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America is becoming a nation of domestic houses

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In its cover of February 2025 for the AtlanticJournalist Derek Thompson called our current era “The Anti-Social Century”.

He is flawed. According to our recent researchThe United States becomes a nation of domestic mugs.

Using data from American time testingWe studied how people within the US hung out before, during and after Pandemia.

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Pandemia Covid-19 encouraged more Americans to remain at home. But this trend didn’t start or ended with a pandemic. We found that the Americans had already spent increasingly more time at home, and fewer and fewer involved in classes away from home reaching as much as a minimum of 2003.

And for those who thought that the tip of the blockades and the spread of vaccines led to the revival of events, playing sports and eating, you shall be flawed. It seems that Pandemia mostly accelerated continuous trends.

All this has serious implications for traffic, public transport, real estate, jobs, social meetings and mental health.

Life inside

The trend of staying at home is not recent.

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During the 20 years preceding Pandemia, there was a everlasting decrease in activities outside the house.

Compared to 2003, the Americans spent almost half-hour less at school outside the house and eight minutes a day. There are many reasons for this modification, but there are probably the perpetrators, regardless of whether or not they are smartphones, streaming services or social media. You can check with a friend as a substitute of meeting them for coffee; Order groceries via the applying as a substitute of venting to the supermarket; And send a stream movie as a substitute of seeing it within the theater.

Of course, through the pandemic there was a sharp decrease in activities outside the house, which dramatically accelerated many of these trends at home.

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In addition to travel, the time spent at school outside the house fell by on average by over an hour a day, from 332 minutes in 2019 to 271 minutes in 2021. The journey, excluding air travels, fell from 69 to 54 minutes a day at the identical time.

But even after releasing the pandemic blockade, actions outside the house and traveling through 2023. They remained significantly depressed, far below the degrees of 2019. Dramatic growth At distant work, online shopping, time spent on digital entertainment, equivalent to streaming and games, and even sleeping time.

The time spent outside the home affected the pandemic, but only barely. There was almost no regaining actions outside the house in 2022 to 2023, which implies that 2023 actions outside the house and travel were still far below the extent of 2019. In general, Americans spend almost 1.5 hours less outside their homes in 2023 than in 2003.

While the hours of work from home in 2022 were lower than half of what they were in 2021, they’re still about five times greater than Pandemic. Despite this, only about a quarter of the general reduction in travel time results from a smaller number of access. The rest reflects other types of travel for such activities as shopping and social.

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Wave effects

This change had the implications.

With American expenses More time worksplaying and shopping at home, demand for office and retail surface He fell. While the essential employers of employees could spend more time within the office, research suggests that working at home within the USA was stable between the start of 2023 and firstly of 2025. About 25% of paid work days. As a result, the excess of office space may require a change in purpose as an apartment and other applications.

Work and game at home has benefits equivalent to avoiding stress and travel expenses. But that is too Increased demand To get an extra space in apartments and houses, because people spend more time under their very own roof. Yes The journey was modified On a traditional morning – and particularly within the afternoon – peak periods, more evenly distributing traffic Losses of transit riders. Meanwhile more Package and food supply drivers compete with parked cars and bus and bicycle lanes to the curb.

Perhaps, most significantly, spending less time on the planet has sobering implications for Americans far beyond real estate and transport systems.

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The research we currently conduct suggest that more time spent at home was in a position to spend more time spent alone. Suffice to say that it makes loneliness result from No significant connectionsA more common event. Loneliness and social insulation are related to Increased risk of early mortality.

Because down it appears to be a recent norm, we expect that the more vital thing is that call -makers and on a regular basis people find ways to cultivate contacts and communities within the shrinking time spent outside the house.

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This article was originally published on : theconversation.com
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Lifestyle

The producer of “Othello”, Brian Anthony Moreland, is not new in it, he is faithful to this

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The love of the producer Broadway Brian Anthony Moreland for the theater began at primary school.

