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Kendrick Lamar and SZA embark on their ‘Grand National’ tour across North America, including Toronto. MUSTAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAATE!

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We all knew this was coming. Kendrick Lamar dropped his latest album “GNX” on the Friday before Thanksgiving and people were screaming “MUSTAAAAAAAAAARD” over Kendrick’s hilarious shouting of DJ Mustard’s name on the song “tv off.” This appears to be the case for DJ Mustard, who recently wrote that he I shouted as I walked down the road forgetting that he was referring to himself. Good times.

Anyway, because Kendrick is the variety of artist who abandons a project and then continues an enormous tour to support heron Tuesday, December 3, 2024, his press team spammed all of our inboxes with a press release announcing that Kendrick and SZA were embarking on the “Grand National Tour,” a 19-city stadium tour crisscrossing North America. Makes sense. The show covers most major cities within the United States – the New York metropolitan area, Los Angeles, Atlanta, Houston, Washington, DC, Vegas, Philadelphia, etc. – and one fun little performance on June 12, 2025 in Toronto, Ontario, Canada.

This guy.

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If you’ve got literally been living under a rock or spent 12 months recording “Naked & Afraid” or something, you realize that Kendrick Lamar and one in all Canada’s biggest exports, Drake, were embroiled in a tiff that included criminal charges, legal motion, bops, and an absolute song 2024’s ‘Not Like Us’ where Kendrick Lamar beat Draked Drake in every way possible. Drake is, in fact, from Toronto. Considering that Kendrick and Drake haven’t only repeatedly attacked one another lyrically over the past nine months, but their teams, supporters, and fans have also taken sides, performing together in their respective cities really didn’t seem to be a no brainer. that may occur. At least not now. Drake continues to be Drake, although his luster has been greatly enhanced (some due to Kendrick, others since the claims of the colonizers are beginning to look more accurate than we would love, no matter what “business” dictates), so in fact when he decides to set out tour to support whatever he’s doing, he’ll Los Angeles.

I feel the identical might be said about Kendrick. Should he NOT go to Toronto because he’s arguing with Jimmy within the wheelchair? I assume that is silly. Plus, Kendrick told us he really loves New Ho King, a restaurant in Toronto. Shouldn’t he go for fried rice and dipping sauce? Of course I did, especially after it went away claimed that Drake shut down TDE artist SiR’s performance at a location in Toronto.

I hope everyone has their popcorn ready because that is just diabolical. Like, honey, after you go to the Super Bowl and perform “Not Like Us” (that is gonna be wiiiiiiiild) for hundreds of thousands of individuals, are you going to do the identical thing at Drake Stadium? I do not even know what to say here. If Kendrick ever desired to make an announcement, performing “Not Like Us” in Toronto to a sold-out arena that screamed “A-minoooooooor” in unison and then screamed “MUSSSSTAAAAAAAAAARD” could be the stuff of legend.

I ponder who comes up with these schedules and locations. I assume LiveNation gave Kendrick a listing of places and he replied, “Yes, Toronto.” Now that I give it some thought, I’m really surprised he won’t stop in Toronto on June 16, which is Tupac’s birthday, considering what a distinguished (and weird) role Tupac played in all this. It almost looks as if an oversight on Kendrick’s part – either that or the room was booked that day.

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Who knows what’s going to occur? It’s doubtful, but perhaps between now and the beginning of Kendrick’s tour, Kendrick and Drake will sit down with Farrakhan (or anyone this generation holds in high regard) and squash the meat and we’ll never hear “Not Like Us.” have performed again, with Kendrick safely traversing Canadian soil while Drake has been digging within the bag and actually releasing an album that shows some growth – or a minimum of real ambition. Once again, I doubt this can occur, so I’ll just patiently wait until June 12, 2025 is circled on my calendar.

BLACKAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH!


Panama Jackson theGrio.com

This article was originally published on : thegrio.com

Music

Shaboozey’s “A Bar Song (TIPS)” is now the longest -working Hot Country Song No. 1 by one artist – Happy Black History Month

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Shabozey, The Virginia Country Sensation, whose song “A Bar Song (TIPS)” has turn into an inevitable pop breakdown, now has one other album so as to add to its list of achievements. His mentioned single is now The longest leading songs on hot country number 1 By one artist who is strong at the age of 35 weeks, the series that began in May 2024. The song replaces “Body Like a Back Road” by Hunta Sam to the currently lonely title of the artist.

This last achievement of Shaboosey (born Collins Obinna Chibueze) adds Star (and currently 2025) to the great singer. In addition to the passage towards a record 50 weeks on the list of Country’s principal singles (the album is currently led by the song Bebe Rexha and Florida Georgia Line “Mater To Be”), Shaboozey had a record record of 19 weeks first on the first place on the Billboard Hot 100 and solo with 27 weeks on the 27 weeks on the list of 27 weeks on Radio Songs Songs. I believe it may be safely said that Shaboozey had “one of them” by way of the hit single.

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And because in 2024 no discussion about country music was accomplished without Beyoncé in the conversation, “A Bar Song (TIPS)” denied the queen “Texas Hold ’em” Queen Bey at the Hot Country Songs summit, mentioning for the first time in history that two black artists held this place in weeks.

Very few artists in history have been successful from one single managed by Shaboosey, but it surely is not a miracle. After appearing on many albums in “Cowboy Carter” Beyoncé, which won the award “Album of the Year” during this yr’s Grammy Awards, Shaboozey released his third album (but as an artist with successful single), “Where I where, not how I’m good”, which landed in the first five Billboard 200 albums Number 2 on the billboard us Chart.

