Entertainment
Tamar Braxton reveals JR Robinson used her credit card to finance 25-year-old mistress
Tamar Braxton and her former flame Jeremy “JR” Robinson are embroiled in one other public feud and are making headlines after a social media scandal.
They went from a dating show engagement to Tamar arguing with considered one of JR’s kids’ moms after which fighting online about JR supposedly dating a reality star. This time, it’s about cheating, a hotel stay, credit card misuse, and marriage.
On September 4, the Grammy-nominated singer posted an Instagram Story through which she claimed to be “married” to Jeremy while accusing him of using her platinum card to pay for a room on the Four Seasons Hotel with a guest named “Mrs. J.” The woman is believed to be Jailyn H.
However, this heated exchange of words resulted in two different versions of events, with each side defending their actions.
Tamar Braxton made no secret of her social media outing of what she claimed was Jeremy’s disrespectful behavior.
Sharing a screenshot of the lady, who goes by Jailyn H. on her Instagram account @whohatesjay, she captioned the post: “(Play) IN THE FACE to a 25 year old!! Smh (took) my jewelry, took me to Turks and was a TOTAL TRAMP the whole time, I hate you @jeremyrobinsonceo.”
Although she claims she deleted the post inside seconds and prayed it would not go viral, it did and fans were over the moon shortly after.
Tamar Braxton slams her ex-fiancé on YouTube after they got back together — for allegedly cheating on her with the 25-year-old. photo:twitter.com/cKda1Zl5vW
— Boochie is the name (@stoppfeenin) September 4, 2024
“Being played by a white man who dresses like a prestigious plantation owner in 2024 is stupid behavior,” someone wrote on The Jasmine Brand blog side.
“He’ll make her apologize,” one other said. “Tamar should you don’t intend to leave “May he stop talking about his infidelity,” apparently quoting the singer’s own words, which she said on the show “The Braxton Family Values.”
A 3rd comment read: “I don’t know why she does this… She won’t leave him.”
Jailyn H., the alleged “other woman,” quickly responded to the accusations, jumping into the comments section and stating, “Did I miss something?”
Someone detailed that Braxton alleged that “on August 30, 2024 you and @jeremyrobinsonceo were at the Four Seasons and he used her platinum card. This is what she posted.”
Jailyn H later continued within the comments section, “There is no tea here. There is no truth to this. These accusations are absolutely insane and have consequences. Tamar, you are wrong! Period.”
JR says Tamar overdid it
Like the lady who claims she was wrongly attacked by the Love and War star, Jeremy has not remained silent either.
He took to Instagram to share your page story in a video where he claimed there was no fraud because he and Tamar weren’t together and the credit card mix-up was completely innocent.
The New Orleans native explained that he booked a room on the Four Seasons Hotel in his hometown through Booking.com but inadvertently used a card linked to a previous reservation with Braxton.
“No problem, no problem,” he said, noting the bill was only “$900, that’s it.”
The lawyer further denied that he was ever romantically involved with Jailyn H., referring to her as “someone I became friends with on Instagram like three days ago… It’s just a stretch and I’m tired of her sitting around and not defending herself.”
In his video, Jeremy also denied being romantically involved with anyone while staying on the hotel, stating, “I didn’t stay with anyone at The Four Seasons. I’m not dating anyone. I didn’t go on a date — none of that.”
He also addressed Braxton’s public accusations, saying, “I can’t keep getting attacked. My character can’t keep getting attacked.” He accused her of losing control, exclaiming, “I can’t keep getting thrown under the bus because someone can’t control their anxiety and someone can’t control these delusional thoughts about things that aren’t real.”
Jeremy claimed he was single for six months while he and Braxton rebuilt their relationship as “friends.”
“I was very specific about my boundaries. I was very specific about where we stood as friends,” Jeremy said.
He also mentioned several times that it was a mental health issue, referring to the “My Forever” singer’s mental well-being.
Tamar Braxton responds with a distinct story
Despite Jeremy’s detailed explanation, Braxton said he wasn’t completely honest with the general public and wasn’t completely honest with her.
