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50 Cent Responds to Omari Hardwick’s Claims He Was Told a Lie About His ‘Strong’ Character, Ghost

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Actor Omari Hardwick continues to share his grievances in regards to the unexpected and controversial ending of his character, James “Ghost” St. Patrick, on the favored Starz series Power. During a recent panel discussion on the Uninterrupted Film Festival, he criticized Courtney A. Kemp, Starz executives, and 50 Cent for selling him and the show’s fans a dream.

On July 10, on the Uninterrupted Film Festival (supported by the Tribeca Film Festival) in Los Angeles, Hardwick was joined by former NBA player Matt Barnes and Atlanta Hawks guard Trae Young when asked in regards to the death of his character “Power.” In a clip posted by @PowerIsFire on Instagram, Hardwick told his panelists, “If I ain’t dead, that means I’m still working, right? And my damn checks don’t have ‘Power’ on them anymore.”

Hardwick stated that he spoke to several fans and shared their opinion that the unique ending of Power didn’t do justice to his role or the general storyline of the show.

According to Hardwick, Ghost was portrayed as a drug dealer who was trying to discover his identity as a legitimate businessman and politician.

Omari Hardwick clashes with 50 Cent over the death of the “Power” character, saying it doesn’t match the original story he was given about Ghost. (Photo: Desiree Navarro/WireImage)
Omari Hardwick (right) argues with Curtis “50 Cent” Jackson (left) in regards to the death of the “Power” character, saying it doesn’t match the unique story he was told about Ghost. (Photo: Desiree Navarro/WireImage)

However, because the series progressed, the storyline took a different turn, increasingly involving Ghost in criminal activity, culminating in his death by the hands of his own son, Tariq. This unexpected twist not only shocked fans but in addition left Hardwick feeling betrayed by the show’s creative direction.

“I have so much sympathy for the fans, bro,” he said within the clip. “Because you were sold and told a story that didn’t have a sequel, guys, the way it was sold and I was told it would continue. So you have every right to pick on me at every airport, at every bus stop…”

Hardwick continued his rant, naming the large shots behind “Power.” “I know you have to ask me this. Sometimes I think, ‘Oh fuck, is Courtney answering these questions today? Is it the executives at Starz or is it Curtis answering these questions?’ And honestly, I feel like I’m the only one answering these questions.”

The former “Power” star then modified the topic of the conversation, returning to the difficulty of empathy for fans.

“I’m with you all in that sense,” Hardwick said. “I’m with you in that sense, the way this story was sold and told to me doesn’t match the way it ended, guys. So you have every right to say, ‘That didn’t end well.'”

He added: “And because we don’t respect the fans enough, and I know Matt and Trae are different. We respect all of you. We respect our fans, man. We often forget that the fans are sold and told a story that has an origin story and it has to end the way it was sold and told.”

Hardwick laid out his feelings for the conference attendees in nearly three minutes, then referred to the crime drama, which ran for six seasons, as “art” worthy of being seen as a museum exhibit.

“If it had ended the way we started the show, I think you would have been incredibly happy with the art, the beautiful, bloody beautiful art that the show was,” Hardwick said. “It should be in museums. You should be able to talk about the show forever.”

Hardwick also highlighted the emotional attachment fans have to Ghost, but admitted that he also loves the character and encouraged them to proceed supporting his journey.

“He was everybody’s uncle. Whether it was Jamie or Ghost, he was everybody’s uncle who, more importantly, tried to change his behavior from wrong to right. And I loved him and I will always love him. But I want the fans to always remember that I played that guy. I’m a little bigger than him. So it’s better to follow me than the character,” he concluded.

The discussion revived a conversation Hardwick initiated earlier this yr during which he criticized “Power” creator Courtney Kemp and producer 50 Cent for deviating from the unique character outline he was promised.

After learning of Hardwick’s latest statement, 50 Cent took to social media to address the favored video.

IN fasting which quickly went viral, 50 Cent disputed Hardwick’s complaints, writing together with a clip of the panel, “That (ninja emoji) is a weird bird (bird emoji). What the fuck is he talking about, (raised eyebrow emoji) I never did anything but take care of him. If he needed something, I gave it to him. Now I realize that sh—t didn’t matter.”

After listening to the clip, one Instagram commenter wrote, “Man I usually stay away from this kind of stuff but I haven’t seen him anywhere else since. You have to take advantage of the opportunity to put yourself in other situations. 150k a week is good money to me, especially in the times we live in. I’m not saying he’s not worth more or less. But you can’t shit on people who give you a chance.”

Hardwick’s manager Two Lewis was one in all the primary to comment on the “Get Rich or Die Tryin'” artist’s post, saying, “He didn’t say that, you’re making headlines out of something.”

50 Cent has since deleted his Instagram post. However, his Twitter post still exists.

Shadow Room published clip and commentary by 50, allowing his fans to voice their opinions. Surprisingly, many fans sided with Hardwick and criticized 50 for extending the comments.

“50 is an exaggeration if that’s all he said,” one fan said.

