google-site-verification=cXrcMGa94PjI5BEhkIFIyc9eZiIwZzNJc4mTXSXtGRM How the death of Anzac changed the way we mourn to this day - 360WISE MEDIA
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How the death of Anzac changed the way we mourn to this day

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Viktor FarrAND private in the 1st Infantry Battalion, he was one of the first to land at Anzac Cove just before dawn on April 25, 1915.

Victor Farr was 20 years old when he died.
© Commonwealth of Australia (National Archives of Australia) 2024, CC BY-NC-ND

In the chaos, Farr was lost. When the first roll call took place on April 29, he was nowhere to be found. His file was listed as “missing,” which sent every parent right into a blind panic.

It was not until January 1916 that it was determined that Farr had been killed in motion in Turkey between 25 and 29 April. He was 20 years old at the time of his death.

His mother, Mary Drummond, waited in agony for months for any news about her only child. Her initial respect for the authorities gave way to increasingly desperate and offended correspondence. She he wrote: :

Now Lord, I believe it’s your duty (…), when a mother gives up her son (…), when that son is injured, she must have some message.

In October she tried to seek help from her local MP, begging him discover if her son is alive.

However, it was not until 1921, six years after Farr was last seen alive, that the Army admitted that an exhaustive investigation had failed to locate his body. She he replied: :

I just wish you’d tell me, in the event you knew he was buried, my sadness would not be so great.

Farr’s name is carved on a panel on the street Lone Pine Memorial to the Missing in Gallipoli and beyond than 4900 his Australian companions, who also haven’t any known grave.



A heavy price

Nearly half of Australia’s eligible white male population volunteered and enlisted First Australian Imperial Force between 1914 and 1918.

Of the 416,000 who joined, over 330,000 people served abroad. Those over 60 thousand won’t ever come back. These are amongst the highest death tolls of any fighting country in the entire war.

Fallen soldiers at Gallipoli 1915
More than 60,000 Australians won’t ever return.
Leslie Hore/Mitchell Library, State Library of New South Wales

Over 80% the Australian soldiers were single, as was Farr; in some rural communities the rate was about 95%. Thus, the burden of mourning fell on the shoulders of aging parents.

The impact of wartime bereavement on aging parents was enormous. For some, sadness became the predominant theme for the rest of their days. For most of them, this memory haunted them until the post-war years, and for all of them the war became a key event of their lives, after which nothing was the same.



Some were sent to psychiatric hospitals

The physical health of many parents dropped quickly after they discovered their son had died. One example was Katherine Blair. She died unexpectedly at the age of 54 from heart failure on the first anniversary of his son’s death in France.

There is evidence that moms and dads behaved aggressively and contemplated suicide, causing disturbances of public orderand in the face of despair they turn to alcohol.

As I described in my doctoral thesis, many working-class moms and dads ended up in the wards of public mental hospitals similar to Callan Park in Sydney. Some stayed there for the rest of their lives.

Hospital buildings in Callan Park, Sydney
Many bereaved parents were admitted to public psychiatric hospitals similar to Callan Park in Sydney.
Adam.JWC / Wikimedia Commons, CC BY

Psychiatric records I examined from several major psychiatric hospitals showed evidence of delusions, fantasies, and complete denial of his son’s death. Some lost multiple son.

Upper-class families avoided the stigma of public mental hospitals because they might afford visits to private doctors and nursing care at home.

Upper-class fathers specifically appointed themselves guardians of their son’s memory. They devoted enormous amounts of time, effort and funds to lobbying the Australian government to recognize their son’s services and to creating elaborate commemorative books and commemorative artifacts. Perhaps it was the so-called an indication of obsessive griefbut inaccessible to working class families.



How grief has changed

Death and injury during the war affected every part of the country, from cities to villages, from towns to stations.

The scale of the losses was as shocking because it was unprecedented, and it changed the situation permanently culture of mourning internships in Australia.

Funeral services and overt displays of mourning varied by class. Overall, nonetheless, the Australian experience of death in the nineteenth century was based on the traditions adopted in Victorian England – attendance at the deathbed, the funeral service, the gravestone and its inscription, and the physical act of visiting a grave to lay flowers or other memorials. for special occasions.

There was also a custom of wearing mourning black, and in the case of wealthier families, ornate funeral processions were organized through the streets with feathered horses to exhibit the social standing and piety of the deceased.

