A man is outwardly warning people to think twice before posting a review after receiving an invitation from a restaurant owner for a beating “in the parking lot.”

“I left a negative review of this restaurant on Google and now the owner wants to fight me this Friday,” TikToker adamjuvs shared a video together with his TikTok followers. “And how should I know? Well, he sent me a Google Calendar invite for the following Friday titled “Parking Lot Beatdown Session.” And in the event description it says: “parking lot”. Food shall be served. Sandwiches with pork knuckle.”

“How can you work in a restaurant and misspell the word sandwich?” Adamjuvs asked as a screenshot of an invitation with the word spelled “sandwiches” appeared on his screen.

The call is scheduled for Friday, April 26 at 9:30 p.m., and according to the person requesting the meeting, the scheduled meeting will last roughly one hour.

The call for a fight followed an argument between him and the restaurant’s owner after an worker noticed that Adam and his friend had not finished the food they’d ordered.

“This weekend me and my friend wanted to try new places to eat, so we found this place on Google, 4.3 stars and seven reviews,” he begins in the video. “We get there and the place stinks of shit…”

Despite the unpleasant smell, Adam said he and his friend were still optimistic about trying the food since it was a place that focused solely on food.

“I’m telling you now, it was inedible. It tastes like st. You couldn’t eat it. I wouldn’t even feed it to my ex,” he explained. “But my friend and I are not conflict people. So we just ask the waiter if we can have the check.

The waiter noticed that the couple had not touched the food and asked if everything was OK. Instead of admitting that they didn’t like the food, they told the waiter that they just weren’t that hungry.

“He knew we were lying,” adds Adam. “The next thing we all know… a 6-8, 350-pound NFL linebacker comes up to us and says, ‘Did you not like the food I made?'”

Adam told the owner that the food was good but didn’t suit his taste buds. He says the owner then starts telling them about his story, including his vision of opening a restaurant in the prison. The owner tells Adam and his friend that no one has complained about the food since the restaurant opened, adding, “Perhaps your taste buds will not be enriched and educated enough to appreciate good food.”

The owner’s comments prompted Adam to write a review.

“He’s not disrespecting me at this point,” Adam said. “I am being disrespectful to my mother because these taste buds were formed by my beautiful mother’s cooking.”

After writing a negative review, the owner commented below it: “If you are someone I disagree with, please contact me at this email address. I’ll give you a $100 gift card to the store of your choice.

When Adam reached out, the owner replied, “I knew you were broke… he was going to message me. I won’t give you st!!! “Keep your negative opinions to yourself” before sending a Google Calendar invite to the 3:46 fight.

Adam’s video has since gone viral, with social media users responding that the business owner should have reacted better and not let a negative review turn into something so bizarre.

“This must be a possibility for the owner to respond to the opinion, not to reinforce aggression” – User X replied.

“The funny thing is that everything could have been resolved if he had actually sent a gift card and asked the guest to delete the review in return.” another user X replied.

However, if followers of Adam’s story thought his first video was crazy, things got even crazier as the anticipated fight day slowly approached.

On the morning of the scheduled beating, Adam woke up and received an email containing a YouTube link. The subject of the email was “Important Details.” Adam clicked on a link that took him to an informational video about organizing a funeral.

“For you or for me,” Adam replies to the email.

He then receives a reply from the restaurant owner: “Hahahahaha, see you tonight! I let you get the first punch. Bring a shovel.

“He wasn’t the one who put more effort into the meeting than into the restaurant,” a TikTok viewer commented.

@adamjuvs #seam with @adamjuvs ♬ original sound – adamjuvs

Adam didn’t reveal the name or location of the restaurant, and it’s unclear whether they actually met up to talk, but Adam posted a funny video in which he took back his poor review that left some fans thinking he was being held “hostage.”

The moment every rap fan has been waiting for has finally arrived: on Friday, Kendrick Lamar and Drake’s fight became an atmospheric explosion of songs. The day began with “Lamar”6:16 in Los Angeles“, followed by a seven-minute barrage of Drake “Family matters” which Lamar quickly chased down with a six-minute gut punch titled “Meet the Grahams” The songs showed us two of rap’s biggest stars at their fiercest, most determined to win and at their nastiest. The feud has develop into more personal than expected, and Kendrick’s execution makes it seem to be he landed the toughest blows. This night will be one of the vital unprecedented moments in rap and a fight we are going to discuss for years. However, given the devastating nature of every rapper’s allegations and lyrics, it’s probably time to finish the diss tracks — or at least get back to the type of rhyme battle it began with, if that is even possible.

We’ve been waiting for Kendrick Lamar and Drake to air their grievances for a decade, ever since Lamar called out Drake on Big Sean’s show.Control” in 2013 yr. From then on, the 2 traded subtle blows and it was only a matter of time before a full-blown battle broke out. This fight has all the time featured – think Manny Pacquiao vs. Floyd Mayweather, which boxing fans have been clamoring for for years – two of the most effective on this planet circling one another, while rap fans eagerly await the ultimate showdown. However, unlike a boxing match, Drake and Kendrick come together in great shape. Their jabs are as sharp as ever and their haymakers are still to be feared.

