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A documentary exploring the mental health of black youth

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A latest documentary directed and produced by Bo Olagbegi addresses the issue of mental health amongst Black youth in the Denver area. The documentary, titled “Voices Unheard: Breaking the Silence on Mental Health in the Black Community,” was discussed during a panel discussion at the film’s April 25 premiere.

According to reports, Olagbegi is impressed with the youth profiled in the documentary, and in addition highlighted the have to empower young people to inform their very own stories about mental health. “It’s high time we stopped silencing them and thinking they have to be in the child’s shoes,” Olagbegi said. “While making this documentary, I just heard how important it was for young people to actually have someone to talk to and not be judged, classified, etc. And as for the 78 percent increase, which is the highest rate in our community in the number of young people and suicides… I hope this will be a wake-up call and a stimulus to take action.”

Jason Shankle, a therapist and CEO of Inner Self and Wisdom and executive director of the Coalition for Black Health and Wellness, told the outlet that more Black mental health experts would help alleviate the stigma around mental health care, especially amongst Black men. “We need more Black mental health professionals,” Shankle said. “I understand that you just are doing what was before you – we’ve got rappers, we’ve got athletes and things like that. I do not forget that when I made a decision to develop into a therapist, I didn’t meet a black therapist until I used to be 32 years old.

Shankle continued: “Seeing a black therapist matters, it really matters. I have dated many Black men. Ninety percent of the Black men I date say, “It’s been my whole life.” This is my first time in my life sitting in therapy. That’s not to say that white people can’t do it, but I will say that there is cultural competence and there are certain areas where white people can’t do it. In some cases, it is a members-only club. In this respect, we need to be more aggressive in the healing process.”

For Tyree Williams, the principal character of Olagbegi’s documentary, his outward appearance masked the silent war he was waging inside his own mind. His mother, Laticia Cunningham, mentioned in the documentary that although her son was at all times smiling and joking, he also struggled with inner turmoil. Williams, a highschool student in the Denver area, died by suicide at the age of 17.

Tyree’s path was completely different,” Cunningham recalled in the documentary. “I’m ten years old, I’m at work – I work two jobs – and he spends time along with his brother who’s seven years older than him… He was still blissful in the world, but inside he had his own struggles and he just had an excessive amount of lots of free time… and that is where I began to notice more struggle.

Cunningham continued: “My daughter was in a traumatic automotive accident. From the conversations we had in his 17-year-old head, it appeared like he didn’t see any way he could survive this. Fighting this problem was an excessive amount of for him. He lost trust in the school, he lost trust in adults who should help young people.”

Derek Hawkins, dean of students at Martin Luther King Jr Early College, also discussed how socioeconomic conditions in America help young people develop into lost in the pursuit of survival. “To feel like ending your life is the best choice, you have to really see, ‘What are these kids going through?’ What is the inadequacy? Where is the lack of love? Why don’t we understand that life is more than fifteen, sixteen, seventeen years?” Hawkins said.

Hawkins continued: “This is an epidemic among our children and it is something that everyone – not just schools – should pay attention to. They have no love at home. Mom and dad work two or three jobs because it’s too expensive to live in this country right now. We expect our young children to do something that will help them rise up in a world that is against them. This is not right. The whole thing needs renovation.”


This article was originally published on : www.blackenterprise.com
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Health and Wellness

Yvette Nicole Brown’s glamorous bachelorette party was a star-studded affair

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Yvette Nicole Brown is sort of ready for her big day, and her girls are by her side to assist her rejoice her upcoming nuptials.

Brown will soon marry actor Anthony Davis, Brown, 53, celebrated on Nov. 17 with a lavish wedding reception along with her closest friends and sorority sisters at Inglewood’s only Black-owned winery, 1010 Wine & Events. This star-studded event was planned by William P. Miller and hosted by legendary black actresses reminiscent of Vanessa Bell Calloway Lela Rochon Fuqua Kym Whitley, who was also the “Shower Master of Ceremonies.”

The party’s theme was “Our Pearl Found Her Diamond” and paid tribute to Brown’s beloved sorority, Alpha Kappa Alpha, and its signature pearls and diamond engagement ring. Brown became a proud soror of Alpha Kappa Alpha Sorority 30 years ago when she graduated from the University of Akron in Ohio, where she became a member of the Delta Pi chapter.

The guest list included several of Brown’s famous friends from Black Hollywood’s elite circle, including Kim Fields, Essence Atkins, Holly Robinson Peete, Wendy Raquel Robinson, Cree Summer Francks and Yvette Lee Bowser.

The ladies rejoiced with the music of DJ Candice Manier, original SV Vodka cocktails and a cake created by Southern Girl Desserts. They also made pearl jewelry, played games, and watched a video with sweet messages and photos.

For Brown, having her friends’ support down the aisle “means everything.”

“I think most of them were or are married. I know a few of them have been at least proposed,” Brown says. “This is my first everything. It’s exciting to be able to sit at their feet and hear their opinions on various topics, and to be able to tell me what they think about it all.”

