Anthony Edwards will not be the rapper Andre 3000, but the brand new era of ATLien is proof that the South still has something to say. With his future so promising, protecting Edwards is barely natural. The Minnesota Timberwolves defenseman has probably the most charming personalities in a league stuffed with eccentric stars, while also being one in every of its fiercest competitors. He is an elite talker and predator of the very best order, a ruthless two-way man feat of strengthand aspiring pitchman (including being the brand new face of “Sprit”“Obey Your Want” Campaign.” next to the track star Sha’Carri Richardson). He also owns the most popular basketball shoe in the marketplace, the Adidas Ae 1s. It feels like hyperbole, but the subsequent few months could change Edwards’ life, profession and future.

Rooting for Edwards is simple. There is a sadistic enjoyment of it that runs parallel to the sport that’s, to cite one other Atlanta resident“cooler than a polar bear’s fingernails.” The way Edwards plays is so calm and controlled – yet addictive and explosive – that you simply wonder what his best years will probably be if he gets this good. Since being the highest pick in 2020, he has improved facets of his game each season. But this 12 months, his fourth, Edwards prevailed the proverbial leap. His free throw efficiency increased by almost 7% to 83.6%. His efficiency and playmaking have also improved (his assists have yielded 1,024 points in comparison with place to begin guard Mike Conley’s 1,049 points), and Edwards has firmly taken control of a team that hasn’t seen such success and excitement for the reason that early 2000s from Wolves forward Kevin Garnett and team president Flip Saunders, who was later appointed coach. In Minnesota’s first-round series against the Phoenix Suns, Edwards set a profession playoff scoring record almost along the whole line. Simply put, Edwards is not any longer knocking on the NBA’s door. Now he’s paying off his mortgage here.

“I’m probably at 40%” of his peak form, Edwards said in April in. “I haven’t even touched my peak yet.”

When asked how long it could take for him to turn into the NBA’s best player, Edwards didn’t hesitate. “About two or three years,” he said.

There’s a well-recognized calm about Edwards that may not related to basketball. Each of us has met someone like him sooner or later in our lives. It’s a co-worker, cousin, classmate, or friend whose supreme self-confidence is endearing, not off-putting. At just 22 years old, Edwards is the conductor of the Timberwolves’ offensive and defensive orchestra – the team finished the season because the third seed within the Western Conference, and the one thing standing before the team’s first conference finals appearance in 20 years is the presumptive MVP and reigning champion.

A couple of days before the playoffs began, Edwards laughed as he considered his growing importance within the league. It’s not that he doesn’t care – he really does. He doesn’t struggle with imposter syndrome either. It’s amazing that on the age of twenty-two he has a lot weight on his shoulders.

“It’s great fun,” Andscape said. “I have to be prepared for that because I know it comes with a lot of responsibility off the field.”

Edwards is the photosynthesis of basketball – everyone else gains life from the sunshine his heroism produces. Although the world appears to be in turmoil straight away – from college campuses to conflicts abroad and in our hometowns — watching Edwards offers fleeting but essential moments of happiness. Edwards is that lucky person. Fairly and unfairly, he bears this responsibility.

It’s very easy to protect Edwards because we all know you possibly can’t protect everyone from all the things. Since becoming knowledgeable, he has made mistakes, e.g throwing chairs after a foul loss and using anti-gay language on social media, co for which he later apologized. But most 22-year-olds are different from organizational leaders. Most of them do not need the favorable opinion of NBA legend Michael Jordan I’m joyful to confess it how much they need “kill” the competition after which exit and do it like Edwards just did with Phoenix Suns guard Devin Booker. And most 22-year-olds will not be on the very short list of candidates face multi-billion dollar international sports league. Even though Edwards is one step away from stardom, the road between basketball paradise and fairy-tale hell is razor-thin.

One of probably the most interesting things about Edwards’ story is the way it all materialized. He experienced great grief after the death of his mother Yvette and grandmother Shirley from cancer in 2015 when he was in eighth grade. Edwards he turned this trauma into joy as a tribute to the 2 women who raised him this manner. Is known unconditional protection and love through his siblings who were involved in his upbringing and provided the steadiness that allowed him to grow into the person he’s today. And now Edwards is on the verge of world takeover. After sending their favorite player, the Suns move forward Kevin Durantin the primary round of the playoffs, Edwards now faces probably the most complex challenge of his still young profession: the Denver Nuggets. It’s a rematch of last 12 months’s playoffs and probably the most anticipated second-round clash, with at its core a test of will that tugs on the soul of basketball. One page is run by the very best player on the planet, Nuggets center Nikola Jokic and the playoffs’ best player, guard Jamal Murray – wish to take control of the primary half of the last decade with one other title. On the opposite side are Edwards and the Timberwolves, who’re near basketball nirvana, but they know they need to undergo hell first.

