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“American Fiction,” “The American Society of Magical Negroes,” and the Endless Debate About Good Black Movies – Andscape

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Oscar winner Cord Jefferson was behind the scenes answering questions about his film when asked about the types of black movies receiving awards.

“A story with black characters that will appeal to a lot of people doesn’t have to take place on a plantation,” Jefferson, who won best adapted screenplay, told reporters. The statement reignited the debate about whose stories must be told and whose must be ignored. The comments also complicate Jefferson and one other film, which reminds us that movies that are not set on plantations, projects, and trappings aren’t inherently more Black-loving either.

At first glance, placing , a couple of author navigating the white publishing world, in the same space as . The latter centers on a secret group of Black individuals who develop magical powers to assist white people not get so indignant – and it’s making the rounds online 30% on Rotten Tomatoes AND he was struggling to make one million dollars first weekend in cinemas. After all, it has something it doesn’t, namely a reliable plot, compelling characters, a real desire to say something vital, and a story that kept my interest throughout. it was mostly enjoyable. In contrast – with its unoriginality, trite attempts at comedy, and incomprehensible ending – it was simply one of the worst movies I actually have ever tortured myself to complete. However, each movies had a typical flaw: that they had to spend more time on the beauty of black people and less on the horror and prevalence of white supremacy.

In this respect, each movies usually are not much different from the works they try and ridicule.

each stem from a desire to critique art that presents a reductive view of blackness. The first is aimed toward books and movies like , which featured an limitless barrage of trauma for each black character, while six Oscar nominations, winning two (Mo’Nique for Best Supporting Actress and Geoffrey Fletcher for Best Adapted Screenplay). she focused on criticism a trope originally coined in 2001 by film director Spike Lee, wherein “magical” black characters appear in movies only to make the lives of the white essential characters easier or more satisfying. Think and.

Jeffrey Wright (left) and Issa Rae (right) star in the film.

Claire Folger/MGM

Because each movies focus their ire on these criticisms, their goal is to present a distinct side of blackness. But after I watched each and , I could not shake the familiar feeling I had when watching movies crammed with trauma porn. For example, after I saw 2016 , a supposedly triumphant film that was promoted as a real story of Nat Turner’s 1831 slave insurrection, I believed that a lot was shown about the brutality of slavery and so little about the actual ingenuity and courage of the insurrection that by the time every enslaved person had been freed , I wanted to go away the theater. While it’s miles from trauma porn, it spends a lot time perfecting the ridiculousness of microaggressions and white supremacy that some of the beautiful blackness in the story is lost.

For example, I never quite got the impression that the characters Monk (Jeffrey Wright) or Sinatra Golden (Issa Rae), two black women writers attempting to make it in the white publishing world, were even that great at their craft in . The audience never sees the beauty of Monk’s words or the genius Sinatra had to beat to succeed. By the time there may be a moment of true love between Monk and his brother Clifford (Sterling K. Brown), they’ve been through so many arguments and disappointments that it doesn’t feel satisfying. As for , there may be nothing celebratory about blackness in any of the film’s crevices. Yes, black people have magical powers like teleportation and mystical PowerPoint presentations, but they wield them in the service of white people. The atmospheric rant is about how miserable it’s to be black in white spaces.

Both movies made me indignant and frustrated with scenes of white passive aggressiveness. None of them made me feel proud of the blackness of the characters.

And that is the problem with many critically acclaimed movies. and the like do nothing to make me be ok with being black. Their appeal is aimed squarely at an audience that desires this sort of black subservience and subordination. But they don’t seem to be bad because they happen in Jim Crow projects. They are indignant because they do not love us.

You cannot watch a show or read a book like Robert Jones Jr. set during the times of slavery and not feel love in every scene and on every page. You cannot watch a movie without watching a movie about love. Meanwhile, movies like and appear to have been made with the express purpose of making black people imagine that they were doomed to the influence of whiteness.

In the early twenty first century, a brand new measure was introduced to judge movies based on their treatment of women has come into fashion. The test asked a straightforward query: Are there any scenes in the movie where women talk over with one another about anything apart from men? Since then, critics have proposed similar race tests. The “The DuVernay Test” proposed by critic Manohla Dargis asked for movies wherein “African Americans and other minorities have fully realized life, rather than serving as settings in white stories.” Both are beneficial, but they mostly deal with white people’s movies. It doesn’t hurt to have a movie like this for movies for Black people and by Black people who ask whether the amount of screen time spent exploring the beauty of blackness outweighs the amount of time showing the oppressiveness of white America.