In response, she demanded the return of the jewellery she had given to Jeremy. gold chain with diamonds with the emblem of his law firm on the back for his birthday last month in August.
Tamar Braxton feels great after giving Jeremy Robinson a birthday present 😝This necklace and pendant too 👀🔥#tamarbraxton #junior #jeremyrobinson #hiphopculture #view #jviewscelebritynews #jviewsdaily photo:twitter.com/Cw7HUPGjKY
— JViews (@jviewsdaily) August 22, 2024
According to The Shade Room, she claimed that “lonely and sad”just 10 days earlier.
Now she says“Okay… if I’m that mentally unstable, then give me back my chain, pendant, and platinum presidential Rolex. I couldn’t be in my right mind, ‘friend,’ sir.”
The “Change” singer later posted a more detailed, nearly 17-minute account of what happened on YouTube.
Braxton’s sister claims she didn’t book through the web site JR used, adding that each one payments undergo her travel agent or that she physically uses her American Express card.
“Let’s say it’s a mistake. OK, fine,” she said. “But it’s different now because you’re using my card for after-school activities.”
She wanted to debunk the narrative being presented by Jeremy, particularly his claims that she was “delusional” concerning the state of their relationship.
“Guys, when things come out about men, they always say, ‘Oh, that woman is delusional,’ or ‘We weren’t together,’ or ‘I didn’t leave anyone out in the cold,'” she said in her video.
Tamar explained that she was under the impression that their relationship still had a probability of reconciliation, despite Jeremy’s assurances that they were not together.
In response to Jeremy’s claim that that they had been separated for six months, she said: “How many times have we heard that story?”
Tamar said she wouldn’t have bought him a sequence and are available to his party if she “didn’t feel there was a chance for reconciliation.”
“And let’s be honest, I didn’t ask for myself. I didn’t ask for any birthday parties. This person told me, here at Saint Regis, that they wanted you to be a part of my birthday,” she revealed.
Jeremy confirmed that he invited her out of town to take him and others with her, and accepted her gift as a “friendly” gesture.
But Tamar claims that on the time they were very much “married”. But while she was there she received an email about their “divorce”, which she claims she filed as a lawyer, being “final”.
“The truth is, I was waiting for you to be a wife. Because all I know is how to be a wife. I was married to Vince (Hubert) and it didn’t work out. I got involved with D(avid Adefeso) and we got married, and I got involved with you,” Tamar said. “I married you after you ate someone’s ass sandwich.”
Jailyn remains to be inside and denies any role within the hotel
Jailyn H. continued to deny any involvement, insisting she was not on the Four Seasons Hotel. She reiterated this on social media, distancing herself from the controversy.
Suggesting she might take legal motion, she asked the person to “send it to me.”
She continued: “I wouldn’t do that if I were her.” “Lies,” someone replied, “then sue for defamation.”
“She should have left me out of this,” Jailyn continued within the comments section of one other post by The Jasmine Brand.
“I will speak and pour out. At your age, the least you could do is come and apologize to the person you falsely accused, instead of reliving the episode like the mental patient you are. If you forgot to take your meds yesterday… I promise you will need them today, I have.”
However, Tamar claims the hotel confirmed to her that JR showed up with a lady, which complicates matters even further.
In one other video says the hotel informed her team that the card was used within the name of “Mr. Jeremy Robinson and Ms. Jay.”
She said Jeremy told her to take “medicine” after she mentioned what the hotel had told her, which angered her and prompted her to take to social media.
It looks as if the connection has been doomed for a while now.
The incident highlights the complexity of Tamar and Jeremy’s relationship, which has been, to put it mildly, tumultuous for months.
Now, it looks as if this latest disaster would be the final straw. JR expressed that their friendship is over, stating, “I thought I could be friends and try to maintain some kind of friendship, but that relationship is over.”
Tamar said that at the moment their relationship was much deeper and that she tried to keep it alive.
“So I think, you know, I’m pouring into my marriage. Which is in trouble? … because I love my kids? You know I love my family. I love you, you know,” she said. Tamar also said he recently told her he loved her, too.
