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Generation Z Entrepreneurs Are Redefining the Art of Presenting Their Startups – Essence

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Portrait of smiling African American businesswoman standing in office. Young executive woman wearing casual clothes smiling at camera.

Howard University Black Trade Conference is a practice in the making. Now in its second yr, the event seamlessly blends conventional elements like panel discussions and keynote speeches with modern twists like digital networking and interactive workshops.The Future of Black Entrepreneurship“is an apt title for a multi-generational event that brings together emerging technology entrepreneurs, traditional business owners, and unicorn startup founders.

As an individual participating in an event for the first time, reporting on the event in Maryland’s picturesque National Harbor, I used to be particularly impressed by the confidence and audacity of the many young, enterprising Gen Zers I met, most of whom were recent HBCU graduates. Many of them approached me with creative and polished startup proposals, reflecting a level of confidence and ingenuity that I discovered truly inspiring.

Twenty-seven years old Daryl “DJ” Riley was amongst them. As I used to be leaving the essential stage, he got here over to lend me a helping hand—a gesture that was each practical and appreciated as I descended the stairs in higher-than-usual heels. He then gave me some perceptive feedback on the panel discussion I had just finished before settling seamlessly right into a compelling 30-second presentation of his fashion tech enterprise, Tendaji.

In lower than a minute, Riley identified a necessity, became useful and successfully launched his startup. It was a master class in the art of pitching—one of the few I’ve experienced in Howard University and PNC annual Juneteenth conference.

Desirae Brown, Co-Founder of Soundtrack the Game

If Riley has mastered the art of presentation, then Desirae Brown has an unmatched ability to evoke nostalgia and create warm, positive, good vibes.

One conversation had barely ended before one other began when Brown approached with what looked like a set of three playing cards. Before I knew it, she had drawn me right into a game of hypothetical scenarios, playing on my knowledge of classic episodes, throwing out lines I didn’t know I knew, and workplace simulation involving stolen boxes This got me wondering the way it was possible that “Craig got fired on his day off.”

Founded by Brown and her partner Nigel Dunnthis Game soundtrack has since change into a staple of game nights. “It’s a card game that brings people together through film and song,” she explained. “Basically, you read a script to your family and friends and then have them pick a song from your hand that best fits the script. The goal is to have the entire room singing along to classic songs and reminiscing about their favorite moments from film, television and everyday life.” With a mesmerizing message and a compelling product, Game soundtrack has Aunt Xennial in a chokehold.

“We were able to fully finance our Kickstarter showcasing our offerings to thousands of people during our HBCU Welcome Tour last October. At Bowie State Universitythe first person we approached for our Kickstarter campaign was Everette Taylor, CEO of Kickstarter. That’s after we began refining the approach you saw at HUxPNC,” Brown told ESSENCE.

After making a successful prototype and raising over $15,000 on Kickstarter, the team gained recognition as a semifinalist for Pharrell Williams’ Black Ambition Prize and won idea competitions from Black Girl Ventures and A project for THEM

Daryl “DJ” Riley Jr., Founder of Tendaji

Graduate North Carolina A&T StateRiley has grown his brand inside the HBCU community: “Tendaji was initially born out of our senior designer project while my co-founders and I Stanton Ridley AND Walls of Jordan“time for Hampton University.” The brand combines technology with fashion. “The inspiration came from our desire to create something that would stand out in both industries,” Riley explained. “That’s where the idea for the solar-powered wireless charging jacket came from.”

As the founders navigated funding rounds, Tendaji won the Future of Fashion component of the iCON pitch competition, part of the Forbes Under 30 Summit. They went on to earn recognition, awards, and support, including a $20,000 HBCU Track Prize from Pharrell Williams’ Black Ambition initiative. Currently in the prototyping phase, Tendaji will officially launch its products later this yr.

It’s no wonder the modern project has been so successful. Riley’s storytelling is genuinely engaging. “Creating an effective elevator pitch in a constrained environment comes down to clarity, authenticity, and understanding your audience,” he tells ESSENCE. “The goal is to connect with your audience on a personal level.” And it clearly worked—as this profile shows.

Equally endearing is his commitment to community and his desire to construct things up as he lifts weights. At lunches and galas that followed, I met his classmates, his girlfriend, and even his cousin—all of whom were equally enterprising and impressive.

For young business owners and startup founders like Brown, Dunn, and Riley, urgency is essential. But there’s a nice line between persistence and pushiness; navigating it could possibly mean the difference between getting support and turning potential backers away. For aspiring founders attempting to master that balance, these Gen Zers offer invaluable insights into authenticity and crafting a pitch that aligns together with your brand while playing to your strengths.


