Halloween should still be 30 days away, but Janelle Monáe can have just won. Not only does the singer and actress host AMC’s annual “FearFest,” but she was officially crowned its “HalloQueen.”

IN trailer for the annual horror show released on Monday, Monáe returns to his signature tuxedo style for this 12 months’s installment of the horror classic.

“Behind these doors is a month-long celebration of your favorite frights: FearFest,” the “Antebellum” actress begins within the trailer, before introducing a spread of upcoming titles including “Halloween,” “Child’s Play,” “Carrie,” “The Shining.” ” and more, totaling over 700 hours of content.

According to AMC’s announcement, Monáe will likely be present throughout the month-long event, “sharing her love of the genre, her favorite thrillers, and showcasing her knowledge of horror music and musical skills.”

On AMC+, viewers may also watch a variety of Monáe-curated movies, dubbed Janelle Monae’s “FearFest,” including “An American Werewolf in London,” “Candyman” (1992), “The Fly,” “Killer Klowns From Outer Space,” “Lord puppets”, “Jeepers Creepers” and more. The award-winning artist and performer promised that viewers can have an excellent time.

“Gather your friends and get ready because this ride is going to be terrifying,” she said in the discharge.

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She added that her passion for spooky seasons is “rooted” in who she is – from growing up watching horror movies with her cousins ​​to getting nosebleeds from smiling to kill Halloween to Halloween in stunning costumes.

Monáe said People Magazine the hosting gig gave the look of an “organic fit.” Especially in the event you know me and my love for Halloween and horror movies.

Growing up, one of her favorite characters to play was Chucky from Child’s Play.

“I would wear (the mask) around school and then come home and sleep with it on,” she recalled to People. “And then someone stole it and I do not know what happened after that. I never got it back.

In recent years, she has celebrated Halloween as Diva Plavalaguna from The Fifth Element, the Grinch, decapitated bride Annie Bellum, Jekyll and Hyde, The Mask, Willy Wonka and even Chucky.

“Halloween and transforming into characters makes me happy,” she said, noting that talking in regards to the holiday lowers her cortisol levels.

She added: “The rest of the world is finally realizing and giving themselves permission to be stupid, gory, scary, angelic – whatever that means, you’re giving yourself permission to experiment.”

I’m an enormous fan of Natasha Rothwell. Full stop. She was my absolute favorite character on Insecure because she was in a few of my absolute favorite scenes on the show. In fact, when things don’t go my way, I often tell people to “remember me differently” as a nod to the scene where Rothwell’s character, Kelly, was tasered at Coachella and peed herself. Even now, I laugh so hard I tear up watching that scene. I’ve felt like she needed her own TV show since “Insecure,” so when the promo for her upcoming Hulu show, “How to Die Alone,” aired, I used to be 100% on board.

The series, which premiered on September 13, follows Melissa (Rothwell), a New York JFK airport worker whose life is pretty average until she has a life-changing experience that makes her want something more for herself. That “desire” includes her decision to take her first flight — a vacation to Hawaii to attend the marriage of her boyfriend, Alex (Jocko Sims), with whom she is in love and whom she pushed away so he wouldn’t have a probability to leave her. The solid of characters is rounded out by other JFK airport employees who’ve various degrees of importance in Mel’s life.

And then there’s her brother Brian, played by Bashir Salahuddin, who was absolutely HILARIOUS as Officer Goodnight on Southside. In considered one of Mel’s attempts to regain a few of her own joy, she finally ends up on a dating site, meets her brother (who’s married) there, and starts cheating on him, which leads to an episode that takes place on Thanksgiving and is absolutely flawless.

As of this writing, the series has aired six episodes (the last being the Thanksgiving episode, “Let Fear Win”), and I’ll say right away what I didn’t want to say out loud until now: the series began very slowly, and I used to be very, very concerned. Of course, unless it’s absolutely essential, I don’t like to be overly critical of black creative art; as anyone who knows my love for artists like Ray J can attest. I normally find joy within the existence of black art and creativity, and can largely at all times default to the actual fact that something exists, no matter how good or bad it is. This includes anything written, directed, and produced by Tyler Perry, which I once called the scariest thing within the history of cinema.

The thing is, I’m an enormous Natasha Rothwell fan and I wanted the show to be amazing because I need everyone to love her work as much as I do. I wanted to watch the primary 4 episodes (all of them got here out the identical day) after which scream at the highest of my lungs that everyone had to watch the show. But I couldn’t do that. The first few episodes were largely boring and uncomedic, even in the event that they tried to be. It felt like something was missing and since I don’t like to badmouth dark art, mind you, I just decided to keep quiet. I used to be fully prepared to only talk about the show once I met up, which happened, and see what other people thought. It seems I wasn’t alone; the few people I spoke to who had seen it felt the identical way I did, and I saw almost no gossip about it on any of my social media apps. It was just like the show didn’t exist in any respect; I wondered if anyone else was doing the identical thing I used to be; Natasha Rothwell appears to enjoy 100% support among the many black community.

