In his revealing interview with ‘Club Shay Shay’, Gary Owen revealed more concerning the time he spent working on the ‘Steve Harvey’ show with fellow comedian Steve Harvey.

The talk show aired from 2012 to 2017, and Owen worked on the show for about two weeks as an announcer. The “Ride Along” actor detailed his experience with the show, and through his conversation with Shannon Sharpe, he even mentioned Harvey’s stepdaughter, model Lori Harvey.

When asked if he had relationship with Harvey, the “Think Like a Man” star told Sharpe that he had all the time been good with Harvey.

“That’s what the headlines say” he said Oven. “I was always good to Steve. What happened with the whole thing, when he moved his talk show from Chicago to Los Angeles, I went on as a guest. He pulled me aside and told me something like, “I’m about to move this show to Los Angeles. We’re going to make it a late-night talk show, but a daytime talk show, but I want to bring you on as sort of a co-host.”

Owen added that after just a few months, a producer called him to debate the performance. “I don’t think he knows who I am,” Owen said. “I feel he checked out it prefer it was a favor. Well, nothing’s going on in my life, right? I could tell by the tone of the conversation.

The 49-year-old added that he hasn’t signed a contract but has agreed to look on the show for 2 weeks to see how things go.

On the primary day, he was placed in a fantastic dressing room, but later it was given to the show’s guest, comedian Chelsea Handler. Apparently it was her old dressing room and Owen added that the worker took him to a different dressing room.

“So I thought, ‘Okay.’ Just this episode. … I was walking around, but the guy put me in some broken closet with no mirror and no bathroom,” Owen revealed. “They basically said, ‘This is where you’re going to spend the rest of the week,’ and I said, ‘Oh.'”

Owen shared that when he asked for a greater wardrobe, “Black Women to the Rescue,” noting that he had previously been helped by a white man.

“One of them, a Black woman, stepped in. She knew who I was,” Owen said, adding that the lady got him a small dressing room with a small TV, a couch and a rest room, and he was “good.”

Owen ultimately left the show because he only made the “SAG minimum” and lost money because he wasn’t touring or doing stand-up comedy. He made thrice that quantity while touring for “Hip Hop Squares.”

Owen said he turned down the gig after being offered one other two weeks and never being offered the cash he wanted.

“I’d say it’s Lori’s fault,” he joked. “It was her fault. Won’t you defend her? Won’t you defend her? You’re not going to defend Lori Harvey? Another black woman you don’t defend,” Owen said, referring to Sharpe’s point criticized for dating white women.

Sean “Diddy” Combs on Friday asked a federal judge to dismiss a lawsuit alleging he and two co-defendants raped a 17-year-old girl in a New York recording studio in 2003, saying it was “false and a vile claim.” it was submitted too late, in accordance with the law.

The legal move is one more show of opposition from the 54-year-old hip-hop mogul and his legal team after he faced several similar lawsuits and a subsequent sex trafficking investigation.

“Mr. Combs and his companies categorically deny plaintiffs’ decades-long narrative against them, which caused incalculable damage to their reputation and business standing before any evidence was presented,” reads the lawsuit, which also names corporations owned by Combs as defendants “Plaintiff cannot state what day or time of year the alleged event occurred, but she miraculously remembers other salacious details despite her alleged incapacitated condition.”

The lawsuit was filed in December and amended in March by a girl now living in Canada, whose name was not disclosed within the court filing. She said she was within the eleventh grade at a suburban Detroit highschool in 2003 when Harve Pierre, then president of Combs’ Bad Boy Entertainment record label, took her to New York on a personal jet and took her to a recording studio, where she was given drugs and alcohol until she was unable to consent to sex. Then, the lawsuit states, Pierre, Combs and a person she didn’t know took turns raping her.

The lawsuit included photos of the girl sitting on Combs’ lap that she said were taken that evening.

The defense filing asked that the case be “dismissed with prejudice at this time” – meaning it can’t be refiled – “in order to protect Defendants Combs from further reputational harm and before more of the parties’ and judicial resources are wasted.”

One of the plaintiff’s lawyers, Michael J. Willemin, said in a press release filed in response to the lawsuit: “At this point, no one should take anything that ‘Diddy’ or his lawyers say seriously.” Today’s motion is merely a desperate attempt by Combs to avoid responsibility for Ms. Doe’s allegations of gang rape and sexual assault. It won’t work.”

At this early stage within the lawsuit, the arguments are procedural, not factual.

Some of the lawsuits filed against Combs involve decades-old allegations and are amongst greater than 3,700 legal claims filed under New York’s Adult Defenders Act, which temporarily suspended certain legal deadlines to give survivors of sexual assault one last likelihood to file harassment lawsuits , which took place a few years ago. and even several dozen years ago.

The law’s latest deadlines have expired, but Combs’ lawsuit filed Friday was brought under a distinct law, New York’s Gender-Based Violence Victims Protection Act. This city law also allows accusers to file civil complaints for sexual assault claims after the statute of limitations has passed.

Combs’ motion, nonetheless, argued that the lawsuit was filed too late because town law is preempted by state law, which implies the lawsuit have to be filed by August 2021 to be timely.

“New York law is superior to New York law without exception,” the filing reads.

