Disgraced music executive Sean “Diddy” Combs now faces three charges of conspiracy to commit extortion, human trafficking and transportation for the aim of prostitution. A wave of accusations has emerged following his arrest, with several high-profile figures implicated within the “bizarre” allegations surrounding the Bad Boy founder.

Along with these accusations, the names of other famous individuals who have collaborated or partied with the Bad Boy founder are entering the discussion.

One example, According to to The Jasmine Brand is Dawn Richard, a former member of Danity Kane, who recently filed her own lawsuit against Combs. Richard claims that Usher, Ne-Yo and Jimmy Iovine were present at a business dinner in 2009 and witnessed the “Nasty Girl” rapper punch Cassie Ventura.

This followed the discharge of surveillance footage mentioned in Ventura’s lawsuit, which shows Combs physically assaulting her in a hotel hallway.

Now, as if so as to add insult to injury to Richard’s accusations, a video has resurfaced of former lover Sade Bagnerise slamming Ne-Yo for “getting high,” “throwing his body at her,” and imitating the identical perverted and possibly illegal behavior that has now landed Combs behind bars.

Bagnerise, who has two sons with Ne-Yo, called him “Diddy Jr.” in an Instagram Live video from April this yr, accusing him of organizing “freak outings” and bringing “prostitutes” to go to his children. “Tell them about the freak out, Diddy Jr.,” she said.

She then continued and accused him of abuse. “You know what you did. You threw me on the floor with your body. Tell them who you really are and why we are here today?”

“Fuck, you like having hoes and drugs and weed and booze and mushrooms and prostitutes in your house when his kids are here,” she continued, attacking the “So Sick” singer, who asked her why she was so vocal in regards to the matter.

Bagnerise said she asked him to not bring the lady and “even came here to help him with the damn kids because he doesn’t want to take care of them.”

When the neighborhood talks republished In the video, fans expressed their dissatisfaction by making fun of the singer.

“Neyo is sick of love songs,” one person joked, while one other added, “Baby oil was for everyone,” referring to the 1,000 bottles of baby oil and lubricants seized by the FBI from one in every of Combs’ properties and utilized in the case against him.

Continuing the joke, “Basically the ENTIRE INDUSTRY was privy to this baby oil saga.”

Another rationalized, “That’s why Kendrick is in the Super Bowl. Everyone else is going to jail.”

Many thought the identical thing, with one saying, “THESE CELEBRITIES HAVE BEEN SO SILENT ALL WEEK,” and one other complaining, “We won’t have ANY new music when they’re done with this.”

Combs has been related to nearly every chart-topping artist within the music industry, either as a producer, label boss or friend.

Throughout his illustrious profession, he has won quite a few accolades, including three Grammy Awards and a BET Lifetime Achievement Award, recognizing his contributions to music and entertainment.

As the founding father of Bad Boy Records, the “All About the Benjamins” artist played a pivotal role in shaping hip-hop and R&B, launching the careers of legendary artists like The Notorious B.I.G., Faith Evans, The Lox and Ma$e. His influence prolonged beyond the record label, as he collaborated with stars like Mary J. Blige, Mariah Carey and Usher, and mentored a brand new generation of talent including French Montana and Machine Gun Kelly.

Diddy’s ventures into fashion, along with his Sean John clothing line, and spirits, along with his partnership in Cîroc vodka, have further solidified his status as a multifaceted businessman. His influence on culture is immeasurable, inspiring artists and entrepreneurs alike.

As the fallout continues, many are distancing themselves from Combs. New York City Mayor Eric Adams has required that Combs will return the important thing to town he received in 2023.

Howard University is cutting ties with Sean “Diddy” Combs, revoking the honorary degree it awarded him in 2014 and eliminating the scholarship program that bears his name. In an announcement, the university confirmed that its board voted unanimously to revoke the degree because reported by Associated Press.

Ne-Yo, whose real name is Shaffer Chimere Smith, was named in Richard’s lawsuit only as a witness to Ventura’s assault, but Combs’ accusers haven’t accused him of any wrongdoing.

It’s unclear whether he’ll be called to testify against Diddy. As one Instagram user noted, it’s clear that the celebrities who love being within the highlight essentially the most, telling the world about their foray into polyamory and promoting their music, have been very quiet.

