Entertainment
‘American Fiction’ Starring Jeffrey Wright and Sterling K. Brown Explores the Many Ways You Can’t Put Black People in a Box — and It Deserves All the Awards
With five major Oscar nominations and a BAFTA win for Best Adapted Screenplay, there’s a lot of buzz around it Cord Jeffersonthe glorious directorial debut of “American Fiction” is about to succeed in a glorious crescendo.
A superb, astutely self-aware and outrageously funny drama about a frustrated black professor-writer’s literary prank gone awry, based on Percival Everett’s 2001 novel “Erasure.” Written for the screen by Jefferson, it’s the story of Thelonious Ellison (Jeffrey Wright), under the pseudonym Monk, the creator of smart, academic books that do not sell. Deeply irritated by the largely white publishing industry’s refusal to take a look at the African American experience beyond masking and blaxploitation, obsessive about “killer dads, rappers, crack” and their constant “fascination with black traumatic porn”, he decides one evening “Rub their noses in the horse bullshit they are asking for.”
The result was “My Pafology” – a book highlighting all the stereotypes about the Black community in obscene hyperbole, written by Monk under the pseudonym “Stagg R. Leigh” – an imaginary convict. “My Paphology” is Monk’s way of giving the middle finger to a literary industry that wishes to cut back the complex identity of its people to race, and race alone. But, to his surprise, the elite white publishing house doesn’t just take it at face value. For this, they provide him a ridiculous advance of $750,000. Even a distinguished Hollywood director approached him with a proposal for a film adaptation. Soon, the profession he had worked diligently over many years to construct snowballed, but in a completely unexpected way.
“American Fiction” is a scathing commentary on how we now have nurtured a culture that likes to stifle people into boxes, relegating the fullness, richness, and diversity of our human experience to a trivial category. But Jefferson fights with all his might. Perhaps his hero has unknowingly written the best novel in a genre he despises. But Jefferson doesn’t do silly things like that. He assures that his film is greater than just obvious racism. Along with Monk’s skilled disillusionment, there’s parallel turmoil inside his well-educated, upper-middle-class family.
The way Jefferson seamlessly blends the two dimensions of Monk’s life is harking back to a recent Andrew Scott film “We Are All Strangers” (2023). It’s a heartbreaking portrait of a lonely screenwriter who, in his old childhood home, begins to fulfill his deceased parents and check with them about the whole lot he never could because they died in a automotive accident when he was only 12 years old. Around the same time, he also begins to open up and fall in love with a young man who lives in the same constructing as him. Director Andrew Haigh’s delightful psychological fantasy, All of Us Strangers, is like a fever dream that can haunt you at unexpected moments.
While it’s a very different, sharply subversive and categorically humorous film, “American Fiction” hits just as hard. It greater than deserves all five Oscar nominations. Jefferson has been creating tragicomedy for hundreds of years. A former journalist, he has previously written for various highly acclaimed television shows – Succession (2018-2023), The Good Place (2016-2020), Master of None (2015-2021) – and won an Emmy Award for his work on the HBO series “Watchmen” (2019).
In American Fiction, his uncanny skill with the pen gives you a mirror to reflect on, encouraging you to query your deep-seated prejudices. The film’s dialogues deserve a detailed evaluation of their very own. He is piercingly sensible, razor sharp, unflinchingly honest, and crammed with irony and exuberance.
A couple of scenes stand out. There’s one where Monk is humming “My Paphology” late at night. When he writes dialogue, his characters – father and son – jump off the page into the room and start acting out the scene. Then there are all the conversations he has on the landline along with his white editors, each another outrageously silly than the last. Another standout feature is the sparring discussion he has with renowned creator Sintara Golden (Issa Rae), one other black author who he believes has made her popular.
It’s hard to assume anyone apart from Wright playing the touchy-feely, snobbish Monk. There is a lot noise inside and around him that it might crumble in the hands of a lesser actor. But Wright plays him with such assured restraint that I enjoy watching him unravel, turn out to be the butt of his own joke, unlearn, and then learn a little and loosen up his tight ass. It’s a good, career-defining performance that deserves not only critical acclaim, but additionally a shiny gold trophy.
