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Quincy’s Hip Hop Jones – Andscape

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However, Jones had no intention of repeating his previous business glories, 75 million albums sold and 13 of the 28 Grammy Awards he won within the Eighties. Jones envisioned an idea album that might mix black musical expression, from Zulu choral songs, jazz and gospel to R&B, funk and the latest member of the family, hip-hop.

Just just a few years earlier, Jones had planned an unlikely collaboration in 1987 between Jackson, nicknamed the King of Pop, and Queens, New York hip-hop group Run-DMC on an anti-drug song called “Crack Kills” that was never realized. above the bottom. Jones believed that rap, a young and controversial art form, deserved a seat on the table. So in the summertime of 1989, he invited hip-hop artists Melle Mel, Ice-T, Kool Moe Dee and Big Daddy Kane to a recording session in Los Angeles. Eyebrows rose.

The uncompromising rappers were actually out of line An excellent American songbook luminaries reminiscent of Ray Charles, Miles Davis, Herbie Hancock, Dizzy Gillespie, Ella Fitzgerald and Sarah Vaughan. – What are we going to do with this s…? The 4 MCs wondered aloud after Jones played them the New Jack Swing title track, Melle Mel recalled in a 2001 book. The Master calmed them down. “Stretch,” Jones said. “It’s about solving the mind, not polluting the mind, about staying authentic on the streets and true to yourself.”

For Ice-T, the godfather of West Coast gangsta rap, Jones’ signature was powerful. “As rappers, we don’t get as much respect from the music community.” Ice-T said in the course of the premiere of the documentary in 1990. “But now when someone of Quincy’s caliber says, ‘Yo, rap is hot… all you losers need to leave it alone now.’ “

Jones saw hip-hop as a full-fledged, legitimate movement. In 1986, he threw his son, rap fanatic Quincy Jones III, a surprise party at Canastel’s restaurant in Manhattan. Everyone from Run-DMC, LL Cool J and the Beastie Boys to The Fat Boys, Roxanne Shante, Whodini and Kurtis Blow were in the home.

“It was clear then – at least to some of us – that rap had made its mark on our culture,” Jones said, looking back. “This was our newest baby and she was here to stay.”

From left to right: Take 6 evangelistic group, Quincy Jones III, Siedah Garrett, Tevin Campbell, Al Jarreau, Quincy Jones and Kool Moe Dee, February 10, 1990

Raymond Bonar/NBCU/NBCUniversal Photo Bank

For Jones, this wasn’t a cheeky attempt at being a cool dad. When he saw his son’s wide-eyed meeting of tight-knit MCs, he was reminded of the primary time he met his bebop jazz heroes 35 years earlier, who, just like the burgeoning hip-hop scene, faced opposition from social activists, politicians and law enforcement.

This was the golden age of hip-hop, producing artists reminiscent of Eric B. & Rakim, Too $hort, Salt-N-Pepa, Public Enemy, NWA, De La Soul and Queen Latifah. Rappers went platinum and sold out arenas. Critics and fans praised the youthful genre for its dynamic wordplay, unfiltered urban social commentary, and groundbreaking use of a production technique called sampling. Critics of rap have described it as the perfect noise for youth and, at worst, a threat to the community.

But Jones saw the longer term of hip-hop. And it went beyond music. Impressed by the witty comedic rhymes and Middle American charm of 21-yr-old rapper Will Smith, one half of the double-platinum Philadelphia duo Jazzy Jeff & The Fresh Prince, Jones asked Smith to check out for a starring role in a brand new comedy series he was executive producing for NBC.

“Rap is not the main thing,” Jones told the magazine in 1990. “If you eliminated rap, the premise wouldn’t fall apart. But rap gives you the purest street consciousness.” became a rankings hit and launched Smith on the trail to becoming one in all Hollywood’s most profitable movie stars.