Despite Jefferson’s comments, the black film setting shouldn’t be the problem. Period shouldn’t be an issue. The problem is the way these movies treat Black people and show us on screen. The film will be as anti-black and violent as the mansion will be, and as gracious and kind as the plantation desires to be. The Black experience is just that complicated.

DavidDennis Jr. is a senior author at Andscape and winner of the American Mosaic Journalism Prize. His book titled The Movement Made Us might be released in 2022. David is a graduate of Davidson College.


This article was originally published on : andscape.com
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The art collector left his mark on TheGrio’s Masters of the Game

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In the next episode of Masters of the Game, hosted by Touré, we introduce you to Shirley and Bernard Kinsey, an influence couple who’ve dedicated their lives to preserving African American history through art and artifacts. Through greater than 50 years of marriage and a shared passion for education and history, the Kinseys have built one of the largest and most influential private collections of African American history in the world.Kinsey collection— making them true champions of history, art and cultural preservation.

Art collectors

The Kinseys have long believed in the transformative power of education. For them, educating others means sharing the wealthy history of African-American culture through art and historical artifacts. Their collection includes works by iconic artists corresponding to Ernie Barnes, Charles Alston and Beauford Delaney, nevertheless it is their collection of rare historical documents that really stands out. Among their treasures is a heartbreaking nineteenth century letter delivered by an enslaved girl who couldn’t read – she was sent from one plantation to a different under false pretenses. The next work of their collection is Zora Neale Hurston’s brave and hilarious letter to her ex-husband, through which she asks him to remain out of her life endlessly.

From humble beginnings to becoming one of the most influential black couples of our time, Toure’s conversation with the Kinsey family takes us on a journey through the depth, resilience and radiance of African-American culture. Their collection not only preserves history, but in addition inspires future generations to inform their very own powerful stories, making the Kinseys true masters of the game. Don’t miss this episode of “Masters of the Game” at 8 p.m. ET on Friday and 1 p.m. ET on Saturday on TheGrio Cable Network.

This article was originally published on : thegrio.com
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Simone Biles torn apart after giving George Strait’s wife a ‘vulgar look’ while fans came to her defense

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Did Olympic gymnast Simone Biles cut George Strait’s wife’s eyes on the Country Music Awards?

Some people think so after a viral video of Biles, 27, showing her frustration within the audience on the 58th annual CMA Awards on November 20.

In several clips circulating online, the 27-year-old gave Strait’s wife, Norma Strait, a “dirty look” on the annual awards show where her husband was honored with the John Paul II Lifetime Achievement Award. Willie Nelson.

The seven-time Olympic gold medalist asked viewers if she had glanced out of the corner of her eye on the Lifetime Achievement Award winner’s wife through the 2024 CMA Awards. (Photo: @simonebiles/Instagram)

“Does anyone know if there is a dispute between Simone Biles and George Strait’s wife?” – one in all the X users asked on the evening of this system.

X’s post included a clip of Biles looking nervous as Norma and other attendees danced in the gang on the Lifetime Achievement Award ceremony tribute performance.

The tribute to the “King of Country Music” featured country stars Lainey Wilson, Jamey Johnson, Miranda Lambert and Parker McCollum. Additionally, Chris Stapleton joined Strait on stage to walk through the “Honky Tonk Hall of Fame” to conclude the segment.

Speculation about Biles’ possible disdain shown on the CMA Awards has turn into a topic of debate online, with fans and critics taking sides in the controversy.

“I watched it live and wondered the same thing, and then death looked up and down, she definitely hated!” answer on X platform he stated.

Original X poster he replied“As long as I’m not the only one who saw it.”

However, the legendary gymnast had her defenders. For example, user X sent“He’s probably just watching her reaction (honestly) without thinking about the cameras.”

“Nothing happened” – another person he argued. “George Strait’s wife doesn’t care about messy things like that. It looks like Simone could have a resting face. She wasn’t the one black person either. There are many Black people in country music, from singers to musicians.

Similar entry To read“I saw it and cringed, it’s just her face, but she should politely decline if she doesn’t like country music.”

Another fan he wrote“She probably saw the camera give attention to George Strait’s wife and just looked around curiously. I do not think she’s giving a mischievous have a look at all, she just looks like she’s noticed that the camera is specializing in the people next to her.

Despite questions on Biles’ on-screen response, the multiple-time world champion expressed her excitement to attend the 2024 CMA Awards on the day of the event.