“American Fiction”, which is currently competing for Oscars in the categories for Best Picture, Best Actor in a Leading Role, Best Supporting Actor, Best Original Score and Best Adapted Screenplay, features an all-star forged: Jeffrey Wright, Sterling K. Brown, Tracee Ellis Ross, Erika Alexander, Issa Rae and Leslie Uggams. The film is now available to observe in theaters and rent on Prime Video.
Entertainment
More proof that you’re old: Mary J. Blige’s “My Life” album debuted 30 years ago
I actually remember November 1994. I used to be a sophomore in highschool and was still very clumsy and goofy. I hadn’t yet experienced what anyone would call a growth spurt, as evidenced by the very fact that my younger sister (three years younger) was taller than me. At this point in my life, I assumed I used to be destined to be certain I had a terrific personality that would give me a romantic future. I used to be told about one young student who was in love with me, but being 15 and never big, I didn’t really trust in my ability to pursue a dating life. In 1994, I saw myself because the Steve Urkel with no unreachable neighbor.
In 1994, I had a real love: music. I kept buying cassettes and compact discs; there was at all times music around me. Listening to the newest music from anyone and everybody was my hobby. Mary J. Blige was one in every of those artists that I used to be an enormous fan of. I mean, everyone really was. Her album “What’s the 411?” was released in July 1992, so when school began in August, it was one in every of those albums that everyone was talking about. “True Love” and him one other hip-hop remix the most popular songs were on fire and you can start an impromptu jam session in my middle school dining room by simply saying “true love” out loud.
To say that the anticipation for Mary’s second album was enormous can be the understatement of the yr. I still remember being blown away by the music video for the primary single “Be Happy” on MTV and BET’s “Video Soul”. I remember this mainly because I used to be so frightened about Mary’s life standing on those rocks. Of course she survived the video session, but I used to be very concerned for her safety. I could not imagine life without Mary. I purchased this single and mainly burned a hole in it.
Then got here the monster single “I’m Goin’ Down.” The remake of Rose Royce’s single from the movie “Car Wash” (titled “I’m Going Down”) had all of the black girls in my highschool able to break up with their boyfriends so that they too could sing about it lost love – teenage hormones cause strange problems. Let me just say this for the record: Mary’s version of this song is totally amazing. Her performance on the album is known; you can hear all the experience through her vocals.
If Mary stopped making music at this point, she would already be a legend, I actually consider that. But this whole album is a radiator from start to complete. Even today, once I hearken to “My Life”, my search ends in failure; “My Life” is largely a consolation at this point in my life. From “You Bring Me Joy” to the title track to the ultimate minute of “I Never Wanna Live Without You,” this album is a portal back in time to a version of me that was interested by what life had to supply. I used to be given the vocal type of Mary J. Blige to soundtrack this journey.
It’s also crazy to think about it this manner: “My Life” got here out at a time in my life once I was already driving a automotive. Sure, I used to be 15, but my father also let me drive himself, my siblings, and my friends wherever we would have liked to go because he got bored with running errands. We just agreed that if I got pulled over, he would not know I used to be taking the automotive. Coincidentally, although I used to be in a position to use the automotive at no cost for a solid yr before I could even apply for a driving license, I failed my driving test the primary time I took it on my sixteenth birthday. You’ve never seen a father more lost and upset in his son than my father was that day. We now call my father’s facial expressions “core memory.”
If you’re reading this because you’ve got seen the words of Mary J. Blige and “My Life,” you then, like me, are in a phase of life where you’re continually reminded that you’re not only getting old, but you might actually be old. I will not be old as hell, but I’m too old to be within the club, you realize?
Fortunately, nonetheless, my journey so far in my life includes a number of the best works of musical art in existence, similar to Mary J. Blige’s 1994 album “My Life.” This album – just like the profession of its lead voice, Mary J. Blige – brings me joy.
Entertainment
Daughter of Trump supporter Hulk Hogan distances herself from family years later following racist tirade from her dad who called her then-black boyfriend the N-word
Hulk Hogan and his daughter Brooke have never had any problems in public.
