Bobby Brown is a national treasure. The pop star, which began within the legendary New Edition group with Ronnie (Devoe), Ricky (Bell), Mike (Bivins), Ralph (Tresavant) and Johnny (Gill), and in addition married Whitney Houston – he can also be an artist standing behind one of the crucial popular albums from Eighties: ” Cruel ”from Eighties: from Eighties: from 1980:

The album, which hit the highest of the pop list, sold over 10 million copies and is taken into account one in all the best albums of all time. He placed five singles in the highest ten Hot 100 Billboard list in 1988 and 1989, including “My Prerogative”.

Each album with a song that is popular each sampled and covered by various artists. One of the artists who covered the classic album Brown, produced by Teddy Riley, was the pop star 2000. Britney Spears. And because it seems, Bobby Brown hated his cover.

Brown, who recently sat down with Shannon Sharpe on his program “Club Shay Shay”He truthfully spoke concerning the artists who tried his albums and the way the albums are coming out.

“Yes, I have to hear it. Because you do not know what these children will say nowadays. These children will say a bit of SH – that you do not want your song related,” said Brown, explaining why he asks to listen to songs that attempt to try his albums.

When asked specifically concerning the covers of his song “My Predrogatic”, which probably each increased the usage of this term within the black community and caused a ten -year debate about why it was written “prerogative”, otherwise “perogative”, Brown really didn’t enjoy any of the covers.

“I do not think they really give justice to any of the samples they made with my songs. Britney Spears Butcherred ‘Prarogative. Teddy Riley produced it, but it surely was slaughter that … I couldn’t stand it. I cleaned it only since it was Britney Spears and I believed that … Teddy Riley, I felt it, was.

(In this fashion the Spears version was actually produced by Bloodshy & Avant; Teddy Riley produced the unique version of the record.)

The full interview with Bobby Brown on “Club Shay Shay” is currently available on YouTube.

The last time Keri Hilson has issued an albumBarack Obama was within the second yr of his first term as president of the USA, the iPad was released and Instagram was completely latest.

“In some days I am such that it is just a blink. But for the most part, I think I waited. I waited. I felt stagnation, I felt stuck for some time,” said a two-time artist nominated for Grammy. “I am very approaching, as if I started again because I feel like that. I lived nine since the last edition … I am a completely different person.”

Hilson, a 42-year-old R&B star known from the late 2000s, similar to “Knock You Down”, with the participation of Kanye West and Ne-yo. and “Pretty Girl Rock” Published on Friday “We Wast to Talk: Love”. This is her third album, after “No Boys Bridge” from 2010 and is the primary of the trilogy to publish this yr. Directed by the stuffy single “Bae”, the nine -time album sinks into romance and intraosphere.

“I feel solved, both with art and that it returned to the light. So I think that this decision had to be found before I felt sure enough to free the body of the work, and also free myself in the world,” explained Hilson, who said she never stopped recording. “In my past there were songs that I felt that they were political movements, songs that I didn’t really love, that I had to sing … I didn’t want to feel it like that.”

Disappearance

One of these songs was the leaking remix of her popular single “Turnin Me on” from 2009 with Lil Wayne, who reached the height of 15 on the Hot 100 Billboard. Diss fans perceived as directed to Beyoncé.

Hilson, who has not yet abandoned her introducing album “In A Perfect World”, which debuted in 4th place on the Billboard Top 200 and No. 1 on the perfect R&B albums, claimed that she was forced to sing lines: “She can sing / but she must move it to the left”, confirmed in relation to “BEYoncé’s insufficiency”. She says that it was threatened that her album might not be released if she refuses.

Last week, Hilson trained in social media after an interview with the “Breakfast Club” Iheartmedia after the withdrawal of the incident. While previously she talked about it several times, during this interview the singer publicly named the involved people, including the producer of the sector Da Don, to whom she was signed. She didn’t mention the singer and the creator of the lyrics Ester Dean. However, after users of social media marked the dean in posts, it later identified.

The end of a ten -year relationship, lack of control over her profession and an intense, infinite slack with Beyhive caused depression and led to withdrawal from music.

Return

During her stay, the Georgian native began to heal, which included therapy, journalism and spiritual retreat.

“There are some perspectives that I had to discover … untruths, the beliefs that I raised or inherited about myself,” said Hilson, who went to acting.

Her return included a really selective press, avoiding what she describes as “new media”, similar to platforms based on social media, saying that monetization can reward the promotion of gossip or encourage to create lies. The scamper culture of the 2010s blog was the driving force in fanating the flames of its perceived beef with Beyoncé, which never publicly commented on the situation.

Hilson “can definitely work and navigate in the field of R&B. He has a base of fans,” said Keithan Samuels, the founder of the favored Rathedrnb.com site. (*15*)

Music

Made by unofficial writing camps and records created over the years, “We Wast to Talk: Love” finds Hilson provides sensitive and flirtatious texts in a wide selection of R&B sounds. Writing about all songs except one, she avoided the present R&B trends that developed during her absence, citing individuality as the important thing to her early success. He also believes that algorithms have created a culture of musical homogens, not creativity.

