Lifestyle
‘The Wiz’ returns to Broadway! Come for the nostalgia, fall in love with the new
Director Schele Williams talks about respiratory new, “unabashedly black” life into the Broadway classic “The Wiz.”
I promise: you will not miss Toto. Outstanding New Broadway Revival”Wizard”, as director Schele Williams said, “it feels like we are hugging you.” A treasured history of Black America from the 1978 film version starring Diana Ross and Michael Jackson, itself inspired by on Broadway in 1975 hit starring Stephanie Mills and directed by Geoffrey Holder, the stage version of “The Wiz” transforms L. Frank Baum’s children’s classic “The Wonderful Wizard of Oz” (and its acclaimed 1939 film adaptation) into an Afrofuturistic fantasy that transcends generations in its lessons in self-confidence, facing fears and taking risks. Starring Wayne Brady (as the Wizard), Deborah Cox (as “The Good Witch” Glinda) and influential newcomer Nichelle Lewis as Dorothy, this latest adaptation is electrifying.
Wiza’s stellar creative team includes Oscar-winning production designer Hannah Beachler (both “Black Panther”), choreographer JaQuel Knight (known for Beyoncé’s “Single Ladies (Put a Ring on)”), costume designer Sharen Davis (“Ray,” “Dreamgirls”) and Oscar-winning wig designer Mia Neal – suggest that there is a wizard-like leader behind it all, and that leader is theater director Schele Williams.
The director of “The Notebook” on Broadway and former co-director of “Motown: The Musical,” Williams saw the original version of “The Wiz” at age 7. TheGrio spoke with her over the phone from Long Island, just before her death, on a well-deserved vacation where she discussed the Blackness-Blackness of her vision for “The Wiz,” the challenges of remixing all the previous versions of the story, and more.
Tell us in detail how you took on directorial duties for the new version of “The Wiz.”
In August 2020, I got a call offering me the opportunity to direct the series. I was surprised because I didn’t even know there was a (new) version of “The Wiz”. It was truly the most amazing conversation I’ve ever had. The first thing I said when I talked to the producers was, “I would like a couple of months,” because I really wanted to put in the effort: read the books (and) review the material. I thought, “Please send me every version of the scripts you possibly can get your hands on,” (and) I actually looked through the L. Frank Baum documentary. You know, all the stuff.
Then I came back with lots of cards; many things I moved to wherever I felt like it, these are the moments when I wanted to learn more; here are the songs that I think serve this moment in a new place; that’s what I want from “The Wiz” right now, and that’s the overall message that I think might be important for this generation – that’s a little bit different than the message that I think we needed in the ’70s. I came back with these things and said, ” This is the direction I need to take this story,” and everybody agreed.
In addition to standards comparable to “He’s the Wiz”, “Ease on Down the Road” and “Home”, there was even new music comparable to the song “Poppies” and pop. Are there plans for a soundtrack?
Oh, it’s, yes. We are recording it at the end of April. I do know they try to get it out as quickly as possible.
Was there any concern that the show can be too black for white audiences?
There were no worries. It was a mandate. I believed to myself, “This show is going to be unapologetically black.”
What was your rule of thumb when remixing previous versions of “The Wiz” and “The Wizard of Oz”?
Interviews were held with all creators. It was about where is the best time to nod to whatever piece of mental property we wish to nod to and feel like, “This is the organic place to do it.” In fact, there was no motion plan at the starting. But once we began, we thought, “Wow, this would be a great time to put a book out there; that will best serve the moment.
We knew it was very important for me to create some touchstones for whatever version of this story you knew and loved. We wanted to verify this. The starting point for “The Wiz” might have been the book; it may very well be “The Wizard of Oz”; it may very well be “The Wiz” on Broadway; it may very well be the movie “The Wiz”. We wanted to say, “We love all these versions and we love your memories of them, and we want to honor that. We also want to take you on this journey and hope you can embrace and love it too.
My favorite scene was their entrance into the No Sleep club in Emerald City – all forms of dance, from “Soul Train” vibes to Afrobeat and club music.
