The nominations for the 67th Annual Grammy Awards have been announced. Leading the nominations with a formidable 11 nods, Beyoncé once more confirmed her place as a force in the industry. With 11 nominations this yr, Beyoncé made history by becoming the most nominated artist in Grammy history with 99 profession nominations.
“Today we celebrate the incredible creative achievements of our music community,” said Harvey Mason Jr. President of the Recording Academy in an announcement. “It has been an incredible year in music, and these nominations reflect the work of an electoral body that is more representative of the music community than ever before. The Grammy® has become the most coveted award in music precisely because other peers gain recognition. I’m grateful to the 13,000 voting members of the Academy who take the time to rate all the amazing music, vote, and honor their peers. Congratulations to all nominees.”
Beyoncé’s remarkable nominations reflect her influence across genres. Her latest album, Act II of the Renaissance trilogy series, won Album of the Year, and its lead single “Texas Hold ‘Em” is competing for each Record of the Year and Song of the Year. In a historic crossover, it also earned a nomination for Best Country Album – an unexpected recognition, especially considering the Houston native was notably absent from any Country Music Awards nominations. Beyoncé is on the cusp of becoming the most-awarded artist in Grammy history, making this yr’s ceremony a potentially monumental moment in her profession.
LOS ANGELES – FEBRUARY 8: Singer/actress Beyonce Knowles poses backstage after winning 5 Grammy Awards in the press room during the forty sixth Annual Grammy Awards on February 8, 2004 at the Staples Center in Los Angeles, California. (Photo: Frederick M. Brown/Getty Images)
Additionally, seven nominations reveal Kendrick Lamar’s continued creativity. His hit single “Not Like Us” was chosen for Record of the Year in addition to Song of the Year. He was nominated twice for Best Rap Performance, for the previously mentioned “Not Like Us” and “Like That” alongside Future and Metro Boomin. Lamar’s Grammy legacy has been cemented with his latest nods, further proving that he stays one among the most influential voices in hip hop.
Similarly, André 3000’s brings his instrumental talent to the forefront in each the Album of the Year and Best Alternative Jazz Album categories.
In the Best New Artist category, black talent shines vibrant, with Doechii, RAYE and Shaboozey earning well-deserved nominations. With her distinctive mix of rap, Doechii has caught the attention of listeners and critics alike with her unique sound and uncompromising creativity. Meanwhile, RAYE’s deeply personal lyricism and genre-blurring songs have won her widespread acclaim. Shaboozey also distinguishes itself with a fresh style that mixes various musical influences and challenges conventions.
In the R&B world, artists like Kehlani and SZA proceed to dominate the scene. Kehlani is nominated for Best Progressive R&B Album with . SZA’s “Saturn” is nominated for Best R&B Song. Additionally, Tems was nominated for “Burning” in the Best R&B Song category.
The Grammy Gala will happen on February 4, 2025 at the Crypto.com Arena in Los Angeles. The Grammy Awards will air live to tell the tale February 4 at 8 p.m. ET/5 p.m. PT.
Below you can find the full list of Grammy nominees.