“I made my first game in the third grade”, Moreland is divided as a guest Black company.

“Art was called primary school, and I was Santa Claus. I don’t remember the performance itself; that the memory is dead in my head. But the beginning, I started standing on the stage and ending on the stage, it was the memory I have, and I knew when I ended up with the fact that I wanted to be in the theater.”

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This tempting magic of lifting and shutting the curtains led Moreland to the success outside of all the pieces that he could imagine because the third grade. Today, native California is a New Yorker and the foremost producer of the very anticipated Broadway revival, with the participation of Denzel Washington and Jake Gyllenhaal, in addition to directed by recognized Kenny Leonwhich opens on March 23 at Ethel Barrymore Theater after setting ticket sales records in full time in previews. In Washington, in the title role and Gyllenhaal as Iago, they supply powerful performances in one of Shakespeare’s most grabbing tragedies – in the lives of two of probably the most famous actors from Hollywood.

Thanks to Moreland is the one black foremost producer on Broadway this season. During his profession he was distinguished by a visionary producer of theater, film and tv. With two nominations for the Tony Award, Triumphs as a producer on Broadway includes the production recognized by critics, covering the abilities of Wayne Brady and Deborah Cox; August Wilson’s, directed by Latanya Richardson Jackson, who became one of the best -earning revival of the season and performed Samuel L. Jackson, Danielle Brooks and John David Washington; , with the participation of Cherry Jones, Daniel Radcliffe and Bobby Cannavale; , double narrative from Gyllenhaal and Tom Sturridge; And an enchanting drama, at the top of Mary-Louise Parker.

Moreland’s journey in the theater was not a straightforward line for production, but through a more picturesque lesson, relationships and experiences when he matched professionally in the industry.

“Through the theater course I performed on/off (Broadway), domestic trips, cruise ships, all those things that then led me to becoming a manufacturer of line in the project with Otis Sallid and Debbie Allen, and I liked it,” says Moreland.

“There was no secret in this. I just liked it. And then I slowly started to dip my fingers at my foot as a co -producer, and then I went to the main manufacturer with my own projects. And I think that everyone found their own path and my own journey to become a producer. For me it was rather progress. I was lucky. I love it; I love all theaters.”

To be the foremost producer, this love is not an optional luxury, but practically mandatory for achievement. Moreland explains that achieving a distinction in his career should be as obsessed with Broadway business as in the art of theater.

“The main producer is the one who is financially responsible for production,” says Moreland with complete pressure.

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“So I sign my name SEC and I’m going out and lift capital for production. I actually have a confidant responsibility to get better my investors, and if there is a probability to get some profit for them.

“But like any investment, it’s always gambling,” he continues. “One in five programs on Broadway actually regains. My task is to combine trade with art and I hope that both can be balanced so that people can still invest in Broadway and have a Broadway to be something that is really profitable, and they can be proud of it, and also create great art.”

Set your calendar and clocks for the Moreland conversation, which is able to happen at 12:00 ET on the oncoming Tuesday, March 25.

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(Tagstransate) Black on Broadway (T) Othello

This article was originally published on : www.blackenterprise.com
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Ryan Destiny says that her latest role taught her how to take ups and downs of her fitness travel

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Spring is within the air, bringing with it a probability to reset. For many this season, it means recommending goals – especially around health and condition. Ryan Destiny knows this sense well. After going to the role of Claress Shields in “Fire in the middle”, Destina’s own journey towards physical and emotional strength became as powerful because the story she told on the screen.

To play SHIELDS, a three-digit unquestioned boxing master, Destiny had to enter the ring each physically and mentally-process, which he admits, he was difficult. This spirit of immunity not only moved it through the production of the film, but in addition inspired her to cooperate Optimum nutrition “quite damn good” The campaign – celebrating women, especially athletes, whose extraordinary achievements often come down to “quite good” by society.

