Issa Rae gets flowers – in style.

The 39-year-old author, actress and producer will receive the Pandora Leader of Change award at the upcoming British Fashion Awards 2024, which will happen on December 2 at London’s Royal Albert Hall, the British Fashion Council announced.

Actress and former “Insecure” co-star Yvonne Orji will present the award to Rae at the event, which serves as a significant fundraiser for the council’s foundation, in keeping with Women’s on a regular basis clothing.

“We are thrilled to honor Issa Rae with the Pandora Leader of Change Award at the Fashion Awards 2024,” Caroline Rush, chief executive of the British Fashion Council, shared in an announcement.

“Rae’s work has inspired and resonated with people around the world. “She is a staunch supporter of the civil and women’s rights movements, always advocating for equality and social justice in her acting and writing,” Rush continued. “She consistently uses her platform to highlight the lack of diversity in Hollywood and advocate for greater representation in the industry, including meeting people of color behind the scenes.”

She added: “She is wholeheartedly committed to moving the conversation forward and galvanizing voices that are typically absent and underrepresented to open doors for others. She truly embodies the principles of this award and we are very excited to celebrate her in December.”

According to the British Fashion Council website, the Pandora Leader of Change award recognizes individuals who “lead innovation” to extend representation in arts and culture. Rae will be the second-ever recipient of this award. According to official details about the award, one other actress and author Michaela Coel was honored in 2023 Elle Magazine.

“Issa Rae truly embodies the spirit of the Pandora Leader of Change award,” Berta de Pablos-Barbier, Pandora chief marketing officer, said in the release. “In this second year of presenting this award, we are (honored) to celebrate a woman whose love for her craft and community shines through in each multi-dimensional character she brings to life.”

Pablo-Barbier added: “Her passion and purpose make her a natural candidate for this award, which fits perfectly with our values ​​at Pandora, where love is always at the center. Issa’s commitment to meaningful change and uplifting others makes her an extraordinary change leader, and we are proud to honor her.”

We still shout “Happy Birthday” to Hip-Hop! She turned 50 on August 11, 2023. Hip-hop culture has modified the lives of many individuals since its birth. The evolution of hip-hop included art, DJing, dance, fashion, hair, jewelry, language, lyrics, music and, guess what else – literature… books.

BLACK ENTERPRISES congratulates hip-hop books on their penetration of the literary space. Here are 10 books by hip-hop artists that tell their stories and share perspectives that cannot be heard through music.

1.) From pieces to weight: : Once upon a time in Southside Queens

Read From Pieces to Weight: Once Upon a Time in Southside Queens by 50 Cent (08/15/2006) #books ~ https://t.co/HvL2OVJvUY pic.twitter.com/5I90ZMtT95

— StudentsArena.com (@studentsarenake) October 8, 2018

This is a memoir, written by Curtis “50 Cent” Jackson with Kris Ex is the story of how 50 Cent handled a difficult childhood in his youth: coping with the murder of his mother; hustling the streets to survive; get shot nine times and live the American dream.

SHOP HERE

2.) Wu-Tang Manual

I actually have a brand new read for you for the upcoming holidays. RAW is straight away addictive, I can not put it down and I can not wait to leap into The Wu-Tang Manual @Ugodofwutang @RZA #WuTang #wutangnaalways pic.twitter.com/nULpRfRrwl

— BakedToaster (@Poolius420) July 19, 2019

Wu-Tang Manual Robert Diggs, otherwise often known as RZA, and Chris Norris. consists of 4 books that describe all the things related to the Wu-Tang Clan – from information concerning the nine original members, Wu-Slang, in addition to the philosophies and personalities that made the Wu-Tang Clan what it’s. If you’re inquisitive about Wu culture, this book is for you.

SHOP HERE

3.) Sweat The Technique: Revelations on creativity from a lyrical genius

RAKIM “Sweat The Technique: Revelations On Creativity From The Lyrical Genius” is now available all over the place…! #rakim #sweattechnique #apparitions #creativity #lyrical #genius #18list #endlessly #godmc #microphone #lyricsoffury #nocompetition #ther #flowsalways pic.twitter.com/i1lZ6rd88k

— HipHopGods (@hiphopgods) October 1, 2019

Rakim Allah The book is half a memoir and the opposite half is a guide to writing. In this book, he details who and what influenced him in his youth (jazz and John Coltrane), while highlighting the explanation why he is named an MC god.

