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9 thoughts on Beyoncé’s latest release ‘Cowboy Carter’ – Beyoncé’s album with some country tunes

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Like many individuals (I assume), I used to be awake at midnight on March 29, 2024, eagerly awaiting the release of Beyoncé’s latest album Giselle Knowles-Carter. Since the Grammy Awards, where she stunned with her two country-flavored singles, “Texas Hold ‘Em” and “16 Carriages,” the conversation about what this album could possibly be (and why) has been a relentless conversation. Would it’s a country album? What would that sound like? Beyoncé, v Instagram post from March 19, said, “It’s not a country album. This is the Beyoncé album. And boy was she right. I mean, it is a country album, nevertheless it’s 100% a Beyoncé album, within the spirit of country and American music. Oh, and it jams. I’ve been listening to “Cowboy Carter” for hours and I’m totally committed to this project.

Of course, we’d like more time to spend on this to properly grasp all of the Easter eggs, symbolism, etc. I’m sure there will likely be countless analyzes over the subsequent few weeks. But within the meantime, I even have a couple of thoughts to share about my listening experiences thus far. So…can I kick it?

(Yes you possibly can!)

1. I’m really having fun with this album thus far. It’s so funny. It goes through so many alternative sounds and takes on what most of us would consider country music. I can not say it turns that concept on its head (although Linda Martell talking about genre at the start of “Spaghetia” is an excellent shot at people on the whole who attempt to limit every artist’s work attributable to their issues), nevertheless it’s definitely Beyoncé – participate in what may be very black, soulful and funky. It’s a press release.

2. I remember conversations over a decade ago where Beyoncé’s longevity was up for debate. Part of that conversation was that before she released her self-titled album – arguably the largest surprise ever – the narrative around Beyoncé was that nobody really knew her or what she was talking about. We caught glimpses here and there in several of the interviews she gave. Everything modified on December 13, 2013, when “Beyoncé” showed herself as an entire person; this album introduced us to Beyoncé in a way we didn’t know. I feel like all of us had the chance to “see” her for the primary time. And then she recorded “Lemonade”, “Homecoming: The Live Album”, “Renaissance” and “Cowboy Carter”. Now I feel like I do know Beyoncé more as an individual and an artist. He makes artistic statements with his music. An evolution that we as artists had not seen before 2013 now exists in its fullest form. I’m curious to see what she’s able to at this point, and there are only a couple of artists I’d say that about. This version of Beyoncé has something to say and she or he does it in a fully slaptastic way. As we wish to say now, “I love it for her.”

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3. On a private level, this album touched me deeply. My mother, who died in 2022, was a country music fan. I feel this album can be a fun conversation (and argument) for us. We would discuss its “country music” merits. We would discuss which, if any, of the songs were good. We would argue about it whole and in pieces and I’m so sorry I can not do it with my mom. I do not know if this album would have filled any gap for us, but we used to have a musical bond, and despite the fact that she hated what she considered pop country music, I made her hearken to this album and… we talked. . I’d give anything to give you the chance to check with my mother about this album. I’m getting emotional fascinated about it, so I’ll just move on.

4. I do not know why, but as soon as I assumed he was making a country album, I desired to “Jolena” Beyoncé cover. Obviously similar to Dolly Partonand quite a couple of people, I suppose. “Jolene” appears to be one in all those songs that even non-country music fans know, but however, so does Dolly Parton. The thing is, I’m glad we have now the duvet version. Will this grow to be the definitive version like Whitney Houston’s “I Will Always Love You” and even Bey’s “Before I Let Go”? Probably not, but I’m glad it exists, and if I’m improper, I’ll be comfortable about it too.

5. I used to be very curious who can be there. The appearance of Willie Nelson is a cameo I didn’t even know I needed. I laughed once I saw his name within the credits. Come on, Willie. I assumed Beyoncé would reach out to Black artists working within the country music space, and she or he did. From Tanner Adell, Shaboozey, Brittney Spencer, Tiera Kennedy, Willie Jones and the legend Linda Martell – every performance was good and I hope all of those artists gain latest eyes and ears. I didn’t expect Miley Cyrus and Post Malone to come back… and the aforementioned Willie Nelson and Dolly Parton. Shut your mouth wide… and Color me, country. Greetings to Rissi Palmer.