The former “Hogan Knows Best” singer and reality star remained by her father’s side even after making a career-ruining sex tape that captured her father cheating on her mother, Linda Hogan, and in addition included a racist tirade a few black man Brooke was dating at the time time.
However, it looks like the “Brooke Knows Best” star has had enough and now decides that overall, it is best for her to maintain a ways between her and her family.
Her Instagram name is MizzHogan. However, she is currently known on the Internet under the surname Oleksy, the surname of her husband, former NHL player Steven Oleksy, and she or he doesn’t follow anyone from her family on web sites, including her father, mother and brother Nick Hogan. Instagram. But her father follows her brother.
While neither party has publicly revealed any details, there appears to have been something of a rift between Brooke and her family when many individuals noticed she was absent from her father’s wedding to his third wife, Sky Daily, in September 2023.
Immediately after the wedding, she wrote a message to followers on her website: “As many of you realize, I value my privacy, but unfortunately many media are guessing why I didn’t attend my father’s third wedding. Rather than leave it to speculation, I made a decision it could be higher to wrap all of it up here.
Brooke admitted that “the dynamics of the family unit constantly change over the years.”
“That being said, my family has experienced A LOT of change,” she continued. “With all of this happening in the public eye, I had to learn how to best cope with the changes that were coming, which was difficult to say the least.”
“In my own journey towards healing and happiness, I have chosen to create some distance between myself and my family and focus on the people and things that heal my heart and are consistent with my personal beliefs, goals and values,” she concluded, before finally wishing her dad “healthily”.
Hogan is suing Gawker Media LLC for releasing a 2012 sex tape that appears to feature him and the wife of radio host Bubba the Love Sponge. In the same video, Hogan used the N-word in reference to his daughter Brooke’s then-black boyfriend while admitting he was a “racist.”
“I don’t know if Brooke fucked a black man’s son,” Hulk said in a report published by Radar on the Internet in 2012. “I mean, I haven’t got double standards. I mean, I’m a racist to some extent, motherfucking n-rs. But in terms of nice people and shit and whatever.
He allegedly continued, “I mean, I’d moderately she was going to fuck some n***a than if she was going to marry a 6-foot n***a value 100 million dollars! Like a basketball player! I assume we’re all a bit racist. The fucking king of n—r.
Renewed interest in Hulk and Brooke’s relationship he resurfaced because of Wrestling Inc’s report on the father and daughter, which fans reacted to in the comments of the article.
One person said: “For her to really distance herself from him, maybe more was said and not on the video. Why would you be so strong to defend him only to distance yourself later? It seems there’s more to it. What’s even sadder is that if you say something that’s outside of your personal norm, you’re screwed. People will never just give up. As long as people remember it, it’s always there. Hogan said some stupid things about it and people may not have forgotten by the time this article came out, but now they’re reminded of it again.”
The person continued: “I ponder how much dirt the people writing these articles have and the way they might feel if the public was continually reminded of this?
Coming to Brooke’s defense, a second person added: “Looks like Brooke is getting old. She just decided to live her life and check out to achieve success. Easy to say. Well, she would not have develop into famous if it weren’t for her father. Of course, good point. But most individuals are on this position. Especially when he’s younger, he tries various things. How it’s. He seems to generally enjoy being out of the highlight. Good for her.
A 3rd added: “I hope they will heal the rift that exists between them. “I wouldn’t want to be separated from my son or daughter when they become adults.”
During 2015 sit down on “Entertainment Tonight,” Brooke defended the former skilled wrestler, assuring viewers that her father “wasn’t a racist.”
“I do not support what he said. But he’s my dad. I really like him,” she said in the video. “When you’re angry, when you’re at the worst point in your life and you’re angry at someone, you just choose words that don’t fit the situation just to air out your shorts and that’s all. Because I looked at the transcripts and thought, “Yeah, he’s pissed.” But it’s not him. He’s not a racist.”
Brooke continued, “I feel sorry for the dad, but I also feel sorry for the African-American fans and stuff because they do not know that he didn’t mean it. He takes responsibility for it and knows that he thinks, “I fucked up.” These are the consequences of what is going on.