It was so funny because in the movie (during the Emerald City sequence) it’s obvious that “I wouldn’t be caught dead (in) red”, right? They did it with colors and fashion. We had to make fashion. But we are not a movie. You can’t snap your fingers and suddenly everything (turns) red, everything (turns) blue. Magic can happen in the cinema. In (theater) we deal with different types of magic. One of the questions we asked ourselves was: “We want to give a nod to the film at this point. How do we do it?” Then JaQuel (Knight) said, “We do it in dance. We do three different types of dance. It’s the same with dance and music. We switch. Instead of going from red to gold to green, we use three different styles of dance. It’s our nod to the film in its own way.
Narratively speaking, why connect the Lion, Scarecrow, Tin Man, and Dorothy to Evillene in a way that makes them want to take her down?
This story got here into my world in 2020, which was a difficult time because I used to be having a variety of conversations with a variety of people about the existence of Black people. And I had these conversations; that is what made me want to change into a director. Do we elevate our stories, tell them with dignity, and represent on stage the responsibility that rests with us as storytellers? Because what we represent Black people on stage leads to our streets. If we proceed to reinforce stereotypes, we are usually not helping the lives of Black people on the other side of the theater.
What I believed of the Lion, the Tin Man, and the Scarecrow were all individuals who got here into Dorothy’s life, and their stories were about what had happened to them – but they didn’t include that folks loved them, that they loved someone. they belonged, that they were rooted in the community and that they were loved. I believed, “I’m not putting a black person on stage without amplifying these ideas.”
The curses that befell them were things they might overcome, and for the Scarecrow, the profession he worked for and loved was returning; Lion, his family; and the Tin Man, his family whom he loved and missed a lot. It isn’t any coincidence that the themes of excellence, care, legacy and belonging run through this show.
What is the significance of the numbers 227 and 701 in the addresses when Dorothy first crashes in New Orleans?
227 has two meanings. 227 is an angel number. It means confidence and a reminder that you simply are on the right path. This is the famous meaning of the number 227. For Black people, it’s (beloved TV show) “227.” (laughter) We built on it in two ways, which may be very funny. We have that “Maaara” moment where (the good witch) Addaperle says, “Gliiinda!” It’s 100% like “Maaary!” We are 100% sure that everybody will see it.
Glinda’s address is 701. This is Louis Armstrong’s address, 701 North Rampart Street. This was our tribute to New Orleans. Specifically, in the French Quarter in Storyville, where he played in the streets as a toddler. Now it’s Louis Armstrong Park. The arch (in the scene) is a nod to the arch in the park. And since we put it on Tremé, we wanted there to be one address where it may very well be confirmed. We very intentionally just wanted to proceed to showcase Black excellence and its impact on culture, to acknowledge our ancestors and our heritage throughout the piece. And there’s loads of it.
Miles Marshall Lewis (@MMLunlimited) is a Harlem-based author and cultural critic whose work has appeared in The New York Times Magazine, GQ, Rolling Stone, and plenty of other magazines. Lewis is currently completing a cultural biography of comedian Dave Chappelle, the sequel to Promise That You Will Sing About Me: The Power and Poetry of Kendrick Lamar.
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The post ‘The Wiz’ Returns to Broadway! Come for the nostalgia, fall in love with the new appeared first on TheGrio.
Lifestyle
Percival Everett wins the National Book Award for his Huckleberry Finn-inspired epic “James.”
NEW YORK (AP) – Percival Everett’s “James,” a daring reworking of “The Adventures of Huckleberry Finn,” won the National Book Award for fiction. The winner in the nonfiction category was “Soldiers and Kings: Survival and Hope in the World of Human Smuggling” by Jason De León, while the finalists included Salman Rushdie’s memoir about his brutal stabbing in 2022, “The Knife.”
The youth literature prize was awarded Wednesday night to Shifa Saltaga Safadi’s coming-of-age story “Kareem Between,” and the poetry prize was awarded to Lena Khalaf Tuffah’s “Something About Living.” In the translation category, the winner was “Taiwan Travel Diary” by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin King.
