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Actor Louis Gossett Jr. he loved Hollywood even if it didn’t love him back – Andscape

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For informal insiders, the Oscar is the important thing that opens the door to profession opportunities in Hollywood. But not all that glitters is gold in a spot built on creating and maintaining illusions. Take, for instance, Louis Gossett Jr., the Oscar winner who died on March 29 on the age of 87. It is widely believed that after winning the Academy Award for Best Supporting Actor in 1982 for , the classically trained actor’s phone rang. Unfortunately, this was not the case.

“After the Oscars, well, I’ve got plenty of time left.” Gossett said in 1989 “I thought I would get a lot of offers, but they didn’t come.”

And why would not he do it? Gossett was the second black man to win an Oscar since Sidney Poitier won best actor in 1963, and only the third black man. Box office success and significant acclaim must have made Gossett a hot commodity. But the phone didn’t ring for a very long time.

Louis Gossett Jr. he won an Academy Award for Best Supporting Actor for his role within the film An officer and a gentleman on the annual Academy Awards ceremony in Los Angeles on April 11, 1983.

“I didn’t work in films for another year.” Gosset said. “I do not think people were ready for me to win. I believed winning an Oscar meant, “I’m a millionaire!” And it never really meant 1,000,000 dollars for nothing.

When film roles finally got here his way, he was relegated to supporting roles, often filled by black actors. In Gossett’s heyday, there weren’t many opportunities for black artists, so saying “no” wasn’t at all times an option. However, he never allowed the size of production or the form of film to find out the extent of his performance. Whether it was a giant studio movie, a 3rd film, or a low-budget Chuck Norris motion movie (1986), Gossett maintained the identical energy. Even if it meant wearing prosthetics and makeup like he did in .

“Everyone turned down the role because you couldn’t see your face or eyes. “How can you give a performance?” So there’s just a little little bit of Lon Chaney Sr. in me (), you gotta try it” Gosset said. “That’s why I made this decision, because it was a challenge.”

There’s something cool, almost regal, about someone who devotes himself to all the things with the identical dedication, especially when there’s an Oscar hanging on the mantelpiece. Gossett was pleased with his work ethic and understood the racial elements of his career. He lamented the industry’s treatment of the typical black actor in 1989 and Hollywood’s “limited vision of what Negroes are.”

“Wizard storytellers – fool roles, roles in cop movies, roles in blaxploitation movies, trickster types, all the stereotypical Black characters, Black roles with white hats, dark glasses and chains around their necks,” Gossett said. He experienced unequal treatment behind the scenes during a dark period in his life.

Depressed, Gossett became hooked on drugs and alcohol when the bounty didn’t bring him what he wanted. He fought for leading roles and equal pay that did not materialize. He has reached what many consider to be the top of acting, but nothing has modified. “I said to myself, ‘What else can I do? Where is the light at the end of the tunnel? I started to self-destruct.” He noted how narrow the trail was for black actors in comparison with their white counterparts. He wrote about it in his memoirs:

“(They) were in a position to overcome worse problems through drugs, alcohol and self-destructive actions. There was hope for them of redemption and an even more successful profession after treatment, and their drug problem only added to their allure. But for a black man who was alleged to “mind his manners,” drugs were a everlasting stain. For me, the road was too narrow to permit for playing around.

Louis Gossett Jr. on stage during Center Theater Group’s fiftieth Anniversary Celebration on the Ahmanson Theater on May 20, 2017 in Los Angeles.

Rich Polk/Getty Images for Center Theater Group

As Rowan Pope famously said on a TV show, “We have to be twice as good as them to get half of what they have.” It’s the identical now as it was then. It says loads that what he experienced 40 years ago continues to be relevant today. Even after Gossett’s successful stint in rehab, the established order remained for a person who deserved higher. What does it say concerning the entertainment industry when a person who overcame his transgressions, treated every job as if it were his last, won so many accolades along the best way, and who envisioned a world of color-blind casting never had the possibility to attain what several his white co-stars did on film? What does it say about this man that he found himself in a greater place and overcame his bitterness?