And then got here episodes 5 and 6 — “Trust No One” and “Let Fear Win” — and the character development of Mel and the people round her began to construct. The fun went up a number of notches, and the show seemed to be picking up steam. Episode 6, as I discussed, was on one other level of quality. Brian and Mel’s super-controversial relationship was on full display in a really familiar way, with just the appropriate amount of comedy and solid writing. Now I’m here, waiting for the following batch of episodes, because “How to Die Alone” now seems like the show I used to be hoping for all along. Maybe it’s my fault for expecting something amazing right off the bat, but 4 episodes looks as if enough to gauge where the show might (or may not) be headed. But I’ve talked to other people who find themselves also watching, and, well, it looks as if we’re all feeling the identical way again. The consensus is that we’re all cooking up gas right away.

Now that I can breathe a sigh of relief and say: “he’s a good man, Savannah” (on this case “How to Die Alone” could be Kenneth; although I assume that’s true on this case), I’m excited. I even went back and rewatched earlier episodes; that’s where I’m at with this show now. Natasha Rothwell impressed me a lot along with her work on Insecure that I used to be waiting for her probability, and he or she took advantage of it and placed on a superb show that I hope gets a probability to really take off.

Now I’m fully invested within the book How to Die Alone and I hope many other individuals are as well.

If you’ve got made it this far, you are probably only watching to see who dies at the top of the show. We’ve got TWO episodes left and I don’t know how that is going to finish. I do not actually have a clue anymore. The amount of bad decisions each predominant solid member makes is astounding.

For example, Cane goes to marry Noma to be the front man for her American business interests. That cannot end badly, right? Honestly, for many of the show, Cane has mostly been the one whose moral compass has never wavered — he’s a soldier who’s in it to win until he dies. He kills those that must die and operates solely by the code of the road. His motivations are clear. Everyone else is actually in limbo, though.

But Cane marrying Noma is just… weird. I get it from Noma’s perspective, but for the lifetime of me I am unable to understand what Cane gains from this arrangement, apart from trying to indicate Noma that he’s willing to do anything for her, but he never appeared to need that confirmation. Monet and Tariq are equally confused (as is Davis) and I even have to say I’m in the identical boat as them. Effie is correct to finish things with Cane at this point, since he’s still attempting to play either side together with her and Noma. (Also, Effie’s mother randomly showing up on Stansfield’s campus asking for money? In episode eight? A brand new plot? WHY!?!!) Again, for a cat who has mostly all the time appeared to be on the appropriate side of the sport, this marriage to Noma is weird. Maybe the marriage will get shot down or something, but Cane, man, is doing higher.

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Speaking of people that need to enhance, Brayden must be put out of his misery. He’s a MAVEN of bad decisions. So he already got high and ruined his girlfriend’s band’s night by forcing her band to finish their relationship that allowed them to sell drugs at shows. Dude Stokely said it well: “I don’t know if we have fans or if we have friends!” Anyway, Brayden’s girlfriend overdosed on fentanyl-laced cocaine and ended up within the hospital, which began a CHAIN ​​of bad decisions for Brayden. First, he called Tariq so that they could find the guy who sold her the bad coke… “to scare him.” They ran off to scare the guy, and Brayden shot him. Obviously, bad idea. But to make matters worse, he went back to the hospital where his girlfriend woke up from her coma AND TOLD HER THAT HE’D EFFECTIVELY MURDERED THAT GUY.

Le sigh. Tariq can have to kill Brayden in some unspecified time in the future, and truthfully, it will be the appropriate thing to do.

Poor Diana is attempting to get pregnant with Tariq again to fill the void in her heart. I’m not even sure what else to say about that. Obviously she’s going through a really traumatic time in her life, so she has grace at her disposal, but Diana, you damsel in distress, just stop! Especially because Monet and Tariq are cold-blooded; when talking about Diana’s struggles, they were each like, “She’s got to deal with this, but what about Carter!!! How do we get him out of here?!” They each appear to recover from their loss pretty quickly.

Carter someway turned Felicia’s murder right into a automobile accident, which does not sit well with the remaining of the unit. But if there’s one thing Carter has shown us, it’s that he’ll make more out of a nasty situation. His solution to most problems appears to be to shoot himself out of it. Forget about cleansing up, just kill people. That’s why Brayden suggested Tariq not go to war with the NYPD, because, you understand, the NYPD has tens of 1000’s of cops, and Tariq has… Brayden? I hate them a lot. Well, mostly Brayden.

Speaking of Carter and the drug game, Dru is currently running some cases and doing pretty much. I do not think that is going to finish well for him. I do not know why, but he cannot make it to the top of the last episode, can he? Carter has the upper hand on Noma due to Davis, Tariq, and Monet, and is near getting all the data he must do MORE damage. Davis is in a critical phase and puts Noma on high alert, organising what may very well be an epic battle between Carter and Noma, but, I mean, could it? Nothing is sensible and all the things remains to be on the table.

Look, at this point I am unable to determine what I need to do with Tariq. It looks like he might go to jail due to the tape Carter has, but I’m assuming there is a universe where Tariq licks hundreds of thousands of dollars in money or something, goes after his mother and Rayna, after which they move to Mexico perpetually.

I do not know, but I really like the ridiculousness of it. It’s not that I won’t stop watching this show, it’s that I am unable to stop watching this show. Uff, chile.

(*4*)