Film
Denzel Washington Hands Over Reins to Son Malcolm to Bring August Wilson’s ‘The Piano Lesson’ to the Big Screen
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TORONTO (AP) — August Wilson’s “The Piano Lesson” has an insightful tackle the subject of ancestry and heritage, making the latest film adaptation, produced by Denzel Washington and directed by his son Malcolm, a family affair.
“The Piano Lesson,” which premiered Tuesday at the Toronto International Film Festival, is Washington’s third in an ongoing effort to bring Wilson’s plays to the screen. The film follows “Fences” and “Ma Rainey’s Black Bottom” and, like those movies, features several strong performances from actors, including Danielle Deadwyler as Berniece and John David Washington, Malcolm’s older brother, as Berniece’s brother, Boy Willie.
In Thirties Pittsburgh, Boy Willie arrives at his sister’s home with plans to sell a family heirloom, a piano engraved by their ancestors who took it from a slave. In the heartbreaking family drama that follows, Berniece, Boy Willie, and others (Samuel L. Jackson, Michael Potts, and Ray Fisher) grapple with the haunting shadow of slavery and the burden of their family legacy.
“There are so many legacies that come with it,” says Malcolm Washington. “I think it’s part of our responsibility, when you’re in a position to make a film like this, to honor that and to keep that alive. We’re here because so many people fought and sacrificed and worked to give the next generation a chance. This film and its story are ultimately so much bigger than my family.”
Malcolm, 33, sat next to his older brother and Deadwyler just a few hours before the premiere of “The Piano Lesson,” which Netflix will release on Nov. 8 after which stream on Nov. 22. As the interview was wrapping up, Denzel Washington burst into the room.
“It all started with me,” Denzel jokingly declared, as the other three howled with laughter. “Then I had two sons, and before I knew it, I was unemployed!”
Denzel, joined by his producing partner Todd Black, said it was his son’s idea to direct “The Piano Lesson.” The 2022 Broadway production was based on Wilson’s Pulitzer Prize-winning play with much of the forged, including John David.
“Malcolm said he had an idea,” Denzel recalls. “He said, ‘Let me put something together.’ So he made a short film. I looked at him like, ‘Wow, OK. You want to make a film? This is great, make a film.’”
But Malcolm didn’t immediately resolve to do it. He told his father, “Let me see if I can watch the movie first.” He began working on the script and eventually co-wrote it with Virgil Williams (“Mudbound”).
“At first I was like, ‘Watch the movie?’ But now I get it,” Denzel says. “He’s a real filmmaker. He took his time and didn’t jump right in.”
While John David, the 40-year-old star of “BlacKkKlansman” and “Tenet,” has established himself as a significant actor in Hollywood, Malcolm, a graduate of the American Film Institute’s directing program, is just entering the highlight. “He knew what he wanted,” Black says. “And he wasn’t afraid to connect with people who knew more than he did.”
Throughout the making of “The Piano Lesson,” Denzel largely kept his distance, allowing Malcolm to do his work. Yet his passion for Wilson’s art permeated the entire production.
“He’s a huge fan of August Wilson, and it’s a really important part of his legacy to continue telling August’s story,” Malcolm says. “His main thing with all of us was to keep that focus: We’re here to honor one of our greats.”
“The Piano Lesson” is a Washington family film in other ways, too. Malcolm and John David’s mother, Pauletta Washington, plays Mama Ola. The film is devoted to their mother.
“I started with the clear idea that it was about fathers and sons,” Malcolm says. “As we were making the film, I just started seeing this mother-daughter story, and my mom is a huge inspiration to me. I’ve always seen my mom as connected to Berniece’s story.”
Malcolm’s sisters are also involved. Olivia Washington plays Mama Ola as a young woman, and Katia Washington is an executive producer. Ironically, their father, Denzel, is nearly the only person in the family not in the film. But Malcolm, wanting all the members of the family to be represented in the film, asked his father to take part in a brief voiceover.
