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Full Kendrick Lamar vs. Drake timeline

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In one in all the largest feuds in recent hip-hop history, Drake and Kendrick Lamar are locked in a feud – a lot in order that police were asked in regards to the dispute after a security guard was shot outside Drake’s Toronto residence on Tuesday. But it wasn’t all the time like this.

The pair collaborated on several songs over a decade ago: Drake’s 2011 track “Buried Alive Interlude,” Lamar’s 2012 release “Poetic Justice” and A$AP Rocky’s “(Expletive)’ Problems” ego in the identical yr.

It didn’t take very long. In 2013, Pulitzer Prize winner Lamar appeared on Big Sean’s show “Control” where he mentioned lots of today’s rappers, including Drake, J. Cole, Meek Mill, Pusha T, A$AP Rocky, Big KRIT, Wale, Pusha Among them T and even Big Sean.

“I love you all but I’m trying to murder you,” he rapped. “I try to make sure your biggest fans have never heard of you.”

Drake responded on the duvet of Billboard magazine, saying, “I know well and good that Kendrick isn’t murdering me at all, on any platform.” Shortly after, on the 2013 BET Hip-Hop Awards, Lamar took one other jab at Drake.

Over the following few years, rappers threw tantrums at one another less incessantly. Drake has had other spats with other artists, similar to Meek Mill in 2015 and, most infamously, Pusha T in 2018, when the latter rapper recorded “The Story of Adidon,” revealing that Drake is the daddy.

In October 2023, J. Cole likely unintentionally reignited his “First Person Shooter” feud with Drake. He rapped “Love when the heaviest MCs fight / Is that K-Dot? Is that Aubrey? Or me?” referring to Lamar and Drake’s birth name, Aubrey Graham. “We’re the massive three, like we began the league, but now I feel like Muhammad Ali.”

Which brings us to the current. Here’s a timeline of what is happened in recent weeks – It’s vital to notice that diss songs between rappers often contain exaggerated truths and unfounded rumors designed to fire up drama, and police haven’t said the dispute led to Tuesday’s shooting.

March 22: Lamar criticizes Drake on Future and Metro Boomin’s “Like That.”

“The Big Three,” Lamar raps, referencing J. Cole’s boast. “It’s just big me.”

He references Drake’s 2023 album “For All the Dogs” and likewise compares himself to Prince and Drake to Michael Jackson: “Prince outlived Mike Jack.”

J. Cole soon releases a “7 Minute Drill” response, but quickly apologizes for it on stage on the Dreamville Festival in Raleigh, North Carolina

April 13: Drake’s “Push Ups” leaked

Drake’s response was leaked and later premiered by DJ Akademiks. “You ain’t no Big Three, SZA wiped you out, Travis wiped you out, Savage wiped you out,” he raps about Lamar.

Drake was also assumed to be taking aim at Future, Metro Boomin, Rick Ross and The Weeknd – with Ross releasing a response track shortly after.

April 24: Drake responds with second AI-powered diss track, “Taylor Made Freestyle”

Drake’s second diss track used artificial intelligence technology and featured verses from Tupac and Snoop Dogg, two of Lamar’s influences. In his own verse, Drake accuses Lamar of delaying his response attributable to the upcoming release of Taylor Swift’s “The Tortured Poets Department.” (Lamar collaborated with Swift on “Bad Blood”).

Tupac’s estate threatened to sue Drake in response, so he removed the song from his social media channels.

Snoop Dogg responded to the news in an Instagram video. “What did they do? When? How? Are you sure?” he said. “I’m going back to bed. Good night.”

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April 30: Lamar returns with the nearly six-and-a-half-minute track “Euphoria”

This is where things get more complicated. Lamar’s “Euphoria” hits like a masterpiece, sparking a slew of accusations against Drake. It comes after Drake’s skills as a rapper, use of artificial intelligence, appearance, racial identity and parenting.

“I got a son to raise but I see you don’t know nothing about it,” Lamar raps.

The title refers back to the HBO series “Euphoria”, of which Drake is an executive producer.

Lamar teases that he might be repeating his songs back to back.

May 3: Lamar releases ‘6:16 Los Angeles’ sequel

Lamar’s next diss track, titled after Drake’s usual time and place, Lamar attacks the corporate Drizzy owns. “Did you ever think that OVO works for me? / Fake tyrant, I hate tyrants,” he raps, referring to Drake’s label. “You must be a terrible person / Everyone on your team is whispering that you deserve it.”

