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Why the developing Clary Lionel Rihanna Foundation is perceived as a model of celebrity philanthropy

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Rihanna She is used to opposing the convention.

The nine -time Grammy winner modified her extensive hits, including “umbrella” and “work” in a business empire value roughly $ 1.4 billion, placing its highest level to Forbes lists last yr forbes The richest “self -sufficient” American women. The largest entertainment scene in Barbados, with a pregnancy revealing during it Solo 2023 super bowl break show. And she A successful brand of cosmetics Fenty Beauty Cosmetics He revolutionized the makeup industry because of the shades that features.

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But this is not a rotated megastar Long -awaited statement to the album “Anti” from 2016, which has waves this yr. It’s her philanthropy.

Named in honor of Rihanna’s grandparents and partially financed by her brands, the Clara Lionel Foundation comes out of “Refreshment”, which is able to direct more funds to climate solutions and girls’s entrepreneurship in the underestimated regions of East Africa, the Caribbean and the United States. After 13 years of relative anonymity, non -profit is ready for greater visibility.

“Our founder is a woman from a small nation on an island who has a global reach. She is an entrepreneur. She is a mother. She is creative,” said executive director Jessie Schutt-Aine. “So we want an organization that reflects this spirit and this energy. She is brave and ambitious. She is innovative. She always does things differently. She changes into the game.”

Experts say that it is rare that amongst known philanthropists is so purposefulness. The Clara Lionel Foundation has also been praised for accepting “trust -based” giving, which enables unlimited financing to recipients.

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The founder of NDN Collective, Nick Tilsen, said that CLF allows their native Non-Profit organization “they work on our conditions”-and that other founders should take notes.

“They are also not the foundation that is also in your company,” said Tilsen. “They support. They see a job. They let us do what we have to do.”

Personal roots of the Clara Lionel Foundation

Rihanna began the foundation with an contribution of USD 516,000 after her grandmother died of cancer complications in 2012. This yr, the musician founded the Oncology Center in the foremost Barbados hospital to expand screening and cancer treatment. And Young Foundation has focused on healthcare and Barbados for many of the last decade.

However, by 2019, CLF began to find out the priorities of readiness in the event of a failure. Grantmaking jumped to over $ 33 million in 2020, because the non-profit organization provided a very essential pandemic relief and supported efforts for racial justice. According to tax reports, the slowdown in postpandemic expenses coincided with its inner transition.

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The renovated team and complicated priorities now match their wider ambitions. The latest director of women’s entrepreneurship based in southern Carolina will construct programs of this pillar. Amina Doherty, co -founder of Black Feminist Fund, is now supervising programs and influence. Five latest pillars are complemented by climate solutions, art and culture, health access and equality, as well as future generations.

The concentration of young people was praised by Ashley Lashley, a 25-year-old whose foundation cooperated with CLF as a way to solve environmental challenges on her native Barbados. He often hears how leaders say that “youth is the future,” she said, but these statements rarely translate into actual support.

“The Rihanna Foundation is a great example of how women in power can help contribute to work performed at the community level,” said Lashley.

Rihanna told The Associated Press that she hopes that CLF would still be the force of “global inclusion in philanthropy.”

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She wondered at the 13-year transformation of the foundation in a statement: “Today we have a global range, but this concept of love for the community and our roots runs deeply into the DNA of the foundation.”

Finding partners – big and small

The latest example of this evolution is the partnership with the Andrew W. Mellon Foundation. Barbados’s “invaluable history” as “an indispensable chapter in the wider history of the African diaspora” is threatened with climate change, in accordance with the press message of Mellon.

Together, as they announced two foundations, they are going to finance “initiatives led by artists” to guard this culture “at the same time inspiring new narratives and possibilities in the international arena.”

Schutt-Aine perceives a partnership with Mellon-the largest philanthropic supporter of art in the USA-as a milestone for CLF. Justin Garrett Moore, director of the Mellon humanities program, said that the name of the NON -Profit organization was created when his team asked contacts to recommend partners.

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“We think there is an amazing platform that the Clara Lionel Foundation and the founder will introduce this kind of work in readability and visibility to organizations that will be supported,” said Moore. “In addition, generally in society to help strengthen the strength of art.”

Among these scholarship holders is the performance art development program, which also provides free social services for college kids in the capital of the nation in Bridgetown. The founder of Triple Ground operations, Janelle Headley, said that the Clara Lionel Foundation helped -Pro -Profit could afford a warehouse equipped with acoustic panels, sound equipment and parquet.

