Film
7 Very Serious Thoughts About Lee Daniels’ Very Frivolous Film ‘The Deliverance’
There’s a certain joy that comes with being often called someone who not only watches but additionally enjoys all types of dark cinema. I’m the sort of person whose movie suggestions (no matter platform) are inclined to play people for whom IMDb is more prone to be a street name or a song title than a spot to store credits. That’s to not say I don’t watch high-end movies—shoutout to Tyler Perry—but I also like movies that go well with low-vibe discs.
That said, it took me some time to observe Lee Daniels’ latest film, The Deliverance , which is now available on Netflix. It’s in regards to the Jackson family from Pittsburgh, Pennsylvania, who move right into a haunted house. Andra Day plays Ebony Jackson, a cruel alcoholic whose children’s souls are taken over by demons, forcing Ebony to battle her own inner demons to avoid wasting her family.
Despite my tendencies as a non-horror fan, people who find themselves similarly into blackness and intrigue — and particularly black intrigue — still suggested I watch the movie. So I finally did, and baa …
And yes, I realize this movie is “based on a true story.” I’ll bet you money that people whose life story it inspired me to observe this movie and i discovered myself asking the query “whose man is this?” several times while watching, assuming the reply was yes because this movie is frivolous.
There could also be spoilers.
1. This movie shouldn’t be a horror movie. It’s a comedy pretending to be a horror movie.
Look, I’ve seen some really scary movies. “The Deliverance” shouldn’t be. In fact, I just burst out laughing SEVERAL times while watching this movie. The quotes alone (considered one of which I could not post here without several layers of acceptance) made me laugh. I just kept WAITING for a member of the Wayans family to make an unexpected appearance. While this movie is unquestionably not for youths, it is also not a scary movie that should be watched with all of the lights on.
2. Andra Day is each one of the best and worst actress on this movie.
There were parts of the movie where I felt like she was going to get nominated for an Oscar; her Philly accent alone made me look up her bio because I knew she was actually from California (she is). And the best way she ran as much as the fellows on the corner who were messing together with her kid?? Brilliant. But then there’s the remaining of the movie, where, you recognize, the fabric is the fabric. And I assume she did one of the best she could. Horror movies are inclined to focus more on the end result than the journey, however the parts of that journey were stuffed with struggle. She gave it her all within the “liberation” scenes, so between laughs I said, “Go Andra Go!” I assume that counts for something.
3. Why was Glenn Close even on this movie?
So in real life, the Ammons family that this movie relies on is a black family from Gary, Indiana. Lee Daniels decided to make Ebony Jackson’s mother, Alberta (Glenn Close), a white woman who only dates black men, and I suppose that’s… realistic? By the best way, Daniels may be very happy with himself. He even went to date as to call the character Alberta “part of the fabric of the community.” Girl, I assume. But character aside, why the hell was she even there? I do know actors love a challenge, but, um, I do not understand how she saw the script and thought, “This is the part I’ve been waiting for.” Maybe the payoff was undeniable. Kudos to Andra Day and Glenn Close; their involvement is crucial to the success of this film. Same goes for Aunjanue Ellis, who also stars within the film.
You know what…
4. “The Deliverance” made me think in regards to the worst movies I’ve seen starring probably the most talented actors.
This movie stars Andra Day, Mo’Nique, Omar Epps, Aunjanue Ellis, Glenn Close, and Caleb McLaughlin. I’m not saying it must have been an Oscar-winning movie, considering all of the forged, but I do not know, I just felt prefer it had… more to supply than it did. When the movie was over, I felt more like, “Well, that’s changed,” than “I can’t wait to watch that again.” For the record, I won’t ever watch this movie again. I do not know what the fitting answer to that query is, the primary worst movie, but stuffed with talent that I can consider is “Kingdom Come” but perhaps that is considered one of those situations where I’m the issue because my talent meter is screwed up by the flicks I watch.
Movie
5. Pastor Bernice James (Aunjanue Ellis), the person performing deliverance, is bad at her job.
Pastor James follows Ebony and her kids around attempting to work out in the event that they need Jesus. It seems they do, and while talking to Ebony, she offers her services. She mentions when she tried to do deliverance work on the family in the home where Ebony lives, and it didn’t work; the demonic presence was too strong. Well, this woman tracked Ebony all the way down to try again and failed AGAIN. That house beat her twice. I’m sure she’s an excellent pastor. In one scene, we see her driving her congregation crazy. We also see her being choked by an invisible spirit and dragged across the ground. House: 2, Pastor James: 0. I’m slightly out of it, so perhaps she was killed (I’m not going to return and discover), but she definitely failed and left Ebony to complete the job.
6. There was a greater title for this movie that might have higher met expectations: “Ebony Got Her Kids Back.”
Even though it’s somewhat based on a real story, it is absolutely a fantasy. The story is inspired, but there may be a major distance between the actual life events and this. At one point within the movie, Ebony loses her children to the system. Ebony shouldn’t be one of the best mother and if it wasn’t for the proven fact that her kid’s father is deployed to Iraq or elsewhere, I’m sure they’d be with him because the quantity of things occurring around Ebony is sufficient to make ANYONE take those children away from her. Her own daughter is nervous that she’s going to return to prison.