Another added: “Two things could be true. Ghost created POWER and I wouldn’t want to get on 50 cents BAD SIDE‼️”

“Omari made the entire network relevant,” one person wrote. “No one, especially minorities, thought to subscribe to Starz before his character…let him talk all he wants.”

“He’s not shitting on you 50. He just didn’t want to get killed. And no one else wanted him to get killed,” a fourth comment explained.

Many comments asked that 50 and the opposite show creators quickly write Ghost back into the story in order that they could honorably end his series before it ends.

In 2023, the actor said he was “asked… to come back,” but he and the team couldn’t agree on his salary.

“Power” debuted in 2014 to critical acclaim, drawing viewers into the complicated lifetime of Ghost, his family and his highschool sweetheart.

Hardwick, who brought Ghost to life on screen, was particularly pleased with the character’s multifaceted portrayal, reflecting the struggles and aspirations of many black men in America. But because the show approached its sixth season, each Hardwick and fans began to express concerns in regards to the character’s decisions and the storyline.

In a May 2024 Rolling Out article, Hardwick expressed his dissatisfaction with the alternatives forced upon Ghost and the character’s ultimate demise. (*50*) he lamented. “Ghost died alone. N—ga died on the floor. On a cold floor. That hurt me. That’s not good.”

He also criticized the message the ending sends to the black community, saying nobody ought to be pleased with the statement.


This article was originally published on : atlantablackstar.com
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Jussie Smollett’s 2019 Self-Attack Conviction Overturned – Andscape

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SPRINGFIELD, Ill. — The Illinois Supreme Court on Thursday overturned the choice to fireside an actor Jussie Smollett conviction on charges of organizing a racist and anti-gay attack on himself in downtown Chicago in 2019 and lying to police.

The the state’s highest court ruled that the special prosecutor shouldn’t have been allowed to intervene after the Cook County state’s attorney initially dropped charges against Smollett in exchange for waiving $10,000 bail and performing community service. The ruling and appeal didn’t address Smollett’s continued claim of innocence.

Smollett, who’s black and gay, claims two men attacked him, hurled racist and anti-gay slurs and placed a noose around his neck, resulting in an enormous seek for suspects by Chicago police and sparking a world uproar. Smollett was starring in a television drama that was filmed in Chicago, and prosecutors alleged that he organized the attack because he was unhappy with the studio’s response to hate mail he received.

“We are aware that this case has generated significant public interest and that many people were dissatisfied with the resolution of the original case and considered it unfair,” Justice Elizabeth Rochford wrote in a 5-0 decision. “Nevertheless, more unfair than the resolution of any single criminal case would be for this court to find that the state is not obliged to honor agreements on which people have relied to their detriment.”

Smollett’s attorneys argued that the case ended with Cook County State’s Attorney Kim Foxx’s office dropped initially 16 counts of disorderly conduct. A grand jury reinstated the fees after a special prosecutor took over the case. The jury convicted Smollett of five counts of disorderly conduct in 2021

Emails searching for comment were sent Thursday to Foxx’s office and Smollett’s attorney, who argued that Smollett was the victim of a racist and politicized justice system.

Testimony at trial showed that Smollett paid $3,500 to 2 men he knew to perform the attack. Prosecutors said he told them what insults to shout and shout that Smollett was in “MAGA country,” an apparent reference to Donald Trump’s presidential campaign slogan.

Smollett testified that “there was no fraud” and that he was the victim of a hate crime in his downtown Chicago neighborhood.

He was sentenced to 150 days in prison, six of which he had already served released pending further notice — 30 ​​months probation and ordered to pay roughly $130,000 in restitution.

The state appeals court’s ruling upheld Smollett’s conviction, declaring that nobody promised Smollett that he would not face a brand new charge after accepting the unique deal.

Illinois Supreme Court Justice Mary Jane Theis and Justice Joy Cunningham didn’t take part in Thursday’s decision.

This article was originally published on : andscape.com
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Lil Baby didn’t just rap about change – he went to Harvard to achieve it – Essence

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LOS ANGELES, CALIFORNIA – JUNE 27: Songwriter of the Year Award winner Lil Baby speaks on stage on the ASCAP R&S Music Celebration on the London Hotel on June 27, 2024 in Los Angeles, California. (Photo by Lester Cohen/Getty Images for ASCAP)

Lil Baby will not be only considered one of the most important names in hip-hop – he can also be an aspiring entrepreneur who’s serious about taking his business knowledge to the subsequent level.

The GRAMMY Award-winning rapper recently participated in Harvard Business School’s “Launching New Ventures” program, a prestigious short course designed to help entrepreneurs grow their ventures through modern strategies. The program, which will not be a level-granting initiative, focuses on key entrepreneurial tools, including opportunity assessment, competitive evaluation and developing sustainable business models, – we read on this system’s website.