She continued, “So now, all of a sudden, now we’re not ‘OK.’ So I’m pretending, I’m delusional, and I made this whole thing up. I don’t have to buy into any man. I know who I am. I know how much I make. I know what the status of my life is. I don’t have to buy into any man, but if I’m investing in my relationship, investing in someone that I want to rekindle something with, because that’s not my boyfriend, then I’m wrong.”
Entertainment
Quincy’s Hip Hop Jones – Andscape
However, Jones had no intention of repeating his previous business glories, 75 million albums sold and 13 of the 28 Grammy Awards he won within the Eighties. Jones envisioned an idea album that might mix black musical expression, from Zulu choral songs, jazz and gospel to R&B, funk and the latest member of the family, hip-hop.
Just just a few years earlier, Jones had planned an unlikely collaboration in 1987 between Jackson, nicknamed the King of Pop, and Queens, New York hip-hop group Run-DMC on an anti-drug song called “Crack Kills” that was never realized. above the bottom. Jones believed that rap, a young and controversial art form, deserved a seat on the table. So in the summertime of 1989, he invited hip-hop artists Melle Mel, Ice-T, Kool Moe Dee and Big Daddy Kane to a recording session in Los Angeles. Eyebrows rose.
The uncompromising rappers were actually out of line An excellent American songbook luminaries reminiscent of Ray Charles, Miles Davis, Herbie Hancock, Dizzy Gillespie, Ella Fitzgerald and Sarah Vaughan. – What are we going to do with this s…? The 4 MCs wondered aloud after Jones played them the New Jack Swing title track, Melle Mel recalled in a 2001 book. The Master calmed them down. “Stretch,” Jones said. “It’s about solving the mind, not polluting the mind, about staying authentic on the streets and true to yourself.”
For Ice-T, the godfather of West Coast gangsta rap, Jones’ signature was powerful. “As rappers, we don’t get as much respect from the music community.” Ice-T said in the course of the premiere of the documentary in 1990. “But now when someone of Quincy’s caliber says, ‘Yo, rap is hot… all you losers need to leave it alone now.’ “
Jones saw hip-hop as a full-fledged, legitimate movement. In 1986, he threw his son, rap fanatic Quincy Jones III, a surprise party at Canastel’s restaurant in Manhattan. Everyone from Run-DMC, LL Cool J and the Beastie Boys to The Fat Boys, Roxanne Shante, Whodini and Kurtis Blow were in the home.
“It was clear then – at least to some of us – that rap had made its mark on our culture,” Jones said, looking back. “This was our newest baby and she was here to stay.”
For Jones, this wasn’t a cheeky attempt at being a cool dad. When he saw his son’s wide-eyed meeting of tight-knit MCs, he was reminded of the primary time he met his bebop jazz heroes 35 years earlier, who, just like the burgeoning hip-hop scene, faced opposition from social activists, politicians and law enforcement.
This was the golden age of hip-hop, producing artists reminiscent of Eric B. & Rakim, Too $hort, Salt-N-Pepa, Public Enemy, NWA, De La Soul and Queen Latifah. Rappers went platinum and sold out arenas. Critics and fans praised the youthful genre for its dynamic wordplay, unfiltered urban social commentary, and groundbreaking use of a production technique called sampling. Critics of rap have described it as the perfect noise for youth and, at worst, a threat to the community.
But Jones saw the longer term of hip-hop. And it went beyond music. Impressed by the witty comedic rhymes and Middle American charm of 21-yr-old rapper Will Smith, one half of the double-platinum Philadelphia duo Jazzy Jeff & The Fresh Prince, Jones asked Smith to check out for a starring role in a brand new comedy series he was executive producing for NBC.
“Rap is not the main thing,” Jones told the magazine in 1990. “If you eliminated rap, the premise wouldn’t fall apart. But rap gives you the purest street consciousness.” became a rankings hit and launched Smith on the trail to becoming one in all Hollywood’s most profitable movie stars.
