INDIANAPOLIS (AP) — Indianapolis police announced Wednesday they have opened an investigation into an altercation between an NBA player and a citizen that happened at Gainbridge Fieldhouse the night Bucks guard Patrick Beverley threw the ball at a fan in the final minutes of the season — ending in a loss. with the Pacers.

Police said in a news release that the case has been turned over to detectives “who are currently investigating the situation and take all allegations seriously.”

According to the release, once the investigation is complete, detectives will present the case to the Marion County Prosecutor’s Office.

Cameras showed Beverley sitting on the bench, throwing the ball into the stands after which hitting a fan in the head with about 2.5 minutes left in the May 2 game. After one other fan threw the ball back to Beverley, who held his arm and disagreed, the Bucks defender fired a shot at the spectator.

Beverley spoke about his behavior on an episode of “The Pat Bev Podcast” that aired Wednesday. He said he was called names like he had never been called before, but added that his own actions were “still inexcusable.”

“I will be better,” he said. “I have to be higher and I will likely be higher. This should never have happened. Regardless of what was said, something like this could never have happened. Easy.”

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Beverley added that the atmosphere in Indiana was “great” aside from “a handful of fans” who crossed the line. The Pacers defeated the Bucks 120-98, eliminating Milwaukee from the playoffs.

“I won’t bring the basketball to the bench anymore,” Beverley said. “That… ruined my whole mood.”

After the game, Beverley didn’t allow ESPN reporter Malinda Adams to ask him an issue during a gaggle interview in the locker room. He said it was because she didn’t subscribe to his podcast. Beverley told her to remove the microphone from her face after which asked her to go away the interview circle.

On his podcast Wednesday, Beverley said he’s asked reporters who have interviewed him about it since he launched his podcast. Beverley said he told Adams that “it was never my intention to be disrespectful to you.”

The day after the loss, Bucks coach Doc Rivers said Beverley’s behavior was “neither Milwaukee’s style nor Bucks’ style.”

“We are better,” Rivers said. “Pat feels terrible about this. He also understands emotions – it’s an emotional game and things occur – unfortunately you get judged immediately and he lets his emotions get the higher of him.

The New Hartford Central School District in upstate New York is under investigation after racist photos comparing NBA champion LeBron James to a monkey were shown at an art exhibit.

On May 4, the district hosted an art show, and at the middle of the scandal was a display, apparently by a middle school student, promoting a fictitious brand of breakfast cereal called “Monkey Premium.” The cereal was attached to a photograph of James in a Los Angeles Lakers uniform together with the words: “Eat monkeys, jump like monkeys!”

The piece looked prefer it was a part of a student project. The bogus ad also claimed that drinking chocolate banana flakes would make someone “jump 2-5 inches higher for approximately 2 hours after eating.”

The district superintendent confirmed that the administration has launched an investigation into how the project was approved for display on the event.

“It is disheartening that racist works were not only created, but then overlooked and allowed to be displayed.” Cosimo Tangorra, director of colleges, – wrote in the statement.

As racist images spread across social media, some users reacted to the offensive display.

“This is how I prefer my racism…blatantly,” one user wrote on X.

Another person referenced the March 2008 issue of Vogue, in which James appeared on the quilt alongside Gisele Bündchen.

“It reminds me of the time he was on the cover of a fashion magazine with a model and the magazine made him look like King Kong” – person he wrote.

James was photographed putting his arm around Bündchen and dribbling a basketball together with his other hand. James, who was 24 on the time, was dressed in sportswear, while the Brazilian model wore a form-fitting dress. James’ muscles tensed and his tattoos were visible when he bared his teeth. Bündchen, on the opposite hand, simply smiled as she struck a pose.

James did grow to be the primary black American to look on the quilt of the distinguished magazine, but Vogue also faced criticism for “perpetuating racial stereotypes.” Some argued that the publication intentionally portrayed James as a dangerous or aggressive black man who might be perceived as eloping with a white woman.

Tangorra also described the incident in the school’s gymnasium during a district-wide art exhibition as a “teachable moment” for all involved.

“The student involved has been contacted, but due to student privacy, we cannot disclose specific information about the student or whether disciplinary consequences were incurred,” the superintendent continued. “Administrators have also spoken with staff responsible for overseeing the artwork, and we are using this moment as an opportunity to teach.”

While it’s unclear whether the coed in query intended to be racist, America has a checkered history of falsely and inappropriately comparing black people to apes. Race remains certainly one of society’s complex issues, and as its understanding changes, so must “our understanding of equality in the context of systemic racism we see in different cases.

I’m a fan of Ahmir “Questlove” Thompson. Dot. I believe his cultural curation through his podcast (“Questlove Supreme”), documentaries (“Summer of Soul” and the upcoming documentary “Soul Train”), books and musical direction of award shows are essential and make him an important part of hip-hop and black culture.

With that said, and at the chance of never being a guest on “Questlove Supreme” – which, by the way in which, makes me very sad – his latest take states that “hip-hop is truly dead” attributable to the direction of the recording being the Kendrick Lamar dispute and Drake are truly silly, pointlessly short-sighted, and revisionist in a way that should impress even Malcolm Gladwell.