This article was originally published on : www.essence.com
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Health and Wellness

“Get Lifted” by John Legend (twentieth Anniversary Edition) [Interview] – Essence

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Photo credit: Danny Clinch

When John Legend unveiled his debut album in 2004, he couldn’t have predicted the extraordinary legacy it could construct over the following 20 years. Now, with the discharge the singer returns to the project that launched his profession and redefined the boundaries of R&B, hip-hop and neo-soul. Available now, the digital Deluxe Edition offers fans a refreshed tackle timeless classics with remixes, rare tracks and collaborations that bring latest energy to the music.

The twentieth Anniversary Edition includes 11 bonus tracks, including remixes from iconic artists equivalent to Tems, Killer Mike, Lil Wayne, Simi and Black Thought. Two previously unreleased songs – “Do What I Gotta Do” and “Just In Time” – offer fans an intimate look into Legend’s creative process during this era. The album’s revival doesn’t end there; will even be available as 3LP vinyl in 2025, and all copies are signed by Legend.

Reflecting on the challenges of making an original album, the award-winning artist recalled the struggles of an aspiring artist trying to search out their sound. “I wrote a lot of this album when I wasn’t signed, so the big challenge was just figuring out what would work to give me a chance to get the music out there,” he explains. . “I’ve been trying to get a record deal for over five years, but record labels were turning me down both left and right.”

It was only when Kanye West took a likelihood on Legend and signed a contract with GOOD Music that all the pieces began to alter. Working with West and touring together opened doors for the University of Pennsylvania graduate. That same yr, he signed a record take care of Columbia and was able to hit the shelves. The album’s breakout single “Ordinary people” became the anthem that defined Legend’s artistry. “When it finally came out and made it work the way it did, especially with my second single, it was really beautiful to see it start to connect and connect with people,” she tells ESSENCE.

On the occasion of the anniversary edition, Legend collaborated with artists who provided a refreshing atmosphere to Legend’s debut – but remixes aren’t just repetitions of original songs. “I’m a fan of every artist we asked to be a part of the remix,” says Legend. “They have new beats, new energy, new vibes and of course new guest artists. It really brought a fresh perspective to music and excited me to reconnect with music.”

was a breakthrough album for the Ohio-born artist, combining multiple genres in a timeless and groundbreaking way. “I felt like it happened when neo-soul was already at its peak, so in a way it was almost like my reaction to neo-soul,” Legend reflects. “We also combine hip hop and gospel and create something fresh.” Legend’s commitment to songwriting is a thread that runs deep through his work then and now.

The physical format of music, especially upcoming vinyl releases, also plays a big role in maintaining the impact of the unique album. “There will always be people who want to hold something, read the sleeve notes, and play vinyl on their record players at home,” Legend states. “Especially when you’re celebrating an anniversary like this, it’s nice to have a commemorative thing that you can keep. This album means something to people because they remember 20 years ago when they started listening to it and what it meant to them then.”

Rekindling the magic of a pioneering debut, it also stands as a testament to Legend’s enduring craftsmanship. The album stays a masterclass in musical storytelling, connecting generations of fans and proving that great music, like great artists, only gets higher with time.

This article was originally published on : www.essence.com
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US communities phase out fluoride use in public drinking water

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fluoride, water


There is a battle raging in American cities over whether to proceed using fluoride in water.

This is a process generally known as fluoridation that began around 1945. According to to the American Cancer Society became popular across the country after scientists noticed that individuals living in water with higher concentrations of fluoride had less tooth decay.

In 1962, the U.S. Public Health Service (PHS) advisable adding fluoride to public drinking water supplies to forestall tooth decay. The American Cancer Society estimates that fluoride is currently used in public drinking water supplied to roughly three in 4 Americans.

However, opponents have been warning for years that fluoride in drinking water is unsafe to devour. One of the organizations leading this initiative is Fluoride Action Network (FAN). The organization, whose mission is to lift awareness of what it claims is the “toxicity of fluoride compounds,” says many of the world’s developed countries don’t use fluoride in drinking water at the identical levels as America, or in any respect.

The organization says yes it helped over 500 communities successfully reject fluoridation, and there could also be more.

Federal leaders have gotten increasingly vocal in their support for ending the use of fluoride

While FAN says communities have rejected fluoridation for the past few a long time and the method has stalled in consequence, the fight has been thrust into the highlight over the past few months.

First, the National Toxicology Program, a federal agency throughout the Department of Health and Human Services, reported with “moderate certainty” that there may be an association between communities with higher levels of fluoride exposure and lower IQ in children. According to the Associated Press, these communities use greater than twice the advisable limit.

A month later, a federal judge apparently ordered the U.S. Environmental Protection Agency (EPA) to further regulate fluoride in drinking water because higher levels could affect children.

Robert F. Kennedy, nominated by President-elect Donald Trump to direct the Department of Health and Human Services, announced an end to fluoridation.


This article was originally published on : www.blackenterprise.com
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WATCH: Cynthia Erivo on the importance of being a sister – Essence

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This article was originally published on : www.essence.com
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