We cannot wait for Brown to tie the knot along with her beau next month.

This article was originally published on : www.essence.com
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Health and Wellness

“Get Lifted” by John Legend (twentieth Anniversary Edition) [Interview] – Essence

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Photo credit: Danny Clinch

When John Legend unveiled his debut album in 2004, he couldn’t have predicted the extraordinary legacy it could construct over the following 20 years. Now, with the discharge the singer returns to the project that launched his profession and redefined the boundaries of R&B, hip-hop and neo-soul. Available now, the digital Deluxe Edition offers fans a refreshed tackle timeless classics with remixes, rare tracks and collaborations that bring latest energy to the music.

The twentieth Anniversary Edition includes 11 bonus tracks, including remixes from iconic artists equivalent to Tems, Killer Mike, Lil Wayne, Simi and Black Thought. Two previously unreleased songs – “Do What I Gotta Do” and “Just In Time” – offer fans an intimate look into Legend’s creative process during this era. The album’s revival doesn’t end there; will even be available as 3LP vinyl in 2025, and all copies are signed by Legend.

Reflecting on the challenges of making an original album, the award-winning artist recalled the struggles of an aspiring artist trying to search out their sound. “I wrote a lot of this album when I wasn’t signed, so the big challenge was just figuring out what would work to give me a chance to get the music out there,” he explains. . “I’ve been trying to get a record deal for over five years, but record labels were turning me down both left and right.”

It was only when Kanye West took a likelihood on Legend and signed a contract with GOOD Music that all the pieces began to alter. Working with West and touring together opened doors for the University of Pennsylvania graduate. That same yr, he signed a record take care of Columbia and was able to hit the shelves. The album’s breakout single “Ordinary people” became the anthem that defined Legend’s artistry. “When it finally came out and made it work the way it did, especially with my second single, it was really beautiful to see it start to connect and connect with people,” she tells ESSENCE.

On the occasion of the anniversary edition, Legend collaborated with artists who provided a refreshing atmosphere to Legend’s debut – but remixes aren’t just repetitions of original songs. “I’m a fan of every artist we asked to be a part of the remix,” says Legend. “They have new beats, new energy, new vibes and of course new guest artists. It really brought a fresh perspective to music and excited me to reconnect with music.”

was a breakthrough album for the Ohio-born artist, combining multiple genres in a timeless and groundbreaking way. “I felt like it happened when neo-soul was already at its peak, so in a way it was almost like my reaction to neo-soul,” Legend reflects. “We also combine hip hop and gospel and create something fresh.” Legend’s commitment to songwriting is a thread that runs deep through his work then and now.

The physical format of music, especially upcoming vinyl releases, also plays a big role in maintaining the impact of the unique album. “There will always be people who want to hold something, read the sleeve notes, and play vinyl on their record players at home,” Legend states. “Especially when you’re celebrating an anniversary like this, it’s nice to have a commemorative thing that you can keep. This album means something to people because they remember 20 years ago when they started listening to it and what it meant to them then.”

Rekindling the magic of a pioneering debut, it also stands as a testament to Legend’s enduring craftsmanship. The album stays a masterclass in musical storytelling, connecting generations of fans and proving that great music, like great artists, only gets higher with time.

This article was originally published on : www.essence.com
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Health and Wellness

US communities phase out fluoride use in public drinking water

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fluoride, water


There is a battle raging in American cities over whether to proceed using fluoride in water.

This is a process generally known as fluoridation that began around 1945. According to to the American Cancer Society became popular across the country after scientists noticed that individuals living in water with higher concentrations of fluoride had less tooth decay.

In 1962, the U.S. Public Health Service (PHS) advisable adding fluoride to public drinking water supplies to forestall tooth decay. The American Cancer Society estimates that fluoride is currently used in public drinking water supplied to roughly three in 4 Americans.

However, opponents have been warning for years that fluoride in drinking water is unsafe to devour. One of the organizations leading this initiative is Fluoride Action Network (FAN). The organization, whose mission is to lift awareness of what it claims is the “toxicity of fluoride compounds,” says many of the world’s developed countries don’t use fluoride in drinking water at the identical levels as America, or in any respect.

The organization says yes it helped over 500 communities successfully reject fluoridation, and there could also be more.

Federal leaders have gotten increasingly vocal in their support for ending the use of fluoride

While FAN says communities have rejected fluoridation for the past few a long time and the method has stalled in consequence, the fight has been thrust into the highlight over the past few months.

First, the National Toxicology Program, a federal agency throughout the Department of Health and Human Services, reported with “moderate certainty” that there may be an association between communities with higher levels of fluoride exposure and lower IQ in children. According to the Associated Press, these communities use greater than twice the advisable limit.

A month later, a federal judge apparently ordered the U.S. Environmental Protection Agency (EPA) to further regulate fluoride in drinking water because higher levels could affect children.

Robert F. Kennedy, nominated by President-elect Donald Trump to direct the Department of Health and Human Services, announced an end to fluoridation.


This article was originally published on : www.blackenterprise.com
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