google-site-verification=cXrcMGa94PjI5BEhkIFIyc9eZiIwZzNJc4mTXSXtGRM Drake can’t lose the battle against Kendrick. He can’t win this either - 360WISE MEDIA
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Drake can’t lose the battle against Kendrick. He can’t win this either

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Touré, theGrio.com

Suddenly it looks as if everyone hates Drake. Kendrick Lamar just unloaded some bad lines on him in his hot latest song “Yes” Kendrick’s verse is one of the greatest battle verses in hip-hop history, and people are saying how great he is. The album was produced by Future and Metro Boomin, so they hate him too. Mos Def recently dissed him. Megan Thee Stallion is certainly offended by his continued support for Tory Lanez. Kanye got the beef with him. Pusha T had beef with him too. Rick Ross he had an issue with him. Meek Mill had problem with him. And there are plenty rappers who do not like him. Damn, is this nearly Drake?

On “Like That,” Kendrick focused way more on Drake than J. Cole. There are quite a few references to dogs, all of which tie back to the title of Drake’s latest album, “For All the Dogs.” (That album was halfway through.) And when Kendrick talks about Prince surpassing Michael Jackson, he’s talking about Drake comparing himself to MJ due to their success on the Billboard charts. Drake is the predominant villain in Kendrick’s verbal attack.

It could be higher for Drake and everybody if Drake didn’t respond. He’s not at Kendrick’s level as a author or in the booth. Kendrick is one among the best living MCs. Any answer would make clear the issue and provoke a fair stronger retort from Kendrick. You don’t need that smoke, Aubrey.

Drake is undoubtedly more popular, but artistically he and Kendrick are two different worlds. They are at two different levels of MC capability. Only one among them has a Pulitzer.

Besides, they’re two different spirits as artists. Kendrick is a particularly sharp wordsmith from Compton. You can feel the warrior spirit in his music. Drake is a dark playboy from Canada who has had many ladies’s hearts broken. He creates catchy pop music that many individuals love. But he is not a battle MC. It’s just not who he’s.

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That said, Drake can’t really lose in this battle. He actually can’t win greater than you’ll be able to win a one-on-one game with an NBA player. These are two completely different skill levels. Kendrick is significantly better as an artist.

However, being in the proverbial conversation with Kendrick and being attacked by him lifts Drake’s spirits. He’s someone Kendrick deemed worthy of fighting.

This confirms once more that Drake is the predominant figure in modern hip-hop. If hip-hop was highschool, it could be the hottest kid. If hip-hop were a movie, it could revolve around him.

Plus, because Drake is pop, it doesn’t matter if he loses this battle. He’s so big that the loss would bounce off him like a bullet bouncing off T’Challa. He would not lose any fans.

Drake has already lost in a significantly embarrassing public battle. Pusha T slammed him on The Adidon Story”, a part of the ongoing record war between them. Drake didn’t respond after “Adidon”, the song that exposed he had a son. Most fans felt that Drake had lost.

But the funny thing is that the loss simply passed and Drake’s profession continued as if nothing had happened. Well, he has actually modified in that respect he began to exhibit his son Adonis in public places. It was nice to see him together with his lovely young son.

But because Drake is such a pop superstar, losing the hip-hop battle doesn’t affect him. And after we see him lose battles and still move forward, we see how great he truly is.


This article was originally published on : thegrio.com

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In the Kendrick-Drake dispute, women and other victims of violence are a recurring punchline

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Like everyone else, I maintained perfect attendance during the Kendrick and Drake beef.

I actually have been online at every drop and have been involved in lots of discussions about it on social media. If you would like my opinion, Kendrick won.

Kendrick won, but women and victims of grooming, pedophilia and domestic violence, in addition to children, lost. They lost, as they at all times do, because hip-hop doesn’t care about casualties in the grand scheme of things.

I won’t trouble repeating who said what to whom because there may be enough evaluation like this and you do not need my help to figure it out.

Kendrick has repeatedly accused Drake of being a loser and a skilled makeup artist who actively seeks relationships with young girls and age-inappropriate women.

Drake accused Kendrick of beating his wife and playing father to a child that will not actually be his.

All this stuff were said for the purpose of elevating each other. None of these actions were intended to lift awareness or provide justice for victims. None of these statements were made as a option to mitigate further harm to anyone.

We should not be surprised. After all, hip-hop is legendary for its rampant misogyny and blatant disregard for women.

Dr. Dre notoriously beat Dee Barnes 30 years ago in a nightclub in Hollywood. The beating has turn out to be a running joke and punchline for a lot of rappers, including Eminem and T.I. As Dee herself said on Twitter this weekend, she’s “reduced to a punch line in a song that made millions… and meanwhile I can’t pay the rent.”

Yes, I laughed together with everyone else when Kendrick pulled Drake’s dirty hair, but in some unspecified time in the future during the weekend I sobered up and realized that none of this was funny.

Kendrick writes open letters to Drake’s parents and children it was fun in the moment, but ultimately, what happens when that child (or children?) is sufficiently old to devour this art on their very own and dive deeply into its meanings?

