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Pharrell in Louis Vuitton celebrates the diversity of human skin at the UNESCO exhibition in Paris

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PARIS (AP) – In the run-up to the Paris Olympics, Louis Vuitton celebrated the beauty of people and their skin in a star-studded menswear exhibition at the headquarters of the U.N. cultural agency UNESCO in Paris. Models dressed in all shades of the human body paraded around a large globe on grass decorated with Vuitton’s signature Damier check, making a visual symphony of diversity.

Here are some highlights from the spring 2025 shows:

Vuitton man

“It was a tribute to the people,” said menswear designer Pharrell Williams, who name-checked the Summer Olympics, in a show that gave the impression of traveling across continents against the backdrop of the Eiffel Tower and a large globe. “It went from black, to dark brown, to brown, to light brown, to beige, to some gray… and finally it became white,” the singer-turned-fashion designer said of the spring show.

The spectacular collection was dominated by checks in shades of green, blue and black, drawing inspiration from Air Afrique luggage designs. According to Vuitton, the airline, which has been in operation since the Sixties and for many years, has develop into a logo of diasporic creativity. With contributions from artists reminiscent of Lamine Diaoune and Djiby Kebe, Williams gave the collection a way of global unity.

Creative director Pharrell Williams (center) accepts applause after the Louis Vuitton Spring Summer 2025 collection presented in Paris, Tuesday, June 18, 2024. (Photo: Vianney Le Caer/Invision/AP)

Inspired by the UN’s cultural headquarters crammed with ambassadors, Williams explored various archetypes. The diplomat stepped out in deep, wealthy shades of Seventies-inspired tailoring. The Explorer showed up in rugged yet stylish outerwear, including practical jackets and vests. The Dandy, one other key figure, walked the Damier-check runway in jackets and coats embellished with rhinestones and pearl embroidery.

Against the backdrop of a dramatic sky, with shifting clouds and fluttering world flags, the collection’s color progression reflected the diversity of models, moving from darker to lighter tones in multicultural harmony. This theme expanded to clothing, which featured pixelated python skin patterns and world maps centered around Africa. Damier’s reinterpretation of the pattern featured a tan check pattern with multicolored accents. Leather soccer ball designs pay homage to the world’s favorite sport.

The show combined complexity with the apparent simplicity and richness of the diaspora.

Enamelled maps were embedded in the buttons, and the LV logo seemed to be subtly embossed into the fabrics. Intricate details like black-on-black embroidery and crystal and pearl accents added layers of sophistication. Elsewhere, vintage-inspired designs in soft leather featured oversized monogram patterns and distressed leather trim.

Once again, the celebrity designer made the show feel more like an act of staging a spectacle than a presentation of clothes. This appears to be the zeitgeist. Among the stars who applauded were Alicia Vikander and Michael Fassbender.

Speaking about the current global turmoil and the prevalence of world flags around the UN constructing, representing some nations at odds or worse, Pharrell said he would “never dare to think that (this show) could be a reason for people to come together.” But presenting this idea (peace) and presenting the possibilities in a poetical way is the only thing we are able to do.”

Saunders Thespian Crucible

Bianca Saunders’ models stepped out on Wednesday in a spring collection that hinted at boho thespian – all on an old-style brick runway.

The latest collection from the British-Jamaican designer, known for her digital-first approach and inclusive designs, showcased her signature mix of minimalism and cultural references.

Soft leather pantomime shoes and sneaker-style shoes combined with unexpected, random accents and flashes of eye-catching blue created a melting pot atmosphere. It was as if a theater casting director had opened a sublime dressing room box. These elements highlighted Saunders’ ability to mix tradition with modernity – a theme she consistently explores.

Models wear outfits from the Louis Vuitton Spring Summer 2025 collection presented in Paris, Tuesday, June 18, 2024. (Photo: Vianney Le Caer/Invision/AP)

A blue jumpsuit and mesh hat added an urban touch, capitalizing on the theatricality present throughout the collection. Likewise, the satin-blue cravat T-shirt shimmered beautifully with its generous proportions, highlighting Saunders’ talent for progressive use of textures and fabrics.

Mesh bobble hats were the perfect archetype for the spring collection – part East London mesh shopping bag, part Old Master artist. This clever use of materials and accessories is a testament to Saunders’ commitment to sustainability, often using fabrics from platforms reminiscent of Nona Source and materials from Positive Materials and Isko.

At times, Saunders appeared to fit the latest aesthetic of the Loewe fashion brand, nevertheless it retained its distinct identity through cultural references and an progressive approach to menswear.

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This article was originally published on : thegrio.com
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What’s Behind Kevin Hart’s Abrupt Closing of His Hart House Vegan Restaurant Chain

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Kevin Hart, Hart House, Black-owned vegan restaurant, Black vegans, vegan food business, Black-owned business, celerity business, theGrio.com

The sudden closure of all 4 Los Angeles locations of Kevin Hart’s vegan fast-food chain Hart House has industry experts wondering concerning the sustainability of vegan food businesses.

