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Quincy’s Hip Hop Jones – Andscape

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However, Jones had no intention of repeating his previous business glories, 75 million albums sold and 13 of the 28 Grammy Awards he won within the Eighties. Jones envisioned an idea album that might mix black musical expression, from Zulu choral songs, jazz and gospel to R&B, funk and the latest member of the family, hip-hop.

Just just a few years earlier, Jones had planned an unlikely collaboration in 1987 between Jackson, nicknamed the King of Pop, and Queens, New York hip-hop group Run-DMC on an anti-drug song called “Crack Kills” that was never realized. above the bottom. Jones believed that rap, a young and controversial art form, deserved a seat on the table. So in the summertime of 1989, he invited hip-hop artists Melle Mel, Ice-T, Kool Moe Dee and Big Daddy Kane to a recording session in Los Angeles. Eyebrows rose.

The uncompromising rappers were actually out of line An excellent American songbook luminaries reminiscent of Ray Charles, Miles Davis, Herbie Hancock, Dizzy Gillespie, Ella Fitzgerald and Sarah Vaughan. – What are we going to do with this s…? The 4 MCs wondered aloud after Jones played them the New Jack Swing title track, Melle Mel recalled in a 2001 book. The Master calmed them down. “Stretch,” Jones said. “It’s about solving the mind, not polluting the mind, about staying authentic on the streets and true to yourself.”

For Ice-T, the godfather of West Coast gangsta rap, Jones’ signature was powerful. “As rappers, we don’t get as much respect from the music community.” Ice-T said in the course of the premiere of the documentary in 1990. “But now when someone of Quincy’s caliber says, ‘Yo, rap is hot… all you losers need to leave it alone now.’ “

Jones saw hip-hop as a full-fledged, legitimate movement. In 1986, he threw his son, rap fanatic Quincy Jones III, a surprise party at Canastel’s restaurant in Manhattan. Everyone from Run-DMC, LL Cool J and the Beastie Boys to The Fat Boys, Roxanne Shante, Whodini and Kurtis Blow were in the home.

“It was clear then – at least to some of us – that rap had made its mark on our culture,” Jones said, looking back. “This was our newest baby and she was here to stay.”

From left to right: Take 6 evangelistic group, Quincy Jones III, Siedah Garrett, Tevin Campbell, Al Jarreau, Quincy Jones and Kool Moe Dee, February 10, 1990

Raymond Bonar/NBCU/NBCUniversal Photo Bank

For Jones, this wasn’t a cheeky attempt at being a cool dad. When he saw his son’s wide-eyed meeting of tight-knit MCs, he was reminded of the primary time he met his bebop jazz heroes 35 years earlier, who, just like the burgeoning hip-hop scene, faced opposition from social activists, politicians and law enforcement.

This was the golden age of hip-hop, producing artists reminiscent of Eric B. & Rakim, Too $hort, Salt-N-Pepa, Public Enemy, NWA, De La Soul and Queen Latifah. Rappers went platinum and sold out arenas. Critics and fans praised the youthful genre for its dynamic wordplay, unfiltered urban social commentary, and groundbreaking use of a production technique called sampling. Critics of rap have described it as the perfect noise for youth and, at worst, a threat to the community.

But Jones saw the longer term of hip-hop. And it went beyond music. Impressed by the witty comedic rhymes and Middle American charm of 21-yr-old rapper Will Smith, one half of the double-platinum Philadelphia duo Jazzy Jeff & The Fresh Prince, Jones asked Smith to check out for a starring role in a brand new comedy series he was executive producing for NBC.

“Rap is not the main thing,” Jones told the magazine in 1990. “If you eliminated rap, the premise wouldn’t fall apart. But rap gives you the purest street consciousness.” became a rankings hit and launched Smith on the trail to becoming one in all Hollywood’s most profitable movie stars.

Left to Right: Actor Will Smith, Music/TV Producer Quincy Jones and Singer Al B. Sure! on set October 20, 1990 at Columbia/Sunset Gower Studios in Hollywood, California.

Ron Galella, Ltd./Ron Galella Collection

Jones wasn’t done. In 1993, he co-founded the magazine, a glossy hip-hop publication that gave rappers like Snoop Doggy Dogg, TLC, OutKast, Master P, The Notorious BIG and Lil’ Kim the identical serious, long-read gravitas as ’70s white rockers. Jones along with his magazine’s biggest cover star, Tupac Shakur, nevertheless, was more complex.

When Shakur was interviewed by the magazine in 1993, – he rushed at Jones regarding his relationships with white women and having “f**ked up children.” “I wasn’t happy at first,” Jones said in 2012. “He attacked me for having all these white wives. And my daughter Rashida, who went to Harvard, wrote a letter to separate him.

Things eventually took a positive turn when Shakur met Jones’ daughter, Kidada (the couple later became engaged). “I remember dropping Rashida off at Jerry’s deli one night, and Tupac was talking to Kidada because he had fallen in love with her,” Jones recalled in an interview. “Like an idiot, I walked up to him, put my hands on his shoulders and said, ‘Pac, we need to sit down and talk, man.’ If he had a gun, I would be finished. But we talked. He apologized. We became very close after that.”