At the start of this battle, it was clear that Kendrick Lamar had a plan. Each song he dropped left a crumb for the later one and a touch that an enormous left hook was waiting. Drake’s responses, especially his poorly performed “Taylor created freestyle”, which used artificial intelligence to imitate the voices of Tupac and Snoop Dogg, seemed more spontaneous and reactive. This tension between calculation and spontaneity came to the fore on Friday, as the day began with Kendrick’s “6:16 in Los Angeles.” He posted the song on Instagram along with a blown-up photo of a pair of Maybach driving gloves and spent three minutes arguing that Drake can’t trust his friends and that he has leaks in his camp. Once again, the song was precise and sent the Internet searching for hidden meanings: Did 6:16 refer to Tupac’s birthday, Father’s Day, Euphoria’s air date, Bible verses, or any other theory hip-hop Reddit could uncover? The song made it clear that Kendrick at least had an idea of ​​what Drake was planning, all because his inner circle wasn’t so internal: “Are you finally able to play have-you-ever?” Let’s see. Have you ever thought that OVO affects me?”

“6:16 in LA” dropped a number of days after Kendrick Lamar’s “Euphoria,” setting two records in a row. This overturned Drake’s most famous victory, his 2015 “Back To Back” moment, during which he released two consecutive songs hating on Meek Mill. Lamar also continued his deep character evaluation and deconstruction of Drake. Still, he felt like he was hiding something, promising that there was something else he hadn’t said.

As the day progressed, it seemed inevitable that we might hear Drake’s response sooner moderately than later. DJ Akademiks, Brian Windhorst, and Drake’s LeBron James all alluded to something happening. And as we approached midnight, a backlash seemed inevitable.

On Friday night, Drake unveiled a seven-minute music video titled “Family Matters,” which featured everyone from Rick Ross to The Weeknd and A$AP Rocky. In a vacuum, this song would be one in every of the strongest diss records of all time, as each of those artists was seriously attacked by Drizzy (“I don’t even know you’re still rapping ’cause they just talk about how you’re fit again,” he says hilariously Rocky). But these were snacks. The song was all the time based on what he was saying to and about Kendrick Lamar.

“Family Matters” is one in every of Drake’s best rap songs of his profession. He knew he was coping with the leading lyricist of our era and he did an incredible job. “They were shaking thinking about what I’d say, but they texted you like, ‘We already won,’” he raps, barking out a command over a beat that explains why he’s greater than just the singing and dancing pop actor he tried out for introduce Kendrick Lamar him as. The song has its share of cringe-worthy moments, an important of which is the road “Always rap like you want to free the slaves” as a pejorative. It’s only a weird phrasing, especially since most of the jabs at Drake center on his relationship with Blackness. It’s also paying homage to his line “beaten and chained like black American slaves” from last yr’s “Slime You Out.”

However, this line was buried by many other notable moments within the song. Drake used “Family Matters” to make several serious accusations against Kendrick, namely that he is abusing his partner and that the daddy of his child is allegedly a longtime associate of Kendrick and business partner, Dave Free. The song had all the things a knockout punch in 2024 requires, for higher or for worse: accusations, tea, lyricism, wit and venom. The song should be the talk of the weekend.

But again, Kendrick Lamar was ready. Just minutes after “Family Matters” premiered, Lamar released his second album of the day titled “Meet the Grahams.” This time, the album cover is the identical as “6:16 In LA”, however the image is zoomed out to point out alleged prescriptions for Ozempic and other drugs disbursed under Drake’s name. The song has a memorable Alchemist beat (the producer supposedly sent it to Kendrick). without knowledge what it will be used for), by which the Compton MC addresses in near whispers all of Drake’s relations, from his son to his mother, father and the alleged 11-yr-old daughter Drake has been keeping a secret.

The song is not nice to take heed to and doesn’t feel like it was meant to be.

Listening to “Meet the Grahams” is like listening to a terrifying voice memo intended for one person to digest. Kendrick begins the song by talking to Drake’s son, Adonis, and tells the 6-yr-old, “Dear Adonis, I’m sorry that this man is your father, I mean it. You need to be a person to be a person, your dad is unresponsive.”

Kendrick makes more revelations and accusations, this time claiming that Drake and his OVO Sound label are involved in sex trafficking. He even compares Drake to Harvey Weinstein. That was it. This was all the things Kendrick had alluded to in his previous songs and it was uncomfortable to listen to. The sheer force and ferocity of “Meet the Grahams” and the timing of the film – which reinforced the assumption that Kendrick had access to people in Drake’s camp – overshadowed Drake’s release.

And it gave the impression of Kendrick Lamar would be the ultimate winner.