According to Billboard, the song was produced by Sounwave and Jack Antonoff – the latter of whom, particularly, is Swift’s longtime producer. It also features a sample of Al Green’s “What a Wonderful Thing Love Is,” which featured one in all Drake’s relatives playing guitar.

May 3: Drake launches “Family Matters”

Drake responds with a music video and an almost eight-minute response through which he accuses Lamar of molestation and infidelity together with his fiancée.

May 4: Lamar responds “Meet the Grahams”

Almost immediately afterward, Lamar releases “Meet the Grahams,” which opens with the rapper addressing Drake’s son, “I’m sorry that man is your father.” Lamar also addresses Drake’s parents and “the girl”, claiming that Drake has a secret daughter.

Without going into detail, he also refers to Drake as a “predator.”

May 4: Less than 24 hours later, Lamar releases “Not Like Us”

Just a few hours later, Lamar redoubles his efforts with the discharge of “Not Like Us,” produced by DJ Mustard.

“Say, Drake, I hear you like them young. / You better not go to block 1 at all,” Lamar raps.

May 5: Drake softens his blows on “The Heart Part 6”

Following on from Lamar’s “The Heart” series, Drake responds with “The Heart Part 6.” In the song, which samples Aretha Franklin’s “Prove It,” Drake disputes Lamar’s allegations, doubles down on him and claims he doesn’t have a secret daughter.

He sounds particularly languid on the song – potentially taking his final bow with lines like, “You know, at least your fans get some rap from you / Glad I could motivate you.”


This article was originally published on : thegrio.com
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Zsela lets go and falls into uncertainty with her debut album “Big For You”

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LOS ANGELES (AP) – Zsela leans into the ebb and flow of uncertainty and encourages listeners to do the identical throughout her debut album, “Big For You.”

The album, which was 4 years within the making, is the follow-up to Zsela’s 2020 EP “Ache of Victory,” which she describes as “an imprint of time.”

“I’m connected to it because it will always be a part of my story, but I’m excited to talk about it with the new album,” Zsela said. “I worked rather a lot on myself and on this music. It took time. I feel really lucky that I used to be in a position to get the songs where I wanted them to be this time, and I’m really enthusiastic about where they ended up,” she said.

For Zsela, working on “Big For You” was a test of trusting her instincts and pushing herself beyond her comfort zone, each sonically and vocally.

“I actually began experimenting with my voice in a way that influenced my writing. I had this character that I used to be singing with who got here on a day where I just wasn’t feeling my voice. So I assumed, let me try something different. Really different,” Zsela said of the album’s character. When asked where a particular character appears, she simply replies, “I feel it’s more fun to depart it to the listener to seek out.”

Singer Zsela poses for a portrait on Friday, May 24, 2024, in Los Angeles. (AP Photo/Damian Dovarganes)

Zsela has a wealthy, appealing voice. Its warm tone is intertwined with upbeat, dreamy melodies and instruments, especially heard on songs like “Fire Excape” and “Not Your Angel.”

“I feel like I’ve become more confident in just the practice of experimenting, of not being so precious, of being open to people and ideas, and really trying to practice listening to myself and where I want to go, and to the outside noise of the world,” she says.

However, when starting her transformation, Zsela says she really desired to strive for “lightness, fun and lightness” in any respect times.

“I really tried to bring it into the room whenever I was alone and working on what I wanted to say,” she said. “It’s almost like opening up and letting go and experimenting.”

“Big For You” was a probability for her to see how far she could go, establishing her creative confidence and creating an enthralling and energetic album, filled with musical tension and rest.

“My friend described this album as sweaty, it feels tense and hot,” she says.

“Big For You” in Zsela’s case means “I love you”, and the album is about love and all its complexities.

“The space we fill and move into the inside of affection is large. Like being ‘full for you’ and ‘filled with you’ and the complexity of the scale of the space we occupy and fill,” the artist said.

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The Brooklyn native takes listeners on an adventure that begins with the whimsical “Lily of the Nile” and ends with “Play” – a song that she claims “ends with a question about love.”

“It’s kind of leaving the album open and hopefully making you want to start over to see what the answer is or if there is one.”

She once more teamed up with longtime Frank Ocean and FKA Twigs collaborator Daniel Aged to provide alongside Gabe Wax.

“I keep my world of colleagues quite private. And that does not imply I don’t desire to ask more, but I feel the intimacy really built loads of trust and that was really vital to create that and to have the option to experiment and find your way home. “

Zsela has played many concert events with artists comparable to Caroline Polacheck and Arooj Aftab. However, this summer she shall be embarking on her first headlining tour and is looking forward to meeting listeners who enjoy her artistry.