When Hart teamed up with Andy Hooper, former CEO of &pizza, to launch Hart House in 2022, the plan was to open 100 locations over five years. Menu offerings included plant-based “burgers” and “chick’n” sandwiches, consistent with Hart’s transition to a mostly plant-based weight loss program in 2020. Hooper also had an interest in entering the patron packaged goods industry.

Hart House initially opened to widespread acclaim and support. TikTok food sensation Keith Lee gave Hart House a glowing review when he visited in 2023. He praised the place for its reasonably priced prices, with sandwiches priced under $8 and combos under $15, and called a sandwich he tried “amazing.”

Now that the corporate has closed all of its locations, some experts are calling the plan “ambitious.”

According to Food InstituteHart House was faced with a rise within the California minimum wage from $15.50 to $20 (as the corporate already offered higher wages, extensive health care, and worker advantages) and a saturated market.

“Consumers may have viewed Hart House as a novelty rather than a serious player in the fast-food industry,” Bassem Mostafa, chief market analyst and owner of Globemonitor Market Research Agency, told The Food Institute.

He added: “While Kevin Hart’s star power has given him name recognition, it has not necessarily translated into consistent customer traffic and retention, both of which are key to surviving in a competitive restaurant market.”

Hart House isn’t the one vegan food business to recently close shop. The Food Institute also reports a “wave” of closures across the country, including the closure of 40% of its locations by the Veggie Grill chain, Stalk & Speed ​​​​in Minneapolis, Wild Thing in Oregon and VegeNation in Las Vegas.

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“The response to the product has been incredible. We thank our dedicated team, customers and community partners for helping us make the transition we wanted and for their unwavering support of Hart House,” Hooper noted in a press release confirming the closure of Hart House, The Food Institute reported.

High and rising operating costs in an already saturated market may mean that Hart House simply won’t give you the chance to compete in its previous form. Instead of using Beyond or Impossible patties like many other establishments offering vegan options, Hart House has provide you with its own. While Lee appeared to like them, others have recently expressed the alternative opinion.

According to Daily mailsome have even gone thus far as to match Hart House to other black-owned vegan brands, corresponding to the wildly successful Slutty Vegan. It’s hard to inform whether the reviews were written in good faith or not, but we do know that Hart likely doesn’t care.

In a recent episode of his podcast,Golden Minds with Kevin Hart,” he told his “Fright Night” co-star Chloe Bailey that he “never” reads reviews for “any” of his material — good or bad.

“I don’t get caught up in the good or bad version of it, because I get caught up in the idea and then I tell myself I’m going to do it, I work with people to do it, I finish it, and then I see that idea on the big screen or the small screen or in script form,” he said, adding, “I said, ‘Man, great. I set my mind to something and I finished it.’ So I’m happy with the fact that I get to do the things that I say I’m going to do. What other people think about it doesn’t affect my joy in my goal of finishing it.”

It stays a mystery what the longer term holds for Hart House, although the corporate’s farewell statement Instagram suggests “next chapter.”


This article was originally published on : thegrio.com
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Houston’s Trills On Wheels Expands With Brunch Tour

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Houston, Trill on wheels, hip hop


A well-liked interactive Houston attraction that continues to attract visitors and showcase the town’s wealthy history and black business scene has expanded its offerings.

Trill On Wheels is a national prime minister a hip-hop bike experience that celebrates Houston culture and contributions to hip-hop. Launched in 2021, the party bike offers a two-hour cruise around Houston with stops at various black-owned businesses while guests enjoy cocktails and shisha.

Designed to rejoice the Houston lifestyle, each bike is designed to spotlight the town’s automobile culture with a “Candy Paint” mural featuring hip-hop heroes and the neighborhoods they represent. The bikes also feature Swang’s rims wrapped in trendy tires and Houston’s signature bass pumping out of the speakers.

The exuberant experience has made Trill On Wheels a tourist attraction that visitors put at the highest of their lists. Now, the brand new EADO Hip-Hop Brunch Tour offers guests a fun-filled approach to experience popular brunch stops in Houston.

Trill On Wheels is currently based in Houston’s historic Third Ward neighborhood, EADO, and plans to expand to the Fourth Ward. The tour experience combines the talent of Houston-born artists with a splash of sunshine fitness. Featuring Beatking, Slim Thug, and Lil Keke.

What began as a single bike delivered in a shipping container to the resort “is a testament to our team’s commitment to meeting high expectations and delivering a world-class experience to our riders,” he said. business stated on its website.

“Team Trill” is run by a married couple with two babies.

“As true fans of hip-hop culture, hosting epic game nights and being ‘out there,’ we wanted to create an experience that we could enjoy ourselves and one day pass on to our son,” the couple said. “After a year of prayer, research and pure, unfiltered hustle, Trill On Wheels was born and we couldn’t be more proud!”

Trill On Wheels has served over 30,000 tourists who’ve donated over $700,000 to local black-owned businesses, helping to spice up Houston’s economy. Be sure to examine out Trill On Wheels in your next visit to Houston, and don’t forget to bring your personal booze!