Anyway, when the movie ends and after Ebony pulls the demon out of her youngest son (come on Ebony!), she’s within the kitchen with Mo’Nique, who plays a lady assigned by a government agency to observe over their family for the sake of the youngsters. Somehow Ebony thinks she’s going to get her kids back. I don’t know why she would think that is an actual thing. I imagine those kids can be sent anywhere but to her. But unfortunately, when the movie ends, a line comes across my screen that claims, “Ebony got her kids back.” Man. First of all, no way. Second of all, despite the possessed kids, it looks like she needs a while to work on herself.
Anyway, when that sentence appeared on my screen, I believed to myself, “Ebony Got Her Kids Back” can be a greater title for the movie. It would definitely put me within the scheme of things. I do not know, watch the movie and tell me what you’re thinking that. I feel I’m right.
7. I don’t know if this movie is price watching or not.
There are movies that I’ve advisable people watch because their plots are top-notch. This is not it. I do not feel like watching this movie again. At the identical time, I understand why my community kept suggesting it to me. It’s considered one of those movies that you simply want people to observe so you’ll be able to discuss how funny it’s. It’s not the worst or funniest movie I’ve ever seen—you recognize who dominated the market in that genre—however it’s about an hour and a half long and it isn’t scary, and also you get to see Glenn Close in a task that does not make sense in the event you really know who she is. She also says a two-word phrase that I’m pretty sure is the one time she’s ever said it in her life, and that is essential. So I do not know, I am unable to put a reputation to it. Like, if you’ve nothing else to do, turn it on. If you’ve other things to do, perhaps turn it on if you’re done.
Or you’ll be able to do as I do and do all of it for the culture, which I feel is nearly as good a reason as any.
Film
Serena Williams and Ruth Carter are producing a biopic about Ann Lowe, the black designer who created Jacqueline Kennedy Onassis’s wedding dress
American Fashion’s “Best Secret” is about to get a major highlight because of Serena Williams and Ruth Carter.
A tennis champion and a legendary costume designer team as much as create a biopic about the late obscure fashion designer Ann Lowe.
While her name may not evoke recognition amongst most, for her life she was answerable for dressing a few of the country’s most distinguished families, including the Rockefeller, Roosevelt, Du Pont and Whitney families.
Lowe, who is from Clayton, Alabama, grew up in a family of seamstresses who learned the skill during slavery and maintained the trade after slavery ended.
According to The Hollywood ReporterSony’s Tristar Pictures has acquired the pitch for the project titled “The Dress.” The story centers on how Lowe, who managed to develop into the first black woman to own a store on Madison Avenue, was also commissioned to design the wedding dress that Jackie O wore in her 1953 wedding to John F. Kennedy.
Williams and Caroline Currier will produce nine two six productions, Williams’ production company launched in 2023. Carter, meanwhile, will executive produce and is signed on as the film’s costume designer.
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The film’s script, which might be written by Micah Fitzerman-Blue and Noah Harpster, writers of Mister Rogers’ “A Beautiful Day in the Neighborhood,” might be based on Piper Huguley’s novel “By Her Own Design.”
Little has been written about Lowe, although lately each historians and fashion industry insiders have begun to light up her story and a profession that has spanned 40 years.
In September 2023, the largest exhibition dedicated to her and her work opened at the Winterthur Museum, Garden and Library in Delaware.
Elizabeth Way, assistant curator at the Museum at the Fashion Institute of Technology, wrote of Lowe in the Financial Times: “As a designer, Lowe was prolific and influential. Women who wore their dresses were admired and in the public eye, inspiring broader trends. Most of her designs were for traditional events, but she was modern in the conventions of those conservative occasions. Her work is meticulously crafted in a tradition of workmanship handed down from a unprecedented lineage of Black American women. ”
(Tagstotranslate) Black designers (T) Entertainment
Film
Queen Latifah is working on a biopic about her life with Will Smith
Dana Elaine Owens, higher known by her stage name Queen Latifah, is preparing to direct a feature film based on her life story, starring Will Smith.
On ThursdayHarbourView Equity Partners, founded by Sherrese Clarke Soares, has announced plans to develop a “series” of hip-hop biopics Instagram post.
“We are thrilled to join forces to produce a slate of hip-hop biopics featuring these powerhouse acts, starting with Queen Latifah’s story. More to come,” the post reads.
People Magazine reports that the project might be made in collaboration with Latifah’s Flavor Unit Entertainment partner Shakim Compere, Smith’s Westbrook Studios and Jesse Collins Entertainment. Smith will produce.
“We all came into this industry together, and hip-hop has shaped each and every one of us. Hip-hop’s influence has transcended the music and left a lasting impression on the culture and society as a whole,” Latifah, 54, and Compere said in a statement, based on People.
She added: “It’s a dream come true to collaborate with friends and colleagues who not only share our understanding but also can tell the stories that have been the backdrop of our lives.”
