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Netflix’s “Daughters” is a moving and moving film reminding us how important it is to be a present father to our daughters

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Panama Jackson theGrio.com

I’ll get right to the purpose — “Daughters,” a documentary currently streaming on Netflix, floored me. I cried, was almost inconsolable for a while, and truthfully, I wasn’t sure I could finish watching the movie. I did, but I didn’t feel any higher when it was over. I used to be grateful that I could hold, touch, talk to, and be with my daughter almost on a regular basis.

“Daughters,” directed by Angela Patton and Natalie Rae, follows a group of incarcerated fathers and their relationships with their daughters as they prepare for a “Date with Dad” dance at a Washington, D.C., prison where fathers are held. The fathers undergo a 10-week fatherhood course on what it means to be a present father, which is each a logistical and psychological nightmare within the lead-up to the dance. At the identical time, the daughters are also preparing for the day. The film follows 4 girls specifically, who’re all different ages and have different relationships with their fathers. The relationship part is where I knew the documentary was going to turn into an emotional disaster for me.

For example, the youngest girl, Aubrey, is 5 after we meet her, and clearly loves her father, Keith. She is aware of how long he’ll be gone, is optimistic about his return, and has vivid memories of their relationship. She is a comfortable, smart girl. All I could take into consideration and wonder was whether this relationship was sustainable; young children naturally give attention to the positives, but older children grow to be content with reality, and the every day absence begins to wear on them. Unfortunately, we see this play out through the years as we follow the youngsters through the film. Where we start with Aubrey and Keith, it doesn’t end, and it broke my heart for his or her relationship because when Keith is released from prison, Aubrey will be about 15. You can’t take back those early life.

There’s Ja’Ana, who doesn’t even remember what her father, Frank, looks like and barely keeps in contact with him. There’s Santana, who’s mad at her father, Mark, for continually being in and out of prison, and then there’s 15-year-old Raziah, whose father, Alonzo, is serving a 30-year sentence and she’s pretty clear concerning the negative effects his imprisonment has on her.

Watching the women’ stories (and their moms’ too) and seeing how hard their father’s incarceration was on them was hard. I actually have a 15-year-old daughter who I can’t imagine being separated from. As a parent and a father, certain content about parenting all the time stirs up emotions I’m not even aware of. I cry at things now, from movies to commercials to deliberately manipulative videos and social media posts. Parenting changes you; my children are sometimes a source of motivation and, truthfully, they offer me strength when times are tough. I can’t imagine not seeing them or touching them. The empathy I felt for my daughters and their fathers tugged at me throughout the documentary.

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What shattered my ENTIRE soul was this realization: I do know these fathers had two and a half months of impatiently waiting to see their children for a few hours. I also knew the dance would end, and the separation endlessly (for a few of them) was coming, and watching it on screen was going to hurt. I used to be not prepared for how hard it was to watch these little girls leave their fathers. Everyone within the gym where the dance was happening knew that point was limited, but knowing and experiencing it, and then translating it onto the screen, hit me in a place that just about made it harder to watch. I hated seeing them separated; the hugs that had to end, not knowing when the following one would come. The guarantees that would not be kept from behind bars. The optimism you possibly can hear in a number of the fathers’ voices as they tried to stay positive despite the circumstances was palpable.

And then he realized that there have been fathers on the prom whose daughters didn’t show up or didn’t show up. After the prom, Keith (Aubrey’s dad) mentioned going to his cell and crying, trying to recall the memory. Earlier within the documentary, the counselor mentioned how common this was and that fathers could try to recall the memory so long as possible as a response to the trauma of the breakup.

The realization that many prisons not allow in-person visits, often resorting to expensive video calls or plexiglass partitions that prevent families from touching, was a gut punch I didn’t expect. For lots of these fathers and daughters, this was the one hug they got until their father was released. Again, emotionally, the reality of their circumstances had a fully devastating effect on me, so I can only imagine the pain these men and girls felt.

There are some hints of comfortable endings within the documentary, however the criminal justice system doesn’t provide peace for all of the families involved. It made me want to cherish every moment I had with my children, especially my daughter. I’m unsure if I’ll ever be able to watch this documentary again, but knowing this is enough. I pray for the families caught up within the criminal justice system and its ability to destroy families. And I pray for all of the daughters who’re coping with similar circumstances. I can only suggest to those that should not, keep your head up and pray for peace, patience and understanding. I hope these families are able to rebuild; these daughters need it.