Left to Right: Actor Will Smith, Music/TV Producer Quincy Jones and Singer Al B. Sure! on set October 20, 1990 at Columbia/Sunset Gower Studios in Hollywood, California.

Ron Galella, Ltd./Ron Galella Collection

Jones wasn’t done. In 1993, he co-founded the magazine, a glossy hip-hop publication that gave rappers like Snoop Doggy Dogg, TLC, OutKast, Master P, The Notorious BIG and Lil’ Kim the identical serious, long-read gravitas as ’70s white rockers. Jones along with his magazine’s biggest cover star, Tupac Shakur, nevertheless, was more complex.

When Shakur was interviewed by the magazine in 1993, – he rushed at Jones regarding his relationships with white women and having “f**ked up children.” “I wasn’t happy at first,” Jones said in 2012. “He attacked me for having all these white wives. And my daughter Rashida, who went to Harvard, wrote a letter to separate him.

Things eventually took a positive turn when Shakur met Jones’ daughter, Kidada (the couple later became engaged). “I remember dropping Rashida off at Jerry’s deli one night, and Tupac was talking to Kidada because he had fallen in love with her,” Jones recalled in an interview. “Like an idiot, I walked up to him, put my hands on his shoulders and said, ‘Pac, we need to sit down and talk, man.’ If he had a gun, I would be finished. But we talked. He apologized. We became very close after that.”

Jones remained one in all hip-hop’s strongest defenders even after the deaths of two of hip-hop’s brightest stars. In 1997, he wrote an impassioned editorial condemning the murders of Shakur and The Notorious B.I.G. as “senseless” and calling the East Coast-West Coast rap war a “sad farce”. But when a reporter asked Jones about negative criticism of hip-hop, he responded.

“Condemning hip-hop is tantamount to condemning two generations of our youth, and it is a far-reaching indictment that we cannot allow.” he said. “It hurts the situation more than it helps.”

Over the years, Jones’ relationship with hip-hop has remained close. He appeared within the music video for Wu-Tang Clan’s 1997 song “Triumph” and wrote the music for 50 Cent’s 2005 film. After his death, tributes poured in from hip-hop artists praising the person who embraced the culture.

“,” Jones rapped within the prologue to the song, which sold 3 million copies and won seven Grammy Awards, including album of the yr in 1991. Melle Mel, Ice-T, Kool Moe Dee and Big Daddy Kane won a Grammy for best rap performance performed by a duo or group.

Mission achieved.

Keith “Murph” Murphy is a senior editor at VIBE magazine and a frequent contributor to Billboard, AOL and CBS Local magazines. The veteran journalist has appeared on CNN, FOX News and A&E Biography, and is the writer of the lads’s lifestyle book “The XO Manifesto.”

This article was originally published on : andscape.com
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Fans are declaring that Katt Williams is now Tyler Perry’s “Nemesis” after the comedian purchased a former military base just like Perry once did for his studio

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November 23, 2024

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Katt Williams is now, no less than partly, considered a Hollywood whistleblower, but he desires to be known for calling the shots.

According to reports, the Emmy-winning actor and comedian is doing just that after purchasing a property that will house his own film studio.

“I can’t reveal the amount or the exact location yet, but I can confirm that he purchased a former military base in Alabama,” Williams’ publicist Amy Sisoyev confirmed. AL.com.

Katt Williams follows in the footsteps of Tyler Perry and buys a former military base to launch his production studio. (Photo by Tommaso Boddi/Getty Images for Vulture; Emma McIntyre/Getty Images for Academy Museum of Motion Pictures)

Various media reports, equivalent to the outlet mentioned above, focused on Fort McClellan in Anniston, which was listed for sale for $1.5 million. The 3-million-square-foot property includes 10 barracks, several buildings and 90 acres of flat, undeveloped land.

Williams was reportedly a frequent visitor to the purchase. “This is a visionary endeavor and we look forward to the evolution of this historic site under his leadership,” said Connie Alexander, Luxe Group broker representing the seller.

