Over 25 years after winning hearts on the big screen, Malcolm D. Lee filmmaker introduces his beloved characters to the site. Today, Storehouse Voices was announced, the Crown Publishing Group, Lee’s debut novel written together by Jayne Allen. The book shall be published in a soft frame, ebook and audiobook, which is to hit the shelves on July 1, 2025.

Expanding the franchise universe, the novel rises where it ended, offering readers a deeper immersion in the next chapter of Harper Stewart, Jordan Armstrong and the lifetime of Robyn Stewart. From the navigation of interdependence and discovering personal passions to redefining love and purpose in middle age, he examines the emotional complexity that the novel that the novel could provide.

It means a visit to a brand new medium for Lee, to which Allen joins, the writer of the best -selling series of novels and “writing this debut novel around my most beloved film characters was an amazing journey – just like everything I did,” says Lee. “For over 25 years we watched the characters grow and although I thought that their stories ended when they were coming back, revealing new layers of history and depth.”

“This series offers deeper immersion in their inner worlds, allowing their next chapters in a sense only a novel,” he continued. “Sharing new stories with long -time fans, while introducing them to new recipients in a fresh medium, is really exciting. This is both a continuation and a new beginning. I could not be more excited to take old and new fans for a ride.”

Originally published in 1999, it became a cultural landmark, advising against a successful continuation and a record series for Peacock. Now this upcoming novel is the first in the recent trilogy, with two subsequent independent titles planned for next yr.

It is now available for pre -order order, wherever books are sold.

The Miss Ivory Coast competition issued a shocking recent principle of the looks of players.

The competition of West Africa announced a ban on the extension of wigs and weave. Instead, he wants participants to point out the great thing about their natural hair.

Celemary bone competition prohibits those that fight for the crown of wearing false hair or extending hair in preliminary stages. These qualifying events will happen in 13 cities and two international crevices.

While the foundations are limited by hairstyles and competitors perhaps to wear THeirs real hair in any way. However, competitions need to distance themselves from promoting cosmetic surgery and brightening the skin.

“We want the candidates to be natural – both with braids and straightened hair, it should be their own. Beauty must be strict,” said Victor Yapobi, president of the Miss Ivory Coast Organizing Organizing Committee.

The organizers hope to encourage participants to just accept their natural beauty. They also decided to eliminate some expensive barriers that prevent many competing.

While the brand new rule allows women to spend less on their hairstyles, other changes in preliminary fees and age requirements assist you to try more. Now women aged 28 can enter and for 30 USD lower than previous years, and the reduced cost is 50 USD.

Yapobi added: “This change of criteria shows that we have observed that these young women lectured a lot of money for participation, and this became a bit of budget drainage.”

While some praised changes, others condemned “attack” to popular false hair styles comparable to wigs. Considered as “protective styles”, they appear greater creativity to women due to their hair expression, while destroying their real braids.

On the opposite hand, recent rules require some players to take into consideration what makes them feel beautiful for others.

“I saw other girls with long, artificial hair and they looked so beautiful,” said 21-year-old Emmanuel Dali, a 21-year-old real estate agent. “This principle gives me more pride as a woman – as an African woman.”

Wigs are a well-liked type of hair in West Africa and a black diaspora. However, a transparent change within the competition reflects the tendency to natural beauty and hair. Wigs are also expensive investments in the looks of ladies, and human individuals cost lots of to 1000’s of dollars.

Some hairdressers are afraid that the brand new declaration of the competition will reduce sales and their very own profits. However, in a culture where natural hair remains to be considered inappropriate in some skilled conditions, the judgment goals to vary the narrative.

Despite this, some NaSayers say that girls should define their beauty and should not have competitions that determine these standards. For those that see each side of the issue, the acceptance of ladies, no matter their natural or modified hairstyle, stays a priority.

So far, the ban applies only to preliminary rounds. Yapobi has not disclosed whether 15 participants who will compete on the essential stage could have to follow the controversial guidelines. The official competition will happen at the top of June in Abidjan.

In the 4th season, a brand new chapter appears with the introduction of young Frank Lucas – Dluga, before the world met him as a well -known drug king. The award -winning actor Emmy Rome Flynn, who brings the fresh intensity and complexity of the history of the origin of the character, will enter this role. In this exclusive interview with video, Flynn discusses what it means to present the version of Lucas, which we’ve got not seen before: ambitious, calculating and created.

The decision to hitch got here with real weight. Having a fame of justified emotional and dynamic performances, this role offered something different: a likelihood to look at the roots of the character before the world learned his name. Flynn entered the solid anchored by the power of Forest Whitaker, the presentation of a bumpy Johnson and quickly found himself in a series during which history, fiction and heritage intersect.

Presenting Lucas meant wearing pressure of what the character becomes, while respecting the uncertainty of who he’s at the moment. Season 4 not only shows growth – it questions the cost. When Lucas navigates loyalty, power and identity, he asks what drives a person in front of the world, decides who he’s.