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Latifah, a native of Newark, New Jersey, first entered the entertainment industry as a rapper in 1989, releasing her debut album, “All Hail the Queen.” She also began her acting profession in 1991 in Spike Lee’s movies “Jungle Fever” and “House Party 2,” before starring within the cult classic film “Set It Off” in 1996 and on the hit sitcom “Living Single,” which aired from 1993 to 1998. Over the course of her profession, she has released seven studio albums, including a jazz album. She has won a Golden Globe, an Emmy, and a Grammy. Latifah most recently starred within the CBS series “The Equalizer,” which has been airing since 2021.
Neither Smith nor Latifiah are recent to biopics. Latifah played Bessie Smith in HBO’s jazz singer biopic “Bessie.” Smith has since played Muhammad Ali in “Ali” and Chris Gardener in “The Pursuit of Happyness.”
According to Hollywood ReporterSmith added in a statement: “When you bring talented people and teams together, you can create something truly special.”
“I’m thrilled to be working with Flavor Unit, Jesse Collins Entertainment and HarbourView to highlight the incredible stories of some of our favorite artists and icons,” he continued. “There’s no better story to start with than Queen Latifah, an undisputed legend who has entertained and inspired us for so many years.”
Film
Denzel Washington Hands Over Reins to Son Malcolm to Bring August Wilson’s ‘The Piano Lesson’ to the Big Screen
TORONTO (AP) — August Wilson’s “The Piano Lesson” has an insightful tackle the subject of ancestry and heritage, making the latest film adaptation, produced by Denzel Washington and directed by his son Malcolm, a family affair.
“The Piano Lesson,” which premiered Tuesday at the Toronto International Film Festival, is Washington’s third in an ongoing effort to bring Wilson’s plays to the screen. The film follows “Fences” and “Ma Rainey’s Black Bottom” and, like those movies, features several strong performances from actors, including Danielle Deadwyler as Berniece and John David Washington, Malcolm’s older brother, as Berniece’s brother, Boy Willie.
In Thirties Pittsburgh, Boy Willie arrives at his sister’s home with plans to sell a family heirloom, a piano engraved by their ancestors who took it from a slave. In the heartbreaking family drama that follows, Berniece, Boy Willie, and others (Samuel L. Jackson, Michael Potts, and Ray Fisher) grapple with the haunting shadow of slavery and the burden of their family legacy.
“There are so many legacies that come with it,” says Malcolm Washington. “I think it’s part of our responsibility, when you’re in a position to make a film like this, to honor that and to keep that alive. We’re here because so many people fought and sacrificed and worked to give the next generation a chance. This film and its story are ultimately so much bigger than my family.”
Malcolm, 33, sat next to his older brother and Deadwyler just a few hours before the premiere of “The Piano Lesson,” which Netflix will release on Nov. 8 after which stream on Nov. 22. As the interview was wrapping up, Denzel Washington burst into the room.
“It all started with me,” Denzel jokingly declared, as the other three howled with laughter. “Then I had two sons, and before I knew it, I was unemployed!”
Denzel, joined by his producing partner Todd Black, said it was his son’s idea to direct “The Piano Lesson.” The 2022 Broadway production was based on Wilson’s Pulitzer Prize-winning play with much of the forged, including John David.
“Malcolm said he had an idea,” Denzel recalls. “He said, ‘Let me put something together.’ So he made a short film. I looked at him like, ‘Wow, OK. You want to make a film? This is great, make a film.’”
But Malcolm didn’t immediately resolve to do it. He told his father, “Let me see if I can watch the movie first.” He began working on the script and eventually co-wrote it with Virgil Williams (“Mudbound”).
“At first I was like, ‘Watch the movie?’ But now I get it,” Denzel says. “He’s a real filmmaker. He took his time and didn’t jump right in.”
While John David, the 40-year-old star of “BlacKkKlansman” and “Tenet,” has established himself as a significant actor in Hollywood, Malcolm, a graduate of the American Film Institute’s directing program, is just entering the highlight. “He knew what he wanted,” Black says. “And he wasn’t afraid to connect with people who knew more than he did.”
Throughout the making of “The Piano Lesson,” Denzel largely kept his distance, allowing Malcolm to do his work. Yet his passion for Wilson’s art permeated the entire production.
“He’s a huge fan of August Wilson, and it’s a really important part of his legacy to continue telling August’s story,” Malcolm says. “His main thing with all of us was to keep that focus: We’re here to honor one of our greats.”
“The Piano Lesson” is a Washington family film in other ways, too. Malcolm and John David’s mother, Pauletta Washington, plays Mama Ola. The film is devoted to their mother.
“I started with the clear idea that it was about fathers and sons,” Malcolm says. “As we were making the film, I just started seeing this mother-daughter story, and my mom is a huge inspiration to me. I’ve always seen my mom as connected to Berniece’s story.”
Malcolm’s sisters are also involved. Olivia Washington plays Mama Ola as a young woman, and Katia Washington is an executive producer. Ironically, their father, Denzel, is nearly the only person in the family not in the film. But Malcolm, wanting all the members of the family to be represented in the film, asked his father to take part in a brief voiceover.
“Am I in this?” Denzel asks. “I recorded something. I didn’t get credit. Did I get credit? I don’t think so!”
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