There are the quintessence songs “Mrs. Keri Baby”, similar to Fun, Pop & B within the style of “Somethin (Bout U)”, but there may be also an intraosphereal “naked (love)” and “Say It”, by which he expresses: “I will not say that I love you /”, you say you’re keen on me. “

“I am very” the boss of girls “in my life, right? When it comes to relationships, I prefer to be a lady. I prefer to return to them. … I prefer the man to say “I like you.” I just prefer a man to lead, “said Hilson.” I’m really a lady – without anxiety. “

The mood of the bedroom is embedded on an attractive slow jam “Scream”, while vivid “anything” floats with beautiful harmonies.

“It seems to me that this is something that I would write for Whitney. And in fact I wrote a song for Whitney, which she was never able to record,” said Hilson, who began her profession as a author on demand, whose inscriptions include songs for Chris Brown, Mary J. Blige, Jennifer Lopez and Britney Spears. “It reminds me of Whitney Houston, in which I think it will be now.”

Samuels from ratedrnb.com claims that this project is visible in the brand new Hilson control in its profession.

“For me it is definitely not an attempt to return commercial … it seems more personal,” said Samuels. “The other two albums, it seems to me that they were more satisfied with what was present.”

Freedom

Hilson says he continues to be open to writing for other artists and distributing songs that won’t match her current music era. He also has a brand new movie “Fame: A Temptations Story”, played by Keshia Chanté, premieres on April 26 at 20:00 EDT. Hilson claims that acting is currently an equal part of her profession.

Although Hilson can appear musically again, fans welcome her return. After an interview with the breakfast club, fans flooded her with compassion and positivity, perhaps due to the mixture of her intimately the story of her site, in addition to with time. Some fans said they’d forgotten about this incident or were too young to find out about it.

“I just control what I can control … I control what I let me bring me or down. These are the realizations that I had since I wasn’t,” said Hilson. “I feel unrelated … I don’t throw too much past, and all this releases.”

Hip Hop Superstar Drake now complains about the performance of the competing rapper Kendrick Lamar “Not Like Us” during this yr’s Super Bowl, adding him to his lawsuit for defamation against the Universal Music Music Group over the song Diss and his allegations of pedophilia against Drake.

“The recording was made during the Super Bowl in 2025 and broadcast to the largest audience in the Super Bowl program during the break, over 133 million people, including millions of children and millions of others, who have never heard the song or any of its previous songs before,” says the modified process on Wednesday at the Federal Federal Court.

He adds: “It was the first and hopefully it would be the last program during the Super Bowl break to murder the figure of another artist.”

Although Lamar removed the word “pedophile”, which is on the track during the show during the break, the undeniable fact that he was omitted showed that “almost everyone understands that he is defamatory,” says the suit. He also claims that Universal Music has used the financial advantages and business relations used to secure the place for Lamar in Super Bowl and promote the performance.

“Drake’s changed complaint makes the strong case stronger,” said his lawyer, Michael Gottlieb. “Drake will reveal evidence of the wrong behavior of the UMG, and UMG will be held responsible for the consequences of his misunderstood decisions.”

According to Nielsen, this yr’s Super Bowl show and her during the break were most frequently observed in history.

In an announcement corresponding to the submission of a court, Universal Music, the home factory of each artists, still denied Drake’s allegations.

“Drake, undoubtedly one of the most famous artists in the world and with whom we enjoyed a 16-year successful relationship, is misled by his legal representatives to take one absurd legal step after the second,” the company said. “It is shameful that these stupid and frivolous legal theater is ongoing.”

Drake spokesman said in a prepared edition that the artist “has the largest music conglomerate in the world responsible for his actions and does it without fear.”

The modified lawsuit also adds that the defamatory parts of “Not Like Us” were played during Grammy Awards in February, when the single won five awards, including Song and Record of the Year. The lawsuit claims that Universal Music also helped secure the Nominations for the Grammy Award and allowed to recreate the song during the ceremony.

Drake sued universal music, but not Lamar, for undisclosed compensation in January, saying that the company published and promoted “not like us”, despite the false allegations of pedophilia and suggestions that listeners should resort to Vigilante justice.

The result, as the lawsuit says, was intruders shooting at the bodyguard at Drake’s house in Toronto and two attempts to burgle, hatred online and harassment, successful of his status and a decrease in the value of his brand before renegotiating the contract with the Medical University of UMG this yr. The modified process also adds more online comments indicating that folks consider pedophilia accusations.

Drake, a 38-year-old Canadian rapper and singer and a five-time Grammy winner and Lamar, a 37-year-old Pulitzer award with 22 Grammy wins, they’ve been gaining for years. Feud is one of the largest in Hip Hop in recent years.

Both were sporadic collaborators over a decade ago, but Lamar began running publicly on Drake since 2013. The fight increased rapidly because they each introduced paths, including Lamara “Not Like Us”.

“Say, drake, I hear how you like young / better never go to Cell Block One”, Lamar raps.

In his request to reject the claim, Universal Music claims that Drake has helped drive beef along with his own inflammatory DISS works directed to Lamar.

“The reason, one of the most successful artists of all -time recordings, lost the rap battle, which he provoked and in which he willingly participated,” says Ruch. “Instead of accepting a loss, such as an indefinite rapper, who often claims, he sued his own record label in an incorrect attempt to plant wounds.”