Biles reposted photos from the evening on her Instagram Story. In one photo, shared by hairstylist Justin Revenge, the Olympic gold medalist showed off the short red dress she wore to the red carpet, in addition to the silver off-the-shoulder dress she wore to the CMA Gala.

The star of the Netflix docuseries “Simone Biles Rising” appeared at Bridgestone Arena in Nashville to present the Female Vocalist of the Year award to country singer Lainey Wilson.

Lainey Wilson won the Female Vocalist of the Year category, beating out fellow nominees Kelsea Ballerini, Ashley McBryde, Megan Moroney and Kacey Musgraves.

Biles herself had a successful 12 months as an athlete. The Texas native won 4 medals on the 2024 Summer Olympics in Paris, bringing her profession total to a record 11 victories for an American gymnast.

However, Vice President Kamala Harris couldn’t replicate Biles’ success because the Democratic presidential candidate in 2024. Harris lost to former President Donald Trump within the nationwide election.

Biles publicly called on current Democratic President Joe Biden to take a stand on behalf of American women before Republican MAGA leader Trump enters the White House on January 20, 2025.

“Mr. Biden, you need to stand up, straighten your back and shake some things up before you go… xoxo women of America,” the Olympian wrote on Twitter on November 6 in response to the election results.


This article was originally published on : atlantablackstar.com
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What do you know about Cynthia Erivo?

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Cynthia Erivo, Wicked, Cynthia Erivo controversy, Black Hollywood, theGrio.com

With the discharge of Wicked fast approaching, it’s protected to say that Cynthia Erivo is on fire straight away.

The film adaptation of the Broadway musical (which is an adaptation of a best-selling novel based on one other novel) is about to open to over $175 million worldwide this weekend, and Erivo has just landed a significant deal.

Universal Pictures has struck a first-look cope with its production company Edith’s Daughter, Deadline reported.

“Having spent the last three years working with Donna Langley, Peter Cramer and the Universal team on Wicked, I have experienced first-hand the love and fearlessness with which they tell stories and uplift narrators,” said Erivo. “I am absolutely delighted to take the next step in our cooperation under our first-look agreement. This is not only a milestone for my production company, but also a testament to the power of storytelling and the importance of diverse voices in film. I can’t wait to bring our visions to life and share them with the world!”

However, some could also be just discovering the 37-year-old from Stockwell, London (where she was born right into a family of Nigerian immigrants) or may don’t know about her background and profession to this point. There’s quite a bit to like about the Emmy, Grammy and Tony winner – and much more to grasp beneath the surface. Below we have gathered some things you have to know about Erivo, including some very necessary ones.

He is a Broadway sensation

Before Erivo became a star of the silver screen, she made a reputation for herself on the stage. The actress’ breakthrough role was the role of Celie within the musical adaptation of “The Color Purple” on Broadway. From 2015 to 2017, she delivered critically acclaimed, groundbreaking performances, winning the 2016 Tony Award for Best Actress in a Musical and the Grammy Award for Best Musical Theater Album.

She has played several iconic black characters

Aretha Franklin, Harriet Tubman and Recy Taylor are black American historical figures immortalized on screen by Erivo, who has played all of them in movies. Shortly after her Broadway run in 2017, Erivo played Taylor in “The Rape of Recy Taylor.” She then starred as Tubman within the 2019 film “Harriet.”

In 2021, Erivo played Franklin within the National Geographic anthology “Genius: Aretha”. While critics praised her performance, Franklin’s family had a special tackle the project, claiming she was never consulted and even felt “disrespected” by the production team.

He is a queer icon

Earlier this yr, Erivo received the Schrader Award from the Los Angeles LGBT Center as a self-proclaimed member for her talent and support of the queer community.

“Acknowledging that I am queer publicly – especially in the public eye – means taking a risk to claim my freedom,” she said in her speech through which she agreed to return out as queer later in life. “It seems we prefer to see the world in black and white rather than accept the difficult (but beautiful) complexities of our humanity.”

Although it has never been explicitly confirmed, Erivo has long been considered one half of a fairly powerful Black Hollywood power couple, as she is commonly seen at red carpet events alongside fellow industry heavyweight Lena Waithe.

