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Mike Tyson shocks with his reaction after coming face to face with a notorious serial killer

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Mike Tyson Says He Smokes $40,000 of Weed per Month

Mike Tyson is one of the crucial respected boxers within the history of the game. The former champion’s attacking style and two-handed power quickly made him a fan favorite within the late Eighties, becoming the primary heavyweight boxer to hold the WBA, WBC, and IBF titles concurrently.

The excitement surrounding Tyson’s performances left everyone wanting a likelihood to interview him — including serial killer Dale Hausner.

During an appearance on “Jimmy Kimmel Live” in 2017, Tyson told the story of getting a call from his team that a reporter wanted to do an interview at a gym in Phoenix. The two met in 2006, a few weeks before the reporter became known to police.

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Tyson described Hausner, who was also an airport janitor and real-life boxing reporter, as “a really short guy, but a really nice guy.” However, the previous champion later realized that perhaps Hausner wasn’t so nice after all.

Mike Tyson claims he smokes $40,000 worth of weed a month
Mike Tyson. (Photo: Michael Tullberg/Getty Images Entertainment via Getty Images)

He told Jimmy Kimmel that he returned to the gym two or three days later “and the gym was surrounded by cops, like SWAT.” Adding some humor to the story, Tyson said he asked the sergeant who approached him “what the hell did I do, whose ass did I grab last night?” before the show’s audience roared with laughter. “So I thought, hey, if I grabbed somebody’s ass, the feds wouldn’t come after me. It would be a cop or some lawyer.”

The then-retired boxing champion told the gang that having police surround his constructing can be too minor a crime.

The policeman showed Tyson a photo with Hausner, asking if he recognized him, and Tyson, still confused, said, “Well, sir, I don’t know, I was promoting the fight, if I had to say something to him, if I offended him, I’m sorry. I didn’t mean to.”

But the officer assured Tyson that he had done nothing improper. He finally got to the underside of why he had questioned the champ about Hausner and said, “No, he liked you, Mr. Tyson. He didn’t like the 28 people he shot and the eight he killed.”

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“Did the killer interrogate you?” a shocked Kimmel asked, to which Tyson replied, “Yes.”

Hausner and his partner in crime, Samuel Dieteman, were dubbed the “Serial Shooters” after committing several drive-by shootings in Phoenix that left 19 people injured and eight dead. They also killed a minimum of 10 animals.

Tyson made the error of describing Hauser to Kimmel because the Baseline shooter, who turned out to be one other man, Mark Goudeau.

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One person within the YouTube comments said, “The Baseline shooter is someone else. There were 3 different serial killers in Phoenix in 2006. The Baseline guy worked alone, while Hauser and another guy worked together.”

Another added: “He was the Phoenix serial shooter. The Baseline killer was another serial killer in Phoenix who was killing at the exact same time.”

Goudeau, a known serial killer, rapist and thief, was lively similtaneously the Serial Riflemen between August 2005 and June 2006. He was convicted to death for multiple murders in 2011.

Hausner and Dieteman were high on methamphetamine after they murdered. They weren’t caught until 15 months after the killings began, and arrested in August 2006. Hausner never confessed to the shootings, however the evidence presented in court was enough to find him guilty of 80 felony counts.

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In 2009, a jury found Hausner guilty and he was sentenced to six death sentences. However, Hausner had other plans to shorten his sentence, taking his own life in 2013.

During the inquest into his death, it was revealed that Hausner had hoarded 50 pills, a few of which he had received from an inmate whom he initially said had trouble sleeping. He later confessed to that inmate that he had been hoarding them so as to commit suicide. An expert reportedly ruled that he died from “amitriptyline poisoning.”

As for Hausner’s partner, Dieteman, he was also found guilty and sentenced to life in prison without the potential for parole. He is currently serving his sentence at Arizona State Prison Complex – Safford.

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This article was originally published on : atlantablackstar.com
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Black stars and their beloved: Night of Love and Charm in Oscars

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Black stars and their beloved: Night of Love and Charm in Oscars

Hollywood, California – March 2: (LR) Eboni Nichols and Queen Latifah participate in the 97th annual Oscars in Dolby Theater on March 2, 2025 in Hollywood, California. (Photo Mike Coppola/Getty Images)

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Love is in the air, identical to the golden statuettes of the winners through the 97th annual Academy Awards awards. In fact, black love was not the best presence in the Great Night (the last NAACP awards, definitely take it to this crown!). Nevertheless, a number of of your favorite black stars and stars caught their romantic partner, fell into a flowery dress and the Tux/Suit situation and made an Oscar at night. From effective entries from a red carpet to intimate moments divided between Blichtz and Charm, these couples reminded us that true love and undeniable style are at all times in the season. Even at night dominated by prizes, their connections were independently.

