Connect with us

Music

Murs and 9th Wonder’s album “Murs 3:16: The 9th Edition” helped me write

Published

on

2004 was a breakthrough 12 months in my life. This might be crucial 12 months of my skilled life; on my twenty fifth birthday – June 3, 2004 – I published my first blog post. From that moment on, my life and profession were never the identical. Even though I had a day job that provided me with a salary, advantages, and paid day without work, within the second half of this 12 months I began getting opportunities to write for web sites that I had previously spent reading. One of such spaces was Allhiphop.com, which in 2004 was considered one of the few hip-hop web sites and, subsequently, an especially popular online place for everybody enthusiastic about culture. Put a pin in it.

2004 was also quite a big 12 months for independent hip-hop releases. March 23, 2004 was the day that considered one of hip-hop’s most classic albums, MF Doom, and Madlib’s “Madvillainy” were released, however it was also the day that one other notable project was released: “Murs 3:16: The 9th Edition” – a joint album by rapper Murs and (on the time) producer recent to the scene, 9th Wonder. 9th Wonder is, after all, the producer of the infamous North Carolina hip-hop group Little Brother. Murs was a rapper from Los Angeles, the Living Legends group, but I knew him from a separate joint album with rapper Slug (from the AtmOSfera group). Slug and Murs formed a gaggle called Felt and in 2002 released the album “Felt: A Tribute to Christina Ricci”.

Back in 2004, hot on the heels of his well-deserved fame as producer of Little Brother’s debut album “The Listening” and its inclusion on Jay-Z’s 2003 album “The Black Album,” I used to be almost willing to hearken to anything produced by 9th Wonder. I picked up Madvillainy and Murs 3:16: The 9th Edition on the identical day, and each albums appeared in rotation all year long (and years after, to be honest). 9th Wonder’s signature production was amazing, but what really stood out to me was the bond with Murs, who, despite rapping a few city I hadn’t yet visited and a life I didn’t know outside of films set in Los Angeles, lowered the bars , which made me feel like I saw and understood his life. I’ve at all times had a soft spot for Everyman rappers; Make no mistake, Murs (and rappers like Phonte and Blueprint from Soul Position) were top-notch lyricists, but their storytelling and lyrics relied on references and ideas that seemed familiar to me.

Advertisement

Featured Stories

Murs also has an absolute knack for storytelling. Song “Walk Like a Man” it was so cinematic that I remember pondering that somebody should take this idea and turn it right into a short film, which he finally did. In addition to telling a story, the song is made up of three parts, and the beat of the second part was considered one of the best beats I actually have ever heard, and I still feel that way. 9th Wonder’s ability to craft an emotionally charged beat is an ideal fit for Murs’ voice, and, well, there is a reason this album was so highly rated in 2004. It’s an album filled with interesting stories about life in Los Angeles as a rapper whose fan base doesn’t at all times match the people whose lives are most concerned with the content he talked to directly on the stage of making the album, “And this is for…”

Thanks to the contacts I made within the blogging world, I used to be given the chance to write an article for the primary time Allhiphop.com in October 2004. When I got my second likelihood the next month, I thought of this song after I wrote an article for Allhiphop.com in November 2004. The second article for this site was a chance for me to explore a subject that bothers me: the best way hip-hop fans complain about the whole lot and how artists can perceive it. The song “And This Is For…” was played over and another time while I used to be writing the title track “Hip-Hop Confusion: Is This What It’s For?” arguing that we, consumers and fans, have never been pleased and that, subsequently, artists should simply create music that most closely fits who they were at that time of their lives.

The decision I made in this text modified my trajectory much more. I put my email address at the top and received emails from rappers, managers, agents and individuals who read the article and agreed, and some desired to work with me. Of course, the album itself didn’t change my life, however it inspired me to write. I actually have long admired Murs’ ability to inform stories that might be told. Although I do not write rap lyrics, I often draw inspiration from rappers because I used to be raised on and by hip-hop. And the song “And This Is For…” introduced ideas I used to be fascinated by too. And after I was given the chance to create art that synthesized my thoughts with the themes, I did it. Is “Murs 3:16: The 9th Edition” a classic hip-hop album? Maybe not, but only because Murs wasn’t a household name on the time. The album is pretty much as good now because it was in 2004.