This article was originally published on : www.blackenterprise.com
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Fear of sitting in crowded, black spaces

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There are two types of black people in the world: 1.) those that can walk right into a church on Easter Sunday, “sit” the highest five seats, and take a look at the ushers to just accept that those seats are taken; or 2.) me.

I’m the kind of person, and I represent the kind of black people, who hate being asked to sit down anywhere. I almost never feel anxious in public and I’m rarely nervous or concerned about who’s around me. But after I am in a public place and someone who just isn’t there and is not going to be there for some time asks me to sit down, I get anxious. I sweat. I stress. I fade quickly after which hand over. I don’t like to sit down for other people and I don’t ask people to sit down for me. I don’t prefer to put my burdens on the riverbank of the one who was on time.

But unfortunately, in the black community, “holding seats” is a thing—a sport, even. I’ve seen (and I mean this with dead seriousness; “without a hat,” as the children would say) an elderly black woman tell an usher in church that she was holding seats, and get mad on the ushers who suggested she couldn’t do it. She couldn’t consider they thought she couldn’t hold a row of seats, and so they couldn’t consider she couldn’t consider she couldn’t do it. Oh, what a tangled web we weave. My wife is one of those individuals who will hold all of the requested seats and risk a public demonstration of “Who’s going to break first, loudly?” over said seats. She’ll even be very mad at me after I can’t do it. Marriage, right?

If I’ll, I would really like to share with you all a recent experience I had attempting to get a seat that not only threw me out of the constructing, but threw me into an overcrowded room where I could now not see anything on account of the stress of attempting to get a seat for somebody. Also, as you may see, I failed this task with flying colours.

Just a few weeks ago, a famous friend of mine was giving a speak about books at a famous Washington landmark. I had been to that bookstore before—persistently—and had attended many of that friend’s talks. A math problem was about to pop into my head; there was absolutely no way that store could accommodate the number of individuals who would show up for that talk. Spoiler alert: I used to be right.

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Since I consider myself a forward-thinking person, I anticipated this math problem and got to the shop early enough to get a seat, but late enough to get one of, for example, three remaining seats. Many people should have been pondering the identical thing I used to be occupied with math, not math, given the space constraints of the shop. Anyway, I went in and sat down on a stool, then watched the parade of people, mostly black, who got here in after me, attempting to determine where to sit down. As an increasing number of people, especially older blacks, entered, I prepared to present up my seat and use my younger legs to face for your entire show.

And then I got a text from a friend asking me to avoid wasting a spot for her. Now that friend cannot stand for long, I had to avoid wasting her a spot (which I used to be already willing to present up) or we’d have to depart together; that wasn’t an option; we were there to see our friend be amazing and do her own thing.

But here’s the issue: My friend who asked for a seat was a minimum of quarter-hour away, and the stream of people coming in was growing. On top of that, my seat was in the aisle where people were coming in, which meant that everybody, including women who looked like my grandmother, could see that I used to be NOT giving up my seat. I looked like a young kid on a subway automotive not giving up her seat to seniors or pregnant women. The thing is, I knew why I wasn’t getting up, but they didn’t, and I couldn’t look my grandmother in the face and say, “Hey, I would give up my seat for you, but I would save it for a woman younger than you but older than me who potentially has a leg problem and wouldn’t care if you didn’t get it.” No one asked, they simply watched.

I used to be sweating an increasing number of with every passing minute and an increasing number of people were observing me. I do not know if that truly happened or not but that is the way it felt and I felt uncomfortable and judged. I used to be texting my mate with my ETA and he kept saying “I’ll be there in 5 minutes” for over 5 minutes. I let her know I didn’t think I could sit any longer because I used to be beginning to seem like I hadn’t been raised properly.

Then the book event organizer took the microphone and identified that there have been issues with the seating and that those of us who could should hand over our seats to those that were older than us or might need to sit down down, and I felt like she was talking on to me when she said that. She mentioned the overflow situation outside on the back patio instead for all of us who either needed a seat or had to present up our seats. At this point, my stress and anxiety were at their peak; my heart was beating fast and my palms were sweaty. I could not take it anymore. I stood up from my seat and without anyone, said, “The seat is free,” and quickly ran to the overflow spot while texting my friend that I could not hold on to my seat any longer.

It’s been weeks since that night and I still remember how I felt attempting to keep the place going. I felt really uncomfortable and I knew my wife could be high quality. Oh, and concerning the overbooking situation – it was awful. The place had no idea what they were doing and arrange a projector TV during sunset so nobody could see what was happening. Cool idea, terrible execution, but a minimum of I wasn’t stressed anymore. I used to be briefly annoyed that the place hadn’t thought to order a bigger space for the lecture considering who that they had brought, but that is in the past now.

Now it’s OK; thanks for asking. But one thing is obviously, and two things are obviously: next time I’m going right into a place that I do know can be crowded, I’ll just skip the entire sitting thing and prepare to face in the front, back, or side. Sure, my back might hurt and my legs might ache, but a minimum of I won’t feel stressed or judged.

If you’ve gotten a friend who cannot hold seats, please don’t force them to. It’s an excessive amount of.

Thank you for coming to my talk in Panama.


This article was originally published on : thegrio.com
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