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I’m sorry, but Drake is losing the fight against Kendrick

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Touré, theGrio.com

OPINION: Drake’s Kendrick Lamar song ‘Push Ups’ didn’t achieve what battle songs really should strive for.

I swear Drake should be a tasty donut already after a few of you criticizing him about his latest diss album.Push-ups” Can we add some clarity to this rap war? In all the rap fails I’ve seen and discussed in my career, there are a few things that successful diss records have in common.

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1. Say true things that embarrass your opponent.

2. Say things that might change the audience’s mind about who your opponent is as an artist or person.

3. Create a great song that people will want to play again just because it’s popular.

4. Show that you are a better rapper than your opponent.

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One example #1 is Megan Thee Stallion embarrassing Nicki Minaj in “Megan’s Law.” After that, we will never see Minaj the same way again. He’s still making a career, but now we look at it a little differently. We will never forget who she married and what he did.

One example #2 is Jay-Z in “Takeover”, saying that Nas’ career wasn’t very good (“I can share…”), which made people reconsider this beginning of his career.

No Vaseline” by Ice Cube stripped the NWA of any claim to being tough because, in his opinion, how could they be tough in the event that they were robbed by their white manager? Furthermore, “No Vaseline” is example #3 because this album is so rattling hard. He could rock any party now.

As for instance #4, well, let’s do it this manner: Drake’s “Push Ups” doesn’t prove he’s able to going forwards and backwards with Kendrick Lamar. It doesn’t portray him as an MC on par with Kendrick in fluidity, lyrics, complexity, voice, or any of the major MC categories. Drake is the hottest rapper of his generation. Kendrick is arguably the best rapper of his generation. “Push-ups” can work against many other MCs, but against Kendrick? Stop.

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Kendrick’s foremost premise in “Like That” is, Drake, that you just’re a silly pop star while I’m an artist. Drake’s answer in “Push Ups” is: I’m an enormous pop star. And you are in for a foul deal.

“Push Ups” is not a song that individuals will play over and another time due to its sound. “Like That” is a monster hit that will be heard all over the place lately – especially the “big me” line. In “Push Ups,” Drake can have said a couple of things that irritated Kendrick – and the line about his wife can have enraged him – but where’s the memorable punch line? What phrase will people keep saying to troll Kendrick? Sorry, I do know all the boys love seeing offended hip-hop beef and I would like you all to have it, I actually do, but we want to calm down a bit.

“Push Ups” doesn’t change how audiences view Kendrick Lamar. It doesn’t give us a brand new way of him that makes him seem soft, dishonest, or silly. “Like That” modified Drake’s opinion – after years of individuals talking about the Big Three, Kendrick dispelled this notion. The idea of ​​the big three now not is sensible. Fans need to select a side. After “Like That,” it sounds silly to consider Drake as being on the same plane as Kendrick. “Push Ups” was intended to bring back the concept that Drake was on Kendrick’s level, but did it succeed?

The foremost points of the song, so far as Kendrick beef goes – because that is where the real beef is available in – are that Drake is an enormous artist, Kendrick is short (this is not a metaphor, Drake really does make “you’re not tall” jabs), and Kendrick he has a foul deal. Apparently he pays his man Top Dawg an excessive amount of and Top has control over Kendrick’s profession. These are the foremost themes that Drake returns to repeatedly throughout the song.

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Does anyone really think Kendrick is being forced to make songs he doesn’t wish to? Do you actually think Kendrick was forced to rhyme to Taylor Swift’s monster hit “Bad Blood” and that he did it against his will or his own judgment? Didn’t Drake make an Apple ad using a Swift song?? Kendrick seems to barely care about fame and… he is not even on Top Dawg Entertainment anymoreso what’s the point of the middle board of Drake’s diss?

In “Push Ups,” Drake repeatedly reminds us that he is an excellent artist. “I’m bigger than you commercially” doesn’t win the battle. “I’ve sold more records than you” doesn’t win the battle. Since when is a rap battle a numbers game? Especially when the other guy is the most critically acclaimed rapper of his generation. Much of this song has Drake saying, “I’m very popular,” so what?

