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Lisa Folawiyo On Being a Changer of Nigerian Fashion – Essence

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Lisa Folawiyo

Lisa Folawiyo is a force within the Nigerian fashion market. No other designer has spent the higher part of nearly twenty years creating designs that take the essential identity of traditional West African textiles and use them to construct living stories.

Born to a West Indian father and a Nigerian father, Folawiyo describes her beginnings as very creative. Her passion was drawing and sketching. She eventually became a lawyer and practiced for a yr. Folawiyo found solace in fashion since it was a natural calling for her. She credits her mother’s influence because the true source of her fashion journey. She remembers how, as a child, she watched her sew clothes for them and the way she sometimes spent hours in the stitching room.

“She was very special [about] how all four of her children presented themselves to the world in terms of what we wore, and subconsciously I became very aware of what I was wearing, how I wanted to look. Also, my mother is from Trinidad and Tobago and I think so [inspired] my love for colors and prints,” Lisa tells ESSENCE. Folawiyo adds that her late mother was also quite stylish.

Lisa Folawiyo on being a changemaker in Nigerian fashion
Lisa Folawiyo

Lisa’s journey on the planet of fashion has an interesting prologue – characterised by her willingness to talk out in regards to the developing history of fashion in Africa before the mainstream media took notice of her. At the time, emerging designers and their stories were emerging on the continent, and Folawiyo was one of them, launching her brand Jewel by Lisa in 2005. For her, there was a gap to fill, resulting from the necessity to satisfy a taste that she felt was not being met on the time. In her opinion, it provided a youthful and opulent approach to jewelry.

Next, Folawiyo wanted to spotlight Ankara fabrics, which were essentially the most familiar material for her to make use of on this Afrofuturistic situation; and she or he wanted it to look cool and chic, while also being perceived as modern. But it was also because she wanted to attain the revival of textiles – she loves prints and colours – which Ankara allowed her to experiment with. Over the years, she has managed to make this design more modern, reinterpreting the prints as she sees slot in each of her collections.

Lisa Folawiyo on being a changemaker in Nigerian fashion
Lisa Folawiyo

What began as Jewel by Lisa later became the label of the identical name in 2015, but with the identical philosophy of reinvention and celebration. Lisa Folawiyo’s brand aesthetic combines traditional African fabrics with modern clothing construction techniques. She accomplishes this feat by consciously giving women the chance to specific themselves through clothes that deviate from the norms of trends. Since its launch, the brand has been renowned for its approach to exquisite craftsmanship, especially in fluid embellishment and beadwork.

“The hand-decoration of each LF piece is based on the art of detail – hours of dedication and skill have been put into each smallest stitch, turning the material into something extraordinary. It is a labor of love that transforms the work from ordinary to unforgettable,” Folawiyo tells ESSENCE. This increases the worldwide visibility attributed to the brand and in addition makes it the brand of alternative for global celebrities resembling Lupita N’yongo and Solange Knowles who wear this individual label.

In almost twenty years, Folawiyo has produced over 30 collections, and it comes as a shock to her to say this out loud. But it is not nearly having over 30 collections, it’s about knowing that it has developed significantly over time. “With each new collection, each season, I learn new things,” he says. “I try my hand at new things, discover new ways, methods, ideas [tell] our history.” The designer also says she does this to specific loyalty to the brand’s core aesthetic.

Lisa Folawiyo on being a changemaker in Nigerian fashion
Lisa Folawiyo

The idea for her latest collection, “The Starting Line,” got here from a series of thoughts shortly after LF Coll 1 2024 at the tip of last yr. He tells me the way it focused on the thought of ​​winning the race. “We all want to win and that really interested me because that’s the state of existence. Even more so in today’s world where competition is so fierce and the world is getting more difficult every day and we are competing on so many different levels,” he says.

Folawiyo desired to make the previously mentioned collection more comprehensible to the audience, so it combined various games, focusing, nevertheless, on the Nigerian game ayo, which was boldly highlighted in graphics and designs. This was followed by a wonderful show, organized within the affluent atmosphere of Eko Atlantic, during which the artist combined charm with sportsmanship to create a stunning exhibit. The fundamental theme was history, a clash of vivid colours, intricate decorations and strange structures. Ball bust dress, detailed fringe, beaded bags, aso oke corset and fabric footwear.