IN latest post on Instagram during which he needed to turn off comments because he was figuratively murdered, Questlove has this to say in regards to the feud between the aforementioned hip-hop top dogs (no pun intended):

Le sigh and IKYFL at the identical time.

I do know this is not the identical Questlove who played drums for Jay-Z “Take over” from the live album “MTV Unplugged” released in November 2001. Maybe it isn’t Michelle Leslie Brown from 225th Street playing soccer within the park… it’s Michelle Leslie Brown from 225th Street playing soccer within the park. Hell, throughout the live recording of the part where Jay-Z mocks Mobb Deep’s Prodigy, they even played clips of “Shook Ones Vol. II.” And then, as the Nas verse faded away, they played “Oochie Wally” and “NY State of Mind.” I’m sure social media identified to him ad nauseum that he was an energetic participant within the beef, but I mean how does everyone have a problem NOW when he was PART of the issue in 2001? Every week later, Nas released “Ether,” which was as big a buzz as there might have been on the time. Actual? Eh. Banger? Absolutely.

Everyone involved in rap revolves around facts. Do we all know needless to say that Tupac slept with Faith Evans, Biggie’s estranged wife? According to MOST people on the time, no. But he said it and that’s why “Hit ’em” is one of essentially the most scathing diss records of all time. Perhaps Questlove shared his disappointment with the album (which many individuals felt went too far, but in addition think was the largest diss track of all time) or a small step down, Ice Cube’s “No Vaseline” (which many say is a candidate for the best diss track of all time), but I’d be surprised. “No Vaseline” is definitely an album that could have killed someone; the number of street people involved on this mess is astounding. Besides, it would not make sense because he played drums again on Jay-Z’s most iconic album in 2001. Deliberately. AFTER each Notorious BIG and Tupac were murdered because the beef had gone too far. It’s not like he didn’t know what songs can be played.

Just for the record, Nas is the principal character for this yr’s Roots Picnic, which can take place on June 1-2 in Philadelphia. The organizer and curator of the Roots Picnic is The Roots. Questlove and Black Thought are… Roots. By the way in which, I’ll be there. Because hip-hop.

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Then there’s the entire aspect of what he does NOT find disturbing. Drake and many other rappers JOKED that Megan Thee Stallion was shot within the video and called her a liar, despite the fact that we all know she was shot AND there is a verdict within the case. As far as I do know, he didn’t call there and say, “Enough!” This is only one example, however it’s quite telling, right? There has been a huge amount of diss records, diss posts from hip hop artists, and every kind of violence that has turned the hip hop community the other way up, which I’m sure Questlove respects, and it could possibly be regarded as going too far, but Drake and Kendrick’s beef Is this the moment hip-hop really died? Come on, brother.

Are innocent women and children dirty work? Yes, absolutely yes. Is this the primary time this has happened? Absolutely not. This is how hip-hop beef has all the time worked. Things all the time went “too far.” Misogyny, low blows. In fact, throughout the break “Message for BA”, which precedes the Ice Cube diss album “Real Niggas” from NWA’s album “EFIL4ZAGGIN” begin talking about raping Ice Cube with a broom.

I’m not suggesting that any of this is okay; but when mudslinging and wrestling match-level knockdowns aren’t hip-hop, then hip-hop died DECADES ago. I highly doubt Questlove would take it that way.

I do not see any significant difference, at the very least on the artist side, in the extent of vitriol that existed between Jay-Z and Nas in 2001. The only difference is the degree of fan involvement within the discourse. Does the audience want blood? Eh. I do not think anyone wants this to finish on the Tupac and Biggie bandwagon. Do people want their guy to win in any respect costs? Of course. People select sides and want their sides to win. But if that killed hip-hop, then hip-hop has been dead for many years.

Interestingly enough, I believe we got some of the very best raps from Drake on this battle, but they each took it into gossipy and evidence-free territory (to date) and THIS happened when Pusha T modified the diss game with “Adidon’s Story”. I’m wondering if Questlove felt like hip-hop was dead that day. I doubt it.

Perhaps Questlove is attending to the purpose where he has seen an excessive amount of as an elder statesman and thinks the beef is pointless. Maybe. Or perhaps he forgot that this art form to which he contributed a lot has all the time been this fashion, but now all of the conversations we needed to have in person are on social media. Does this modification it? Not to me. It’s all hip-hop. If you wish to argue that hip-hop is now and all the time has been problematic, especially for girls, then of course, let’s talk.

But THIS beef absolutely didn’t kill hip-hop anymore like The Roots being the support band on “The Tonight Show with Jimmy Fallon” did – there was a time when THIS can be seen as just a sell-out move and definitely not hip-hop bullshit. Was it dead then?

In each cases, perhaps we just never thought hip-hop would go this far. Once again, I’m a fan of Questlove and I really like hearing how detailed his knowledge of music and hip-hop is. I learned a lot from listening to his podcast about artists I really like and people I do not even know who’ve influenced my life. But this approach is really bad, especially his execution.