“Am I in this?” Denzel asks. “I recorded something. I didn’t get credit. Did I get credit? I don’t think so!”
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Film
Marianne Jean-Baptiste testing our limits of empathy in “hard truths”
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Of all of the film heroes you possibly can see this yr, none is like Pansy Marianne Jean-Baptiste “The hard truths of Mike Leigh.”
Pansy, a middle -aged woman in contemporary London, is disgusting from starting to finish. She spends days on visible pain, which releases all of the people round her, including her husband Curley (David Webber), her 20-year-old son Moses (Tuwaine Barrett) and most of the others he meets. Her venom can fall on a cashier in a supermarket or just a few with furniture that dare to place their feet on Osman. Heaven help a person who wants her automobile parking space.
For all Pansy is a test. He tests the patience and empathy of his family, identical to the viewer. She shouldn’t be an antihero, she is anti-all.
“The world is full of Pansys. People live in other people, “says Jean-Baptiste. “I often met people who were just enraged because you didn’t see them in the parking lot getting into space. Go: It can’t be just about me. How did you get angry at something so stupid? You don’t know what they are going or when they got there. “
“Hard Truths”, which can open throughout the country in cinemas on January 10, never provides any answers. Instead, it develops as a needed test examination, conducted by convincingly prickly Pansy Jean-Baptiste.
The performance was provided by Jean-Baptiste her best reviews since her last film with Leigh: “Secrets & Lies”, almost 30 years ago. For this film, Jean-Baptiste became the primary Black British actress nominated for an Oscar. Her performance in “Hard Truths” was just as well-known, winning one of the best actress from each New York film critics Circle and Los Angeles Film Critics Association. Three many years later, Jean-Baptiste could return to Oscars.
“You sat with Marianne a hundred years later before” secrets and lies “, in which she played a very intelligent young woman, and Marianne was moving in her life,” says Leigh. “We love each other because it’s very, very funny. So sitting with your ability to be real and deep, but also grotesque, the same shows me in the direction of possibilities. “
Creating a movie from Leigh, an 81-year-old humanistic master “Naked”, “Vera Drake” and “Mr. Tokarz,” It shouldn’t be a typical process. At the start there isn’t any script, only an invite.
“It was usually: let’s make a movie,” says Jean-Baptiste. “I don’t know anything, but let’s do it.”
Leigh pulls his characters and history from the months of rehearsals. In the case of “hard truths” they practiced for 3 months – a bit short for Leigh (six months have passed for “Secrets & Lies”), but extremely long for today’s film industry.
“You usually get on a set, it is:” UH, that is Ralph. He will play your husband. You will stand there, “says Jean-Baptiste.
In a way of trying, Leigh starts with the primary memory of the characters, after which develop their lives until the film. But there are parallel stories for other characters that require constant return and recontextalization. Meanwhile, costume designers and production designers are waiting for the brightness of what clothes and houses they need to create.
“All decisions regarding the character you can make, the actor makes them,” says Jean-Baptiste. “Each of the decisions that God makes someone’s life, makes it. So it’s like: he wants this job, so she submitted a request. The letter appears by post: unfortunately you do not understand it. “
Jean-Baptiste was a recent graduate of the Drama School, a classically trained and theater oriented when she starred in “Secret & Lies” from 1996. It was her breakthrough. Just a few years after this film, she moved to Los Angeles, where she had been acting in many various projects since then, including the tv series “Without a trace”, “Blindspot” and “Homecoming”. Asked if her cooperation with Leigh modified from “secrets and lies”, Jean-Baptiste said that many are the identical.
“Of course we’re much older,” he says with a smile. “I think we just slipped into him. He was milder. “
Part of what makes Jean-Baptiste’s performance so amazing is the way it is different than Pansy. Jean-Baptiste is charismatic, he often laughs and likes to throw himself into uncertain circumstances (similar to “hard truths”). Asked if she had anything to do with Pansy, she answers with amusing: “I hope not.”