Album of the Year “Now and Then” – The Beatles “TEXAS HOLD ‘EM” – Beyoncé “Espresso” – Sabrina Carpenter “360” – Charlie xcx “Birds of a Feather” – Billie Eilish “Not Like Us” – Kendrick Lamar “Good luck, honey!” – Chappell Roan “Fortnight” – Taylor Swift ft. Post Malone
Album of the Year – Andrzej 3000 – Beyoncé – Sabrina Carpenter – Charlie xcx – Jacob Collier – Billie Eilish – Chappell Roan – Taylor Swift
Song of the Year “A Bar Song (Tipsy)” – Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry and Mark Williams, songwriters (Shaboozey) “BIRDS OF A FEATHER” – Billie Eilish O’Connell and Finneas O’Connell, lyricists (Billie Eilish) “Die With A Smile” – Dernst “D’Mile” Emile II, James Fauntleroy, Lady Gaga, Bruno Mars and Andrew Watt, songwriters (Lady Gaga and Bruno Mars) “Fortnight” – Jack Antonoff, Austin Post and Taylor Swift, songwriters (Taylor Swift ft. Post Malone) “Good luck, honey!” – Kayleigh Rose Amstutz, Daniel Nigro and Justin Tranter, lyricists (Chappell Roan) “Not Like Us” – Kendrick Lamar, songwriter (Kendrick Lamar) “Please, Please, Please” – Amy Allen, Jack Antonoff and Sabrina Carpenter, lyricists (Sabrina Carpenter) “TEXAS HOLD ‘EM” – Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro and Raphael Saadiq, lyricists (Beyoncé)
Best New Artist Benson Boone Sabrina Carpenter Doechii Khruangbin PARADISE Chappell Roan Shaboozey Teddy is swimming
Producer of the Year, Non-Classical Music Alissia Dernst “D’Mile” Emile II Ian Fitchuk Mustard Daniel Nigro
Songwriter of the yr in the non-classical music category Jessie Alexander Amy Allen Edgar Barrera Jessie Jo Dillon PARADISE
Best Pop Vocal Album – Sabrina Carpenter – Billie Eilish – Ariana Grande – Chappell Roan – Taylor Swift
The best dance-pop recording “Make You Mone” – Madison beer “Von Dutch” – Charli xcx “LOVE OF MY LIFE [OVER NOW EXTENDED EDIT]” – Billie Eilish “such?” – Ariana Grande “I’ve Begun” – Troye Sivan
The best rock song “Beautiful People (Stay High)” – Dan Auerbach, Patrick Carney, Beck Hansen and Daniel Nakamura, lyricists (The Black Keys) “Broken Man” – Annie Clark, songwriter (St. Vincent) “Dark Matter” – Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder and Andrew Watt, lyricists (Pearl Jam) “Dilemma” – Billie Joe Armstrong, Tré Cool and Mike Dirnt, lyricists (Green Day) “Gift Horse” – Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan and Joe Talbot, songwriters (IDLES)
The best alternative music album – Nick Cave and the Bad Seeds – Claira – Kim Gordon – Brittany Howard – Saint Vincent
Best R&B Song “After Hours” – Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes and Daniel Upchurch, lyricists (Kehlani) “Burning” – Ronald Banful and Temilade Openiyi, lyricists (Tems) “Here We Go (Uh Oh)” – Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick and Kelvin Wooten, songwriters (Coco Jones) “Ruined Me” – Jeff Gitelman, Priscilla Renea and Kevin Theodore, lyricists (Muni Long) “Saturn” – Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon and Scott Zhang, songwriters (SZA)
Best Progressive R&B Album – Avery*Sun – Durand Bernar – Childish Gambino -Come downstairs – NxWorries (Anderson.Paak and Knxwledge)
Best rap performance “Enough (Miami)” – Cardi B “When The Sun Shines Again” – Common and Pete Rock ft. Posdnuos “NISSAN ALTIMA” – Doechii “Houdini” – Eminem “Like That” – Future, Metro Boomin and Kendrick Lamar “Yes, Glo!” – GloRilla “Not Like Us” – Kendrick Lamar
Best Alternative Jazz Album – Aarooj Aftab – Andrzej 3000 – Robert Glasper – Keyon Harrold – Meshell Ndegeocello
Best country album – Beyoncé – Post Malone -Kacey Musgraves – Chris Stapleton – Lainey Wilson
Best American Album –T Bone Burnett – Charley Crockett – Sierra Ferrell –Sarah Jarosz – Maggie Rose Waxahatchee
Best Latin Pop Album – Anita – Luis Fonsi –Kany Garcia -Shakira – Kali Uchis
The best performance of African music “Tomorrow” – Yemi Alade “MMS” – Asake and Wizkid “Awesome” – Chris Brown featuring Davido and Lojay “Higher” – Burna Boy “Love me JeJe” – Thems
Best Soundtrack for Visual Media (Includes Film and Television) – Laura Karpman, composer – Trent Reznor and Atticus Ross, composers – Kris Bowers, composer – Hans Zimmer, composer – Nick Chuba, Atticus Ross and Leopold Ross, composers
The best opera recording – John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny and Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale) – Yannick Nézet-Séguin, driver; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez and Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus) – Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce and Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera of Kansas City Chorus) – Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming and Kelli O’Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus) – Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan and Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)
This article was originally published on : www.essence.com
The Australian Drugs Regulatory Authority has issued an order safety warning over Phenergan and related products containing the antihistamine promethazine.