For Lil Baby, born Dominique Armani Jones, the move was greater than just earning bragging rights. Known for hits like and , the Atlanta native has all the time been open about his desire to construct a legacy beyond music. As head of his record label 4PF (Four Pockets Full), he is committed to creating opportunities for artists and running a business that will not be only profitable, but in addition influential. However, he realized that running a successful label required honing his skills, and Harvard was the right place for this.

Movie shared on X On Wednesday, we got to see Lil Baby participating within the show. The clip ended on a touching note as he was presented together with his certificate of completion, followed by a surprise ceremony organized by his family.

While critics were quick to indicate that he didn’t “graduate” from Harvard – despite misleading headlines – his decision to commit to this system is critical in itself. Shows like “Launching New Ventures” offer insights that may transform corporations and help entrepreneurs overcome challenges, and Lil Baby’s presence signals his commitment to constructing a legacy that goes far beyond music. For Lil Baby, the move is an element of a broader commitment to securing his position not only as a rapper, but in addition as a mogul. His commitment to self-improvement reflects the values ​​he promotes through his music: perseverance, resilience and development.

It’s also value noting that Lil Baby’s decision to attend Harvard sends a powerful message to his community, especially Black entrepreneurs. In a world where barriers to business education still exist, his decision to pursue higher education shows that it’s never too late – or too unconventional – to take what you are promoting seriously.

As Lil Baby grows, one thing is obvious: his diligence knows no limits. Whether he’s behind the microphone or within the classroom, he proves that the important thing to success is to continually strive for more.

This article was originally published on : www.essence.com
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More proof that you’re old: Mary J. Blige’s “My Life” album debuted 30 years ago

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mary j blige, mary j blige my life, 90s music,

I actually remember November 1994. I used to be a sophomore in highschool and was still very clumsy and goofy. I hadn’t yet experienced what anyone would call a growth spurt, as evidenced by the very fact that my younger sister (three years younger) was taller than me. At this point in my life, I assumed I used to be destined to be certain I had a terrific personality that would give me a romantic future. I used to be told about one young student who was in love with me, but being 15 and never big, I didn’t really trust in my ability to pursue a dating life. In 1994, I saw myself because the Steve Urkel with no unreachable neighbor.

In 1994, I had a real love: music. I kept buying cassettes and compact discs; there was at all times music around me. Listening to the newest music from anyone and everybody was my hobby. Mary J. Blige was one in every of those artists that I used to be an enormous fan of. I mean, everyone really was. Her album “What’s the 411?” was released in July 1992, so when school began in August, it was one in every of those albums that everyone was talking about. “True Love” and him one other hip-hop remix the most popular songs were on fire and you can start an impromptu jam session in my middle school dining room by simply saying “true love” out loud.

(*30*)

To say that the anticipation for Mary’s second album was enormous can be the understatement of the yr. I still remember being blown away by the music video for the primary single “Be Happy” on MTV and BET’s “Video Soul”. I remember this mainly because I used to be so frightened about Mary’s life standing on those rocks. Of course she survived the video session, but I used to be very concerned for her safety. I could not imagine life without Mary. I purchased this single and mainly burned a hole in it.

Then got here the monster single “I’m Goin’ Down.” The remake of Rose Royce’s single from the movie “Car Wash” (titled “I’m Going Down”) had all of the black girls in my highschool able to break up with their boyfriends so that they too could sing about it lost love – teenage hormones cause strange problems. Let me just say this for the record: Mary’s version of this song is totally amazing. Her performance on the album is known; you can hear all the experience through her vocals.

(*30*)

If Mary stopped making music at this point, she would already be a legend, I actually consider that. But this whole album is a radiator from start to complete. Even today, once I hearken to “My Life”, my search ends in failure; “My Life” is largely a consolation at this point in my life. From “You Bring Me Joy” to the title track to the ultimate minute of “I Never Wanna Live Without You,” this album is a portal back in time to a version of me that was interested by what life had to supply. I used to be given the vocal type of Mary J. Blige to soundtrack this journey.

It’s also crazy to think about it this manner: “My Life” got here out at a time in my life once I was already driving a automotive. Sure, I used to be 15, but my father also let me drive himself, my siblings, and my friends wherever we would have liked to go because he got bored with running errands. We just agreed that if I got pulled over, he would not know I used to be taking the automotive. Coincidentally, although I used to be in a position to use the automotive at no cost for a solid yr before I could even apply for a driving license, I failed my driving test the primary time I took it on my sixteenth birthday. You’ve never seen a father more lost and upset in his son than my father was that day. We now call my father’s facial expressions “core memory.”

If you’re reading this because you’ve got seen the words of Mary J. Blige and “My Life,” you then, like me, are in a phase of life where you’re continually reminded that you’re not only getting old, but you might actually be old. I will not be old as hell, but I’m too old to be within the club, you realize?

Fortunately, nonetheless, my journey so far in my life includes a number of the best works of musical art in existence, similar to Mary J. Blige’s 1994 album “My Life.” This album – just like the profession of its lead voice, Mary J. Blige – brings me joy.


Panama Jackson theGrio.com

This article was originally published on : thegrio.com
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