This article was originally published on : thegrio.com
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Keke Palmer became a millionaire at age 12 by teaching us how to spell “pulchritude” – which actually turned out to be a win-win

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I do not know exactly when it happened, but Keke Palmer became certainly one of African Americans’ favorite people. Maybe it was while playing lie detector segment for Vanity Fair she, like lots of us, couldn’t recognize Dick Cheney in a photograph and gave us certainly one of the best sound bites of all time. Or possibly that is once we all realized how human she was as she handled a family situation that was made public. The possibilities are countless because I feel like Keke Palmer has been in my life without end, despite the fact that I’m 14 years older than her. I used to be actually years old today after I discovered that as of this writing she is just 31 – and I even have never felt older.

Recently beloved artist he went on, “Club Shay Shay” to speak about her life, profession and every little thing else under the sun, likely to promote her just-released book “Master of Me: The Secret to Controlling Your Narrative.” During a conversation about dating (which Keke was mainly flexing, roughly), she mentioned that she became a millionaire at the age of 12 and that got me considering: what was she doing at age 12 that made her a millionaire? The second query, in fact, is: what did I do at the age of 12 that made me a millionaire? The answer definitely involved riding the bike out of the garage and seeing if I could land it without breaking the bike or any bones.

NO. At age 12, I used to be introducing my parents to latest and revolutionary ways to take care of disappointment.

Anyway, my curiosity about how she managed to turn out to be a millionaire at the age of 12 (which would have been 2005) made me check her IMDB credits and yes, it coincided along with her breakout role as Akeelah Anderson within the film , “Akeelah and the Bee”, a movie I still love to this present day. I watch it every time it’s on and have even decided to dedicate an episode to the podcast “Dear Culture” for the movie. I actually attribute to Keke Palmer that I do know the word “prestidigitation” (though I do not know what it means), but most significantly, I do know the word “pulchritude”, which comes from Latin and means “Beautiful” which means beautiful.

I am unable to say this strongly enough: if it weren’t for this movie, I might never have learned this word, and if Keke Palmer made a million dollars for me to learn this word, she was underpaid. The variety of times I threw the word “pulchritude” at people, it should be illegal. I do not even use the word “beautiful” anymore; I only refer to my wife as “pulchritudinous”. Because she is. And there’s just one person I can thank for that: Akeelah Anderson. And Akeelah Anderson is Keke Palmer.

Thank you Keke Palmer for helping me expand my horizons and vocabulary. And for ensuring I all the time and without end know how to spell “pulchritude.”


Panama Jackson theGrio.com

This article was originally published on : thegrio.com
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Netflix’s ‘Meet Me Next Christmas’ Starring GOAT and Christina Milian Is Everything I Need in a Holiday Movie

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There was a point in my life when I was a supporter of Christina Milian. I bought all of her albums when it was time to go to the shop and spend physical money on such endeavors. I was convinced it was her song from 2004 “Whatever You Want” featuring Joe Budden was a hit that catapulted her to the highest, if only the label would really get behind it. I had many conversations with friends during which I confessed my love for her as a person and my appreciation for her art. To know me in the start was to know the way I handled Christina Milian. I’m sure I’ve watched her movie “Love Don’t Cost” more times than Christian and Nick Cannon ever did.

So you’ll be able to imagine my delight (possibly not, but sway with me) when I noticed that Christina Milian had entered the Hallmark movie market on Netflix as a leading lady, starting with the 2019 movies “Falling Love for an Inn” where her heroine wins an inn in New Zealand and finds love. Then it was 2021 “Escape to Love” where her character is a pop star who has to sing at her ex’s resort wedding… and finds love. Listen, because I love love and Christina Milian, I am committed to this era of her life.

I was lucky when I turned on Netflix a few weeks ago and watched a movie called “Meet Me Next Christmas” starring Christina Milian and Devale Ellis and something like Kofi Siriboe.

I love Christmas movies. First of all, I love a good romantic comedy, and most Christmas movies are romantic comedies. I especially love black romantic comedies because, you recognize, I’m black and they sometimes star people I know since the Black Hollywood actor base is not very large. Plus, Christmas movies are frequently so sweet; they are frequently family friendly, and with love in the air, hope and the promise of joy are never far-off. Christmas movies are stuffed with good things, and I like good things. I principally watch all of the Christmas movies that come out on all of the streaming services, like “Meet Me Next Christmas.”