The Therapeutic Goods Administration has stated that over-the-counter products shouldn’t be given to children under six years of age due to concerns about serious unwanted side effects akin to hyperactivity, aggression and hallucinations. Breathing may turn into slow or shallow, which can be fatal.
When high doses are administered to young children, difficulties in learning and understanding, including reversible cognitive deficit and mental disability, may occur. – said the TGA.
The latest warning follows international and Australian concerns about the drug in young children, which is commonly used to treat conditions akin to hay fever and allergies, motion sickness and for short-term sedative effects.
What is promethazine?
Promethazine is a “first generation” antihistamine that has been sold over the counter in Australian pharmacies for a long time for a spread of conditions.
Unlike many other drugs, first-generation antihistamines can cross the blood-brain barrier. This means they affect your brain chemistry, making you feel drowsy and sedated.
In adults, this will likely be useful for sleep. However, in children, these drugs can cause serious unwanted side effects on the nervous system, including those mentioned on this week’s safety alert.
We’ve known about this for a while
We have known about the serious unwanted side effects of promethazine in young children for a while.
Advice regarding 20 years ago In the United States, the drug was not recommended for use in children under two years of age. In 2022, an Australian Medicines Advisory Committee made its own suggestion to increase the age to six. New Zealand released similar warnings and advice in May this 12 months.
Over the last ten years, there have been 235 cases of serious unwanted side effects from promethazine in each children and adults reported to the TGA. Of the 77 deaths reported, one was a toddler under six years of age.
Reported unwanted side effects in each adults and children included:
13 cases of accidental overdose (leading to 11 deaths)
eight cases of hallucinations
seven cases of slow or shallow respiration (leading to 4 deaths)
six cases of decreased consciousness (leading to five deaths).
TGA security alert comes after an internal investigation by the manufacturer of Phenergan, Sanofi-Aventis Healthcare. This investigation was initiated in 2022 advice from the Medicines Advisory Committee. The company has now updated its information for consumers and healthcare professionals.
What can you use instead?
If you have allergies or hay fever in young children, non-sedating antihistamines akin to Claratine (loratadine) or Zyrtec (cetirizine) are preferred. They provide relief without the risk of sedation and other disturbing unwanted side effects of promethazine.
If symptoms of a chilly or cough occur, parents must be reassured that these symptoms will normally subside with time, fluid intake, and rest.
Saline nasal sprays, adequate hydration, a humidifier or elevating the child’s head can relieve the congestion related to hay fever. Oral products containing phenylephrine marketed for nasal congestion must be avoided because evidence shows that this is the case This article was originally published on : theconversation.com
Musk presented this concept to X in late October 2024.
“Try uploading X-rays, PET, MRI, or other medical images to Grok for analysis. It’s still early stages, but it’s already quite accurate and will be extremely good,” he wrote. “Let us know where Grok is doing it right or where it needs work.”
Some individuals who voluntarily submitted photos were comfortable that Grok “did do well” together with his blood test results and breast cancer detection, but others waved red flags against the platform.
Josh Sharp, who goes by @showinvestment on social media, identified how a broken collarbone was viewed as a dislocated shoulder.
Radiologist Docteur TJ provided an in-depth evaluation of the MRI image, which he described partially as “too gross.”
Another example is a robot confusing a mammogram of a benign breast cyst with a picture of the testicles.
Grok was launched in May 2024 after raising $6 billion in an investment financing round through Musk’s tech startup, xAI. Grok is just not the primary of its kind: Google’s Gemini or OpenAI’s ChatGPT also enable the transfer of medical images.
While some praise the technology’s potential advances, medical privacy experts don’t not on this camp.
“It’s very personal data, and there’s no telling exactly what Grok will do with it,” said Vanderbilt University biomedical informatics professor Dr. Bradley Malin, according to “Sending personal information to Grok is more like, ‘Whee!’ Let’s throw out this data and hope the corporate does what I need it to do.”
The Health Insurance Portability and Accountability Act (HIPAA) protects medical information shared with physicians or in a patient portal because federal guidelines protect it from being shared without consent. However, the protection doesn’t cover social networking sites – it only applies to doctor’s offices, hospitals, health insurers and a few firms they work with.
This article was originally published on : www.blackenterprise.com