After a yr he had, who knows what’s going to occur next to Shabozey, but one thing is certain, his future looks very clear. Oh my good sir!

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Grief, Growth and Haitian Konda: Singer-Songwriter Fridayy reveals the layer of its identity in its latest album

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Today, the producer and artist Friday released their second album, “I am good on some days, some days are not.” This deeply personal album examines a series of topics, from like to faith and even regret of losing a loved one – especially his father. Emotions related to this regret resound through songs akin to “Proud of You”, “some days I’m good, I’m not” and “Without you.”

Although the vocalist of “God do” DJ Khaleda was born and raised in Philadelphia, Friday proudly bears the Haitian heritage of his family.

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“My parents come from Haiti, but I was born in Philadelphia. So everything I got from my Haitian culture comes from my parents and my family who always listened to Haitian music, “he shared the fifth interview before releasing the album.

The Baryton singer remembers how the music was first presented in the church by his father, who insisted that he and his siblings play an instrument – a reality with which many Haitans could refer from childhood. Since the release of his first studio album, Fridayy has described his musical style as a combination of R&B, Gospel, Hip-Hop and Afrobeats. But because of this latest project, he introduces a brand new layer to his music music: Haitian Konpa.

Friday, which was previously Woven fragments of Haitian Creole (or Kréyol) in your workit concerns this heritage together with your own Herring “Need You” Which translates into “needs you” in English. With the participation of the popular Haitan artist Jaé DWET FILLE – whom Honpa hit “4 camp“Platinum in France and a viral on tiktok – two easily mix English, Kreol and French, giving the listeners the taste of modern konpa.

Compass (or Compa) This is the music of the world’s first free black republic. The rhythmically full species of the island attracts the influence of jazz, soul and merengue and comprises brass instruments, akin to trumpet, saxophone and trombone, layered above the rhythm of the iconic Haiti barrel drum, “Tanbou”. Although this species has been recorded many types with the integration of modern technology from the very starting almost 70 years ago, the Appa stays by nature Haitan.

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“Haiti is a country that has about 60 different rhythms. It is a very rich musical culture, “said Fabrice Rouuzier, a Haitan pianist and producer WXPN. “Kloty drew from all this. This makes the park from the Golden Era – from the 1960s to the early 1980s – it really makes it a lasting species. And this is a composition that never loses its taste, and is inseparably haitan. You can’t say that he is borrowed from any nation. He has his own identity in a way that cannot be found in today’s music. “

Over the years, Haitian Konpa inspired many species, including “Zouk”, a well-liked species in French Western India, which incorporates islands akin to Marinique, Guadeloupe and many others. Similarly, the influence of Haitan Bads of the Konpa might be heard in contemporary French Afro-Pop songs from the most significant artists akin to Tayc, Dadju AND Aya Nakamura. While Haitian Musical Industry has achieved their very own success, many fans are still waiting for the Klota to achieve the global crossover seen by Afrobeats in recent years.

Only time will show whether the Friday record can be the one who inspires other artists to look at the contagious hits of the konpa. But one thing is definite – this edition appears to be the victory of the Haitian community. At a time when the Haitians around the world are battling great violence, corruption and system failure, harassing the place where their hearts call the home, the decision of the Friday to honor his heritage and present the wealthy musical culture of Haiti, never is a robust reminder of the popular Creolaian expression: “Ayiti PAP JANM PERI”, which implies Haiti.

Among the painful headlines and material from the current state of Haiti, artists akin to Friday prove that the spirit of Haiti lives for generations of her diaspora. Until Friday, from one other Haitian-American who works, in order that her ancestors are proud-I’m ,.

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Haniyah Philogene is a Haitian-American multimedia storyteller and lifestyle and entertainment author who includes all things of culture. He sets out with passion for digital media to search out latest ways of telling and sharing stories.

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RHIANNON GIDDENS-MUSIC Singer cancels the Kennedy Center program, citing the takeover of Trump

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The award -winning singer Rhiannon Giddens became the latest artist who dismissed the performance at Kennedy Center, who was under the leadership, since President Donald Trump released the leadership of the center and was elected chairman of the Trust Council.

Trump’s takeover is a component of its wide campaign against the culture of “Woke”.

“I decided to cancel my program at Kennedy Center on May 11, 2025 and move it to the hymn,” she wrote in social media, referring to the separate place of Washington. “The Kennedy Center program was reserved long before the current administration decided to take over this two -sided institution.”

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Giddens is an eclectic performer of Roots music known for his co -founder Karolina Chocolate Drops and such cooperation with Francesco Turrisi, like winning the Grammy Award “call me home”. In 2022, she helped write the Pulitzer Opera “Omar” award. He can also be the recipient of the Macarthur “Genius” grant.

Actor Issa Rae, writer Louise Penny and the Low Cut Connie rock band also canceled the planned events of Kennedy Center. The singer and writer of the lyrics Victoria Clark continued her program on February 15, but on the stage she wore the “Anti Trump Af” shirt.

Supported by government money and personal donations and attraction of hundreds of thousands of visitors annually, Kennedy Center is a fancy with a height of 100 feet with a concert hall, opera and theater, in addition to a lecture hall, meeting spaces and a “thousand -year stage”, which was a celebration to free shows.

Until Trump of their first term presidents routinely participated in the award ceremony, even in the presence of artists who didn’t agree with them politically.

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