Advertisement

Murs and 9th Wonder collaborated on future projects and each achieved huge success independently. However, that first project struck me at a time after I was searching for art that might speak to my development as a author, and I still consider this album to be the muse of my profession. It helped me get on Allhiphop.com and push my profession forward.

Now I do know who that is for.



This article was originally published on : thegrio.com
Advertisement

Music

Albums from Miles Davis, Mary J. Blige, Elton John and “Minecraft” Enter the National Recording Register

Published

on

By

Albums Elton John, Miles Davis, Tracy Chapman, Mary J. Blige and solid “Hamilton” enter America Canon Audio, along with the single Helen Redda and Celine Dion and Music “Minecraft”.

New introductions to National Recording Registry in the Congress Library They bear in mind the groundbreaking combination of Jazz and Bitches Brew “by Davis from 1970, loaded” Goodbye Yellow Brick Road “, from 1973, from 1973, the CHAPMAN album from 1988, which included” Fast Car “, deeply intratsy Blige from 1994” My life “, and the original album from Broadway on Broadway on Broadway 2015 Broadway

Advertisement

They were amongst the 25 recordings introducing the archive at school 2025, the librarian of Congress Carl Hayden announced on Wednesday. The recordings were chosen due to their “cultural, historical or aesthetic significance in the recorded heritage of the nation’s sound”

“These are the sounds of America-Nasz, extensive history and culture,” said Hayden in a press release. “Our evolving list of playback is the national register.”

Helen Reddy from 1972 “I Am Woman, Heard Me Roar” and Celine Dion from 1997 “My Heart Will Go on” from the movie “Titanic” belong to singles entering the archive.

Among the more odd switches are original video music (and now a movie about monsters) “Minecraft” from the German manufacturer Daniel Rosenfeld, as gathered on the album from 2011, “Minecraft: Volume Alpha” and Reboot sound for the Microsoft Windows 95 operating system, created by the music and producer Rock & Roll Hall of Fame Brian En.

Advertisement

Radio Spiker Chuck Thompson from the World Series from 1960 between New York Yankees and Pittsburgh Pirates – contained in the Bill Mazeroski register of Pirates.

The oldest recording at school 2025 is “Aloha ‘OE” from 1913 by Hawaian Quintete. The latest is the album “Hamilton” from 2015 with the music of Lin-Manuel Miranda.

Other albums that won the inclusion were “Hello Manek” from 1968 with Obelg, Don Rickles, “Chicago Transit Authority” from 1969 from the Chicago band, “I Mu Music in Me” from 1975 and “Back To Black” from Amyhouse from Me “Thelma Houston & Press Coker.

Singles defining their careers from other canonical artists join Redda and Dion singles, including “Happy Trails” from 1952 from Roy Rogers and Dale Evans, Freddy Fender from 1975 “Before the next tears” and “Kiss Angel Good Mornin ‘from 1952.

Advertisement
Lizzo to the star as a legend of Rosetta Tharpe music in the new biography

(Tagstotransate) Entertainment

This article was originally published on : thegrio.com
Continue Reading

Music

Crime Mob allegedly broke off due to a joke with the participation of guests of Michael Jackson in “Knuck, if you are Buck”

Published

on

By

Is it possible that the end of the group that made us each Knuck and Buck, and perhaps even ready to fight, ended because of Michael Jackson? According to the princess, one of the two female rappers in the former group, that is what happened.

Crime Mob, Eastsside of Atlanta Group with the participation of Princess, Diamond, Lil ‘Jay, Cyco Black, MIG and Earlier Kill C, gained in the importance of their hood and club banger, “Knuck If You Buck” from 2004 from the strength of 2000.

Advertisement

During an interview at “Legendary Jerry’s Podcast” The princess was asked what she probably did flawed to separate the group, and I feel it could possibly be safely said that not a single living soul could guess her answer.

“Me and my brother went to six flags, we returned home. We called Diamond and told her that we saw Michael Jackson on the Six flag. And that Michael Jackson wants to get to” Knuck, if you zloty. That he just left our house. And he must come to listen to his verse. ”

Let’s just stop at the matter here. The very thought that Michael Jackson wants to abandon the poem “Knucka If You Buck” is a kind of sliding moment when I feel that everybody who has ever loved music would love to experience culture. Where would he fight in any respect? I’m sure that AI and the Internet come to life, but wow, what a chance.

Advertisement

The princess remembered Diamond’s response to the joke: “She ran from home to our house and believed us. And it hurt her.”