The relationship began with a microgranture for scholarships. Triple Ground operation now receives general operational support – a “revolutionary” investment, said Headley, because donations for charity are frequently intended for specific causes. This flexibility turned out to be particularly helpful during the pandemic, when the rapidly changing circumstances created latest needs, such as iPads for distant learning.

“To be honest, it is rare that someone will give a considerable donation unlimited and said:” We trust you, your vision, “said Headley. “It’s very future -like.”

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A novel model of celebrity philanthropy

This approach is unique, in keeping with Mary Beth Collins, executive director of the Center for Social Studies and non-profit at the University of Wisconsin-Madison. He discovers that celebrities often become involved in philanthropy provided that essential.

But Collins said that CLF seems to take into consideration its partners for a very long time and intentionally in grassroots financing. Strategies are in step with her own recommendations regarding the engaging of experts coping with the original causes, selecting concentration areas essential for the founders and raising the leaders conducting these problems.

“We want to see funds and resources from more endowed people in the world who go to leaders in the field who really know this place, experience and problems,” said Collins.

CLF used this model at the end of last yr, when it provided additional financing to the non -Pure Energy Party partner Hurricane Helene. Melanie Allen, co -director Hive Fund for Climate and Gender, said that she suddenly received about USD 60,000 for fast distribution between proven partners in devastated communities.

The contribution occurred amongst an increasingly hostile environment for non -profit organization, such as its color, which prompted some philanthropists to scale back giving. Allen said that she was enthusiastic about “deep CLF involvement to the south.”

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When others reduce resources, CLF desires to introduce more philanthropic partners to the table. They are planning a summer convening for scholarship holders to expand the network. Message, CLF, said Doherty Clf, says: “We will stick to you.”

“Some people can say that times look gloomy,” said Doherty. “But that’s a moment of possibilities.”

The importance of remaining on the communities you serve is a Schutt-Iine lesson, which he learned during a 25-year-old global health profession.

Recently, the head of the diversity of equality, sex and culture at the Pan American Health Organization, Schutt-Aine treated the most dangerous infections of tuberculosis, malaria and HIV/AIDS.

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“If you are going to work on malaria,” she said, “You have to live with mosquitoes.”

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This article was originally published on : thegrio.com
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Coco Jones is fearless on the debut album “Why not more?”

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What music would you create if there have been no external influences or imposed creative restrictions? This is what the singer Coco Jones considered.

“What would I do if I wasn’t afraid to compare myself with” Oio “and my EP? And if I thought there was a formula that people wanted from me? ” Jones wondered. “It was a kind of mood: just or fearless.”

The R&B star tried to answer her debut album – “Why not more?” – publishing Friday. She follows her breakthrough EP 2022 “What I didn’t tell you.”

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“I am simply proud of every version of myself that I was and who I will become after this album,” said Jones, who took her first grammy home at the starting of this yr, winning the best performance of R&B “ICU”. “And really proud of preparing a project in which I feel confident.”

The 14-seater album from the actor “Bel-Air” goes through the spectrum of R&B Sonics and Vibes, from intraosphere to seductive, pop & b to the trap and b. Writing about each song, Jones secured the production from Stargate, London on Da Track and Jasper Harris in addition to Future and Yg Marley functions.

One of the latest generation of R&B faces does not shun the pressure, which may come from an try to repeat the success of a song equivalent to “ICU”.

“There was pressure to outdo myself. But I also have to remember that I didn’t try to win anything … I just did me” – explained Jones, who said for the first time that she was patient during a studio session, not focusing on going out with the song ended each time. “I just did what was right. I was honest, I was just defenseless.”

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“Why not more?” He emphasizes the huge range of Jones melodic styles. Four singles were released, including “Here We Go (UH OH)”, which won Jones his first number one on the AirPlay Adult R&B Billboard and “Taste” list, which accommodates the interpolation of the hit song Britney Spears “Toxic” and is currently at number 15.

In the ballad “other side of love” Jones is on a crossroads in a relationship, singing: “I don’t know why I can’t get your love, my mind / it’s like trying, but you come back every time.”

“This is probably the oldest song on the album … It was always a song I knew about it on the back burner, whenever I was ready, I had something ready on them. But it was a bit of time,” said 27-year-old from Tennessee. “I can drop a song like” Taste “, but I will always have a song like” Another side of affection “because I can’t deny this version of myself either.”

Coco Jones talks to Grammy, nodding, overcoming obstacles after Disney's fame, Hollywood's Pay Equity

Undertaking is also a subject, rejecting interdependence and covering love for “by yourself”.

“The song that defines me the most is” through me. ” I literally wrote it because I was literally looking at the situation and I thought that I didn’t want to feel that anyone else is so important to me to be the best version of me – I can’t live like that – she said. “All answers cannot come from anyone else … I’m so big in internal work and therapy and growing emotionally.”