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“As an actress, I always push myself out of the comfort zone, I am looking for roles and possibilities that people do not expect,” explained Destiny. “Mentally and physically transforming into a master was a personal journey, but I fully accepted the fight, which every athlete lasted to be recognized, celebrated, seen.”

“I could barely do a push-up when I reserved this role,” she said. “I learned how I rode. It was a big learning curve for me. At the beginning, when I started training, it was a full shock for my body. (But) it was something that I fully came in and immersed myself whole, so it was fun.”

However, when the production began in 2020, Covid-19 forced an unexpected pause. Maintaining motivation by uncertainty was difficult. “It was definitely very difficult to motivate,” she explained. “I haven’t seen the light at the end of the tunnel.”

However, throughout the filming in 2022, Destiny felt the renovated sense of his goal. Return to his passion for motion, he revived her driving, however the project also forced her to confront her own uncertainty.

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“This emphasized a lot of uncertainty that I had in me. Taking something like that, I was very scared … nervous that I would not be able to succeed and do it in a way necessary to tell her story,” she said, explaining how this role awaited this role expectation and pressure. “I definitely got acquainted with many things in my inner self, which I had to work on. I had to really accept this (I) would not always be a very confident version of myself at any time, as well as honor myself and love myself in these moments.”

Part of this journey included changing her relationship with the body. And Destiny’s partnership with Optimum Nutrition still plays a key role in this transformation. “It really wasn’t fun before I discovered them,” he laughs, remembering the times of mild oat flake and uninhabited meal plans. “But when I tried the golden standard whey protein Optimum Nutrition in vanilla, it changed everything. Actually it tasted good, especially in cocktails, and it was something that I could stick to.” Regardless of whether she was approaching the film or worked on leaning, the protein became a reliable part of its routine. “Your body needs protein intake no matter what phase you are, and for me it was a breakthrough.”

Lovers and

What resonated essentially the most for the destiny during this journey, not only a physical transformation – it was an internal change. She was deeply with the story of Clarissa. “Me and her, being at the same age, is definitely something that naturally has many similarities. Growing up at this time, being a teenager and trying to achieve those goals that almost seem impossible,” she wonders. “I really joined with it at so many levels, being a black woman, being a woman in a space that is more dominant men … The need to work twice as harmed in your field and the need to notice that you can see him is something that I just combined a lot.”

When she wonders about his journey, Destiny attributes women who got here to her – Regina King, Viola Davis, Angla Bassett and others – to show her what is feasible. “They expanded the door for me and I hope that I can be part of the movement, which simply moves more open doors (for the next generation.”

Even when he looks to the longer term, destiny stays rooted in the current, covering every step of its growth with grace and intention. So, should you are considering a brand new starting of this spring – whether it hits the gym, changes routine, or simply being nicer for yourself – destiny is proof that the expansion will occur once you allow yourself to be in progress. Sometimes every little thing you wish to open that the fireplace remembers that every little thing you wish is already in you.

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(Tagstotranslat) fitness

This article was originally published on : thegrio.com
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10 black brands of footwear that are in style and business

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On the heels of New York Fashion Week, it appears to be suitable for emphasizing the style of footwear. Black company Curator 10 distinguished black shoes that shine with creativity and innovations. Shooting designers behind these brands again define the style landscape and prove that the support of black corporations is essential for the black style and culture in addition to economy and existence. Their daring projects and powerful messages still encourage, which provides undeniable influence on the world of fashion.

Aminah Abdul Jillil

Aminah Abdul Jillil founded her luxurious brand footwear in 2012, acting as a creative director. Known for daring projects and signatures of large arches, brand Priorities for quality and craftsmanship. The high -class footwear brand is meant for girls and children and is on the market in over 50 countries and cooperates with Macy’s. Each project reflects the Amiina background in dance, combining elegance with dynamic, speaking silhouettes.