SHOP HERE

4.) Hurricanes

Rick Ross – Hurricanes: A Memoir (book review)

Now available on YouTube: https://t.co/85nSMbzdlV#HipHop #HHT #Rap #RickRoss #Hurricanes #BookReview pic.twitter.com/WNIOGFmCXg

— Pure Rap Podcast (@PureRapPodcast) January 23, 2022

Rick Ross AND Neil Martinez-Belkin wrote this memoir about Ross’s upbringing in South Beach Miami in the course of the War on Drugs, which covers his time as a highschool football player, a drug hustler, and a corrections officer. Ross describes the creation of his debut hit “Hustlin'” and landing a serious take care of Def Jam. Through this reading, you’ll find out about Rick Ross’s experiences and inspirations

SHOP HERE

5.) Decrypted

On today in 2010, Jay Z released his autobiography and memoir Decoded pic.twitter.com/L7sNcDwtHm

— •UP·NORTH·TRIPS· (@evboogie) November 16, 2019

Decryptedwritten by rap icon and business mogul Shawn Corey Carter (commonly often known as Jay-Z,) is a one-of-a-kind memoir that shows the worlds that Jay-Z maneuvered. Beyoncé’s second half tells his story, highlighting the hip-hop art form and culture, deconstructing the lyrics of his lyrics, and giving readers a deeper dive into his journey as an artist.

SHOP HERE

6.) EARL DMX Autobiography

(Read) EBOOK EARL DMX Autobiography >>% pic.twitter.com/btsH2Orvwb

— Linda T. Artman (@Lindatarman) March 11, 2022

until late Earl Simmons AND Smoky D. Fontaine, shares X’s upbringing on the streets of Yonkers, New York. Readers will learn tips on how to do that DMX he has overcome problems with neglect, physical abuse, drug abuse and incarceration. The book reveals that DMX never gave up on his dreams, found his passion for hip-hop and let the no go. 1 album 4 times in a row. Story X literally shows that for those who slip and fall, you possibly can still stand up.

SHOP HERE

7.)

Boosie’s first memoir, Cross the Tracks, can be released on September 20 pic.twitter.com/DkoeA8yf0l

— SAY CHEESE! 👄🧀 (@SaycheeseDGTL) September 2, 2022

Torrence Hatch Jr., controversial rapper often known as Boosie Badazzgives readers the small print of growing up in Baton Rouge, becoming a neighborhood star at age 14, and becoming one of the crucial outstanding rappers within the South. Boosie tells the story of survival, gaining a second probability at life and overcoming adversity after facing death row and eventually gaining freedom.

SHOP HERE

8.)

@MrChuckD reading “Vibrate Higher” by Talib Kweli #BookRecosFromTheStars #readmore #To read #bookrecos #book #books #reading #creator #BlackTwitter #booktwitter #chuckd #publicenemy #blackexcellence #hiphop #talibkweli #raphistory #prophetsofrage #eastcoast #blackstar pic.twitter.com/khlwarlcrG

— BookRecosFromCelebs (@CelebBookRecos) April 29, 2022

er is a rap story written by Taliban, really who shares his upbringing in Brooklyn, New York. Kweli writes about what hip-hop has done for his life and the way culture influences his social, political and inventive life.

SHOP HERE

9.)

Blunts and books 😮‍💨📚

📖 Gucci Mane’s autobiography
🌱 Jet fuel pic.twitter.com/7pPdZLYznZ

— Chandler (@MrBrickFactory) February 13, 2022

was written with assistance from Neil Martinez-Belkin. Gucci Mane began writing this story while locked up in a federal prison. Gucci highlights the ups and downs of his life and profession, and recalls growing up in poverty, abandoning his father, spending time in prison and the way all of it shaped him. He talks a bit concerning the infamous ice cream tattoo and the way his profession has evolved over time.

(*10*)SHOP HERE

10.)

LADIES FIRST, The Revelation of a Strong Woman by Queen Latifah#BlackAuthors#OurBlackStoriesToldByUs#Reading is crucial#Self-Improvement#Authentic#Classic#QueenLatifah#BlackHistoryMonth2021🖤❤💚💛 pic.twitter.com/JbF5GJWHc8

— CASW (@CherylAnnWill15) February 16, 2021

Dana Owens, our beloved Queen Latifahshe wrote an autobiography that’s an inspiration for women. Queen Latifah details growing up in Newark, New Jersey and the difficult decisions she needed to make regarding sex, drugs and depression. The award-winning hip-hop artist shares what it means to be confident and independent, and what life is like as the primary solo rap artist to land a serious record deal on the age of 19.