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Jones, which appears as Hilary Banks in the dramatic series “Bel-Air”, is preparing for the fourth and last season, which did not start production. It will balance filming with the upcoming route, introducing on May 6 in Philadelphia.

Former actor Disney Channel, he described, says that there are a lot of goals he wants to realize, but travels in the right direction.

“My childhood dreams, I still have to achieve them all. I definitely see how they materialize, but the way I thought about myself as a child was huge, how life than life,” said Jones, who first signed a contract at 14. “I even have some ways to actually be what Coco saw for me from my childhood. And I hope I did it.

The era of Coco Jones is now

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This article was originally published on : thegrio.com
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The singer Kehlani fell from the Cornell concert to the alleged “anti -Semitic” sentiments

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Cornell University canceled the R&B Star performance Throw After complaints about the president of the Ivy League school, that she expressed anti -Semitic and anti -Israeli moods.

Kehlani was to appear next month as a headliner during the annual ceremony at Upstate New York School called Slope Day. But President Michael Kotlikoff said on Wednesday that he canceled the invitation because he “injected the division and disagreement” at the event of May 7.

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“In the time, since Kehlani was announced, I heard the serious fears of our community that many are furious, wounded and confused that the day of inclination will have a contractor who supported the anti -peak, anti -izrael sentiments in performances, films and social media,” wrote Kotlikoff in an open letter. “While every artist has the right to express hateful views in our country, Day Slope consists in the unification of our community, not to divide it.”

E -Mail looking for commentary was sent to Kehlani representatives.

Kehlani used his position to publicly support Palestinians. Sings before the Palestinian flag in Music video “Next 2 U”, which at the starting incorporates the phrase “Long Live The Intifada”. Intifada, the Arab word “uprising” or “resistance”, is perceived by some as a call to violence against Jews.

Cornell is one in every of the many American universities which were trying to move in increased campus tensions since the war in Gaza, coping with each pro-Palestinian demonstrations, and accusations that anti-Semitism was allowed to be unquestionable. Trump administration This month, he froze over $ 1 billion In the federal financing of Cornell, while the government is investigating alleged violations of civil rights.

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Kotlikoff said he confessed to the organizers of events and other students before he dropped Kehlani.

“I understand that my decision will be celebrated by some and criticized by others,” wrote Kotlikoff. “I think that this is the right thing and a decision that I have to make to ensure community and security at this loud event that reaches the entire campus.”

Gabrielle Union values ​​expressing himself while raising his daughter:

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Lizzo shares how she lost weight and closes rumors for drugs ozempic: “Find out what is working for you”

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Lizzo, a singer and flutist standing behind the Billboard Chart-Toppers, akin to “Truth Hurts” and “About Damn Time”, very much shared the audience about his journey in music and life. One of the life journeys, which society was particularly interested, is the journey of Lizzo in slimming. After entering the music stage and not permission for her weight and negative perception by people is an obstacle for her success, the singer underwent a serious transformation. This 12 months, Lizzo began to indicate an enormous lack of weight, which led most people to the idea that it is using popular and fashionable slimming drugs, akin to Ozmpic. The singer is famous and fun, dressed like an ozempic box For Halloween during rumors.

According to the sixth pageIn Instagram Live on Tuesday, April 22, Lizzo refused to make use of drugs akin to ozempic or mounjaro, as a substitute sharing with fans about how she worked within the weight in an old -fashioned way, “calories compared to calories.”

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“If I do something sweet, it must be with some carbohydrate. I will have, for example, almond butter and toast. So the body is different. Learn what works for you,” she divided the singer “Good as Hell”.

Lizzo also said that she realized how many calories she took throughout the day, consuming drinks from places akin to Starbucks, which forced her to count calories, something she admitted is not at all times the healthiest practice.

Lizzo, born Melissa Jefferson, also noticed how managing her anxiety and mental health had a positive impact on her slimming journey.

“For years I worked to master my anxiety. And then I made a decision that I desired to decelerate and I’m able to stop waiting to be myself, fully and be completely satisfied, and I meditated. I lacked. And I made up a little bit isolated – but she didn’t take me that I didn’t take up because I didn’t take up because I lick because I used to be licking, because I’m not as a star. behaviors akin to food, alcohol and people.

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Ultimately, Lizzo said that her slimming journey, which allowed her to lose almost 16 percent of her fat, consisted in summarizing what she put into her body and sacrifice.

“I just focused on me.”

Kevin Hart announced as the host of the BET 2025 awards

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This article was originally published on : thegrio.com
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