Drake repeatedly says that Kendrick is short. What are we doing? Also: Drake criticizes Kendrick for making a not-so-good deal. What is the essence of his song? Can Drake tell us he’s all the time had great deals? I’m sure he cannot. But can we discuss what number of, many artists earn significantly less? This is an industry-wide problem, not only Kendrick’s. And when you think veteran, multi-platinum selling Kendrick has been fooled by TDE, I actually have an excellent oceanfront property in Chicago that I’d be joyful to sell to you.

But wait, what? Are we talking about record deals and managers? (Are we talking about practice here?) Seriously? It’s not like Ice Cube is leaving NWA and using “No Vaseline” to say that these guys have a foul cope with a white man, and I do know that because I just left the group due to that deal. This is Drake talking about another person’s business in the industry, and we do not even know if it’s current or real. Truth matters in battles. You cannot just say something and let it land.

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I understand it seems funny to consider Drake as the center of a 20-on-1 rivalry, but Drake is not. Darek is a team. He is helped by ghostwriters, which he discussed discreetly AND others also discussed. When I heard “Push Ups” I assumed: did he pay for this? He called his best writers and this is what all of them got here up with? Really? I hope he kept the receipt because he should take it and confer with the manager. He didn’t even drop the best diss track of the weekend. This was done by Rick Ross. I’ll work on this recording tomorrow.


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Keke Palmer shares his POV with a breakdown in the shady remix of Usher “Confessions Part II”

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In July 2023, Keke Palmer and her dad and former boyfriend Darius Jackson caused one of many great debates in social media. After Palmer was noticed (great, I can add) at the Usher concert this summer, Jackson began to X to share his contempt for the mother of selecting his child, causing a discourse with the “equivalent” of her outfit.

Although Jackson was very open about this case, Palmer was silent about her feelings at a viral moment – to this point. On Friday, May 9, the Wielfenian star released a recent song entitled “My Confessions”, in which she spills all tea at this moment and her break with Jackson.

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“This is personal.” My confession “is exactly as it sounds – whether giving the feelings I buried”, Palmer he wrote on Instagram About the song. “Sometimes we need a closure, it does not come from a conversation – it results from being honest with each other. This is this song. My room. My brightness. My way to let go.”

The record, which rises from the “Confessions Part Conmissiones”, was written by Palmer and her best friend for 22 years, Tayla Parx, who says that the star “no” saw her through every version of herself. Describing the song as “harsh, emotional and real”, Palmer takes the listeners back to July 2023 and lirially explains every little thing about how Jackson broke up with her at the time, which prompted her to the evening of girls.

“Summer ’23, we were in Vegas, on the right/we broke up with me and jumped to the flight/you were an attempt to find the way to” positive “/so I thought I have a girl’s night”, sings. “48 hours later online/I made me a villain, but you lied, mm/but the truth is that now we now have now already ended in Vegas.

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In the whole song and the lyrical film accompanying her, Palmer refers to Jackson’s controversial tweets, and even reported tensions between her and his family.

“Your family, they don’t like me, that’s good / but when did you come back on the side? / When I met you, you hated them as if you hated me now.”

Similarly, he turns to the response and response to his criticism about her appearance at the Usher concert: “72 hours, now your feelings hurt/my fans were pulling you because you had a nerve/you almost turned me into a banality/thought that your child will make me want to stay.”

As the chorus notes: “F— Your projections / These are my confessions”, Palmer explains how difficult it’s to inform her the truth when she sings: “Telling that it was difficult for me / Telling only for my peace / truth hurts and it is mine.”

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Since the breakup, Palmer has revealed her and Jackson toxicity and the way much she hated the attention of the media surrounding her relationship.

From his memory “Master of Me: The Secret to Controlling Your National”, to the upcoming album “Just Keke”, Palmer says that “not to play perfectly here”, but “honestly,” and tell her story.

Keke Palmer regains

(Tagstranslate) Keke Palmer (T) Music

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Paul Wall joins forces with Gracie’s Corner to get a fresh remix “Wheels on the Bus” and this is BOP

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As a parent of 4 children and three who’ve 10-i-fund, my favorite music genre at this moment of my life are jams suitable for the age, which I can listen to without the desire to stab my eyeballs. So when “Gracie’s Corner” struck my awareness a few years ago to fill this void (and appreciating parents around the world) I knew that we found gold.

