
Shaw didn’t terminate any statement when the authorities presented him on Wednesday a press conference in an orange shirt detained and a mask with touched hands.
Tangerang Hawks manager, Tikky Suwantikno, told journalists on Thursday that they regret what was done by Shaw, and the club immediately released him when he violated the contract.
The Indonesian Basketball league banned Shaw to play for life, said its chairman, Budisatrio Djiwandono.
“We do not tolerate players, administrators or anyone in the field of drugs involved. There is no place for drug users in the world of basketball,” said Djiwandonono.
The United Nations Bureau for drugs and crime claims that Indonesia is the primary hub of drug -modified drug, despite having one in all the closest drugs regarding drugs in the world, partly because international drug syndicates targeted their young population.
About 530 persons are in the death cell in Indonesia, mainly for drug -related crimes, including 96 foreigners, shown by the Ministry of immigration and correction. Recent executions of Indonesia, Indonesians and three foreigners were carried out in July 2016.

(Tagstranslat) basketball
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