“The starting line is a reminder that while we may feel the pressure of winning, enjoying the race is just as important,” says ESSENCE. “Life is a sport, and we are all participants in it, lighting up the racetracks, courts and arenas with our unique style.”

Lisa Folawiyo on being a changemaker in Nigerian fashion
Lisa Folawiyo

Lisa believes that fashion might be talked about greater than just the art of sewing. For example, the subject of overconsumption and the way rampant it’s within the industry has been on her mind currently. Addressing this view, she adds that she believes consumers have gotten aware of overconsumption and counting on the worth of clothing, while becoming obsessive about the thought of ​​sustainability. She says this has led to a concentrate on what’s special to them, beyond searching for their favorite brands or falling in love with designer pieces. Folawiyo also notes that that is a result of the shrinking global economy and its impact on the industry, resulting in the decline of fashion brands that usually are not backed by large conglomerates. She admits that designers like her are at all times adapting, finding what works for them while still creating designs which might be noteworthy.

He believes that the long run of Nigerian fashion is strikingly vivid, especially as an increasing number of people gravitate towards what designers say because that’s what fully shapes the history of fashion; As designers, they create these pieces to expand the alternatives of what to wear, in addition to to visualise Nigerian culture, history and its social influences. “Fashion is fun, exciting, fantasy and whimsy, but sometimes we don’t realize it culturally [it] it is a key part of culture, history and marking time and moments,” he explains.

2024 marks the nineteenth yr for Lisa Folawiyo’s brand and Folawiyo herself, who’s grateful for the fervour that keeps her on the clock yr after yr. “I’m so grateful that I have even more passion than when I started and it keeps the wheels turning,” she tells ESSENCE.

“Every day I wake up really excited to come to the studio, design and work with my team. I’m grateful to still be here. It’s nice to know that people are inspired, that they’re really passionate about what we do, the authenticity and the real commitment to the brand, and I think it’s uplifting that we’re here and still have so much to say.” adds Folawiyo.

This article was originally published on : www.essence.com
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Health and Wellness

Jury awarded $310 million to parents of teenager who died after falling on a ride at Florida amusement park – Essence

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Sun Sentinel/Getty Images

The family of Tire Sampson, the 14-yr-old who tragically died on an amusement park ride in Orlando, Florida, in 2022, has been awarded $310 million in a civil lawsuit.

Tire, who was visiting ICON Park along with his family on March 24, 2022, fell from the FreeFall drop tower. Although he was taken to a nearby hospital, he didn’t survive his injuries.

Now, greater than two years later, a jury has held the vehicle manufacturer, Austria-based Funtime Handels, responsible for the accident and awarded the Tire family $310 million. According to reports from local news stations WFTV AND KSDKthe jury reached its verdict after about an hour of deliberation.

Tyre’s parents will each receive $155 million, according to attorney spokesman Michael Haggard.

Attorneys Ben Crump and Natalie Jackson, who represented Tyre’s family, shared their thoughts on this landmark decision via X (formerly Twitter). “This ruling is a step forward in holding corporations accountable for the safety of their products,” they said in a statement.

Lawyers stressed that Tyre’s death was attributable to “gross negligence and a failure to put safety before profits.” They added that the ride’s manufacturer had “neglected its duty to protect passengers” and that the substantial award ensured it could “face the consequences of its decisions.”

Crump and Jackson said they hope the result will encourage change throughout the theme park industry. “We hope this will spur the entire industry to enforce more stringent safety measures,” they said. “Tire heritage will provide a safer future for drivers around the world.”

An investigation previously found that Tyre’s harness was locked through the descent, but he dislodged from his seat through the 430-foot fall when the magnets engaged. Tire’s death was ruled the result of “multiple injuries and trauma.”

ICON Park said at the time that it could “fully cooperate” with the authorities.

This article was originally published on : www.essence.com
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Health and Wellness

Tireless HIV/AIDS advocate A. Cornelius Baker dies

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HIV/AIDS Advocate, A. Cornelius Baker


A. Cornelius Baker, a tireless advocate of HIV and AIDS testing, research and vaccination, died Nov. 8 at his home in Washington, D.C., of hypertensive, atherosclerotic heart problems, in response to his partner, Gregory Nevins.

As previously reported, Baker was an early supporter for people living with HIV and AIDS within the Nineteen Eighties, when misinformation and fear-mongering in regards to the disease were rampant.

According to Douglas M. Brooks, director of the Office of National AIDS Policy under President Obama, it was Baker’s Christian faith that guided him toward compassion for others.