Evaluation panels composed of writers, critics, booksellers and other representatives of the literary community chosen from lots of of submitted entries, and publishers nominated a complete of over 1,900 books. Each of the winners of the five competitive categories received $10,000.
Everett’s victory continues his remarkable development over the past few years. Little known to readers for many years, the 67-year-old was a finalist for the Booker and Pulitzer Prizes for such novels as “Trees” and “Dr. No” and the novel “Erasure” was adapted into the Oscar-nominated “American Fiction”.
Continuing Mark Twain’s classic about the wayward Southern boy, Huck, and the enslaved Jim, Everett tells the story from the latter’s perspective and highlights how in another way Jim acts and even speaks when whites usually are not around. The novel was a finalist for the Booker and won the Kirkus Prize for Fiction last month.
“James was well received,” Everett noted during his speech.
Demon Copperhead novelist Barbara Kingsolver and Black Classic Press publisher W. Paul Coates received Lifetime Achievement Medals from the National Book Foundation, which awards the awards.
Speakers praised diversity, disruption and autonomy, whether it was Taiwanese independence or immigrant rights in the US. The two winners, Safadi and Tuffaha, condemned the years-long war in Gaza and U.S. military support for Israel. Neither mentioned Israel by name, but each called the conflict “genocide” and were met with cheers – and more subdued reactions – after calling for support for the Palestinians.
Tuffaha, who’s Palestinian-American, dedicated her award partly to “all the incredibly beautiful Palestinians this world has lost, and all the wonderful ones who survive, waiting for us, waiting for us to wake up.”
Last yr, publisher Zibby Owens withdrew support for the awards after learning that the finalists planned to sentence the war in Gaza. This yr, the World Jewish Congress was amongst critics of Coates’ award, citing partly his reissue of the essay “The Jewish Onslaught,” which was called anti-Semitic.
National Book Foundation executive director Ruth Dickey said in a recent statement that Coates was being honored for his body of labor, not for any single book, and added that while the foundation condemns anti-Semitism and other types of bigotry, it also believes in free speech.
“Anyone who looks at the work of any publisher over the course of almost fifty years will find individual works or opinions with which they disagree or find offensive,” she added.
The National Book Awards took place way back in mid-November, shortly after the election, and supply an early glimpse of the book world’s response: hopeful in the wake of Barack Obama’s 2008 victory, when publisher and honorary winner Barney Rosset predicted a “new and uplifting program.” ; grim but determined in 2016, after Donald Trump’s first victory, when fiction winner Colson Whitehead urged viewers to “be kind to everyone, make art and fight power.”
This yr, as lots of gathered for a dinner ceremony at Cipriani Wall Street in downtown Manhattan to have a good time the seventy fifth anniversary of the awards, the mood was certainly one of sobriety, determination and goodwill.
Host Kate McKinnon joked that she was hired because the National Book Foundation wanted “something fun and light to distract from the fact that the world is a bonfire.” Musical guest Jon Batiste led the crowd in a round of “When the Saints Go Marching In” and sang a couple of lines from “Hallelujah,” the Leonard Cohen standard that McKinnon somberly performed at the starting of the first “Saturday Night Live” after the 2016 election.
Kingsolver admitted that she feels “depressed at the moment”, but added that she has faced despair before. She compared truth and like to natural forces equivalent to gravity and the sun, that are at all times present whether you may see them or not. The screenwriter’s job is to assume “a better ending than the one we were given,” she said.
During Tuesday evening’s reading by the award finalists, some spoke of community and support. Everett began his turn by confessing that he really “needed this kind of inspiration after the last few weeks. In a way, we need each other. After warning that “hope just isn’t a technique,” he paused and said, “Never has a situation seemed so absurd, surreal and ridiculous.”
It took him a moment to understand that he wasn’t discussing current events, but fairly was reading James.
Lifestyle
What is GiveTuesday? The annual day of giving is approaching
Since it began as a hashtag in 2012, Giving on Tuesdaythe Tuesday after Thanksgiving, became one of the largest collection days yr for non-profit organizations within the USA
GivingTuesday estimates that the GivingTuesday initiative will raise $3.1 billion for charities in 2022 and 2023.