Brother Vellies

Creative director Aurora James founded his brother Vellies in 2013, introducing aesthetics of footwear, which marries the normal African artistry with contemporary luxury. The footwear company is taken into account to be the behavior of African design traditions while obtaining global recognition. Mark offers a number of handmade The consumption of footwear, which incorporates shoes, apartments, heels, sandals and mules, all made of top quality materials. At a time when climate change is an issue, Vellies’s brother was about sustainable development and ethical production on the subject of the production of his products.

Cute

Kahmune has established a brand new standard in the footwear industry, celebrating diversity, while providing premium craftsmanship. Jamela Achempong founded Kahmune in 2016 to assume the concept of “naked” in fashion Fighting for locating shoes It matched her skin tone. The brand has handmade shoes in 10 unique shades of melanin, which make sure the switching on buyers who are various shades of the skin. The shoes are made in Italy, combining high -quality materials with timeless, sophisticated patterns.

Jessica Rich

In 2018, Jessica Rich launched its brand. Rich created an attractive, elegant and stylish footwear line for confident women. The collection could also be Bought from retail sellers Throughout the country and led to cooperation with Steve Madden. Rich gained recognition of the industry after winning the prize, a prize with Footwear News designer of the yr appeared, strengthening its appearance in the style industry.

Both collections

Just before the Covid-19 pandemic hit, the brave, trend brand of footwear was introduced with a characteristic style that combines the taste of the eastern and west coast. Devlin Carter founded Sia Collective, introducing an modern tennis room with DOPE heel designs. . The shoes of the footwear disrupts Traditional aesthetics of shoes with fresh, eye -catching styles. Each tennis liner incorporates a component that distinguishes SIA and is a mirrored image of Carter’s personal journey. Sia Collective has loyal supporters because of its creative and supporting borders. Characteristic designs are available to each men and women.

Sunni Sunni

Sunni Dixon learned the art of footwear design and created a fusion of a street class and style, the inspiration of Sunni Sunni in 2020. The brand is Inspired by black culture and the era of the chocolate city of DC. Sunnickie Sunnickie projects embodies daring aesthetics that challenges traditional fashion. The brand specializes in Unisex shoes and shoes. Sunni Sunni carved a transparent space in the footwear industry, defining modern cultural elegance.

Armando Cabral

Armando Cabral, a model that became a designer, launched his brand of footwear in 2009, debuting from the gathering I emphasized quality design. Specializing in leather shoes, the brand is thought for well -thought -out design and attention to detail. By attracting inspiration from African heritage, Armando Cabral projects mix cultural elements with luxury, positioning the brand as a high name in footwear. Cabral Armando shoes are elegant and timeless elements that are pretenders in the luxurious footwear industry.

Kendall Miles Designs

Kendall Miles founded its luxurious brand footwear in 2015. The footwear line is handcrafted and made of premium materials similar to leather and fur. Footwear specializes in different stylesIn this apartments, shoes, sandals and pumps, all known for prime quality and attention to detail. As an organization coping with black, Kendall Miles combines sophistication with unique craft skills and establishes a robust presence of luxury footwear in the marketplace.

Cattle

This luxurious brand of footwear, created for girls by women by Women, introduced in 2019 by Diana Dube. Bydose is thought for its elegant, minimalist design and offers elegant and fashionable footwear, specializing in simplicity and sophistication. Bydose connects premium artistry with modern, sophisticated aesthetics. The brand quickly drew attention to the timeless charm and high -class, stylish shoes.

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Joanne Vernay

Joanne Vernay is totally vegan, using biodegradable fabrics as an alternative of leather or polyurethane, which makes it an ecological brand in its project. The collection was Created by Dyandra Raye footwear designer In 2018 and offers an opulent design together with concentration on sustainable development. Designs derive inspiration from fruits and vegetables. High -class style and environmental awareness distinguishes the brand in the marketplace of luxury footwear.

(Tagstranslata) Footwear industry

This article was originally published on : www.blackenterprise.com
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