The comedian first revealed his plans to grow to be a Tyler Perry-like mogul in a recent interview GQ published on November 20.

Regarding his plans for the studio, the Money Mike actor said: “It’s not fair that we’re putting this much pressure on Tyler Perry. There’s only a lot he can do.”

Earlier this 12 months, the billionaire entertainment mogul was amongst the celebrities named in Williams’ explosive “Club Shay Shay” discussion with host Shannon Sharpe.

Perry, a producer and director who also writes all of his projects, purchased most of the former Fort McPherson military base in 2015. The 330-acre installation positioned in southwest Atlanta is currently home to Perry’s state-of-the-art Tyler Studio.

The “Madea” star movies his shows and films on campus, which also rents out its quite a few sound stages to outside productions. Perry’s name got here up as Williams addressed a rift between him and fellow comedian Rickey Smiley over a decades-old film role.

The stand-up comedian told Sharpe: “I signed a contract saying I won’t work with Rickey Smiley again unless he’s in a dress. What was Rickey Smiley’s next movie? Was this the “first Sunday”? Was he wearing this dress? I bet you do; it’s in my contract. In this respect, he is a credible actor. He and Tyler Perry cannot play man to save lots of lives. They are played by good women and I imagine that the best actor should play the best role.

These demeaning words resurfaced as social media users reacted to news of the takeover. “The same guy who said that TP is now doing….nvm” – we read in certainly one of them tweet.

Second user he stated“Good for Katt. I’m glad they’re learning from Tyler Perry, the man in the dress. Tyler was first, he’s 50 now (it wasn’t a former military base, but you get the idea) and Katt. Continue to use your dress money to set an example for Tyler. “I can’t wait for Katt to introduce the community.”

50 Cent had the honor of getting his day in Shreveport, Louisiana after purchasing several properties, including G-Unit Film & TV Studios.

And the third individual he tweeted“Anti-tyl3r Perry and I feel that Katy will allow new, new BLACK talent to tell their stories here too, instead of being the only one making videos here.” But much more wrote messages congratulating Williams on his business enterprise.

At least one person saw the Emmy winner’s entry into the executive entertainment sphere as a likelihood to bring recent talent to the forefront.

“Please hire new writers and production staff. “This could be a really innovative move for Black filmmakers,” this person said he wrotethis sentiment was echoed by Loni Love after Perry’s “Black Divorce” premiered on Netflix.

“I love that Tyler is now paying black actors. “I wish he had hired black writers and directors with experience to help him with his films,” she wrote in X in July.

At this time, it is unclear when Katt Williams will begin to make progress in transforming military land. In the meantime, fans can expect to see him on the road again starting in January with his “Heaven on Earth” tour.


This article was originally published on : atlantablackstar.com
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Widow of Stephen ‘tWitch’ boss Allison Holker slammed for dating a white boy after years of naive comments about raising children in white communities

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November 23, 2024

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Allison Holker, widow of Stephen “tWitch” Boss, is clearly living her best life along with her recent man, but some fans aren’t too completely happy along with her.

On November 20, Holker posted a photo of her and her boyfriend Adam Edmunds embracing in what appears to be a street. She wore a dark dress with matching heels while her lover kept it casual in light pants and a dark shirt.

Stephen “tWitch” Boss’s widow, Allison Holker, is being slammed for finding love again two years after losing her husband. (Photo: @sir_twitch_alot/Instagram)

She wrote: “Thankful and happy! @adam.edmunds” in the caption.

Before dating Edmunds, Holker was on target to succeed in 10 years of marriage to “So You Think You Can Dance” star Stephen “TWitch” Boss. The couple met in 2006, but only made their relationship public in 2012. They married a yr later, in 2013.

However, Boss tragically committed suicide in December 2022, leaving Holker with two children and a stepdaughter with Holker.

Since her soft begin to her relationship with Edmunds, Holker has faced criticism about her leaving the Boss too quickly.