This yr, GivingTuesday falls on December 3.
How did GivingTuesday start?
The hashtag #GivingTuesday began as a project of the 92nd Street Y in New York City in 2012 and have become an independent organization in 2020. It has grown right into a worldwide network of local organizations that promote giving of their communities, often on various dates which have local significance. like a vacation.
Today, the nonprofit organization GivingTuesday also brings together researchers working on topics related to on a regular basis giving. This too collects data from a big selection of sources comparable to payment processors, crowdfunding sites, worker transfer software and offering institutions donor really helpful fundstype of charity account.
What is the aim of GivingTuesday?
The hashtag has been began promote generosity and this nonprofit organization continues to advertise giving within the fullest sense of the word.
For nonprofits, the goal of GivingTuesday is to boost money and have interaction supporters. Many individuals are aware of the flood of email and mail appeals that coincide on the Tuesday after Thanksgiving. Essentially all major U.S. nonprofits will host fundraising campaigns, and plenty of smaller, local groups will participate as well.
Nonprofit organizations don’t have to be affiliated with GivingTuesday in any method to run a fundraising campaign. They can just do it, although GivingTuesday provides graphics and advice. In this manner, it stays a grassroots endeavor during which groups and donors participate as they please.
Was GivingTuesday a hit?
It will depend on the way you measure success, but it surely has definitely gone far beyond initial efforts to advertise giving on social media. The day has change into an everlasting and well-known event that focuses on charitable giving, volunteerism and civic participation within the U.S. and all over the world.
For years, GivingTuesday has been a serious fundraising goal for nonprofits, with many looking for to arrange pooled donations from major donors and leverage their network of supporters to contribute. This is the start year-end fundraising peakas nonprofits strive to fulfill their budget goals for next yr.
GivingTuesday giving in 2022 and 2023 totaled $3.1 billion, up from $2.7 billion in 2021. While that is loads to boost in a single day, the trend last yr was flat and with fewer donorswhich, in accordance with the organization, is a disturbing signal.
Lifestyle
BlaQue Community Cares is organizing a cash crowd for serious food
QNS reports that Queens, New York-based nonprofit BlaQue Community Cares is making an effort to assist raise awareness of Earnest Foods, an organic food market with the Cash Mob initiative.
The BlaQue Cash Mob program is a community-led event that goals to support local businesses, reminiscent of grocery stores in Jamaica, by encouraging shoppers to go to the shop and spend a certain quantity of cash, roughly $20. BlaQue founder Aleeia Abraham says cash drives are happening across New York City to extend support for local businesses. “I think it’s important to really encourage local shopping habits and strengthen the connections between residents and businesses and Black businesses, especially in Queens,” she said after hosting six events since 2021.
“We’ve been doing this for a while and we’ve found that it really helps the community discover new businesses that they may not have known existed.”
As a result, crowds increase sales and strengthen social bonds for independent businesses.
Earnest Foods opened in 2021 after recognizing the necessity for fresh produce in the world. As residents struggled to seek out fresh food, Abraham defines the shop as “an invaluable part of the southeast Queens community.” “There’s really nowhere to go in Queens, especially Black-owned businesses in Queens, to find something healthier to eat. We need to keep these businesses open,” she said.
“So someone just needs to make everyone aware that these companies exist and how to keep the dollars in our community. Organizing this cash crowd not only encourages people to buy, but also shows where our collective dollars stand, how it helps sustain businesses and directly serves and uplifts our community.”
The event will happen on November 24 from 2:00 p.m. to 4:00 p.m. at 123-01 Merrick Blvd in St. Albans. According to the shop’s co-owner, Earnest Flowers, he has partnered with several other Black-owned brands in the world to sell his products at the shop. Flowers is comfortable that his neighbors can come to his supermarket to purchase organic food and goods from local vendors like Celeste Sassine, owner of Sassy Sweet Vegan Treats.
At the grand opening three years ago which was visited by over 350 viewersSassine stated that the collaboration was “super, super, super exciting” to the purpose that the majority of the products were off the shelves inside hours.
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