6. Let’s speak about Miley Cyrus for a moment. She and Beyoncé have an album called “II Most Wanted” this almost brought me to tears. First see #3. Secondly, this song is paying homage to “Landslide” by Fleetwood Mac, which was one in all my mom’s favorite songs. So much in order that I used it for a slideshow at her funeral so I can now not hearken to it without crying. So when II Most Wanted began, I almost lost it. They each sound great together on this record in a way I wasn’t ready for. Miley got here out they usually principally make me cry each time I hearken to this song which is so beautiful I even have to hearken to it. I miss my mom. I didn’t expect to miss my mom a lot while listening to a Beyoncé album. Oh, I expect this song to be performed on the Grammys and CMAs, where Beyoncé wins all of the awards.

7. Speaking of moms, I fully expect this song “Protector” (featuring one in all her daughters, Rumi Carter) will likely be the brand new song utilized in all social media videos by which moms highlight their kid’s achievements.

8. Hey, “Bodyguard” “Tyrant” “Just For Fun” is my jam. “Yes, yes” too. “Riverdance” has something like that. You know the swing. Listen, I like all the pieces here. All.

9. I can not wait to see the reception and response to this album in all corners of the Internet. I need to see people twisting themselves into pretzels in order that they don’t love this album and all that “yassssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss, baby!” the love that may come from the opposite side. Beyoncé has perfected the art of being an event entertainer, and I’m here for it. “Cowboy Carter,” like “Renaissance” before it, has and doubtless will. I’m here for that.

Where is my 10 gallon hat. I’m late for my sentence.



This article was originally published on : thegrio.com
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Beyoncé leads 2025 Grammy nominations, becoming the most nominated artist in the show’s history

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NEW YORK (AP) — Welcome to Beyonce country. When it involves Grammy Award 2025 nominations, “Cowboy Carter” rules the nation. She leads the rankings with 11 nominations, bringing her profession total to 99. This makes her the most nominated artist in Grammy history.

“Cowboy Carter” is up for album and country album of the yr, and “Texas Hold ‘Em” is nominated for record, song and country song of the yr. She also received nominations in multiple genres, including pop, country, Americana and melodic rap.

This is her first time receiving nominations in the country and the Americana category.

If Beyoncé wins album of the yr, she’s going to turn out to be the first black woman in the twenty first century. Lauryn Hill last won in 1999 for “The Miseducation of Lauryn Hill,” joining Natalie Cole and Whitney Houston as the only black women to win a significant Grammy award.

Post Malone also received his first-ever nominations in the country categories this yr, releasing his debut country album “F-1 trillion”in August. The song is nominated for Best Country Album, and “I Had Some Help,” a collaboration with Morgan Wallen, is nominated for Country Song and Country Duo/Group Performance. This is Wallen’s first-ever Grammy nomination.

Malone is just behind Beyoncé with seven nominations, together with Billie Eilish, Kendrick Lamar and Charli XCX, who earned her first nominations as a solo artist.

Lamar the ubiquitous diss track released during his feud with Drake, “Not Like Us” is nominated in the categories of album and song of the yr, rap song, music video and best rap performance. In the latter category, he had two simultaneous entries, which is a primary for his profession: Future & Metro Boomin featuring Lamar. “Like That” is nominated for best rap performance and best rap song.

This is his third time receiving two simultaneous nominations for best rap song.

Taylor Swift and first-time nominee Sabrina Carpenter and Chappell Roan each can boast six nominations.

Last yr, female artists dominated essential categories. This yr the situation continues, but the essential trend appears to be species diversity. In the album of the yr category, together with “Cowboy Carter” were latest age André 3000, alt-jazz “New Blue Sun” and “Djesse Vol.” multi-instrumentalist Jacob Collier. 4.” Rising pop stars Carpenter and Roan round out the album with “Short n’ Sweet” and “The Rise and Fall of a Midwest Princess,” respectively, in addition to Swift’s “The Tortured Poets Department,” Eilish’s “Hit Me Hard and Soft” and “Hit Me Hard” and Soft” by Eilish. and Charlie XCX ready for the rave “BROTHER”.