Jones remained one in all hip-hop’s strongest defenders even after the deaths of two of hip-hop’s brightest stars. In 1997, he wrote an impassioned editorial condemning the murders of Shakur and The Notorious B.I.G. as “senseless” and calling the East Coast-West Coast rap war a “sad farce”. But when a reporter asked Jones about negative criticism of hip-hop, he responded.

“Condemning hip-hop is tantamount to condemning two generations of our youth, and it is a far-reaching indictment that we cannot allow.” he said. “It hurts the situation more than it helps.”

Over the years, Jones’ relationship with hip-hop has remained close. He appeared within the music video for Wu-Tang Clan’s 1997 song “Triumph” and wrote the music for 50 Cent’s 2005 film. After his death, tributes poured in from hip-hop artists praising the person who embraced the culture.

“,” Jones rapped within the prologue to the song, which sold 3 million copies and won seven Grammy Awards, including album of the yr in 1991. Melle Mel, Ice-T, Kool Moe Dee and Big Daddy Kane won a Grammy for best rap performance performed by a duo or group.

Mission achieved.

Keith “Murph” Murphy is a senior editor at VIBE magazine and a frequent contributor to Billboard, AOL and CBS Local magazines. The veteran journalist has appeared on CNN, FOX News and A&E Biography, and is the writer of the lads’s lifestyle book “The XO Manifesto.”

This article was originally published on : andscape.com
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An attempt to save the image of Jeff Bezos’ future wife backfired after weeks of outrage and ridicule over her skimpy outfit

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10 hours ago

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December 9, 2024

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Lauren Sánchez has apparently gained a popularity for her fashion hits and misses as social media users began following her every move.

Billionaire Jeff Bezos’ current fiancée stepped into the highlight long before she met the Amazon co-founder, after years spent as co-host of “Good Day LA,” a reporter for “Extra” and host of “So You Think You Can Dance,” and he even starred in a number of movies like “Ted 2.”

She faced criticism for posting a sultry selfie in November in a negligee-inspired gown by designer Laura Basca. In October, the 54-year-old again faced backlash when she showed off her latex Halloween costume as Catwoman.

Now, weeks after being deemed “cheap” and tasteless, the founder of Black Ops Aviation has turn out to be a subject of discussion.

Jeff Bezos’ fiancée Lauren Sánchez shows off a “winter white” look, weeks after critics slammed her busty latex outfit. (Photos: @laurenwsanchez/Instagram, Theimagedirect.com via Page Six)

On December 5, Sánchez and the business mogul attended The New York Times’ DealBook event in New York City. For the occasion, she wore a white Alexander McQueen suit and a white lace corset. The beaming bride-to-be sent two mirror selfies of her outfit, which she signed: “winter white.”

One follower particularly was stunned by the whole look he ejaculated that she was “very attractive and beautiful, gorgeous and stunning, charming and fantastic young lady, sexy, charming, charming and elegant” in the photos that Sánchez took.

Two other people swooned over the photos and wrote: “So chic and elegant!” and “You look great.” But as you would possibly expect from online viewers, not everyone was impressed.

When Page six published paparazzi photos from the trip, the critic commented: “It’s 30 degrees in New York and she gets out of the limo in a white Miami smock, her bra visible to everyone. No taste. Nothing. A cashmere turtleneck, flannel trousers and a wool jacket can be classy.

Someone else sharply asked: “Who can be the first to tell her that she looks tacky and not elegant and refined? Does she even know what sophistication means? A 3rd person noted: “She looks more like she’s wearing a bathrobe.”

Another person wrote in a comment from a licensed pilot: “White means…” possibly referring to rumors that Sánchez and Bezos are scheduled to exchange vows over Christmas. At least one person doubted the couple would have the opportunity to say “I do.” This person said: “This will be the longest engagement ever. They will NEVER get married and we all know why!!!!”

Sánchez told the “Today” show hosts that she was in the process of planning the big day last month. She didn’t comment on speculation about exchanging Christmas vows.

Renewed interest and scrutiny of Sánchez has increased as the pair have been spotted in various locations in recent months. The couple reportedly began dating in 2018. Their engagement was announced five years later, in May 2023. Their upcoming wedding can be a second journey for each of them.

Sánchez was previously married to celebrity agent Patric Whitesell, with whom she has two children. She can be the mother of a son, whom she shares with Pro Football Hall of Famer Tony Gonzalez. Bezos was married to the mother of his three children, Mackenzie Scott, for 25 years once they divorced in 2019.


This article was originally published on : atlantablackstar.com
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Apart from the song with singer-songwriter India Shawn – Andscape

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13 hours ago

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December 9, 2024

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India Shawn is a contemporary muse with a chilled nature, crafting love stories and heartfelt tales in smooth, charming songs. With over a decade of experience in the music industry as a singer-songwriter, Shawn has incredible strength. She was born in Los Angeles, and her musical roots reach throughout the country. Beginning her profession in her hometown, Shawn eventually found herself in Atlanta, where she immersed herself in the city’s deep-rooted R&B scene, further shaping her artistry.