While some people might imagine that the concept of Michael Jackson, who jumps on this album, makes no sense and that Diamond mustn’t consider it, I would love to indicate that that is the same Michael Jackson, who was famous for her lap, loved James Brown and had records with the notorious great Michael Jackson, who also got here to the side I’m from 2001, so it isn’t as if it was disconnected from the street. In addition, “Knuck If You Buck”, which according to Billboard reached the summit only on the Hot Rap Songs list, felt like song No. 1 in the hood and in every club and continues to be beloved by the black community in 2025. Regardless of whether Diamond didn’t confirm this story, we could know if their story really believed, but from the point of view 2003, not less than it was not good.

“And the monkey made a few ads,” said Monkey Princess of Jackson, Bubbles.

This part will be a bridge too far.

Advertisement

Either way, according to the princess, it’s a moment that ended the crime crime and ruined the relationship of her and the princess for nearly 20 years.

“Brittney Nicole” Diamond “Carpentero, I’m so sorry that I told you that Michael Joseph Jackson and Bubbles came to our house in Ellenwood, just around the corner, to get to” Knuck, if you zloty. ” If I knew 20 years and you would have beef with me, I’m so sorry, “Princess said.

Although we are able to get a response from Diamond, regardless of whether Michael Jackson – who died in 2009 – would join in “Hood Classic is a real secret that we want to solve.

The legend of NBA Dennis Rodman assures fans that

(Tagstransate) hip hop

Advertisement
This article was originally published on : thegrio.com
Continue Reading

Music

Why the developing Clary Lionel Rihanna Foundation is perceived as a model of celebrity philanthropy

Published

on

By

Rihanna She is used to opposing the convention.

The nine -time Grammy winner modified her extensive hits, including “umbrella” and “work” in a business empire value roughly $ 1.4 billion, placing its highest level to Forbes lists last yr forbes The richest “self -sufficient” American women. The largest entertainment scene in Barbados, with a pregnancy revealing during it Solo 2023 super bowl break show. And she A successful brand of cosmetics Fenty Beauty Cosmetics He revolutionized the makeup industry because of the shades that features.

Advertisement

But this is not a rotated megastar Long -awaited statement to the album “Anti” from 2016, which has waves this yr. It’s her philanthropy.

Named in honor of Rihanna’s grandparents and partially financed by her brands, the Clara Lionel Foundation comes out of “Refreshment”, which is able to direct more funds to climate solutions and girls’s entrepreneurship in the underestimated regions of East Africa, the Caribbean and the United States. After 13 years of relative anonymity, non -profit is ready for greater visibility.

“Our founder is a woman from a small nation on an island who has a global reach. She is an entrepreneur. She is a mother. She is creative,” said executive director Jessie Schutt-Aine. “So we want an organization that reflects this spirit and this energy. She is brave and ambitious. She is innovative. She always does things differently. She changes into the game.”

Experts say that it is rare that amongst known philanthropists is so purposefulness. The Clara Lionel Foundation has also been praised for accepting “trust -based” giving, which enables unlimited financing to recipients.

Advertisement

The founder of NDN Collective, Nick Tilsen, said that CLF allows their native Non-Profit organization “they work on our conditions”-and that other founders should take notes.

“They are also not the foundation that is also in your company,” said Tilsen. “They support. They see a job. They let us do what we have to do.”

Personal roots of the Clara Lionel Foundation

Rihanna began the foundation with an contribution of USD 516,000 after her grandmother died of cancer complications in 2012. This yr, the musician founded the Oncology Center in the foremost Barbados hospital to expand screening and cancer treatment. And Young Foundation has focused on healthcare and Barbados for many of the last decade.

However, by 2019, CLF began to find out the priorities of readiness in the event of a failure. Grantmaking jumped to over $ 33 million in 2020, because the non-profit organization provided a very essential pandemic relief and supported efforts for racial justice. According to tax reports, the slowdown in postpandemic expenses coincided with its inner transition.

Advertisement

The renovated team and complicated priorities now match their wider ambitions. The latest director of women’s entrepreneurship based in southern Carolina will construct programs of this pillar. Amina Doherty, co -founder of Black Feminist Fund, is now supervising programs and influence. Five latest pillars are complemented by climate solutions, art and culture, health access and equality, as well as future generations.