“He was very kind, very warm and inclusive – his circles, both professional and personal, were the most diverse I have ever seen, and he was guided by his Christian values,” Brooks told the outlet. “His ferocity was on display when people were marginalized, rejected or forgotten.”

In 1995, when he was executive director of the National AIDS Association, Baker pushed for June 27 to be designated National HIV Testing Day.

In 2012, he later wrote on the web site of the Global Health Advisor for which he was a technical advisor that: “These efforts were intended to help reduce the stigma associated with HIV testing and normalize it as part of regular screening.”

https://twitter.com/NBJContheMove/status/1856725113967632663?s=19

Baker also feared that men like himself, black gay men, and other men from marginalized communities were disproportionately affected by HIV and AIDS.

Baker pressured the Clinton administration to incorporate black and Latino people in clinical drug trials, and in 1994 he pointedly told the Clinton administration that he was bored with hearing guarantees but seeing no motion.

According to Lambda Legal CEO Kevin Jennings, yes that daring attitude that defines Baker’s legacy in the world of ​​HIV/AIDS promotion.

“Cornelius was a legendary leader in the fight for equality for LGBTQ+ people and all people living with HIV,” Jennings said in a press release. “In the more than twenty years that I knew him, I was continually impressed not only by how effective he was as a leader, but also by how he managed to strike the balance between being fierce and kind at the same time. His loss is devastating.”

Jennings continued: “Cornelius’ leadership can’t be overstated. For many years, he was one in all the nation’s leading HIV/AIDS warriors, working locally, nationally and internationally. No matter where he went, he proudly supported the HIV/AIDS community from the Nineteen Eighties until his death, serving in various positions including the Department of Health and Human Services, the National Association of Persons with Disabilities AIDS, and the Whitman-Walker Clinic . Jennings explained.

Jennings concluded: “His career also included several honors, including being the first recipient of the American Foundation for AIDS Research Foundation’s organization-building Courage Award. Our communities have lost a pillar in Cornelius, and as we mourn his death, we will be forever grateful for his decades of service to the community.”

Kaye Hayes, deputy assistant secretary for communicable diseases and director of the Office of Infectious Diseases and HIV/AIDS Policy, in her comment about his legacy, she called Baker “the North Star.”.

“It is difficult to overstate the impact his loss had on public health, the HIV/AIDS community or the place he held in my heart personally,” Hayes told Hiv.gov. “He was pushing us, charging us, pulling us, pushing us. With his unwavering commitment to the HIV movement, he represented the north star, constructing coalitions across sectors and dealing with leaders across the political spectrum to deal with health disparities and advocate for access to HIV treatment and look after all. He said, “The work isn’t done, the charge is still there, move on – you know what you have to do.” It’s in my ear and in my heart in the case of this job.

Hayes added: “His death is a significant loss to the public health community and to the many others who benefited from Cornelius’ vigilance. His legacy will continue to inspire and motivate us all.”

Baker is survived by his mother, Shirley Baker; his partner Nevins, who can be senior counsel at Lambda Legal; his sisters Chandrika Baker, Nadine Wallace and Yavodka Bishop; in addition to his two brothers, Kareem and Roosevelt Dowdell; along with the larger HIV/AIDS advocacy community.


This article was originally published on : www.blackenterprise.com
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Health and Wellness

Bovaer is added to cow feed to reduce methane emissions. Does it pass into milk and meat? And is it harmful to humans?

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There are growing concerns in regards to the use of feed supplements, Bowar 10to reduce methane production in cows.

Bovaer 10 consists of silicon dioxide (mainly sand), propylene glycol (food stabilizer approved by Food Safety Australia New Zealand) and lively substance 3-nitrooxypropanol (3-NOP).

There has been an enormous amount of misinformation in regards to the safety of 3-NOP, with some milk from herds fed this additive being labeled “Frankenmilk”. Others feared it could get to humans through beef.

The most significant thing is that 3-NOP is secure. Let’s clear up some major misconceptions.

Why do we want to limit methane production?

In our attempts to limit global warming, we’ve placed the best emphasis on CO₂ because the major man-made greenhouse gas. But methane is also a greenhouse gas, and although we produce less of it, it is: a much stronger greenhouse gas than CO₂.

Agriculture is the largest a man-made source of methane. As cattle herds expand to meet our growing demand for meat and milk, reducing methane production from cows is a vital way to reduce greenhouse gas emissions.