The singer-songwriter hasn’t taken a single step beyond promoting his latest “Champagne and Roses” tour.

Who created gangsta rap? According to conservative commentator Candace Owens, the federal government is behind the creation of gangsta rap, a genre born out of the tough realities of black and brown communities in California within the Nineteen Eighties and Nineties. She believes it was a part of a deliberate effort by federal agents to undermine black culture and values. But one in every of its founders blames the industry and personal prisons.

Are any of the choices incorrect?

The debate heated up on Platform X on Friday, September 20, after Owens tweeted, “Gangster rap was never black culture. It was created by the FBI who pitched deals to gay black men in prison, then turned them into fake celebrities.”

She continued: “The goal was to create false idols to destroy the values ​​of black Americans. I will never change my mind on that.”

Gangster rap was never black culture. It was created by the FBI, which offered deals to gay black men in prison after which turned them into fake stars. The goal was to create fake idols to destroy black American values.

I won’t ever change my mind on this matter.

— Candace Owens (@RealCandaceO) September 20, 2024

Owens’ controversial post quickly caught the eye of fans, one in every of whom tagged NWA founder Ice Cube, one of the outstanding pioneers of gangsta rap.

In response, Ice Cube, widely considered one in every of the founding fathers of the genre, explained the matter: “We called it Reality Rap. The industry called it Gangsta Rap. The fans wanted gangsta rap and that’s what they got. The FBI didn’t write any of my shit. I’m a real MC.”

We called it Reality Rap, the industry got here up with it Gangsta Rap. The fans wanted gangsta rap and so they got it. The FBI didn’t write none of my shit. I’m an actual MC. https://t.co/8ILsp4sFhw

— Ice Cube (@icecube) September 20, 2024

His response led some observers to conclude that Cube didn’t completely reject Owens’ argument, leaving open the likelihood that it was true.

One commenter he wrote“So he’s not saying Candace is wrong, but Cube has always been cautious.”

Another pointed one outside“Cube mentioned industry, not federal government.”

The debate points to a bigger conspiracy theory that record labels and the prison-industrial complex are linked, which the rapper has been promoting.

Perhaps fans saw through Cube’s rigorously crafted statement that he, too, believes in a conspiracy that forces at work that allowed gangsta rap to dominate the music scene for a few decade between 1988 and 1998.

User X commented on Owens’ post and common a 2023 excerpt from the “Club Random with Bill Maher” podcast, through which he says that “the same people who are on the labels own the prisons.”

However, the clip doesn’t show your entire conversation, through which he later says, “They don’t really run the label, they have financial interests” in each the music industry and the prison-industrial complex.

Maher helped the “Friday” filmmaker expand on his theory, saying, “If they have a financial interest in prisons, and your theory, if I understand correctly, is that these types of rap lyrics act as a funnel through which people are inspired to do things that could get them sent to prison… like writing a lyric like ‘fuck the police,’ could get someone arrested and sent to prison.”

“This could get someone arrested and sent to jail,” the artist said, making it clear that the host was referring to his 1988 song “F-ck tha Police.” “That’s just one example, one album that the record company didn’t manipulate, you know. That’s pure artistry.”

When asked if he had ever been manipulated by a record label, he replied “no,” explaining that he had all the time been an independent artist and had never had an art director suggesting he create certain kinds of songs.

“I wouldn’t let an A&R come into my studio,” he said, adding, “I’ve never had anyone be an A&R except Dr. Dre.”

According to cultural critic Davey D and the activist group Hip-Hop For Change, three firms — Warner Records, Universal Music Group and Sony Music Group — control 90 percent hip-hop music. Meanwhile, private prison firms like CoreCivic and GEO Group control nearly all of private prison beds within the U.S. The writer and the organization claimed that the 2 sectors share common shareholders, similar to Vanguard and BlackRock.

But they were partly improper.

In 2019, CNN reported that Vanguard and BlackRock are amongst the most important investors in private prisons.

However, According to to Vanguard and BlackRock, although these firms have stakes in over 500 firms, including major entertainment players similar to Disney, Live Nation and Fox, they didn’t put money into any of the three largest music distribution and recording firms in 2021.

There isn’t any evidence that the FBI created “gangsta rap,” as Owens claims. But conspiracy theories about government involvement within the genre gained traction following an investigation into the CIA’s role in facilitating cocaine sales to Los Angeles street gangs within the late Nineteen Eighties.