For example, you may at all times count on Ryan Michelle Bathe and Sterling K. Brown to make them look absolutely great next to the award season. Zoe Siedaña and her husband Marco Perego-Saldaña just run away love and worship. And Lena Waithe will at all times be there for support for a partner and Oscar nominated Cynthia Erivo. But wait, there may be more!

Scroll right down to see the couples we checked out through the Academy Awards awards. They dazzled on the red carpet their undeniable chemistry, impeccable style and sometimes pure elegance.

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This article was originally published on : www.essence.com
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Meek Milla verse on Friday “Proud of Me” is painfully beautiful – and a landscape

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The keyword in the next sentences is “should”. Because FridayA recently released double album, It ought to be intended for fulfillment-perhaps even a grammy nominee for grammy. A well -balanced Odyssey, which fulfills its title, the project is declared with a mixture of what is a hit, for instance Fehlani Feed “Saving my love“” “One call“With Chris Brown and”The worst within the room. “However, the meat and potatoes of the album are when it attracts an emotional heart in songs such as”Do it home“” “Without you“And inspired by the Gospel”Better days. “

However, down the spiritual tip of the project “Proud of me“Thanks to the guest eternally with Meek Mill. In the general public opinion, Meek has not recently had the best time. The last yr of his life consisted in posting his name within the case against Sean “Diddy” Combs. Musically, his profession didn’t make noise either. His account X (previously Twitter) was still a ship for his deepest thoughts broadcast on a public platform. In many respects, the platform has turn out to be the worst enemy of Meek. That is why his confession within the Friday album has a lot weight.

Writing seems unfair. At least, plainly it appears to be a box. Black art has long been seen as affected by regret and traumatic. Nevertheless, the perfect form of rapping Meeka discusses monuments, experiences and losses he survived, growing up on the streets of Philadelphia. For every knocking Meek as an artist, one thing through which he all the time stood out is graphic street novels. He is in a constant fight against remorse. It is a constant reminder of the long matrix of the justice system in America. And he personifies these many years and generations of emotions once they are boiling.

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Father’s loss is not the one thread related to Friday and gentle. However, this is one of essentially the most, if not essentially the most personal connection. The tragic similarity in the tub and Friday’s life is that the loss of his father can mutilate a young black boy. After his father’s death last yr, Friday said that “Proud of Me” is not only his favorite song, but additionally therapy. And each artists merged with mutual losses.

“I won’t lie. Meek remained in the stand for 11 hours. He fought for probably three (hours). He just stayed there ” Friday said Journalist Keith Nelson Jr. “I say he doesn’t even drink water or anything. He just stayed there. We were there from 23:00 to 11:00. When he finished this verse, everything I wanted to do was cry all the time. “

Father Meek’s death is not an important news. Meek in March last yr He began to social media Talk about his killed father who was killed when he was only five years old in 1992.

“My dad died … making a robbery in armament” Meek published. “It made me want to get rich, it was a return. A person who killed my dad, probably 60 … Talking about dead people, will not hurt me … killing all my compatriots for a mistake, you must constantly drink a bent. ”

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This verse was different. It was not a introspective rapper on a random function in a random rhythm. He was a young boy who became an imperfect man – and the face of a conversation surrounding the reform of the judiciary in criminal matters – revealing his soul with one biggest tragedy in life that is not a stranger. The tragedy would open the gate to so many meekly in his life.

Meek wondered.

In May 2024, test At the top of about 1.19 million children within the years 1999–2020 lost their parent as a consequence of overdose of drugs or violence using weapons. A transparent 11% difference between years was discovered, and black youth was largely influenced by this. This was primarily attributable to the killing of fathers. “Youth (American) is at a high and growing risk of experiencing parental death by drugs or firearms,” ​​said the report. “Efforts to stop this problem should prioritize to prevent the overdose of drugs and violence in the field of firearms, especially among structurally marginalized groups.”

Meek lost his father long before starting his education, but he is still one of those children within the ghetto. A boy who by some means found a approach to turn out to be a man despite all of the obstacles before him. And a success story without an honest induced and social trap.

Meek begged his father.

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How often did America skip shouts besieging black communities? How often did they call them shouts of the ghetto and second -category residents who would never finish the one circumstances they knew? The answer is so often that it defines the massive pockets of America’s history. Meek is a product of American misinvestment. Is a child of a project born within the years of Reaganomics, Mole bombardment and a involuntary soldier within the war with drugs, which began long before his birth.

There is a generation of lost children. The generation of lost souls running on everyone recognized licking or a threat to master. And the generation of black boys and girls was considered irreversible because of their environment. In a method or one other, Meek checks all these boxes.