Jones wasn’t done. In 1993, he co-founded the magazine, a glossy hip-hop publication that gave rappers like Snoop Doggy Dogg, TLC, OutKast, Master P, The Notorious BIG and Lil’ Kim the identical serious, long-read gravitas as ’70s white rockers. Jones along with his magazine’s biggest cover star, Tupac Shakur, nevertheless, was more complex.
When Shakur was interviewed by the magazine in 1993, – he rushed at Jones regarding his relationships with white women and having “f**ked up children.” “I wasn’t happy at first,” Jones said in 2012. “He attacked me for having all these white wives. And my daughter Rashida, who went to Harvard, wrote a letter to separate him.
Things eventually took a positive turn when Shakur met Jones’ daughter, Kidada (the couple later became engaged). “I remember dropping Rashida off at Jerry’s deli one night, and Tupac was talking to Kidada because he had fallen in love with her,” Jones recalled in an interview. “Like an idiot, I walked up to him, put my hands on his shoulders and said, ‘Pac, we need to sit down and talk, man.’ If he had a gun, I would be finished. But we talked. He apologized. We became very close after that.”
Jones remained one in all hip-hop’s strongest defenders even after the deaths of two of hip-hop’s brightest stars. In 1997, he wrote an impassioned editorial condemning the murders of Shakur and The Notorious B.I.G. as “senseless” and calling the East Coast-West Coast rap war a “sad farce”. But when a reporter asked Jones about negative criticism of hip-hop, he responded.
“Condemning hip-hop is tantamount to condemning two generations of our youth, and it is a far-reaching indictment that we cannot allow.” he said. “It hurts the situation more than it helps.”
Over the years, Jones’ relationship with hip-hop has remained close. He appeared within the music video for Wu-Tang Clan’s 1997 song “Triumph” and wrote the music for 50 Cent’s 2005 film. After his death, tributes poured in from hip-hop artists praising the person who embraced the culture.
“,” Jones rapped within the prologue to the song, which sold 3 million copies and won seven Grammy Awards, including album of the yr in 1991. Melle Mel, Ice-T, Kool Moe Dee and Big Daddy Kane won a Grammy for best rap performance performed by a duo or group.
Mission achieved.
Entertainment
Jazz world mourns pioneering saxophonist Lou Donaldson and drummer Roy Haynes
Two of jazz’s most enduring pioneers have died after incredibly prolific and influential careers. Acclaimed saxophonist Lou Donaldson died on Saturday, November 9 on the age of 98. Donaldson’s friend and one other jazz great, drummer Roy Haynes, died on Tuesday on the age of 99. No reason for death for any of the musicians was given.
Born in Badin, North Carolina in 1926, Donaldson attended North Carolina Agricultural and Technical State University and served in World War II before becoming a part of the post-war bebop scene within the late Forties and early Fifties. Inspired by Charlie Parker to desert the clarinet in favor of the alto saxophone, Donaldson became considered considered one of the best within the genre, although he also reportedly suffered from severe asthma. Over the course of his decades-long profession, he has performed and recorded with jazz icons Thelonious Monk, Milt Jackson, Art Blakey, Jimmy Smith, Horace Silver, George Benson and more. He also released dozens of albums because the band’s leader, including the favored LPs “Alligator Bogaloo,” “Lou Donaldson at His Best” and “Wailing With Lou.” His last release was 1992’s “Birdseed” on the Lou Donaldson Quintet.
According to “Jazz has to hit a certain point,” Donaldson explained in his autobiography New York Times. “There’s a rhythm you have to hit, and if you play enough music around musicians and play enough in front of people, you’ll figure out where that is.”
Donaldson’s “warm, fluid style,” as he describes Related presscombining elements of blues, pop and soul. His musical influences prolonged beyond the world of jazz, and his compositions and performances were sampled by hip-hop artists similar to Kanye West, Pete Rock, Nas and De La Soul. In 2022, the boulevard in his hometown of Badin was renamed after the saxophonist. Donaldson died in Daytona Beach, Florida; although he was known to have fathered two daughters, further details about his survivors was not immediately available.