The proceeds from these drug sales were allegedly used to fund the Latin American guerrilla army in Nicaragua, often called the Contras, through the Iran-Iraq War, reported by the Justice Department. The complex scheme also involved illegal U.S. arms sales to Iran during that country’s eight-year cooperation with Iraq within the Nineteen Eighties, sales from which the CIA used to finance the Contras’ fight against the Nicaraguan government. The theory was developed after the San Jose Mercury News published articles alleging that the federal government was deliberately smuggling crack cocaine into black neighborhoods.

While a later investigation found that these reports exaggerated the facts, it acknowledged the uncertainties within the case. The government report noted that suspicions would remain due to unanswered questions.

Gangsta rap, which emerged through the crack epidemic, became a type of expression that directly addressed the devastation that drugs and law enforcement were inflicting on black communities.

Many imagine that the event of gangsta rap was influenced by outside forces aimed toward glorifying crime and perpetuating the cycle of incarceration.

The query is, who’re these forces really, and is, because the “Good Day” rapper claims, gangsta rap (or reality rap) a mirrored image of the tough realities he has experienced or a creation of federal or industrial manipulation?

Ryan Clark, Fred Taylor and Channing Crowder of The Pivot podcast are amongst those criticizing comedian Andrew Schulz for his disgusting comments about black women.

Schulz, 40, got here under fire after making critical remarks during a discussion of the “Black Girl Effect” on a revived episode of his show “Glaring” podcast.

A clip of the July 17 edition of Flagrant recently went viral after its guests, British podcasters James Duncan, 33, and Fuhad Dawodu, 33, made their first visit to the US, which was met with outrage online.

In the clip, James and Fuhad, hosts of the podcast “ShxtsnGigs,” discuss the favored trend of men claiming their appearance has improved after starting a relationship with or marrying a black woman. Schulz, it seems, was interested.

“So you see a guy who had a black girlfriend and suddenly he has short hair, a clean-cut figure,” Duncan told Schulz, trying to explain.

In response, Schulz said, “They’re shaving their hair because they’re starting to lose it, because they’re so stressed out that they’re complaining about a black girl all the time.”

James and Fuhad continued laughing, and Schulz added, “They grow beards because they need a cushion when someone beats them up.”

Social media users began criticizing James and Fuhad for failing to get up for black women.

“As a black woman, Andrew talking about the black girl effect as racist. He created this entirely based on the angry black woman stereotype. Can’t we just relax???” an offended YouTube user commented.

Another person directed their anger at Schulz, writing, “The fact that you spoke so casually in front of two black men makes me shudder to think of what you say when there are no black people present.”

The “Shxtsngigs” hosts began the most recent episode of their podcast by apologizing for the Schulz situation, with James stating, “Andrew made a joke… honestly, a racist joke, and we laughed at him.”

He then blamed the “fight or flight” response for not immediately responding to Schulz’s racist jokes. James said, “When you’re there, you’re in shock.” Fuhad added, “All you want to do is move on.”

The explanation sparked heated reactions within the YouTube comments section, with one person asking: “Did he actually say he fought or ran away because of a racist joke? You are grown men.”

The Pivot Podcast crew also talked in regards to the exchange between the blokes from ShxtsnGigs and Schulz.

Channing Crowder suggested that cultural differences between James and Fuhad and black Americans could have influenced their response to jokes about black women.

He said, “I like strong women. If some asshole can’t handle a strong woman and says it’s argumentative or comparative, then find yourself a weak woman.”

Ryan Clark added: “When you’re sitting across from Andrew Schulz and he’s talking about something he can’t understand because his wife isn’t black, you have no right to talk about it.”

Additionally, the Super Bowl champion stated that “Black women are not violent” and “Black women are on the front lines of everything that affects us.”

On Episode from September 18 On the “Flagrant” podcast, Schulz claimed that James and Fuhad’s producer asked that a part of their performance be cut from the podcast, apart from a discussion in regards to the “black girl effect.”

“They’re still worried about getting canceled. Comedians, we understand that being funny means saying the wrong things,” Schulz said of the U.K.-based content creators.

The former “Guy Code” regular also stated, “By apologizing, you’re just reinforcing it. The people who are upset about it, most of them don’t even listen to the podcast. A lot of them are probably unhappy with your success.”