Funeral procession, Melbourne, early 20th century
At the starting of the twentieth century, these types of funeral processions were very elaborate. But funerals soon changed.
Australian ~mobs/Flickr

However, so as to mourn in the comfort of familiar rituals, two realities were needed – knowledge of how and where their loved one died and the presence of the body.

None of these were available to bereaved people in Australia during the Great War. These established, reliable patterns have been removed.



Instead, with so many individuals grieving, the idea of ​​publicly describing their loss was seen as distasteful and vulgar.

Instead of an ostentatious public display, funerals became private affairs for family and shut friends.

Grief was endured and expressed in the privacy of one’s home, while publicly displaying dignified stoicism. The practice of wearing mourning black fell out of fashion.

estimated 4000-5000 war memorials were erected throughout the country. They became a point of interest in the community where people could honor their dead and remember their sacrifices, something we still see on Anzac Day.

This article was originally published on : theconversation.com
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May the Fourth Be With You: Artist Behind ‘Star Wars’ Black History Month Collection Shares Perspective on Black Superheroes

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Mateusz Manhanini

Today you could hear others give the following greetings: May 4thvol To be with you! That’s because for Star Wars fans, May 4vol is a “catchphrase” like “May the force be with you” utilized by Jedi Masters in the movies.

According to Lucasfilm, the brand’s hometown, the earliest use of the catchy phrase dates back to “1978, one year after release.” This summer, July 4thvol “newspaper writers used the phrase as an Independence Day gimmick.”

However, it was not until the following yr that the phrase was first used across the pond in the UK. Margaret Thatcher, the latest British Prime Minister, took office on May 4, 1979, and once more a journalist “declared in a full-page ad: ‘May the fourth be with you, Maggie.’ Congratulations!'”

This yr, ESSENCE is celebrating Star Wars Day by featuring the work of Mateus Manhanini, the Black artist behind Black History Month Star Wars Collection. Manhanini “brings his unique perspective to the saga’s black heroes and villains, including those from films, TV series, books and comics. Each is featured in an iconic location central to their character, from Greef Karga the Mandalorian and the Nevarro City Arch to Oliviah Zeveron, Jedi Knight from Star Wars: The High Republic, who stands in front of the Jedi Temple on Jedha.” According to StarWars.com.

May the Fourth Be With You: Artist Behind 'Star Wars' Black History Month Collection Shares Perspective on Black Superheroes
Star Wars: Yoda (2022) #4

ESSENCE: Can you tell us more about how this collaboration got here about?

Each yr, Marvel engages in promoting special comics that highlight the stories of traditionally marginalized groups through Marvel’s Voices. So these covers were like a mirrored image of this project, which used Black History Month to spotlight black characters from one in all the biggest sci-fi franchises in the world! There were 10 covers focusing on 10 different black characters from the Star Wars franchise, with their origins depicted in the background, highlighting little-known characters that had recently entered the world, or bringing back the highlight to classic characters that had been in the background.

ESSENCE: What did the experience of rendering these characters mean to you as a Black artist?

An enormous honor! I say this not only due to the weight of the name Star Wars, but because I knew this project was greater than just a set of covers, but additionally a stance, an editorial statement to decisively give a voice to the characters of color in the franchise.

ESSENCE: There has been some backlash against the newly introduced characters of color in the Star Wars universe. Why is representation so essential on this space, and what message do you hope people come away with when viewing your collection?

There is a number of discuss the presence of the black experience in the mainstream pop industry, especially in the science fiction genre. As humans, we have now this special ability to inform stories that help us construct our critical sense, understand what is true and mistaken, create legends and cultures that connect us to other people, and create positive points that help us overcome real personal obstacles . Stories, especially for us as people of color, are a robust tool to practice imagining and reflecting on a greater and more hopeful future, away from the bars and the burden of the effects of structural racism. That’s why science fiction is just perfect at this point, because the possibilities are infinite, our horizons are unimaginable, we will go far beyond what our body can do. In short, what’s incredibly wealthy is that we will have stories that talk to us about other ways of life, experiences, perspectives, and stories that don’t just treat us as mere supporting characters, whether in books, movies, comics or games.

ESSENCE: What message did you ought to convey to people viewing your works from this collection?