“I transferred to ATL, I was in 10th grade, and that’s when my music journey really started,” Shawn told Andscape. “I met people who were trying to get by, so I ended up recording and learned what songwriting was really early on.”

Before releasing her debut EP in 2012, Shawn wrote songs and collaborated with artists similar to Chris Brown, El DeBarge, Keri Hilson and Monica. In 2013, she gained much more notoriety when Solange Knowles published her song “I’m Alive” on the Saint Heron compilationmarking her as an artist value watching.

Following the release of the single “There Must Be a God” from the Andscape soundtrack, she caught up with Shawn to learn more about the muse behind the vibes.

Singer India Shawn grew up singing in church with her family. “I feel like most of us R&B kids have that experience,” she said.

India Shawn

Name:
India Shawn

Hometown:

Los Angeles

Artistic soundscape

Airy, soft, telling a story, multidimensional, soft, mysterious, atmospheric

The oldest musical memory

Shawn’s soulful sound is deeply rooted in her upbringing, with influences drawn from her childhood memories and the musical culture of her church. “I sing with my sister all the time, and I also grew up singing behind my mom in church. She was the leader of praise and worship. So I feel like most of us R&B kids have that experience,” Shawn said. “I had these little solos in church, and I believe what made me consider in it was that after the service people got here as much as me with tears of their eyes and said, ‘You really moved me while you sang.’ “These early moments of connection with music and audiences laid the foundation for conveying depth and sensitivity through her music.

Influences

For Shawn, music, especially R&B, has all the time held a special place in her life. “Me and my sister are harmonizing in the living room, just picking some of our favorite songs, including for me Mariah Carey, Babyface, Boyz II Men and (and) Brandy,” she said of her early music memories.

Creative process

Shawn often draws inspiration from real-life experiences and relationships that influence her music. She weaves this into the authenticity and atmosphere of her songs, but she didn’t immediately recognize where her inspiration got here from. “It’s funny that it took me so long to make that connection, but I realized that I was telling my whole story and presenting my business through my music,” she said. “It took me two albums to realize, wait a minute, I’m giving people a lot to understand here… these aren’t just songs. This is truly the life I live.”

Challenges and development

As Shawn’s profession grows, so do his moments of appreciation and reflection. “I literally just thought about a very gradual progression of my career. It’s like step by step, but there are more breakthrough moments. My first tour, which was so beautiful, I just knew I could pack a room and people knew my lyrics and sang my songs to me. Those moments that make the waiting not in vain.”

Shawn has plenty of recommendation for up-and-coming singer-songwriters. Her biggest sacrifice? Collaboration is essential. “I think (cooperation) is really why I’m still here. So find your people… you’ll know when it feels right, you’ll have that freedom and fluidity, and you’ll be able to really create things and create without having to think too much.” He also shares the importance of patience. “Just be patient during the journey. This has been a theme throughout my profession. Let it develop. I feel like more things come from being in that flow and being present reasonably than forcing all of it.

Current project

“There should be a God”, the lead single from Andscape , now streaming on Hulu, also serves as a teaser for Shawn’s solo album. “(This song) is such a manifestation of God’s love,” she said. “I think when you find yourself in a place of waiting, you can feel very hopeless. So when you see glimpses of God’s love again, or the fact that you know there is a higher power, there is a source that is thinking about you, has you in mind, has a perfect plan for you, it’s just like the clouds parting. And this is the moment, I understand. I understand that I had to go through all this to get here. And that’s exactly what I felt in the studio that day.”

Sheila Matthews is a digital producer at Andscape and a proud HBCU graduate. She believes “Return of the Mack” must have won a Grammy, and her Twitter mentions are open to all debate.

This article was originally published on : andscape.com
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ICYMI: Tessa Thompson’s Mocha Lip, Danielle Brooks’ Updo and More – Essence

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13 hours ago

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December 9, 2024

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With just a number of weeks left until the tip of 2024, the celebrities are setting the tone for the brand new 12 months this week. And although mocha mousse is anticipated to be fashionable in 2025, neutral shades in darker tones have gotten more and more popular. Paired with an array of beauty eras – from elegant Twenties updos to 2000s-style round pink, the brand new Hollywood showcases its best 12 months-end beauty moments.

Tessa Thompson and Issa Rae are the newest to debut mocha lips holiday shade near the season, and Coco Jones’ lipstick was cranberry red. Doechii’s perforated suggestions and signature face-lift tape made it probably the most avant-garde look of the week, and within the sweetest moment, Chloe and Halle Bailey’s round pink cheeks made pink cheeks a winter styling staple.

From makeup to hairstyles, Sabrina Elba and Alva Claire opted for light, coffee colours, and Jourdan Dunn’s short hairstyle proved relevant at any time of the 12 months. Meanwhile, Lupita N’yongo, Danielle Brooks and Venus Williams’ braided buns showed just how classic this style may be.

In case you missed it, take a take a look at 17 of the very best celebrity beauty moments from the week below.

This article was originally published on : www.essence.com
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