There is a visceral response that got here Mik, which pours his soul when he threw out: “!” In a world that is so connected and disconnected, as he has ever been, the meek verse is a reminder of how music feels when it doesn’t touch the soul, but around it. His grasping heads of social media antics, lustful rumors associated together with his name-all went for a small time. Throughout their entire profession, the spoils that got here with music were never removed from his lyrical praise. Audmar watches, foreign cars, housing estates in various cities. Everyone became synonymous with Braggado -percent personality of Meek. But the implementation hit him at the top of his verse, through which he already begged to provide up any material to regain time with family members, similar to Robbie and Terry.

“Meek summarized”, “

Another artist or other song could be as defenseless as Meek, but in 2025 it is difficult to assume someone who is greater than he does. “Proud of Me” is a verse that defines a profession and a publicly personal moment that the artist could have on wax. It is a survivor of weapon violence, which the country has long refused to treatment. Real black accounts from real black communities are on such critical platforms because real life Black history and stories They are perceived because the enemies of the state.

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Meek Mill made his immortal father in “Proud of Me”. He became greater than a nameless victim and statistics. In this process, he reminded everyone who listened to it at its best, only a few can create art from regret like a meek. As for what society has done in order that Meek has a lot of pain from which you’ll be able to draw, this is a huge responsibility and conversation, which seems less and less likely that he is interested in the day responsible.

Justin Tinsley is a senior author of culture for Andcape. He strongly believes that “Cash Money Records Takin ‘Ova for Da ’99 and DA 2000” is essentially the most influential statement of his generation.


This article was originally published on : andscape.com
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Dominique Moody’s “The Nomad” examines the house and history in Frieze La – Essence

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Dominique Moody in “The Nomad”. Photo: Casey Kelbaugh, courtesy of Frieze and Cka

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In Los Angeles a city known for the consistently evolving landscape and layered cultural narratives, the artist Dominique Moody He enlivened intimate and community work. Nomad, a mobile apartment with an area of ​​150 square feet fabricated from recovered materials and found objects, stood each a private portrait and a press release regarding displacement, housing uncertainty and African diaspora.

Nomad, presented as a part of Frieze Projects ”, a specific number of works of public art organized by the Art Production Fund, was installed with Destination Crenshaw, an ambitious cultural corridor and the celebration of black history and artistic perfection along the 1.3-month episode of South Los Angeles. For Moody, it is feasible to create her creation in Frieze She was perfectly adapted to her long -term involvement in ensuring her work as many individuals as possible.

The desire for Moody’s availability just isn’t a coincidence-her belief that art should cause a conversation in communities, especially those often excluded from high-class art and industrial gallery. “Usually, when I show the nomad, all my desire is available and free for the audience,” she said. “Having this element, which can be in a public space, in which people who are unable to afford a frieze ticket still see, appreciate and celebrate art.”

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The structure serves as a ship for stories, experience and immunity. For the first time it was fabricated from a pattern that Moody drew from her continuous journey, and each the desire to look for brand spanking new places, but additionally social, economic and racial displacement. This tension between the voluntary and forced movement shaped not only Moody’s life, but her creative practice.

Dominique Moody's
Photo: Casey Kelbaugh, courtesy of Frieze and Cka

“I’ve always had to come up with:” Well, how can I solve this challenge, each the desired and social interference? ” – she explained. “And in this pattern, which I often moved, and if I move often, I still needed to create and play home space.”

The have to re -arise was moreover complicated by its diagnosis of progressive lack of sight, a challenge that Moody forced Moody to take into consideration how he could proceed the artist. “I started losing my sight,” she said. “Both as an artist and only a black woman in America, WOW, how the challenge is to deal with. Can I do this amazing visionary work in the light of being [given] Visual impairment? “The change in her view led Moody to the Congregation, a medium rooted in contact, memory and found objects – a natural extension of her history and African -American cultural traditions. Moody also stated that this method was a superb response to each her art and its changing economic reality.

However, Moody’s eyes didn’t hinder her creativity – this increased her. “I had to learn a very basic thing that my eyesight and vision are not the same,” said Honree Project Seen & Heard 2017. “The view is a mechanical tool and we definitely have it, but this tool can be changed. What the artist has is and regardless of the state of the tool, the vision always exists. “

For Moody, the ability of a singular movable unit to look in unexpected places – whether in institutions, events or now in frieze – is a component of its power. “It did all this,” she said. “I went to museums and street festivals. I was a mobile resident and I was in Joshua Tree and New Orleans. I was placed on the campus of the school shipyard, university campus, museum park – all those spaces in which no one would usually expect a home. “

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Nomad, like Moody’s own journey, is consistently developing. He invites those that meet him to take into consideration the importance of the house, community and immunity. And due to its layered practice – where the memory transforms into beauty – she still reveals invisible stories embedded in the world around it.

This article was originally published on : www.essence.com
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