For example, while “Happy Birthday” Stevie Wonder will all the time be a birthday song of the black community, at this point he is commonplace “Gracie’s Corner” version at birthday parties For those of us who went to see “sinners” at the opening weekend.

“Gracie’s Corner” for many who have no idea (or should not have children) is a YouTube channel for youngsters. According to their side, YouTube provides “a combination of educational, funny and encouraging songs for children from various environments. Come and dance with the game when he chooses a funny journey with family and friends!”

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More precisely, they take some rhymed rhymes, which everyone knows and love and put a bit on it. Which leads us to the reason behind the season. If you have not heard the “Gracie’s Corner” version “Wheels on the bus” You cannot have black children. Until now, heavy bass, hi-hat jam trap has 111 million views. Yes, you read the right 111 million views. These wipers are Swisków. Let’s say, Issa Bop.

Well, because people from the headquarters of “Gracie’s Corner” don’t play truthfully, they got here out and got Paul Walla-Tak, he has Houston rap labels, Swithahouse Paul Wall, “Master of the People”-to drop a part of what is dirty south.

Listen to me. I don’t understand how this cooperation was created by Paul Wall and “Gracie’s Corner”, but whoever played this thing must conduct seminars on synergy and creative cooperation for the whole family. I hope that this person is liable for planning a family reunion, because in that case, it is not only city trips and cooking in the city park for this family. The undeniable fact that the whole poem by Paul Walla feels like the one who was sitting, which could fit on the slow rhythm album of Mike Jones, or mainly every song during which Paul Wall has ever appeared – but still works for BOP of this children – is a nasty work of the most beautiful diversity.

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Listen, I do not know if you may have a reason to pull up “Gracie’s Corner”, but in case you do it, move quickly to listen to this “wheel on the H-Town bus-to-remiks” with Paul Wall. And in case you didn’t know that “Gracie’s Corner” exists earlier, consider your life, and now you see how the life of oldsters will look and the way it differs from a lonely life. Because now I hit this remix “wheels on the bus” in a automobile with my children. This, my friends, is for all wines.

Indeed, the wheels are rolling.


(Tagstranslata) parenting, and black

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André 3000 wore a piano on his back to the MET gala – here’s why

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André 3000 is currently and has been for the most a part of the last 30 years of one in every of the leaflets dressed at the planet. Since placing the whole generation of young black men to turban in stores with cosmetics supplies to blond wigs and kilos, there may be nothing that Atlien cannot break away.

So when he hit a haunted blue rug during the MET gala in 2025 in the entire piano on the back, even the most lost that they had to cut the thorn on the side of Mrs. Jackson a little bit of slack. By turning a single-piece black outfit with a red hat, which definitely has a specific name, only carrying what I can put on is a designer trash bag-good room one in every of the lithium at a goat level at the level of hip-hop also wore a piano … on the back. Yes. Piano. The entire 88-lake piano. I hope it was hollowed out for ease of movement; André 3000 is just not exactly a spring chicken at the moment. He doesn’t even rap by trading his notators on his famous flute collection.

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Now it is extremely likely that me and your, your mother and your cousin, are wondering what can force anyone, and much more so André 3000, to cultivate the piano. Well, the answer to this query lies on Walking Promothal Exparit that André 3000 was at the MET gala. Just before he appeared in the Vogue channel for Met Gala Dwet Photo OP, group chats were in the news that André 3000 dropped the EP entitled “7 piano sketches”, while the biggest fashion night was half of the spring.

And don’t think that 3000 has returned to the bars, “7 piano sketches” is the most literal title of the album I’ve ever heard in my life; This is literally an album stuffed with piano sketches.

As you may see, the art of the album is comparable to the meta gala of the André 3000 outfit. This boy is coooooooold. This latest EP appears almost a 12 months and a half after André 3000 dropped, “New Blue Sun”, through which he began playing the flute, and never tell us more about Susa Screw and the Sasha Thumper crew. Despite the mixed reviews of “New Blue Sun”, this album was nominated for a lot of Grammy Awards during the 2025 ceremony, including the nomination for “Album of the Year”.

When everyone finally ends up talking about Met Gala costumes and a great discovery of Rihanna, prepare for the attack of dialogue about the André 3000 piano album.

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(Tagstotransate) Andre 3000

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