Gossett loved Hollywood, even if it never fully loved him. An Academy Award signifies that the complete entertainment community recognizes someone’s talent and says, “We such as you. We really such as you. The same individuals who voted for him in 1983 over Charles Durning, John Lithgow, James Mason and Robert Preston hung him to dry when the ceremony was over and the champagne stopped flowing. Gossett hoped that television would change the situation and that when audiences saw Black people in diverse roles, it might turn the tide for higher film roles.

It finally happened.

Jason Gedrick (left) and Louis Gossett Jr. (right) within the scene with Iron Eagle in 1986

TriStar/Getty Images

Although his film profession never really took off, Gossett blazed a trail in television. Having someone of his height forged in non-stereotypical roles opened doors for those behind him. He showed off his comedy talent in . He voiced Lucius Fox within the animated series and a drill sergeant in . In the series, he played priests, reverends, private detectives, teachers and even a superhero.

This last point stands out because it’s hard to assume a world during which Regina King existed because the principal character if it weren’t for all the things Gossett achieved. It’s even harder to see someone apart from him play Will Reeves/Hooded Justice with righteous outrage at what was taken from him and the methods he selected to take it back. There is a Bible verse about how there may be a time for all the things. Gossett had his way when individuals who grew up watching him in every sequel and casting him of their shows or movies like in 2023.

These props didn’t arrive when he called, but they eventually arrived on time.

Marcus Shorter is a communications specialist and author. When he’s not writing ideas for Consequence, Cageside Seats, or Bloody Disgusting, he gets extremely nerdy about rap lyrics, politics, poetry, and comics.

This article was originally published on : andscape.com
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Angelina Jolie’s disturbing performance in new interview sparks criticism Years after health problems caused her face to sag

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Angelina Jolie promotes her next film, “Maria”, in which she plays the role of the famous opera singer Maria Callas.

However, for some fans, the press was more about Jolie’s health and appearance than her work in film.

On November 21, Jolie sat down with Michael Strahan for an interview on “Good Morning America” ​​to discuss her fear of using her real voice to sing opera for the role and the enjoyment of motherhood. However, in the course of the chat, some fans claimed they noticed Jolie’s face looked different than usual.

In the newest interview, Angelina Jolie expresses concerns about her health. (Photo: Gilbert Flores/Variety via Getty Images)

One person was cited by Express US for this story he said“It looks rough.”

Another commentator on Page Six he wrote“Ok, I just read that her face looks different because she stated that she developed hypertension and Bell’s palsy, a condition that she said caused her face to droop to one side. I assumed she looked like she had a stroke, in order that explains it.

Debates about Jolie’s sickly appearance erupted when fans noticed visibly large veins on her arms during separate red carpet appearances. Even those that knew her health were still shocked and anxious by her photos.

Jolie first revealed that she had the disease in 2017. In an interview with Vanity Fair she said he said she discovered she had hypertension and Bell’s palsy in 2016, the identical yr she filed for divorce from Brad Pitt.

So when she was diagnosed with the disease, she said she wasn’t sure what could have caused it. “I can’t tell if it’s menopause or if it’s just the year,” said Jolie, then 42. “Sometimes women in families put themselves last until it manifests itself in their own health.”

However, she also said that she is trying to pay more attention to her health. “I actually feel more like a woman because I make wise choices, I put my family first and I am responsible for my life and health. I think that’s what makes a woman complete.”

Last yr, the “Maleficent” star opened up again about her condition, revealing that it was caused by the stress of ending her relationship with Pitt.

In an interview with The Wall Street Journal, she said he said“My body reacts very strongly to stress. My blood sugar levels go up and down. Six months before the divorce, I suddenly developed Bell’s palsy.

According to National Institute of Neurological Disorders and Stroke“Bell’s palsy is a neurological disorder that causes paralysis or weakness on one side of the face. It occurs when one in every of the nerves that control the facial muscles becomes damaged or stops working properly, which may cause the facial muscles to droop or sag.