Friday’s adrenaline – the largest rap stars swapping records in real time – was exciting. It was one of the vital exciting nights in rap. But when this rush passes, we are going to be left with a harsh reality. The allegations made by the 2 men – domestic violence, sex trafficking and general mistreatment of ladies – are serious. Even more disturbing is when every man’s feigned concern for girls falls apart during questioning. Drake raps like he’s horrified that Kendrick allegedly hits women in the identical song, calls out Chris Brown, and years later defending Tory Lanez, who shot and killed Megan Thee Stallion. Kendrick Lamar may discuss his concern for girls, but it’s not enough when he used his latest album as a option to promote Kodak Black, who was previously accused of raping a highschool student pleading guilty to a lesser charge of first-degree assault and battery in 2021.

Neither man has any moral ground when it involves this matter. They just sound like they’re parading Black women’s trauma to be able to take one another down in a hyper-masculine rap feud. And it will only serve to maintain indignant fans digging up dirt on the ladies whose names are checked in every song, while at the identical time on the lookout for clues to discover an unnamed 11-yr-old girl who may or may not exist.

This is what rap feuds appear to be, with women serving rappers who wish to insult one another. And this is a trope as tiring as it is unnecessary; childish and harmful for no reason. Tupac did it Evans’ faith when he disgusted Biggie. Jay-Z did it Carmen Bryan when he got here to us. And Pusha T did it Sophie Brussaux when he disgusted Drake. Rappers sling mud, reveal dark secrets and deliver the proverbial death blow, and ladies are each the nuclear bomb and the side effect.

If this is the ultimate stage of this argument, then we’ve got seen enough. It’s over, but it’s time to call it anyway. Kendrick Lamar outperformed and outplayed Drake from start to complete – it’s hard to argue with that. But we have also strayed up to now from what we got here here for – battles of lyrics and wit – that there is not any point in continuing.

The heavyweight fight is behind us. We had an evening we cannot forget. If Drake and Kendrick Lamar want to return back to point out who can rap higher, let’s do it. But perhaps we have gone too far into something else, something completely personal, and we do not think the subsequent moves will be fun.

LOUISVILLE, Ky. (AP) – If Larry Demeritte is searching for positive signs ahead of his first Kentucky Derby as a trainer, that is where his horse is assigned.

The longtime West Saratoga competitor resides in Barn 42 at Churchill Downs, the same location that housed Seattle Slew before he won the 1977 Derby and captured the Triple Crown. This was the first Derby in which Demeritte took part.

He is now the second black trainer since 1951 to saddle a horse in the big race, which can be held for the a hundred and fiftieth time on Saturday. The other, Hank Allen, finished sixth in 1989 with the Northern Wolf team.

Black coaches dominated the Derby’s early years, winning seven of the first 17 between 1875 and 1891.

“We are so grateful to be here and enjoy every minute of it,” Demeritte said.

For the 74-year-old from the Bahamas, all the pieces has mattered since he was diagnosed with cancer in 1996 and underwent chemotherapy. His father was a coach in the islands, and Dermeritte still has the accent of his native country, where he was a number one coach for 2 years.

“My motto is: ‘I do not buy low cost horses. I purchase good horses cheaply,” he said with a smile.

The most costly horse in the 20-horse Derby is second-choice morning horse Sierra Leone, purchased for $2.3 million. Purchased for less than $11,000, the West Saratoga stallion is the pride of the 11-horse Demeritte stable at The Thoroughbred Center in nearby Lexington. The stallion earned $460,140.

“He’s getting better with every start,” he said. “I’ve been around a lot of good horses and this horse is really up there with a lot of them.”

This is West Saratoga owner Harry Veruchi’s first derby.

“I bought my first horse in 1982, and two weeks later he won at Centennial Race Track in Littleton, Colorado,” Veruchi said. “I assumed: This is easy. Now, being here, who would have considered it? I do not know anyone who has run in the Kentucky Derby, and even anyone who has won a graded stakes.

West Saratoga is named after the street in Littleton where Veruchi grew up. It is positioned six blocks from the Centennial track, which closed in 1983.

The just one in their group with any Derby experience is jockey Jesus Castanon. In 2011 aboard Shackleford he finished fourth. They set the pace and led at the eighth pole, only to be overtaken by the eventual winner Animal Kingdom.

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“I thought I was going to win it,” Castanon said. “I was going crazy in my mind.”

Demeritte has led horses in the Derby in recent years.

“I’ve been practicing,” he said with a smile. “I used to pray to get to the Derby. I feel blessed with this horse.”

Demeritte looks to the sky on Saturday, when the forecast calls for a 43% likelihood of rain. The gray stallion never ran on a wet track, but his father did. Exaggerator finished second in the 2016 Derby and went on to win the Preakness and Haskell. Both races took place on uneven tracks.

“It’s really amazing how we managed to get this position on this horse,” Demeritte said. “I hope people see our history and take an interest in the sport because this horse proves that anyone with a dream can get on the Derby stage.”