There are several ways to do that. Stopping bacteria within the stomachs of cows that produce methane one approach is to produce methane.

The methane produced by cows and sheep doesn’t come from the animals themselves, but from the microbes living of their digestive systems. 3-NO stop the enzymes that perform the last step of methane synthesis in these microorganisms.

3-NOP is not the one compound tested as a feed additive. Australian product based on seaweed, Rumin8for instance, it is also in development. Saponins, soap-like chemicals present in plants, and essential oils as well has been examined.

However, 3-NOP is currently one of the popular effective treatments.

Nitrooxypropanol structure: red balls are oxygen, gray carbon, blue nitrogen and white hydrogen.
PubChem

But is not it poison?

There are concerns on social media that Bovaer is “poisoning our food.”

But, as we are saying in toxicology, it’s the dose that makes the poison. For example, arsenic is deadly 2–20 milligrams per kilogram of body weight.

In contrast, 3-NOP was not lethal on the doses utilized in safety studies, up to 600 mg 3-NOP per kg body weight. At a dose of 100 mg per kg body weight in rats, it didn’t cause any adversarial effects.

What about reproductive issues?

The effect of 3-NOP on the reproductive organs has generated numerous commentary.

Studies in rats and cows showed that doses of 300–500 mg per kg body weight caused: contraction of the ovaries and testicles.

In comparison, to achieve the identical exposure in humans, a 70 kg human would want to eat 21–35 grams (about 2 tablespoons) of pure 3-NOP every day for a lot of weeks to see this effect.

No human will likely be exposed to this amount because 3-NOP doesn’t pass into milk – is fully metabolized within the cow’s intestines.

No cow will likely be exposed to these levels either.

The cow licks itself
Cows will not be exposed to levels tested on animals in laboratory studies.
Ground photo/Shutterstock

What about cancer?

3-NOP is not genotoxic or mutagenicwhich implies it cannot damage DNA. Thus, the results of 3-NOP are dose-limited, meaning that small doses will not be harmful, while very high doses are (unlike radiation where there is no secure dose).

Scientists found that at a dose of 300 mg per kilogram of body weight benign tumors of the small intestine of female ratsbut not male rats, after 2 years of every day consumption. At a dose of 100 mg 3-NOP per kg body weight, no tumors were observed.

Cows eat lower than 2 grams of Bovaer 10 per day (of which only 10% or 0.2 grams is 3-NOP). This is about 1,000 times lower than the appropriate every day intake 1 mg 3-NOP per kg body weight per day for a cow weighing 450 kg.

This level of consumption will likely be not the result in cancer or any of them other adversarial effects.

So how much are people exposed to?

Milk and meat consumers will likely be exposed to zero 3-NOP. 3-NOP doesn’t penetrate milk and meat: is completely metabolized within the cow’s intestines.

Farmers could also be exposed to small amounts of the feed additive, and industrial employees producing 3-NOP will potentially be exposed to larger amounts. Farmers and industrial employees already wear personal protective equipment to reduce exposure to other agricultural chemicals – and it is advisable to do that with Bovear 10 as well.

Milk
3-NOP doesn’t penetrate milk and meat.
Shutterstock

How widely has it been tested?

3-NOP has been in development for 15 years and has been subject to multiple reviews by European Food Safety Authority, UK Food Safety Authority AND others.

It has been extensively tested over months of exposure to cattle and has produced no unintended effects. Some studies actually say so improves the standard of milk and meat.

Bovaer was approved for use in dairy cattle by the European Union from 2022 and Japan in 2024. It is also utilized in many other countries, including: in beef products, amongst others Australia.

A really small amount of 3-NOP enters the environment (lower than 0.2% of the dose taken), no accumulates and is easily decomposed subsequently, it doesn’t pose a threat to the environment.

Since humans will not be exposed to 3-NOP through milk and meat, long-term exposure is not an issue.

What does Bill Gates have to do with this?

Bill Gates has invested in a distinct feed processing method for methane, Australian seaweed-based Rumin8. But he has nothing to do with Bovaer 10.

The Bill & Melinda Gates Foundation awarded research grants to the corporate producing 3-NOP for malaria control researchnot for 3-NOP.

The bottom line is that adding 3-NOP to animal feed doesn’t pose any risk to consumers, animals or the environment.

This article was originally published on : theconversation.com
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