“Meet Me Next Christmas” is the story of Layla (Milian) who tries to go home to her boyfriend for Christmas, but meets James (Siriboe) in an airport lounge. they hit and he fired. They conform to meet on the Pentatonix concert NEXT Christmas in the event that they are each single. Plus, Pentatonix… is hilarious in this movie. Anyway, a 12 months later, single Layla is trying to seek out tickets to Pentatonix in hopes of meeting James, who will bring their legendary meeting full circle and begin essentially the most epic love story of all time. But to get a ticket to the sold-out Christmas show at Rockefeller Center, he has to make use of the concierge. Teddy (Ellis) enters. Shenanigans ensue.

I won’t spoil the movie because, again, I like good things and I guess you do too. But let me inform you. In this movie there may be comedy, there may be love and there may be the promise of affection. It has essentially the most random antics, Poughkeepsie and, most significantly, Christina Milian, who is actually great in these kinds of movies. I cannot say this enough: I would watch a marathon of Christina Milian in Hallmark-adjacent movies. She just has that something that makes romantic comedies work.

Devale Ellis can also be great in this movie. Let me inform you, Devale could have a serious profession ahead of him in this romantic comedy. He seems down-to-earth and likable enough to play the male romantic role. And it’s funny. I cannot pretend to know a ton about his film and TV profession; I watched “Zatima” and a few episodes of “Sistas”, but let’s just say the fabric didn’t quite let it…cook. I’ve seen him here and there, but I hope he gets more probabilities to play a number of the leads. I’m not saying his role as Teddy in this movie was an Oscar-worthy performance, but you recognize what, it worked and I thought he must have added a little more bite to the most important character’s energy.

Look, most Christmas movies are a lot of crap, and “Meet Me Next Christmas” is just the best amount of fluff with equal parts ballyhoo. You know where the movie goes. There are not any surprises in the ending. But I don’t think Christmas movies needs to be as twisty as “The Sixth Sense”; Christmas movies are comfort food that could be played in the foreground or background while the family sits and drinks hot chocolate (or wine for the adults in the room). This movie is great for that. Maybe I’m biased because I expressed my honest attitude towards all the pieces related to Christina Milian. But I liked this movie enough to observe it multiple times, not because I missed things the primary time, but since it was charming enough and had enough “shudder, why not” moments that I now got into it to my annual canon of holiday viewing. If you watch this, it’d do the identical for you. It has all the pieces I need for Christmas.

And do you recognize what meaning?

We’ll all… get together next Christmas to observe it together… again? NO?

I’ll see you.


Panama Jackson theGrio.com

This article was originally published on : thegrio.com
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Denzel Washington Claims His Same-Sex Kiss Was Cut From ‘Gladiator II’; “I think they have chicken.”

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Denzel Washington has been a long-time topic rumors about his stance on kissing white women on screen; But based on the acting icon, viewers will now miss his first known on-screen same-sex kiss. Washington claims that the “full lip” moment between his character and one other male character was not the ultimate montage of the upcoming epic “Gladiator II.”

“I actually kissed a man in the video but they took it down. They cut it; I think they have chicken,” the veteran actor revealed Gayeta press service in response to the query: “How gay is the Roman Empire?” As he noticed Variety magazinethe “Gladiator II” script mentions that Washington’s character, Macrinus, was in a same-sex relationship. Confirming the characterization and the footage that ended up on the cutting room floor, he said: “I kissed a man hard on the lips and I do not think he was ready for it yet. I killed him about five minutes later. It’s “Gladiator”. It’s the kiss of death.”

What is unquestionably not the kiss of death is Washington’s portrayal of a wealthy and powerful Roman who “maintains a stable of gladiators for sport.” Although Ridley Scott’s sequel to the 2000 hit “Gladiator” doesn’t debut until November 22, the role has already earned the two-time Oscar winner in Washington, D.C., a nomination for second best supporting actor. The veteran actor attributes these accolades to his reunion with “American Gangster” director Scott.

“I have to be inspired by a director, and Ridley inspired me tremendously,” Washington previously said Empire Magazine. “We did great in the primary round and here we’re. He is engaged. He is worked up about life and his next film. He is an inspiration. We should all wish to feel this manner at 86.

“Gladiator II” in cinemas from November 22.

This article was originally published on : thegrio.com
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