This article was originally published on : atlantablackstar.com
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“The Honorable Shyne” is a hit. This is why I wanted to tell this story. — Andlandscape

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One of the primary reasons Andscape culture author Justin Tinsley and I were tapped to co-executive produce was our backgrounds as music journalists. The documentary chronicling Moses “Shyne” Barrow’s rise to fame, imprisonment, and re-emergence as a political leader suits firmly into our wheelhouse, as his best rap years got here within the early 2000s – right at the center of our hip-hop fandom. I donated my time helping with the documentary, which was a top ten show in its debut week on Huluas a likelihood to help tell the story of hip-hop. I got here away from the project with an understanding of a man in conflict, at odds with himself and his past, and wanting to forge a path forward.

Shyne’s story illustrates the American dream: a poor black immigrant comes to America and from nowhere becomes one in all the largest rap stars. It is also a story about how the American criminal justice system and music industry chew up and spit out so many young Black people. To carelessly follow Shyne’s story is to consider him as just one other young black man who fell into a bad situation and never recovered. After all, his rap profession was effectively derailed when in 2001 he was sentenced to ten years in prison for the 1999 shooting at Club New York in Manhattan. But what inspired me about Shyne’s story was his refusal to let this devastation define him.

In 2021, I hung out in New Orleans with former No Limit rapper McKinley “Mac” Phipps, who had just been released from prison after spending 21 years in prison for a murder he denied committing. As I listened to Shyne’s story, I considered Mac. Both were avatars of a system that tested rap as much because it tested individual men. Mac’s story was about how hip-hop lyrics may be used to accuse someone within the face of overwhelming evidence of their innocence. Similarly, Shyne’s trial created a sensation about hip-hop’s relationship to violence in a city hungry for head on a plate.

Both Shyne and Mac emerged from prison as completely different people than once they entered. In Mac’s case, it was the period of time he spent at home, during which he transformed from a teenage rapper into a man after 20 years spent in confinement. For Shyne, his transformation got here from faith when he converted to Orthodox Judaism in prison. When I have a look at people like Shyne and Mac, I wonder how they’ll survive being locked in a cage, and their answers are inspiring.

While Shyne’s rap stories are what drew me to this project, it’s his journey as a man that makes me proud to help tell his story. And we actually get to see that journey after he raps the ultimate bars of his rap profession.

Shyne got here to the film wanting to discuss his lowest moments – the time after his release from prison in 2009, when he lashed out, frustrated at seeing a latest crop of rap stars emerge within the void left by his absence. He was rudderless. As rudderless as anyone may be who has lost a decade to a prison system that wanted to destroy him. And much more, since it was closed when the superstar’s fame was on the tip of his fingers.

The raspy-voiced rapper could have let these mishaps define him, but that is where Shyne’s story resonates with everyone, whether or not they’re a rap fan or not. Shyne’s second act, the one through which he finds purpose in community and family, where he uses his innate charisma and true genius to turn out to be a political leader and motivational speaker.

I cannot discuss Shyne’s reappearance without mentioning Sean “Diddy” Combs. Combs, the disgraced hip-hop mogul who signed Shyne to his label Bad Boy Records and helped launch his profession, is the elephant within the room throughout the documentary and in Shyne’s life. So lots of the artists who emerged under Diddy – from G Depp and Mase to The Notorious BIG – suffered terrible consequences. Shyne’s name was all the time on the list because he spent ten years in prison. And yet, Shyne’s approach to healing and moving forward is as inspiring as his ability to overcome what he sees because the sabotage of his life and profession.

These are lessons I didn’t expect to learn from the stories in regards to the hip-hop star from my childhood. These are inspiring moments that can be of interest to those that haven’t yet turn out to be inquisitive about the Brooklyn, or somewhat Belizean, rapper featured within the documentary. These are the points that make me proud to be a a part of telling Shyne’s story.

DavidDennis Jr. is a senior author at Andscape and the creator of the award-winning book “The Movement Made Us: A Father, a Son, and the Legacy of a Freedom Ride.” David is a graduate of Davidson College.