Eilish is the only artist whose first three albums have been nominated for Album of the Year.

Last yr Fast won Album of the Year for “Midnights”, breaking the record for most wins in this category (4). This yr, she becomes the first woman in history to earn seven nominations in this category.

“The breadth and diversity of genres represented in the overall field feels new and truly exciting,” says Recording Academy CEO and President Harvey Mason Jr. a developing electoral body for his success. “We were very conscious about our membership and tried to balance it. So not just gender or people of color, different races, but also genre equality and trying to make sure all types of music from different regions and locations are represented in every way possible.”

Only recordings commercially released in the U.S. between September 16, 2023 and August 30, 2024 were eligible for nomination. The final round of Grammy voting to find out the winners will happen from December 12 to January 3.

In the best latest artist category, Carpenter and Roan will go head-to-head, alongside Benson Boone, Doechia, Khruangbin, RAYE, Shaboozey and Teddy Swims.

Beyoncé was joined in the song of the yr category by Eilish for “Birds of a Feather,” Swift and Post Malone for “Fortnight,” “Good Luck, Babe!” Roan, “Please Please Please” by Carpenter, “Not Like” by Lamar Us,” “Die With A Smile” by Lady Gaga and Bruno Mars, and “A Bar Song (Tipsy)” by Shaboozey.

Shaboozey she can also be a first-time nominee. His “A Bar Song (Tipsy)” is the biggest song of the yr, spending more weeks at primary on the Billboard Hot 100 than some other – it is so popular that a remix of the song can also be up for a remix recording.

Additionally, Shaboozey is nominated in the Melodic Rap Performance category for his feature on Beyoncé’s “SPAGHETTIA.” The song also features Linda Martell, the country’s first black musician to realize business success and likewise earned the 83-year-old artist her first Grammy nomination.

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In the Record of the Year category, “Texas Hold ‘Em” will compete with Swift and Post Malone’s “Fortnight,” Eilish’s “Birds of a Father,” Lamar’s “Not Like Us,” and “Good Luck, Babe!” Roan, Carpenter’s “Espresso.” “, “360” by Charli XCX and the last latest Beatles song, powered by artificial intelligence “Now and Then”.

“We strive to keep up with how music creators and our community use technology. In this case, the AI ​​corrected that record and allowed him to qualify in the categories in which he qualified,” Mason Jr. explains.

So what’s missing? Like last yr, there is a big dearth of Latin music – fastest growing streaming genre in the United States – overall and without representation in major categories. There are only 4 entries in the Best Música Mexicana Album category, although it is usually one in every of them the fastest growing species.

There doesn’t appear to be any K-pop either. There aren’t any nominations for BTS members who released solo material this yr: RM’s “Right Place, Wrong Person” J-Hope’s “Hope on the Street” Vol. 1” and “Muse” by Jimin. As a boy band, BTS has received five nominations in their profession.

“I definitely see room for improvement in many genres and we continue to invite people to be a part of the academy” – Mason Jr. says. “Without proper representation, we will not get the right results. When I say “appropriate”, I mean reflective and representative of what’s going on in music today. So the work continues.”

The 2025 Grammy Awards will air on February 2 survive CBS and Paramount+ from the Crypto.com Arena in Los Angeles.

This article was originally published on : thegrio.com
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Review: Whitney Houston’s Incomparable Talent Returns on ‘The Concert for a New South Africa (Durban)’ Live Album

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“Find Strength in Love” Whitney Houston she sings at the tip of her latest live album, “The Concert for a New South Africa (Durban).” He spends a full minute saying those five syllables.

The song is titled “Greatest Love of All”. At the start of the last verse, Houston jumps from note to notice. At the word “strength,” her amazing alto blossoms, climbs and adds vibrato. When she gets to the word “love”, she playfully skips a few notes, leaving the last one alone, and the strength of its beauty matches the message.