I just wanted this project to be a great approach to highlight the importance of getting black characters in the world of Star Wars and science fiction as an entire. We are here, we have now stories to inform, perspectives so as to add, reflections to debate. The greater the diversity of the environment, the more robust, powerful and wealthy it becomes, and this has a direct impact on the way readers begin to perceive life around them from that time on. There is more diversity and never less!

This article was originally published on : www.essence.com
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BLACK ENTERPRISE has put together a mental health resource guide

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Mental health has long been stigmatized within the Black community, stopping many individuals from searching for medical help.

According to the 2021 report American Foundation for Suicide PreventionSuicide has change into the eleventh leading explanation for death within the United States, with nearly 50,000 deaths reported this 12 months alone.

May is Mental Health Awareness Month and BLACK ENTERPRISES raises awareness of our community. Black Americans are more likely than other ethnic groups to experience trauma from racial encounters. It’s time to fight stigma by creating safer spaces where people suffering can share their experiences. In light of the recent spate of Black deaths by the hands of law enforcement officials – which have sparked nationwide protests in the course of a deadly pandemic – it’s now greater than ever needed to maintain your mental health needs.

If you or someone you understand is affected by mental health issues, contact considered one of the organizations below for more recommendations on searching for treatment.

Mental health screening tool https://screening.mhanational.org/screening-tools/

National NAMI
http://www.nami.org/

Mental Health America
http://www.mentalhealthamerica.net/

Black Women’s Wellness Center
https://www.cbww.org/

Directory of Therapy Providers for Black Girls
https://providers.therapyforblackgirls.com/

Anxiety and Depression Association of America (ADAA)
http://www.adaa.org/

National Institute of Mental Health http://nimh.nih.gov/index/shtml

National Suicide Prevention Hotline
https://suicidepreventionlifeline.org/

Black girls’ smiles
https://www.blackgirlssmile.org/

Alliance for Black Mental Health
https://blackmentalhealth.com/


This article was originally published on : www.blackenterprise.com
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People are threatening Raven-Symoné’s wife with death for the strangest of reasons

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Michael Tullberg/FilmMagic

Internet users are offended again and this time, surprisingly, it’s about Raven-Symoné’s wife, Miranda Pearman-Maday. The confusion arose after Pearman-Maday said she didn’t watch Growing Up during a podcast interview with her famous wife. The former child actress played teenage psychic Raven Baxter on the hit series, which premiered on Disney in 2003 and ran for 4 seasons before returning as a spin-off in 2017. Some looked as if it would understand that her wife was saying that I didn’t know who Raven-Symoné was.

The pair appeared online via a video during which they addressed the comments and the unexpected response Pearman-Maday allegedly received from netizens.

“I’m here with Miranda, my wife, to tell you to stop commenting and stop making death threats in her DMs,” the 38-year-old actress and tv personality began. “It’s disrespectful to her and in turn to me. Stop.”

“It really got crazy,” Pearman-Maday continued. “I hope to clear the air now and allow you to all know that I never once said I didn’t know who Raven was. I just said I didn’t grow up watching it.

“I didn’t watch it as a kid. But since I got married and met her in 2015, I’ve seen most of her work,” Pearman-Maday continued. “I worked a lot on this job too,” she added, mentioning that she was behind the scenes to support her partner and was present when she appeared on the TV show.

The star appeared on the talk show in 2015-2016 alongside Whoopi Goldberg, Joy Behar, Candace Cameron Bure, Michelle Collins and Paula Faris.

“I love it,” Pearman-Maday added. “I believe she must have won all the Emmys. I believe my wife is endlessly talented. I support her above all else. For me, she’s just not Raven-Symoné. You must attempt to open your minds slightly and understand that there’s something more behind the stars. There’s real life occurring here and that is why we’re willing to deal with it because I’m getting so much of hate for what is de facto just an enormous spiral of misinformation on the web.”

Internet users reacted in a different way to the video, with some making fun of the delivery. Others empathized with Pearman-Maday, agreeing that fans were doing an excessive amount of.

The couple has been married since 2020, but they met in 2015.

In the caption of a video posted to social media, Raven-Symoné wrote: “Haters will hate and definitely boo BUT don’t spread lies or threaten my wife, marriage or her character. I selected her and all of her…. Stop.”

This article was originally published on : www.essence.com
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