An amended version of the lawsuit filed in March sought to address a few of these issues, but Combs’ attorneys say it didn’t go far enough.

A judge ruled that the girl would have to reveal her name if the lawsuit continued after the challenge.

The Associated Press doesn’t typically name individuals who say they’ve been victims of sexual abuse unless they arrive forward publicly, as a few of Combs’ accusers did.

Featured Stories

In Friday’s filing, the defense also criticizes the lawsuit for including “a bold, legally irrelevant ‘trigger warning’ calculated to focus attention on the salacious and depraved allegations.”

The public exposure of the allegations against Combs began with a November lawsuit filed by singer Cassie, his former protégé and girlfriend, alleging battery, rape and other harassment from 2005 to 2018. The grievance, filed by the identical lawyers who filed the lawsuit filed on Friday, was resolved the day after it was filed. Combs denied the allegations through his lawyer before the settlement.

In the next months, additional lawsuits were filed against Combs. Then, on March 25, Homeland Security issued search warrants at his homes in Los Angeles and Miami as a part of a sex trafficking investigation. His lawyer called it “an egregious use of force at the military level.” The investigation continues. Combs was not charged.

Last month Combs filed a motion to dismiss lawsuit filed by Joi Dickerson, who stated she was a 19-year-old college student when Combs drugged and sexually assaulted her.

We collected proceeds for the fight against burns and announced the winner. This week, Netflix brought two extraordinary live events to viewers’ living rooms as a part of the “Netflix Is a Joke” festival, and each debuted in the worldwide Netflix top ten movies.

The heavily promoted film “The Roast of Tom Brady” premiered on May 5 with Kevin Hart because the unlikely host, although at times the event felt a bit staged. Touted because the “greatest roast of all time”, Hart oversaw nearly two dozen well-known comedians, athletes and celebrities (including Kim Kardashian, who was booed) as they stabbed the previous NFL quarterback on the Kia Forum in Inglewood, Los Angeles.

This got here on the heels of one other live show that some thought would fade away, Katt Williams’ stand-up comedy special “Woke Foke,” which premiered on May 4.

The edgy prankster, known for his unfiltered humor, did not have any special guests or celebrities on his set, but he actually outdid just a few. From octogenarian Robert De Niro to Jamie Foxx, Donald Trump, Nick Cannon and Lizzo, nobody was spared. Williams even called out “uninfluenced influencers” and Hollywood’s newest absurd weight reduction drug, Ozempic.

There’s nothing higher than a seemingly underrated and unmatched comedian to make you root for him. In the battle of live comedy shows, Williams’ loose cannon style performed higher than Hart’s, and the numbers tell the story.

According to Netflix’s internal metrics, “Woke Foke” received 4 million views worldwide from April 29 to May 5, rating fourth. This doubled the Brady roast’s 2 million views, even though it had the advantage of being available longer after it aired on May 4. Brady Oast’s total viewing time was 6.2 million hours in comparison with 4.1 hours for “Woke Foke,” but its three-hour marathon length may explain that. Williams’ special was much shorter, lasting about an hour.

From blockbusters like “Jumanji” to comedy tours, Hart dominates the entertainment industry (other than Tom Brady). The comedian owns a production company called HartBeat Productions and even sells premium branded tequila.

But when it got here to who had the primary comedy special, Williams had him beat once more. The “Pimp Chronicles” comedian goes back to 2006, when “Katt Williams Live” was filmed in his hometown of Cincinnati, Ohio. Three years later, Hart won the hearts of audiences in 2009 along with his first special live performance, “I’m a Grown Little Man.”

When it involves Netflix comedy specials, it looks like they each have three ties (though each have had more over the years). In addition to Netflix’s “Pimp Chronicles,” Williams’ stand-up specials “Great America” ​​(2018) and “World War III” (2022) established his “tell it like it is” style.

Hart played to a packed house during “Irresponsible” (2019) and “What Now?” (2016) and scores innovation points with “Zero F–cks Giver” (2020), which he hosted from his home with a live audience through the pandemic.

But the deciding consider any comedy special is the jokes. Williams rocked “Woke Foke” hard for an hour, and fans knew from the beginning to buckle up when Williams mentioned “Club Shay Shay” in his intro.

“I tried to be an incog-Negro, but thanks to Shannon Sharpe’s talking ass, the show was over,” Williams began. “Everyone knows I will say it. But I don’t report it! You know my work. In my spare time I infiltrate the Illuminati. Search for their secrets. Run back. Tell everyone. And they would kill me if they could, but I am too fast and the Lord continues to bless me.”

Williams later added political commentary to his show, saying society had “lowered the bar” for President Joe Biden. He called out Florida Gov. Ron DeSantis’ “appalling” policies and called for reparations.

Since Hart was Tom Brady’s “roastmaster,” he ceded the stage to a star-studded panel for the higher a part of three hours. Still, he hit just a few zingers within the eight-minute opener. Referring to Brady’s recent split from ex-wife Gisele Bündchen, which got here after Brady decided to come back out of retirement after winning Super Bowl LV, he said: “When you get the possibility to win 8-9 and all the pieces that it will cost you, it is your wife and your kids… you’ve got to do what the hell you’ve got to do.