Every game from now until the top of the Timberwolves season could feature a number of the biggest moments of Edwards’ life. After the playoffs are over, the 2024 Paris Olympics will happen, through which Edwards will play a major role — perhaps he’ll even start — in Team USA’s fight for the gold medal. Then there’s the NBA upcoming media rights deal and the way players like Edwards impact the longer term of the league.

Compared to where he was a decade ago, Edwards’ life has modified dramatically in a brief time frame. And in fact he’s still getting used to it.

“Seeing how people treat me, how I interact with kids and seeing their reaction,” Edwards said, gives me goosebumps. “Honestly, I’d say most individuals’s response after they meet me. I never imagined that individuals would cry and be very joyful after they saw me.

“It’s the best feeling ever,” he said, flashing his megawatt, mischievous smile that will at some point join Los Angeles Lakers great Magic Johnson’s as probably the most recognizable smile in the sport.

It’s very easy to protect Edwards because he gives us goosebumps after we watch him play. Since the start of the playoffs, the one player on the team is Lakers forward LeBron James before Edwards’ 100 million views generated on social media. Since Edwards, nobody has gained more Instagram followers for the reason that playoffs began. However, online clout without real-life results is far more of a curse than a present. Minnesota won’t outperform Denver or beyond if Edwards’ cocktail of talent, heroics and tenacity alone is superior. He will need his teammates, whom Edwards praises continually. They share the identical ideology, and the euphoria they pursue demands brotherhood, not dictatorship.

Edwards at all times said this moment was coming. However, living within the moment doesn’t mean being stuck in it. He knows that at some point he’ll get up and be the old guard within the league that everyone seems to be after. The player outside will talk trash to him similar to he did with Durant. And like Durant, Edwards can have to salute him when the time comes. A game is a game, he knows it.

When he thinks about what his life will probably be like when he turns 40, Edwards is each optimistic and anxious. He hopes that the older version will give you the option to inform him that he has done a great job of approaching life the suitable way. Mistakes will occur because no life will probably be complete without them. But hopefully they will not define him. We hope that individual and team successes will proceed. But basketball won’t define him either… let’s hope so.

“Hopefully I can start finding something that I like to do outside of basketball,” Edwards said. “One day I know it will end.”

It’s really easy to protect Edwards because he’s right. The sun sets and the characters finally have to return to terms with the remaining of their lives. For now, nevertheless, Edwards is just getting began and the world does indeed lie before him. All we have now to do is let the story tell itself.

Have a pleasant Friday, my dears – we survived these few days of May. If today’s releases are any indication of what to anticipate for the remaining of the month; then you ought to be excited concerning the next few weeks.

Today’s list of new music starts with Rapsody’s new song “3:AM”. The song features Erykah Badu and helps construct anticipation for her upcoming album. Mary J. Blige also treats the audience to a remix of “Still Believe In Love” featuring Vado, Fat Joe, Raekwon and Jadakiss. The single was created for the Strength of a Woman festival and summit happening this weekend in New York. Willow can also be releasing her sixth studio album, so this time there’s something for everybody.

You can take a look at this week’s lineup of new music below.

Rhapsody ft. Erykah Badu – “3:AM”

Ahead of the discharge of her upcoming album Please don’t cry, North Carolina’s Rapsody releases “3:AM” featuring Erykah Badu. Listen to the new song HERE.

Willow – “empathogen”

Today, Willow releases her sixth studio album empathogen. This release sees Willow move in a new direction after its widely praised 2022 release COPING MECHANISM. Listen to this HERE.

Mary J. Blige ft. Vado, Fat Joe, Raekwon and Jadakiss – “Still Believe In Love” (Remix)

Ahead of the festival and Strength of a Woman Summit, the long-lasting Mary J. Blige returns with a remix of “Still Believe In Love” featuring Vado, Fat Joe, Raekwon and Jadakiss. Listen to this HERE.

Coco Jones – “Here we go (Oh, oh)”

After winning a GRAMMY® Award, widespread critical acclaim and a wave of pleasure this 12 months, powerhouse singer/songwriter and actress Coco Jones returns with a new single, “Here We Go (Uh Oh).” test it out HERE.

Kenyon Dixon – “Still”

“Still” is the primary offering from R&B You Love: The ’99s and ’00s. test it out HERE.

4batz – “you made me st4r”

4 batz he eventually abandoned his debut project You made me St4r Today. Stream the 11-track album HERE.

Kendrick Lamar – “Euphoria”

Earlier this week, Kendrick Lamar responded with “euphoria” to Drake’s “Push Ups.” test it out HERE.

Fireboy DML – “Everyday”

Today, fresh off his Coachella debut, award-winning Nigerian singer-songwriter Fireboy DML unveiled his first solo record of the 12 months titled “Everyday,” marking the following step within the evolution of his sound and himself. Stream the song HERE.

Samara Cyn – “Moving Day”

Rising Samara Cyn releases “Moving Day”. test it out HERE.