SHOP HERE

Miss Universe 2024 has officially chosen a latest queen. This 12 months’s title was won by Victoria Kjaer Theilvig of Denmark, a decision that sparked each joy and controversy. Some praised the pageant queen’s blonde hair and blue eyes, traits long related to Eurocentric ideals, and Nigerian Chidimma Adetshina made headlines as first runner-up. Celebrated for her intelligence, elegance and the best way she embodied the vibrancy of African beauty on the Miss Universe stage, the response to Adetshina’s close victory left many questions: Is the world ready to totally embrace diverse definitions of beauty – or are we still falling back on the usual tropes?

While each women’s achievements deserve recognition, many viewers felt that Adetshina’s spectacular performance, which included a thoughtful and powerful response to the importance of respect, deserved the crown. Importantly, her presence was also one other step forward for the African representation on the international stage. However, some saw Adetshina’s second-place finish as a symbol of what many see as subconscious bias – suggesting that even in an increasingly diverse competition, beauty standards rooted in Western ideals still dominate.

The surrounding discourse has been further confused by a Donald Trump Jr.’s polarizing tweet which read: “Biological (and) objectively attractive women can win beauty pageants again. WE ARE BACK!!!” Following a historic, contentious and racially charged presidential election, commentary has shifted attention from the competition itself – an entity formerly owned by the Trump family – to broader questions about how diversity and inclusion will evolve in our current climate.

A step back?

Instead of weighing each contestant’s merits, the conversation not centers on whether the winner deserved the crown, but moderately on how Theilvig’s victory was framed as a “return” to the supposed natural order of beauty. At the press conference following Theilvig’s nomination as Miss Universe 2024, the pageant’s owner, Thai businesswoman Anne Jakrajutatip, said the organization had achieved “the best version of Miss Universe” with a blonde and blue-eyed titleholder. Statements like Jakrajutatip and Trump Jr., highlighting nostalgia for traditionally Eurocentric standards, have sparked discussion about broader implications for the way beauty is or needs to be defined.

In recent years, beauty pageants, including Miss Universe, have taken significant steps to have a good time women from all walks of life. Winners equivalent to South Africa’s Zozibini Tunzi (2019) and India’s Harnaaz Sandhu (2021) have shown that beauty isn’t limited to any single set of characteristics or standards. These moments sent a vital message about inclusivity, diversity and progress in the worldwide arena. So, for Breana Turner, a seasoned pageant contestant who became the primary Miss Virginia volunteerthe sudden change in narrative raises some concern.

“I can’t help but think that as a black woman who has competed in (the state) for years (and) who has always known that the odds were basically against me for a few reasons,” Turner said in Video from TikTok. “I am unable to help but consider the message she’s sending to the owner of the Miss Universe organization, saying that they’ve reached the highest of the mountain because they’ve a blonde-haired, blue-eyed winner. (Especially when) it goes against every thing the organization needs to be doing without delay.

But this 12 months’s emphasis on “traditional beauty” has raised concerns about whether this moment marks a step back in efforts to expand representation. While all participants bring their very own unique strengths to the stage, the language surrounding this win reignited conversations about who gets to define beauty and what those definitions mean for the long run of the national team.

Chidimma Adetshina, Miss Nigeria

Miss Nigeria’s performance in this 12 months’s pageant was a dazzling moment that deeply shocked the viewers. Her poise and charisma earned her a well-deserved second place universal admiration. While she has broken barriers and won hearts, for some her runner-up status inevitably feels bittersweet, further proof of the undeniable fact that whilst Black women proceed to embody excellence at every stage, they are sometimes missed or overshadowed. However, this doesn’t diminish the impact of Adetshina’s achievement.

“I’m very proud of myself and I just made history,” she said BBC after her victory.

“Nigeria made history,” she later added on Instagram, per WWD. “My voice and my story touched many and brought us closer together. This journey taught me the power of unity. I want us to live in a society where we can all accept and celebrate each other. This is not the end, but the beginning of my journey.”

Regardless of the end result, Adetshina’s success is a testament to the progress made in expanding representation in the pageant world. The accompanying conversations simply prove that there remains to be much work to be done to make sure that all types of beauty are equally celebrated and appreciated.

The larger picture

Beyond the world of pageantry, this moment reflects broader implications about the present state of diversity, equity and inclusion across industries. Beauty pageants, as cultural touchpoints, often reflect social values. The discourse around this 12 months’s winner raises broader questions about the present trajectory of diversity and inclusion; progressive initiatives that were already under attack. Is there still room for full and continued adoption of those principles, or is resistance to progress growing stronger?