Kendrick tried to stab Drake as over and over as he could, but had he stopped to take into consideration the harm it was doing to that child (or those children?) as well?

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Drake brings up domestic violence allegations against Kendrickbut does he do it because he cares about the safety and well-being of Kendrick’s wife, or does he do it since it helps him in his quest to make Kendrick look worse than him?

And truthfully, each the alleged pedophile and the alleged wife beater are abusers, so is there really a option to make one look higher than the other? Allegedly?

The claim that one of Kendrick’s children is just not his and that his father is in actual fact his best friend and former Top Dawg Entertainment president Dave Free is disgusting in some ways.

First, there may be a layer of him subtly shaming Kendrick’s wife while making the allegations. Even if he didn’t say it out loud, the conclusion is that your wife not only cheated on you, but in addition gave birth to a different man’s child and made you raise it like an idiot.

I would like to ask why raising one other man’s child as your individual is such a bad thing, but then I keep in mind that I exist in the same timeline where grown men openly criticize Russell Wilson for doing exactly that.

Still, Drake is “mad” at Kendrick. Why did Kendrick’s wife need to catch the homeless man?

Women have at all times been the punchline and collateral damage in hip-hop and hip-hop. Think Faith Evans.

When Tupac desired to piss off Biggie, he got the tape and claimed he slept with Faith, who was Biggie’s wife at the time. What did Faith do to deserve this?

Every criticism Kendrick made accused Drake of being a pedophile and a seducer, and while that “A minor” bar hit like hell (I by accident found myself blurting out “A-mollrrrrrrrrrrrrrr unprovoked during the day), is Kendrick attempting to help the victims or is he just embarrassing Drake?

Diddy kerfluffle’s current show shows us in real time that men in hip-hop have long been aware of the violence that women on this culture experience – sexual and otherwise – and are willing to show a blind eye to it until they feel comfortable speaking up .

In this case, Kendrick and Drake are “speaking up” but not “speaking up.”

Everyone laughs except the women and children used as bait.

Everyone is having fun except the victims.

Things appear to have died down since Kendrick released “Not Like Us” and truthfully, I hope it stays that way because we will not keep doing this.

I challenge Kendrick, Drake and anyone else in hip-hop to make a diss track calling out perpetrators of violence to stop further harm to victims.

I encourage Kendrick, Drake and everyone else in hip-hop to carry their peers accountable, and by accountable I mean in a way that forestalls them from harming others – not in a way that simply causes streams to turn out to be diss.

I encourage everyone who is an element of this culture to look at how we participate and engage in these issues.

Ultimately, gladiators fight because the crowd wants blood.

The query is, will it’s the blood of the combatants or the blood of their alleged victims that can ultimately be shed?



This article was originally published on : thegrio.com
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The King of Video Music Remix is Westside Entertainment

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Westside Entertainment,is where the iconic tracks of hip-hop legends like Nipsey Hussle, 2Pac, DMX, Snoop Dogg, and more get a fresh remix. Join me as I reimagine and reinterpret the classics, infusing them with modern beats and innovative production techniques. Get ready for a captivating auditory experience that blends nostalgia with contemporary soundscapes. Subscribe now to celebrate the legacies of these legendary artists and discover a world of dynamic remixes. Westside Entertainment – Where Classics Get Remixed!

#nipsey #tydollasign #tmc #themarathoncontinues #nipseyhussle #new #newmusic #remix #nbayoungboy #youngdolph #lildurk #202 #nas #tupac

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Gospel music star Erica Campbell gives advice on how to become a great singer

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At Masters of the Game, we love giving our viewers advice. We love talking about how to become a champion. In my interview with Erika Campbell, master gospel singer, she gave us advice on how to become a great singer. Campbell went to school to study singing, so she understands all of the technical features of singing, but when asked for advice, she didn’t mention anything technical. She talked about self-esteem and self-confidence.

She remembers being on the concert and waiting for it to proceed, and several other gospel music legends similar to Fred Hammond and Yolanda Adams appeared before her. She was a little apprehensive because being on stage chasing these giants could be intimidating. Then she remembered who she was and regained her self-confidence.

“I remember hearing in my soul, ‘I gave you everything you need to be everything you need,’” she said. Her inner voice told her that enough was enough. “So I thought: I don’t have to be them. I’m actually on the same show here. I was also invited to sing my song.”

This kind of confidence and self-esteem is vital to address the rollercoaster that life as a skilled singer brings. We all see the glory that comes with being a great singer, but we now have a harder time seeing the inevitable valleys.

“You have to be sure what you want,” Campbell said. “If you wish to sing because you wish people to such as you, select one other profession. Sell ​​ice cream. Because they will not at all times just like the song, you, or your performance.

Professional singing is a life filled with privileges and suffering. There is each acceptance and rejection. You have to give you the chance to cope with each.

Campbell said: “My advice to a singer is: make sure of what you wish to do. There are each hills and valleys involved on this profession. Don’t underestimate the valley, but don’t bet an excessive amount of on the mountain, or you will not stay there without end.


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This article was originally published on : thegrio.com
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