BoB – “Steve Harvey”

On Friday, May 3, 2024, multi-platinum artist and producer BoB releases his new single “Steve Harvey”, which is the lead single from the most recent EP in his “Elements” series. Listen to this HERE.

Tiwa Savage – “Lost Time”

From the unique film soundtrack for Water and Garri the talented Tiwa Savage delivers “Lost Time.” Listen to the song HERE.

The phrase “he plays chess, not checkers” is one of my least favorites when it comes to rappers and their back-and-forth. First of all, I just don’t think most individuals, let alone rappers, really think that deep and do not look that far ahead when it comes to an opponent. Plus, I do know a lot more individuals who cannot play chess than can, so most individuals actually play checkers. To quote great philosophers, kings of the Internet: “These are facts after all.”

However, I may have to change that when it comes to Kendrick Lamar Duckworth (aka Kung Fu Kenny) and the current strive is coping with Aubrey “Drake” Graham. At this stage of my life, I try to be as objective as possible in such matters, which was not all the time true. I still cannot listen to MC Eiht in peace because I’ve been a fan of DJ Quik since I used to be 11 years old. God is not done with me yet.

However, when it comes to Kendrick and Drake, I actually don’t see them even swimming in the same pools. I see Drake as a colossus, a pop star who abandoned looking for respectability in “hip-hop” years ago in favor of being the biggest artist in the world. I see Kendrick more as a thoughtful, hermit-like artist who artistically works through his problems and ideas and creates art that we are going to speak about long after his prime. To be clear, they exist many books on the cultural significance of Kendrick Lamar; Drake “wrote” a “book of poetry. This is not the same. I do not want to undersell Drake; he’ll go down in history as one of the best rappers of all time, but that might be due more to his achievements than to his music itself, which I believe most would agree is becoming an increasing number of boring and uninteresting, even when Drake’s popularity continues unabated.

So this beef is interesting. I had no interest in it in any respect through no fault of Drake or Kendrick. Everyone else is into it, including rappers AI and Rick Ross, and the lack of traction on the web has made it less interesting. Oh, and who can forget “The Apology” – I’m sure there might be a psychology class that day. “Yes” it was funny. “Push-ups” it was fun. And then we waited. And then he got here “Euphoria” a clinical, thoughtful, insightful, comprehensive PowerPoint presentation with a transcript that hilariously summarized all the issues anyone with Drake issues have. I’m not a big fan of the whole “Drake isn’t black enough to understand American blackness” thing because he’s Canadian, even when he is he actually said it once from his own mouth. I actually think this is interesting fodder; all of us mixed kids listen to this – trust me. But in love every little thing is permitted, and this is war. “Euphoria” was a workshop in “how to express your opinion” in a way that Drake’s “Push-ups” and even his skills could never do. The sheer number of references and Easter eggs in “Euphoria” make it something value studying.

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If “Euphoria” was a workshop value studying, then so be it “6:16 in Los Angeles” this is what happens when a workshop leader uses a machete as an alternative of chalk. Kendrick REALLY doesn’t like Drake and whatever personal reason inspired Kendrick to show us all what a dead body looks like in musical form.

It cannot be a coincidence that the sample Kendrick is rapping over is the one played by Drake’s “uncle” Mabon “Teenie” Hodges (and his brothers Leroy and Charles) on the album. When Drake’s connections to the American Black experience were questioned, defenders were quick to indicate that Drake had ties to the Memphis soul music scene through his father, musician Dennis Graham, and adoptive uncles who worked with Al Green. Well, the “6:16 in Los Angeles” sample belongs to Al Green “What a Wonderful Thing Is Love” from Al Green’s 1972 album “I’m Still In Love With You”, whose musical staff was none aside from Drake’s uncle Teenie Hodges and company. This cannot be a coincidence, right?

And then Kendrick, who largely identified that nobody in Drake’s camp actually likes him and that he has enough inside information to know who really wants Drake to lose? Writing it doesn’t sound that bad, but listening to the record and the vitriol Kendrick spews lets you see how sincere Kendrick is in trying to put Drake in a bad light. Kendrick’s entire modus operandi at this point is to indicate that nobody likes Drake, that he’s a terrible person, and that, like Kendrick, nobody should like him.

Surprisingly, Kendrick told us he was going to do that on “Euphoria,” where he name-checked Drake “Back to Back” record – one whose impact was more necessary than anything said on the tape, which mainly made Meek Mill look slow and unable to fight Drake – after which he went and did it. Drake’s response took too long and well, here we’re, a dead body.

I’m sure Drake will return with a song soon; he has to. Video clips of “10 Things I Hate About You” is not enough, not considering the level of aggression and contempt Kendrick throws his way. The whole thing is quite funny and I had no interest in it in any respect until “Euphoria” got here out. I can not wait to see what comes next, especially because it highlights the most significant aspect of all this beef that hasn’t been fully unpacked yet:

The disappointing thing is that J. Cole, the most ready to fight of all, caved.