“I can’t wait to see who’s in these rooms,” she said. “I’m excited to play these songs live. The whole time I was making this album, all I could think about was playing them live.”

The premiere of “Big For You” is scheduled for Friday. Zsela hopes listeners will absorb the melodies, lyrics and arrangements while driving with the highest down.

This article was originally published on : thegrio.com
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Lenny Kravitz embraced being both black and Jewish, which defined who he was

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Lenny Kravitz is black and Jewish, and that dichotomy has meant a lot in his life. In our Masters of the Game interview, he talked about how he was often teased as a toddler for not being fully either side. “I grew up with kids, and I’m sure you have, too, who didn’t know how to deal with it because they thought they had to fit into one or the other,” he said. – And we haven’t got to suit into both.

Kravitz says his family advised him to rise above it. He said he was taught “to accept all that you are and to honor all that you are and to know that if you have different elements, it’s a gift, that you can draw from different cultures, different things and different aspects of yourself. It gives you more opportunities to work and a greater understanding that we are all truly one. We are all the same. We all come from the same source. So I think having that mix is ​​wonderful.”

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But Kravitz had a very powerful example of being pleased with who you might be in your individual home. His mother, actress Roxie Roker, was a part of the primary interracial couple shown on television when she starred in “The Jeffersons”, one in all the best television series of the late Seventies. “The Jeffersons” focused on George Jefferson and his wife Louise, aka Weezy, who were a part of the black upper class at a time when there have been few of them within the country and none on television . Roker’s character, Helen Willis, lived near the Jeffersons and appeared in almost every episode. Helena’s husband was white. Her character helped normalize interracial relationships within the media and helped Kravitz feel higher.

Kravitz proudly told me the story of how Roker got the job – the show’s creator, Norman Lear, asked her if she can be comfortable playing a personality who had a white husband. Kravitz said Lear said, “Now listen, I just want to talk to you about this because I need to make sure you’re comfortable. Because you’re going to, you know, hug and kiss this man. I don’t know how you’ll feel about kissing a white man. She pulled out a photo of her husband. He was a white man. Lear said, “I’ll see you on Monday.”


This article was originally published on : thegrio.com
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Timbaland inducted into Songwriter Hall of Fame; SZA wins young songwriter award

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The Songwriters Hall of Fame Induction and Awards Gala was an event to not be missed.

Legendary record producer Timbaland has reportedly been inducted into the organization’s 2024 class, with fellow songwriters joining REM, Steely Dan, Hillary Lindsey and Dean Pitchford. Hollywood reporter.

Missy Elliott, Timbaland’s longtime collaborator and the primary female rapper inducted into the Songwriters Hall, was in attendance and paid tribute to the producer. Timbaland you should definitely thank Elliott and several other other artists he has worked with, including Aaliyah, Jay-Z, Justin Timberlake and Magoo.

“I owe my career to Missy Elliott,” he said during his award acceptance speech to THR. He concluded with gratitude to Songwriters Hall: “Thank you for giving me a seat at the table – I’ve been waiting for a long time.”

SZA speaks on stage on the 2024 Songwriters Hall of Fame Induction and Awards Gala on June 13, 2024 in New York City. (Photo: Bennett Raglin/Getty Images for Songwriters Hall Of Fame)

Timbaland wasn’t the one artist within the R&B and hip-hop space to win the award. Singer SZA won the Hal David Starlight Award, an honor given to young songwriters. The Grammy winner, whose “SOS” was amongst the most important albums of 2023, sang an acoustic version of her song “Snooze” on the ceremony.

“I have exceeded all my wildest dreams,” SZA said during her award acceptance speech, per People. “I’m just so grateful. Thank you for seeing me. I swear I’ll be like, “Oh, I wrote this and I wrote that.” And (people) would say, ‘OK,’ especially in case you’re a lady, especially in case you’re a black woman. So winning this… just means the world.

Songwriters Hall chairman Nile Rodgers presented the award to SZA, who stated that she was “many different people” as an artist.

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“I weighed 200 pounds. I weigh 130 pounds,” SZA said. “I used to be a one that didn’t dance on stage in any respect, a one that could only close her eyes and look down, a one that danced and gave her all. I just went through all this and thought, “Oh my gosh, I’m struggling with being an artist.” As if writing made me feel like an individual, that I had value and will show that I used to be smart, and it went beyond the query: “Am I pretty?” Am I liked? And that principally meant the whole lot to me.

“It made me feel like a human being, that I was doing something valuable,” she concluded. “Basically, receiving this award validates my entire career.”

This article was originally published on : thegrio.com
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