But this wasn’t her father’s first racist tirade or his first utterance of something that shocked the world. Hogan’s biopic was cut short days after he threatened Vice President Kamala Harris in August at an event in Ohio promoting his “Real American Beer” brand.
Hulk Hogan got drunk at Thirsty Cowboys in Medina, Ohio and asked the crowd, “Is Kamala Harris a chameleon? Is she Indian?” He also asked the audience in the event that they wanted him to punch Kamala Harris.
(🎥 @TMZ ) pic.twitter.com/QTBv1zUlR3
— Art of Dialogue (@ArtOfDialogue_) August 20, 2024
“Do you want me to hit someone? Do you want me to punch Kamala Harris? I said, “Do you want me to punch Kamala Harris?” Hogan said to the large audience before mentioning one of his signature wrestling moves. “Do you want me to let go of Kamala’s leg?”
The longtime Donald Trump supporter continued to mock her heritage with hand gestures and mispronounced Harris’ name.
Entertainment
Boyz II Men brings their untold story to the big screen – Essence
Denise Truscello/Getty Images
Boyz II Men, the Philadelphia-born vocal group that defined an era with wealthy harmonies and timeless ballads like “End of the Road” and “On Bended Knee,” are finally ready to tell their story on their own terms. The 4-time Grammy Award winner is working on a biographical film that can chronicle their thirty-yr profession, a journey stuffed with chart success, brotherhood and the behind-the-scenes struggles that shaped their music.
He announced the project for the first time can be produced in association with Compelling Pictures and Primary Wave and executive produced by Nathan Morris, Shawn Stockman and Wanya Morris of Boyz II Men. Compelling Pictures also releases an in-depth documentary about the group’s unparalleled dominance in the Nineties and 2000s and its continued relevance today.
“We have been waiting to find the right partners who understand our story and are willing to tell the story,” Nathan Morris shared in a press release. “Denis and Jeff at Compelling Pictures understood us from day one.”
Denis O’Sullivan () and Jeff Kalligheri (), who will produce the biopic, are in preliminary talks with screenwriters and directors to speed up the implementation of the project. The film, containing a wealthy catalog of Boyz II Men’s hits, shows the group’s path from their debut album (1991) to their current status as music icons.
“I grew up a huge Boyz II Men fan and have spent the last few years getting to know and become friends with the boys, and it’s a huge honor to help bring their unique and untold story to the big screen,” said O’Sullivan and Kalligheri. “We are thrilled to showcase the brotherhood and camaraderie, as well as the challenges and conflict, the humor and heartbreak, that accompanied the unparalleled success that Nate, Shawn, Wanya and Mike worked so hard to achieve. We think audiences everywhere will want to sing along to a sexy, fun, aspirational and uplifting celebration of friendship and artistic partnership that has stood the test of time.”
The film’s production team consists of heavyweights. O’Sullivan and Kalligheri were joined by Larry Mestel of Primary Wave, Joe Mulvihill of The Mulvi Group and Jeremy M. Rosen of Roxwell Films. Mulvihill, who has managed the group for greater than 20 years, added: “Having been with them for over 22 years, I have seen the ups and downs and all the deep emotional turmoil among people. I think people will be pleasantly surprised when they see something behind the curtain.”
More than thirty years after their debut, they continue to be the best-selling R&B group of all time, with over 60 million albums sold worldwide. The group recently celebrated one other milestone by headlining a sold-out, three-night run at the Hollywood Bowl – a triumphant return to the venue where they once performed as openers early in their profession. Thanks to hits comparable to “It’s So Hard to Say Goodbye to Yesterday” and the record-breaking collaboration with Mariah Carey “One Sweet Day”, the group can be remembered by fans for a very long time.
“Boyz II Men are one of the most influential bands of their generation. They are one of the few who transcend genre and format,” Mestel said.
As the production ramps up, fans can expect a soulful and celebratory take a look at the group’s meteoric rise and the bond that united them. As O’Sullivan and Kalligheri joked, it is a story stuffed with “doom-doom-doom-da-da” moments which are each excruciating and uplifting.
From daytime to sold-out arena nights, Boyz II Men’s journey to the big screen can be an eventful one.
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