Houston was a singer, as confirmed in “The Concert for a New South Africa (Durban)”. Unfortunately, the album also shows how the pop diva’s unrivaled talent was wasted on her died in 2012 on the age of 48.

The album might be released on Friday after a limited theatrical release a film commemorating the thirtieth anniversary of Houston’s three concert events in 1994 in South Africa – in Durban, Johannesburg and Cape Town. They celebrated a newly united nation after apartheid and elections Nelson Mandela as president.

This album presents the primary album which took place in Durban on November 8, 1994. It can be the first-ever live concert album in Houston.

“I’ve never felt so much love,” Houston tells fans on the stadium. Ten of the 21 tracks on the digital album (there are 24 tracks in total, including the intro and three versions of the identical song, which include a live track, a previously unreleased studio recording and a remix) have titles with the word “love” or some variety, and there are huge hits throughout the set. These include “I Will Always Love You”, “How Will I Know” and “I Wanna Dance with Somebody (Who Loves Me)”, that are nice to take heed to in such a festive setting.

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Unfortunately, the dimensions of the event only reinforces Houston’s tendency to over-sing. Her message appears to be intended for the upper row of the stadium, which is comprehensible but tiring when listening through headphones. Maybe you needed to be there.

The theatrics of the vocals often don’t match the inferior material, and Houston twists the lyrics like he’s attempting to remove lather. This is complemented by the dated, dated arrangements of its large supporting solid, which range from lush synths to hairband guitar solos, although there are also great contributions from horns and backing vocalists.

The second half of the show is stuffed with moments of grace. Houston’s song selection is “Love Is,” a sweet ballad that also appears on the album in a previously unreleased 1990 studio recording and a remix. Houston gives a compelling reading of “The Greatest Love of All,” and the occasion is full of the energetic “Touch the World.”

The best episode comes when Houston takes the audience to a megachurch. “Jesus Loves Me” becomes a song for children of all ages since it shows an unusual soul in tradition Sister Rosetta Tharpe, Ray Charles AND Aretha Franklin.

“Amazing Grace” follows, and when Houston twists the word “wretch” with brutal vulnerability, the lyrics sound as honest as anything she’s ever sung.

This article was originally published on : thegrio.com
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Beyoncé reminds fans to vote on the surprise release of her “Bodyguard” music video.

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Beyoncé is full of surprises. This morning, Queen Bey surprised fans with the release of her album music video for his single “Bodyguard”. Fulfilling Beyhive’s persistent request for visuals to accompany her last two albums, “Renaissance” and “Cowboy Carter,” the singer encouraged viewers to vote on Election Day.

In the video titled “Beywatch,” Beyoncé recreates some of actress Pamela Anderson’s most iconic looks while singing along to her song “Bodyguard.” As a tribute to Anderson, the star shares a political message in a scene where the word “VOTE” appears on a flag extending from a toy gun.

However, this will not be the first time Beyoncé has encouraged her fans to exercise their right to vote. Last month, the superstar, her mother Tina Knowles and Kelly Rowland attended a Harris-Walz campaign rally in Houston, Texas, where the star shared her official endorsement of Vice President Kamala Harris.

Beyoncé gained support months after she allowed Harris to use her song “Freedom” in her campaign. In July, Harris hit the 2016 track during her first official visit to her campaign headquarters. Beyoncé’s song “Freedom,” which eventually became Harris-Walz’s official campaign song, was played at rallies across the country, including at the Democratic National Convention.

Just as the star used her music to support Harris’ presidential campaign, Beyoncé encouraged voters to “sing a new song,” emphasizing that the right to vote is “one of our most valuable tools.”

“Our generations of loved ones whisper to us a prophecy, a mission, a calling and an anthem,” she added in her speech. “Our moment is now. It’s time for America to sing a new song. Our voices sing a song of unity. They sing a song of dignity and possibility. Are you ready to add your voice to a new American song? Because I am. So let’s do it!”

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This article was originally published on : thegrio.com
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