google-site-verification=cXrcMGa94PjI5BEhkIFIyc9eZiIwZzNJc4mTXSXtGRM How the Church Helped Erica Campbell Become a Legendary Singer - 360WISE MEDIA
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How the Church Helped Erica Campbell Become a Legendary Singer

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The Black Church has long been a critical incubator for Black singers. So a lot of our iconic singers began in church. That’s why I really like hearing individuals who have been through the church explain how growing up in the church helped them as singers. Gospel legend Erica Campbell from Mary Mary is my next guest on Masters of the Game and he or she spent her youth going to church 5 or 6 days a week. She was a pastor’s child. I actually wanted to listen to her discuss how the church made her the singer she is.

Campbell attended the Evangelical Church of God in Inglewood, California, and says it was extremely vital to her development as a singer. “Christ is definitely one of the reasons I am successful,” she said. “Pushing, caring, constantly singing in different conditions, good microphones, bad microphones, knowing the song, not knowing the song, not feeling well, and singing anyway.” She had an audience several times a week that she needed to entertain irrespective of what. She was asked to sing to the better of her ability, no matter how she felt that day. It was great training for her skilled profession – simply because you’ve a gig doesn’t suggest you are feeling like singing, but you continue to should exit and provides it your all. Campbell did it day after day as a child.

Campbell’s mother was also a talented singer and taught her daughter while acting at church. “When I was still very shy,” Campbell said, “I stood behind the pulpit and my mother stood at the back of the church. … I would walk on the pulpit side and sing my song and just rock back and forth and she would do it. It means walking. And she said that if you talk about God being great, you are pointing at God and saying: God is great. My mom is so sassy. But I learned all this by watching her in church and teaching me.” Campbell learned to perform while singing and so as to add a touch of theater to her lyrics.

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One of the most significant explanation why singing in church helps construct skilled singers is that in church you communicate with the audience and learn the way to move them. “You sing for 100, 300, 500 people,” she said. “People who want to respond to you, right? So you learn that when I do it, it happens. And that prepares you to be a professional singer.”

The church audience will normally be polite, whether you’re good or not. “Some persons are cheering. Come on, baby! If it is not so good? All right. Bless her heart. If you combine up the words or sing the notes fallacious, a church shadow will appear. It’s cold-blooded, however it teaches you that you simply still should stand and sing the song. You cannot run away crying. No matter what, it’s essential to conduct yourself professionally.

Having an audience that may sit there and hearken to you sing, whether you do or not, is implausible training. Sometimes you’ll fail on the option to success. When Campbell made mistakes as a singer, the church audience didn’t leave or demand their a refund. They listened and allowed her to mess up and grow.



This article was originally published on : thegrio.com

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Police are investigating a shooting outside Drake’s residence that injured a security guard

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TORONTO (AP) – Police are investigating a shooting outside rapper Drake’s Toronto residence that left a security guard seriously injured.

Authorities haven’t confirmed whether Drake was home on the time of the shooting, but said his team is cooperating. The shooting occurred around 2 a.m. Tuesday in Toronto’s affluent Bridle Path neighborhood.

Toronto Police Inspector Paul Krawczyk said video of the shooting has been recovered and the injured guard stays in hospital.

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In recent weeks, Drake has been involved in a rap feud with Kendrick Lamar, with each artist dropping disses while attacking the opposite.

Krawczyk was asked if the dispute was a consider the shooting and said that while investigators are aware of it, it is just too early to say a motive.

Drake, or quite Aubrey Drake Graham, is one in every of the best-selling artists of the fashionable era. He began his profession as a child actor on the favored teen show “Degrassi: The Next Generation” after which turned his attention to music, releasing a few of the most influential albums of any genre in 2010: “Take Care,” “Nothing Was the Same” and “Views” amongst them. Throughout his profession, he has had 13 chart-topping hits, including “God’s Plan,” “Work” featuring Rihanna, and “One Dance” with WizKid and Kyla.

The “Hotline Bling” artist was named Spotify’s most-streamed artist of the last decade, won five Grammy Awards, and is commonly credited with ushering in a recent era of hip-hop during which rappers sing while weaving R&B sensibilities into the genre.


This article was originally published on : thegrio.com
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In the Kendrick-Drake dispute, women and other victims of violence are a recurring punchline

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Like everyone else, I maintained perfect attendance during the Kendrick and Drake beef.

I actually have been online at every drop and have been involved in lots of discussions about it on social media. If you would like my opinion, Kendrick won.

Kendrick won, but women and victims of grooming, pedophilia and domestic violence, in addition to children, lost. They lost, as they at all times do, because hip-hop doesn’t care about casualties in the grand scheme of things.