One person commented on this topic post“I frolicked in her shoes. My husband committed suicide a month after Twitch, which was almost 2 years ago, and I can not even imagine being in a relationship with someone that quickly. I even have two daughters who lost their dad and that is what I’m focused on without delay.”

Another one that responded in a different way said, “Can I just remind everyone who says ‘she moved on quickly’ that the marriage vows are ’till death do us part’ and NOT ’till death do us part’ you then will likely be sad for 10 years.” I can move on! Be completely happy for her. She has someone who will love her again and people beautiful girls of hers. If you possibly can’t be completely happy for her then possibly don’t comment…. I’m just saying…”

But another person felt concern for Holker’s two mixed-race children, Maddox, 8, and her 5-year-old daughter Zaia, whom she had with Boss.

The commenter, who is seemingly also a white woman with mixed children, said: “Why do so many WW have black children and then choose WM? I hope you teach your children about their culture and the reason…jmo.”

This is a topic that Holker considered. She and Boss were interviewed on “Entertainment Tonight” in 2020, when the Black Lives Matter movement was at its peak. Two parents expressed it their younger children were too young to grasp, regardless that Holker’s oldest daughter, Weslie Fowler, 16, asked questions and talked to her adolescent friends.

Holker even admitted to being “naive” about the subject at times because he grew up in a “very white community.”

But she said, “It’s time for us to tear down these walls. We have to open our eyes (to the fact) that this is really happening,” Holker said. “Just saying you’re not racist is not enough. We need to join in and help, because we are all in this fight. This is our world. This is the human race and we all need to be together and united.”

Later, the creator, entrepreneur and Boss said they might discuss the subject with their children after they become old. Holker continued: “We have mixed children and we would like to share this recommendation, this role and this education with them. “I think we’re not just educating our kids, but we really just want to educate others.”


This article was originally published on : atlantablackstar.com
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Lil Wayne, GloRilla and more will headline the Atlanta college football concert series

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9 hours ago

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November 23, 2024

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Lil Wayne, GloRilla, Lil Wayne and GloRilla, Lil Wayne GloRilla AT&T Playoff Playlist Live!, Lil Wayne Glorilla State Farm Arena, AT&T Playoff Playlist Live!, college football concert series, Lil Wayne Glorilla college football concert, theGrio.com

LOS ANGELES (AP) — Lil Wayne, GloRilla AND Camila Cabello are preparing to make their presence felt during the holiday concert series leading as much as the college football national championship game.

On Thursday, it was announced that the hit makers will headline the AT&T Playoff Live! will begin on January 18 at State Farm Arena in Atlanta. The two-day series will happen before National College Football Playoff Championship January 20, the same day as the presidential inauguration and Martin Luther King Jr. Day.

“The incredible line-up for this year’s AT&T Playoff Live playlist! will deliver an unforgettable experience in Atlanta where sports and music thrive together,” said Mark Wright, vice chairman of media services and sponsorships at AT&T. “It’s a great way to kick off the championship weekend and keep fans excited, regardless of which team they support.”

Hip-hop stars Lil Wayne and GloRilla will take the stage on January 18. Singers Camila Cabello, Myles Smith and Knox are expected to perform on January 19.

Along with a series of live shows, country music artists Kane Brown and Ashley Cooke will perform in the Allstate Championship Tailgate, which will kick off the game day festivities. The tailgate performance will happen in front of Mercedes-Benz Stadium at Georgia International Plaza and The Home Depot Backyard.

Championship game ticket holders will have access to the tailgate concert.

Playoff Playlist Tickets Live! the series will go on sale on November 25 at 10:00 a.m. EST.

Previous performers in the concert series include Lenny Kravitz, Jack Harlow, Latto, Saweetie, Pitbull, Doja Cat, Usher, Meghan Trainor and Sting.

This article was originally published on : thegrio.com
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