He has a novel sense of fashion

From shaving her eyebrows to her signature long and ornamental nails, Erivo is understood for her daring sense of fashion. Her uniqueness was even incorporated into her makeup for “Wicked.” The makeup artist used stencils to attract eyebrows and add freckles. Meanwhile, a special shade of green face and body makeup was developed to make Erivo’s melaninated skin appear “clearly” on screen, and the shade was named “Cynthia Green,” the film’s makeup artist said People Magazine. It’s value noting that despite the hours-long application process required day by day for months of filming, she also said that Erivo “never, ever, ever complained.”

She doesn’t suffer fools

Social media was abuzz this week with response to actor/podcast host Dax Shepard’s invasive query about Erivo’s signature elaborate manicure, specifically how he moves through it while using the lavatory. When footage of her interview with Shepard hit the Internet, many individuals were quick to sentence its inappropriateness, asking her how she wipes herself while having very long, jeweled nails.

“My answer is that no one wipes their ass with just their fingers. You use wipes, right? And you wipe it off,” she replied calmly.

Erivo further expressed her annoyance with this query; the one she had exhibited before.

“I understand, it annoys me. Come on, guys,” she said. “I understand, but I’m a functioning adult and I’ve never walked around smelling like… you know.”

People participating within the discussion found this query rude, disgusting and invasive. It can also be, as Erivo identified, unoriginal. In response to this viral exchange, some have responded by demonstrating how they adapt these very human processes to long fingernails – and shockingly, it’s just about the identical process we have all been doing since potty training. It’s really not that complicated.

Cynthia Erivo Recalls Her Reaction to Fan-Made 'Wicked' Poster: 'I Probably Should have Called My Friends'

He has some questionable tweets in his search history

When it was announced in 2018 that Erivo would play Harriet Tubman within the biopic “Harriet,” the British actress’s seemingly problematic comments made years earlier about the language of Black Americans inevitably resurfaced. As previously reported by theGrio, this compounded existing questions about the choice to forged British-born Erivo because the historical African-American hero, given what some perceived as a disdain for African-American culture.

“As for the tweets, they were taken out of context, giving me no room to explain what they meant – and they weren’t actually mocking anyone,” she explained on the time: Complex reported. “It was not intended to be (offensive) at all. It was to celebrate a song I (wrote) when I was 16.”

Speaking further about the controversy during an event on the Toronto International Film Festival, she said: “I actually have never… never spoken negatively about people because I don’t desire to; I don’t desire this energy to be passed on to others.”

She continued: “I do not think it’s good for us in any respect; I do not think it serves any purpose apart from to bring negativity into my life and yours, and I just don’t desire that.

Perhaps he has some tension with the band in “The Color Purple.”

For unknown reasons, Erivo claims she was not invited to a special screening of the musical “The Color Purple” for family and friends, which was also attended by other members of her Broadway forged. It’s a bit strange that the Tony-winning revival star wasn’t on the guest list. When asked about her apparent rejection in the course of the interview and whether it reflected her initial considerations for Celie’s role within the film adaptation, Erivo suggested she couldn’t talk about it.

Despite every little thing, he’s capable of admit his mistake

Erivo can have had mixed emotions previously as a result of questionable comments or her unwavering passion for her craft, but she is ultimately capable of admit when she was incorrect. In the lead-up to Wicked’s premiere, fan-made art got here to light that edited the film’s poster to look more like the unique Broadway Playbill, obscuring Erivo’s direct gaze with the brim of her witch hat. The actress was initially very offended, but later admitted that she can have overreacted.

“I think for me it was a human moment…” she later explained. “I probably should have called my friends, but I’m fine.”

Cynthia Erivo accepts Los Angeles LGBT Center award for speech on freedom to 'be different'

After all, she is an expert

Say what you want, but Cynthia Erivo is robust and talented. He can also be a one that is alleged to place the nice of the team ahead of his personal glory. During a recent appearance on “Cutting room floor” podcast, she described her technique of coming into harmony together with her “Wicked” co-star Ariana Grande and the way the 2 worked together to create a unified sound fairly than resorting to diva-like behavior in an try and outshine one another.

For example, although she and Grande have very different voices, Erivo noted that what they’ve in common is way more necessary.

“I think what connects us is the way we hear music, so we can hear each other,” she explained. “And the beauty of singing with someone who can also hear is that you follow each other back and forth. We can find ways to make our textures and sounds make sense, and that’s really hard with humans.”

Erivo added: “It also signifies that you found someone completely selfless because they care about working with you, and being an element of that’s essentially the most amazing thing. When you find someone who’s committed to creating sound together, (there may be) no ego.

This article was originally published on : thegrio.com
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