“I have a sense of humor that not, although he is really fun,” says Jean-Baptiste. “I think I recognize this part of myself to the extent that I am in: I don’t want to live like that. I don’t want to be like that. “
But in Pansy, Jean-Baptiste recognized the people he knows, and a form of character that rarely does on film screens. “A difficult black woman, you don’t see it,” he says. “I don’t think I ever have.”
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In “hard truths” the source of depression Pansa is uncertain, however the sense of oil from the past is tangible. When he speaks to the doctor, he sums up: “The heart of the case is my head.” Later, asked why she will be able to’t enjoy life, she replies: “I don’t know.” Jean-Baptiste, mapping the story of Pansa, has several theories about what has done her.
“She had many problems that remained dissatisfied and found mechanisms to deal with life,” says Jean-Baptiste. “I think that many people are unrecognized with things and just do it. Maybe he is one of them. “
“Fear” – he adds. “It was the fear I focused on the most. He attacks before anyone can attack her and thinks that everyone is attacking her. “
But the precise diagnosis of Pansy shouldn’t be the goal of “hard truths.” It’s about how her family and the surface world react to her. He may move everyone away, however it is obvious that he urgently needs something.
“I want someone so desperate to help Pansy,” says Jean-Baptiste. “I think it would be very convenient:” She has this mental illness or it’s incorrect with it. ” But it is more interesting that we do not really know, and she just hurts. “
“Hard Truths” eventually ends like a cliff, and Pansy and her family are stagnant. If Pansy is testing the boundaries of empathy that the audience can feel the figure, then then the moment of truth: does Pansy go to her husband or doesn’t wish to move? Jean-Baptiste desires to imagine her.
“I would like to think that she is going because I like her,” says Jean-Baptiste. “I like Pansy. I have to watch her. “
(Tagstotransate) @Ap
Film
The study finds films based on women and not white directors “Plateau” in 2024
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If you’re thinking that that over the past few years there was no noticeable difference in the variety of black directors, it’s not just your imagination. According to the brand new study by Annenberg USC inclusive initiativeThe needle barely moved for women and non-white directors in 2024.
Examination by examination Hollywood reporterHe stated that 13.4 percent of 112 directors in 2024 were by women, just one unit higher than 12.1 percent 2023.
Talking to The Hollywood Reporter, Stacy L. Smith, the founding father of the initiative, said: “The film industry showed that he can increase the percentage of women’s directors and maintain this progress.”
She continued: “But there is a lot more space to improve. Directors still exceed the number much and rarely receive many possibilities behind the camera. Hollywood cannot be satisfied with the change that took place when it is still to be done. “
The study also showed that 5.3 percent of directors were women in color, in comparison with last yr’s 3.4 percent, as soon as 4 women in color directed projects.
What’s more, the study also showed that 24.1 percent of directors in 2024 were colourful people, only two units over 22.4 percent in 2023.
What increases the growing concerns about these statistics is that they continue to be drastically lower than in 2021, when the most important variety of coloured directors, 28.6 percent, was projects. According to the report, not one of the foremost studies released greater than ten films in line with Women of Color in almost twenty years. Thanks to seven films, Universal stays a studio that has released probably the most Women of Color films since 2007. Walt Disney is the second, with six movies of directors.
The next record used in the study was the reviews of critics. Looking on the criticism of the last twenty years, apart from last yr, the study showed that there was no significant difference in the outcomes of films directed by women and men. In addition, women in color often had a result higher than other demographic data.
“These discoveries clearly indicate that women in color bring skills and talents to movable crafts that cause high quality production,” said Smith, adding: “However, they still have the least opportunities to work behind the camera in the best films. It can only be said that talent and qualifications are not the basic basis for employing a decision. “
The report of the chairman of the director was issued when Hollywood is preparing to 82 Golden Globes, which might be broadcast live on Sunday, January 5, on CBS with Beverly Hills Hilton.
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(Tagstotransate) Entertainment
Film
Why Apple TV+ offers a free watch weekend
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New York (AP) – Apple TV+ He hopes that individuals will dents within the strategic Popcorn Reserve, revealing themselves to stream TV and films for free this weekend in what experts call a clever promotion.