The concentration of young people was praised by Ashley Lashley, a 25-year-old whose foundation cooperated with CLF as a way to solve environmental challenges on her native Barbados. He often hears how leaders say that “youth is the future,” she said, but these statements rarely translate into actual support.

“The Rihanna Foundation is a great example of how women in power can help contribute to work performed at the community level,” said Lashley.

Rihanna told The Associated Press that she hopes that CLF would still be the force of “global inclusion in philanthropy.”

Advertisement

She wondered at the 13-year transformation of the foundation in a statement: “Today we have a global range, but this concept of love for the community and our roots runs deeply into the DNA of the foundation.”

Finding partners – big and small

The latest example of this evolution is the partnership with the Andrew W. Mellon Foundation. Barbados’s “invaluable history” as “an indispensable chapter in the wider history of the African diaspora” is threatened with climate change, in accordance with the press message of Mellon.

Together, as they announced two foundations, they are going to finance “initiatives led by artists” to guard this culture “at the same time inspiring new narratives and possibilities in the international arena.”

Schutt-Aine perceives a partnership with Mellon-the largest philanthropic supporter of art in the USA-as a milestone for CLF. Justin Garrett Moore, director of the Mellon humanities program, said that the name of the NON -Profit organization was created when his team asked contacts to recommend partners.

Advertisement

“We think there is an amazing platform that the Clara Lionel Foundation and the founder will introduce this kind of work in readability and visibility to organizations that will be supported,” said Moore. “In addition, generally in society to help strengthen the strength of art.”

Among these scholarship holders is the performance art development program, which also provides free social services for college kids in the capital of the nation in Bridgetown. The founder of Triple Ground operations, Janelle Headley, said that the Clara Lionel Foundation helped -Pro -Profit could afford a warehouse equipped with acoustic panels, sound equipment and parquet.

The relationship began with a microgranture for scholarships. Triple Ground operation now receives general operational support – a “revolutionary” investment, said Headley, because donations for charity are frequently intended for specific causes. This flexibility turned out to be particularly helpful during the pandemic, when the rapidly changing circumstances created latest needs, such as iPads for distant learning.

“To be honest, it is rare that someone will give a considerable donation unlimited and said:” We trust you, your vision, “said Headley. “It’s very future -like.”

Advertisement
Pinky Cole says she has lost her vegan whore - but she vacuum her

A novel model of celebrity philanthropy

This approach is unique, in keeping with Mary Beth Collins, executive director of the Center for Social Studies and non-profit at the University of Wisconsin-Madison. He discovers that celebrities often become involved in philanthropy provided that essential.

But Collins said that CLF seems to take into consideration its partners for a very long time and intentionally in grassroots financing. Strategies are in step with her own recommendations regarding the engaging of experts coping with the original causes, selecting concentration areas essential for the founders and raising the leaders conducting these problems.

“We want to see funds and resources from more endowed people in the world who go to leaders in the field who really know this place, experience and problems,” said Collins.

CLF used this model at the end of last yr, when it provided additional financing to the non -Pure Energy Party partner Hurricane Helene. Melanie Allen, co -director Hive Fund for Climate and Gender, said that she suddenly received about USD 60,000 for fast distribution between proven partners in devastated communities.

The contribution occurred amongst an increasingly hostile environment for non -profit organization, such as its color, which prompted some philanthropists to scale back giving. Allen said that she was enthusiastic about “deep CLF involvement to the south.”

Advertisement

When others reduce resources, CLF desires to introduce more philanthropic partners to the table. They are planning a summer convening for scholarship holders to expand the network. Message, CLF, said Doherty Clf, says: “We will stick to you.”

“Some people can say that times look gloomy,” said Doherty. “But that’s a moment of possibilities.”

The importance of remaining on the communities you serve is a Schutt-Iine lesson, which he learned during a 25-year-old global health profession.

Recently, the head of the diversity of equality, sex and culture at the Pan American Health Organization, Schutt-Aine treated the most dangerous infections of tuberculosis, malaria and HIV/AIDS.

Advertisement

“If you are going to work on malaria,” she said, “You have to live with mosquitoes.”

(Tagstranslate) rihanna

This article was originally published on : thegrio.com
Advertisement
Continue Reading
Advertisement

OUR NEWSLETTER

Subscribe Us To Receive Our Latest News Directly In Your Inbox!

We don’t spam! Read our privacy policy for more info.

Trending