Every 12 months on the first Monday in May, the biggest stars, movie stars, musicians and athletes gather to have a good time the Met Gala. Contrary to popular belief, the Met Gala shouldn’t be a fancy dress party, but a fundraiser for the Metropolitan Museum of Art in New York.

Designers dress guests (hand-chosen by the magazine’s longtime editor Anna Wintour) in a theme inspired by the exhibition at the museum’s Costume Institute for fashion’s most important evening. This 12 months’s edition was “The garden of time“, a nod to the exhibition “Sleeping beauties: awakening fashion” and based on a brief story by English author JG Ballard, written in 1962.

As you would possibly expect, florals were an enormous trend in the off-white rug, and in some cases perhaps crucial.

Here’s a glance at our favorites from the evening.

The king is (almost) dead.

Long live the (next) king.

LeBron James is still amongst us and continues to command the lion’s share of the NBA’s attention. But heirs to his throne are circling, especially in Minnesota, where 22-year-old Anthony Edwards is introducing himself to the general public. “Ant-Man” is here and he looks like “Thee Man.”

Arguments have been raging recently over the NBA’s biggest player of all time as James closes the gap between himself and the supposed GOAT Michael Jordan. James is the league’s all-time leading scorer and, in his twenty first season, has scored more points than another player combined at this point in his profession. At age 39, he averaged 25.7 points, 7.3 rebounds and eight.3 assists, which must have been enough for him to be named to the All-NBA team for the twentieth consecutive 12 months.

But nobody ever said James reminded them of Air Jordan.

It’s no different with Edwards. People cannot stop comparing him to MJ by way of style, athleticism, trash talking and killer mentality. Playing in little-known Minnesota hasn’t helped Edwards to this point, but legends are born in the postseason. When you have made a reputation for yourself, nothing beats two games on the defending champion’s home field.

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“Obviously they (Jordan and Edwards) have a lot of the same mannerisms,” Timberwolves defenseman Mike Conley he said Sport Lisa. “The movements, the fades, the athleticism, the poster dunks, the blocks and the defensive work he does. But the truth is, it is his motivation that is most significant. Same type of work ethic, same type of “I don’t sleep at all at night because I’m ready to play, I’m ready to play.”

The Timberwolves are halfway to the Western Conference Finals and returned home with a win over the Denver Nuggets on Monday. Minnesota has yet to lose in these playoffs, which is a highlight for Edwards. He averaged 31 points in the first round, defeating Kevin Durant and Phoenix, after which began the game with a profession high in the postseason 43 points on Saturday against the Nuggets. He scored 27 points in Game 2 on Monday, putting Denver’s title defense on life support.

Unlike the late great Kobe Bryant, who studied Jordan extensively and have become his closest replica in history, Edwards never intended to replicate his Air. Similarities emerged naturally, built on outrageous physical abilities and insane work ethic, leading to inevitable comparisons around the world. hoop and next wing.

We’ve seen this story before.

Fans and media began looking next Jordan before the original retired (for the first time) in 1993. Victims included busts like Harold “Baby Jordan” Miner and All-Stars like Grant Hill. Particularly susceptible to labeling were Jerry Stackhouse and Vince Carter, amongst others, who followed Jordan at North Carolina. Bryant welcomed this characterization and carried it well.

Edwards prefers not to go there.

“I want this to end,” Edwards said. “It’s the biggest ever. I can not be compared to him.”

Maybe he’ll; his thoughts on the matter are irrelevant. Conversations about sports are driven by questions like “what have you done recently” and “what can you do next?” Stars rise and fade, and we’re addicted to sorting them into generational rankings, lists, and tiers. There’s nothing we will do about it.

Big men have their very own category, and San Antonio’s Victor Wembanyama (7-foot-4) poses a threat to beat all his predecessors, while Denver’s Nikola Jokic is climbing the charts. But 7-foot players aren’t as easily identified as shooting guards who can grab a rebound and go coast-to-coast or pass a defender at knee.

Technically, there won’t ever be one other Jordan or an all-time great player. Players exit on the pitch, do their thing and rack up the numbers in their very own individual style. And while nobody thinks Robert Horry (seven rings) is higher than Jordan (six rings), winning championships is also a separator.

Edwards is fighting for his first NBA title with no certainty that he’ll ever win it. History is full of wonderful players who didn’t make it, including Hall of Famers Elgin Baylor, Karl Malone and Charles Barkley. There is no shame in being on this list if Edwards suffers this fate.

But he’s running a bona fide challenger now in his fourth season, in an attention grabbing way that means he’s just began and has no intention of stopping anytime soon. He is competing with Wemby, Shai Gilgeous-Alexander and Luka Dončić for the title of “next face of the league”, the only American of the 4. However, nobody else is closer to becoming the next MJ.

Whether you prefer it or not, “Ant Man” is that guy.

Sit back and revel in.

The Met Gala is certainly one of the most talked-about evenings in fashion yearly and serves as an event fundraiser for the Metropolitan Museum of Art in New York. This 12 months’s event, which took place on May 6, was intended to honor the Costume Institute’s 2024 exhibition “Sleeping Beauties: Fashion Awakening.”

Hollywood red carpet star Colman Domingo discussed the inspiration behind his outfit ahead of the event.

As reported, Domingo’s outfit was partly a tribute to stars Chadwick Boseman and André Leon Talley, late fashion journalism icons who made their mark at the Met Gala by wearing capes.

“They both wore capes at the Met,” Domingo said. “Everything I do, I feel like it has to be done for the culture. It has to be more than just for me. I also wanted to honor those brothers who came before me.”

Domingo said he and Willy Chavarria were brought together by his stylists, who told him the king of the red carpet should work with the reigning CDFA award winner.

“This is kind of the icing on the cake for my awards season,” Domingo noted. “I do know there’s been loads of give attention to my look and style and how I tell stories about clothes and fashion, so I knew it could be a giant moment. So when (The Met) was offered, my stylists (Wayman Bannerman and Micah McDonald) reached out to see who can be excited about dressing me. To quote Wayman and Micah: “Well, the king of the red carpet should be paired with the newest CFDA award winner.”

Domingo continued: “There were times when it felt like coronation tailoring in some ways. I feel prefer it could look quite a bit like the British Royal Family at times, and I wanted that to be on top. I believe if we go to a coronation and we turn into the king of the red carpet, (The Met) will likely be an actual coronation.

Domingo wore a big black and white Willy Chavarria suit with diamond earrings, silver rings and a bouquet of white flowers wrapped in black satin fabric.

As noted, the actor’s appearance was not only beautiful, but it surely perfectly fit the evening’s theme “The Garden of Time”. According to Vogue magazine, the event’s theme and dress code were inspired by a 1962 short story by JG Ballard that shared a typical theme.

As Lit Hub describes the story: “The dress code for the event is “The Garden of Time,” inspired by J. G. Ballard’s 1962 short story of the same name, through which Count Axel and his wife live and listen to Mozart in an impressive villa, surrounded by a garden of crystals flowers as an indignant and unruly army approaches them. To keep the “approaching mob” at bay, Axel must turn back time by picking the flowers one after the other until they’re all gone and there isn’t any time left.