I won’t trouble repeating who said what to whom because there may be enough evaluation like this and you do not need my help to figure it out.

Kendrick has repeatedly accused Drake of being a loser and a skilled makeup artist who actively seeks relationships with young girls and age-inappropriate women.

Drake accused Kendrick of beating his wife and playing father to a child that will not actually be his.

All this stuff were said for the purpose of elevating each other. None of these actions were intended to lift awareness or provide justice for victims. None of these statements were made as a option to mitigate further harm to anyone.

We should not be surprised. After all, hip-hop is legendary for its rampant misogyny and blatant disregard for women.

Dr. Dre notoriously beat Dee Barnes 30 years ago in a nightclub in Hollywood. The beating has turn out to be a running joke and punchline for a lot of rappers, including Eminem and T.I. As Dee herself said on Twitter this weekend, she’s “reduced to a punch line in a song that made millions… and meanwhile I can’t pay the rent.”

Yes, I laughed together with everyone else when Kendrick pulled Drake’s dirty hair, but in some unspecified time in the future during the weekend I sobered up and realized that none of this was funny.

Kendrick writes open letters to Drake’s parents and children it was fun in the moment, but ultimately, what happens when that child (or children?) is sufficiently old to devour this art on their very own and dive deeply into its meanings?

Kendrick tried to stab Drake as over and over as he could, but had he stopped to take into consideration the harm it was doing to that child (or those children?) as well?

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Drake brings up domestic violence allegations against Kendrickbut does he do it because he cares about the safety and well-being of Kendrick’s wife, or does he do it since it helps him in his quest to make Kendrick look worse than him?

And truthfully, each the alleged pedophile and the alleged wife beater are abusers, so is there really a option to make one look higher than the other? Allegedly?

The claim that one of Kendrick’s children is just not his and that his father is in actual fact his best friend and former Top Dawg Entertainment president Dave Free is disgusting in some ways.

First, there may be a layer of him subtly shaming Kendrick’s wife while making the allegations. Even if he didn’t say it out loud, the conclusion is that your wife not only cheated on you, but in addition gave birth to a different man’s child and made you raise it like an idiot.

I would like to ask why raising one other man’s child as your individual is such a bad thing, but then I keep in mind that I exist in the same timeline where grown men openly criticize Russell Wilson for doing exactly that.

Still, Drake is “mad” at Kendrick. Why did Kendrick’s wife need to catch the homeless man?

Women have at all times been the punchline and collateral damage in hip-hop and hip-hop. Think Faith Evans.

When Tupac desired to piss off Biggie, he got the tape and claimed he slept with Faith, who was Biggie’s wife at the time. What did Faith do to deserve this?

Every criticism Kendrick made accused Drake of being a pedophile and a seducer, and while that “A minor” bar hit like hell (I by accident found myself blurting out “A-mollrrrrrrrrrrrrrr unprovoked during the day), is Kendrick attempting to help the victims or is he just embarrassing Drake?

Diddy kerfluffle’s current show shows us in real time that men in hip-hop have long been aware of the violence that women on this culture experience – sexual and otherwise – and are willing to show a blind eye to it until they feel comfortable speaking up .

In this case, Kendrick and Drake are “speaking up” but not “speaking up.”

Everyone laughs except the women and children used as bait.

Everyone is having fun except the victims.

Things appear to have died down since Kendrick released “Not Like Us” and truthfully, I hope it stays that way because we will not keep doing this.

I challenge Kendrick, Drake and anyone else in hip-hop to make a diss track calling out perpetrators of violence to stop further harm to victims.

I encourage Kendrick, Drake and everyone else in hip-hop to carry their peers accountable, and by accountable I mean in a way that forestalls them from harming others – not in a way that simply causes streams to turn out to be diss.

I encourage everyone who is an element of this culture to look at how we participate and engage in these issues.

Ultimately, gladiators fight because the crowd wants blood.

The query is, will it’s the blood of the combatants or the blood of their alleged victims that can ultimately be shed?



This article was originally published on : thegrio.com
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The King of Video Music Remix is Westside Entertainment

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Westside Entertainment,is where the iconic tracks of hip-hop legends like Nipsey Hussle, 2Pac, DMX, Snoop Dogg, and more get a fresh remix. Join me as I reimagine and reinterpret the classics, infusing them with modern beats and innovative production techniques. Get ready for a captivating auditory experience that blends nostalgia with contemporary soundscapes. Subscribe now to celebrate the legacies of these legendary artists and discover a world of dynamic remixes. Westside Entertainment – Where Classics Get Remixed!

#nipsey #tydollasign #tmc #themarathoncontinues #nipseyhussle #new #newmusic #remix #nbayoungboy #youngdolph #lildurk #202 #nas #tupac

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