The two -day offer this Saturday and Sunday goals to supply viewers with taste, which is behind Apple Paywall and get them, able to recover from USD 9.99 monthly within the USA
Michael D. Smith, professor of knowledge technology and public policy on the Carnegie Mellon University, said that the 2 -day window will not be too short to disregard it and will not be too long to satisfy all demand.
“This is not” I’ll allow you to watch it inside three or 4 days, week or several weeks, and perhaps you won’t subscribe next month, “he said. “This is:” I give you two days to discover my catalog. I hope you find something that you may get drunk. Maybe you’ll have time to get the first six episodes, but it’s so cool that you have to come back and you’ll be ready to subscribe to come back. “
While entertainment corporations often use promotion and discounts to lure recent customers, the Apple TV+pitch has no fishing, similar to entering personal data or bank card numbers. All you wish is Apple ID, which is free and which many individuals have had 99-percentage of songs from 99-percent.
What do you see for Paywall? Emmy’s victory “Ted Lasso” and “The Morning Show” and other faces similar to “Silo,” “Shrinking”, “briefing”, “bad sisters”, “Slow horses” “Reservation” and “presumably innocent”.
The movies include “Fly me to the moon”, “The Instigators”, “Spirited”, “Ghosted”, “Argy” Palmer, “Napoleon” and “Killers of the Flower Moon”.
Smith suspects that by the tip of the weekend Apple could have a lot of knowledge to sharpen his approach to recent customers and returning, like him. Apple will find, for instance, what species are hot, what shows how they attract viewers and the way long people spend watching.
Smith logs in to watch “Ted Lasso” along with his son, but in addition wants to envision “Severance” along with his daughter. Two days are probably not enough to watch each to the tip.
“It’s a bit like a shopping center, right? I have an anchor tenant. For me it’s “Ted Lasso”. This leads me to a shopping center. And when I am in the shopping center, I will wander and discover other things there. And they hope that these two days are not long enough to shop – he said. “I suppose (yes), it should repay.”
There is a few evidence that long eating windows don’t help streamers construct customers. Study 2020 Miguel Godinho de Matos and Pedro Ferreira Entertainment evaluation initiative In Carnegie, Mellon discovered that observing the overeating for several weeks reduces the likelihood after trying paid subscriptions.
The Apple weekend offer is clearly an try to shock the number. From October 2024, he had about 25 million subscribers, which makes him the eighth hottest streaming service by subscribers. Netflix, in No. 1, has 282.7 million.
“Apple TV+ has never really started, even though they have a series of really high quality television programs,” says “Bobby” Zhou, a business professor on the University of Maryland. “They try to offer a promotional period to allow a wider viewers base to try their content in the hope that some of them will be converted.”
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Other streamers also offer offers, similar to a free 30-day hulu process, a 2-month-old Star plan or a three-month Peacock process for Samsung Galaxy owners. If viewers miss the Apple TV+ weekend offer, the streamer already has a free 7-day test promotion. It has many other offers, although the goal, Best Buy, Samsung and for buyers of Apple devices.
Jared NewmanTechnology journalist who publishes the newsletter Corder cutter every week, He said that the promotion appears to be a a part of a large Apple pressure to boost subscribers. Streamer has recently agreed to distribute through Amazon and there are signals that will want to experiment with the extent supported by promoting.
“They really have to raise their numbers and need more people on board regardless of the possible way,” he said. “It can only be another way to test water, who would gain access to their service if they did not have to pay for it.”
Zhou noticed that the industry has modified from individual paid downloads to unlimited access to subscribers and predicts the longer term with different levels of subscribers-let’s say, one free episode for individuals who aren’t subscribers and a full season for die-hard fans. Everything to get some noise.
“I think the battle between technological giants is about differentiation of content,” he said. “” How can I draw the eye of consumers? “Because attention is the most valuable resource of everyone. “
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