This article was originally published on : andscape.com
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Kendrick Lamar Releases Surprise Album ‘GNX’; group chats are going crazy

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Kendrick Lamar, Kendrick Lamar GNX, GNX, GNX album, K-Dot, K-Dot GNX, theGrio.com

There are few things more exciting than receiving an infinite barrage of text messages at the very same time in numerous group chats. This normally implies that something vital has happened in popular culture. Well, the exact same thing happened about noon on November 22, within the yr of our Lord two thousand and twenty-four. Kendrick Lamar Duckworth, higher often called Kendrick Lamar, released the album “GNX”, nod towards Buick Grand National Regal GNXa rare muscle automobile released in 1987 – which also happens to be the yr Kendrick was born.

“GNX” is coming to the tip of what has been a banner yr for Kendrick Lamar. From epic diss records geared toward Drake, to creating the largest song of his profession (and a Drake diss track) on “Not Like Us”, to the “Pop Out” concert streaming live to tell the tale Amazon Prime, Kendrick won this yr. He even received seven Grammy nominations, mostly for “Not Like Us.” And this victory will proceed in the brand new yr. In September, it was announced that Kendrick would stay Super Bowl 2025 headliner will happen in New Orleans. This announcement sparked some controversy and comments from several New Orleans legends similar to Juvenile and most notably Lil Wayne, who felt disrespected; Kendrick immediately refers to this topic within the opening song of the album (all stylized in lower case), “wacced out murals”.

The thing is, Kendrick didn’t sleep for many of 2024. And then, while the remaining of us were minding our own business, listening to other albums that had just dropped, like Ice Cube’s “Man Down,” I began receiving text after text… and I knew that would only mean that something vital happened.

At this point in my life (and possibly even yours), Kendrick Lamar releases are a drop-everything-and-listen event. I immediately went to the streaming service, launched “GNX” and pressed “Play”.

I need to admit that the primary time I heard the album I used to be a bit confused. Kendrick has probably never been more popular or famous; if there was ever a time to drag a Kanye West and release his own version of “My Beautiful Dark Twisted Fantasy” – an album largely produced as Kanye’s best and most representative of Kanye’s greatness – now could be the time. “GNX” has a far more modern West Coast vibe and is certainly more for his die-hard fans than anyone who just began gaining attention due to his beef with Drake. Maybe that was the purpose; possibly not.

Kendrick Lamar, Kendrick Lamar GNX, GNX, GNX album, K-Dot, K-Dot GNX, theGrio.com
Photo: Dave Free

Either way, I can imagine that folks whose favorite lines are “OV-Ho” won’t be immediately thrilled. I wasn’t immediately blown away (though very amused by how sensitive Kendrick is to what people say about him on social media, well, everyone), but as is all the time the case with Kendrick albums, repeated listens are likely to correct any immediate monotony that I even have about his projects. For example, now that I’ve listened to it just a few times, I can not wait to listen to black college bands playing “tv off” style, which seems like a cousin of “Not Like Us.” The Shoot, Bayou Classic, which also takes place yearly in New Orleans on Thanksgiving Day, stands out as the first time we hear a band playing “TV off.”

Since the album didn’t come out long enough to be reviewed, group chats and social media were abuzz with immediate reactions. This is the a part of music releases I really like, where everyone seems to be listening to the identical thing, offering premature takes that will not even delay the following day. I’m not different; I’m sure I’ll say something about this album that can sound silly by Monday. Shoot, I can have already done it. But that is what happens when great artists release music. We spend time with others after which we refer to them, analyze them, criticize them, praise them, destroy them and let all our prejudices fly free. Love it.

It’s value noting that certainly one of Drake’s diss tracks that did not appear during last summer’s fracas was titled “The Heart Part 6,” and was an apparent try to usurp Kendrick’s pre-album practice of removing a non-album song titled “The Heart.” Well, Kendrick has a song on his recent album called, you guessed it, “The Heart, Pt. 6,” which I feel will probably be released soon Drake. Good job, Kenny.

Argue.


Panama Jackson theGrio.com

This article was originally published on : thegrio.com
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