In 2013 Donaldson has been named a “Jazz Master” by the National Endowment of the Artsand renowned drummer Roy Haynes was available to support and have fun one other jazz great. Just over a decade later, Haynes died just days after his friend on Tuesday in Long Island, New York, after a transient illness, his daughter, Leslie Haynes-Gilmore, confirmed to The Times and Washington Post..
Haynes, a first-generation Barbadian American born in Boston in 1925, reportedly began playing drums in local nightclubs as an adolescent. After moving to New York in 1945, Haynes’s style “was characterized by clarity and finesse,” becoming known by the nickname “Snap Crackle,” in accordance with Percussion Arts Society (PAS).
As he noticed USA todayHaynes’ distinctive style made him a sought-after drummer by such talents as Miles Davis, Charlie Parker, Sarah Vaughan, Max Roach, Charles Mingus and Lester Young, amongst others. Despite his common associations with the bebop sound, Haynes eschewed categorization, linking his work to other musical styles and told PAS in a 1998 interview: “I don’t always feel comfortable with these labels that people use. I’m just an old drummer who tries to play by feel.”
In his nearly seventy-year profession, Haynes has won two Grammy Awards; first prize within the category of Best Jazz Instrumental Performance by a Group in 1989 for the album “Blues for Coltrane – A Tribute to John Coltrane” and in 2000 within the category of Best Jazz Instrumental Performance, Individual or Group for the album “Like Minds”. Like Donaldson, Haynes has had an in depth recording profession, releasing his last album, “Roy-Alty,” in 2011.
In addition to his daughter, Haynes is survived by sons, fellow drummer Craig Holiday Haynes and cornetist Graham Haynes, eight grandchildren, including drummer Marcus Gilmore, and seven great-grandchildren.
Entertainment
In the chair with: Stacey Ciceron – Essence
@staceyciceron/ Instagram
“Every time I go into a community of women of color, women with natural hair, I see so many similarities that it feels like you grew up in the same house.” Stacy Ciceron says ESSENCE. Like most kids growing up in black homes, Cicero was given her first sedative around age 10. “I didn’t learn to appreciate my hair,” she says. “I’m from the Caribbean, so it was hard.”
At the age of 17, the Trinidadian regained her natural hair, but soon cut all of it off. However, the moment, which she found “extremely liberating,” had a 2-hour expiration date before she introduced her big cutlet to her family. “They just thought I was crazy for shaving my hair,” she recalled. “But if I hadn’t done it, I wouldn’t be where I am now.”
After graduating from Dudley Cosmetology University in North Carolina, the Brooklyn-born hair stylist began working throughout the world on fashion shows, photo shoots and with celebrities. Then her partnership with Orib he began. “Everyone had this little bottle,” she says when asked to assist develop them A group of hydration and control as a brand consultant in 2018. For her latest enterprise with the Ciceron brand, she traveled to Kenya to collaborate on their Holiday collection 2024wherein a Kenyan artist performed Thandiwe died.
Below, Ciceron explains her favorite products, debunks hair myths, and shares what she’s learned from her clients.
Her current favorite products
First of all, every little thing in A group of hydration and control with Oribe shall be my favorite. But truthfully, each time they release something recent, I get to try it and it literally becomes my recent favorite. But this season, just by being in the spirit of excellence and serving at a high level, I’m doing my very own personal research. I’m ears to the ground, ears to the street, trying to search out out what people love. I actually have teenagers at home, so it is usually good. I all the time know what the latest edge control is, what the latest mouse is, and I try it.
I actually have my hands on many products comparable to rollable mice, edge controls, and coverings, but only the Oribe version of them. They have tons of products lined as much as launch. I just attempt to squeeze my little ideas in there. Some have made it to the surface, and a few are on their option to next yr and the yr after that. But some things, like mouse curls, are great for all hair types. I believe I could go to trichology next yr. I care very much about scalp care.
Her favorite hairstyles
My specialty is metamorphosis. The whole transformation lies in the indisputable fact that women include their heads down and leave with a way of self-confidence. So if I can get you to get a haircut because quite a lot of times women of color are afraid of getting a haircut. They don’t even need to call it cutting or pruning. But the most significant thing is to care for the health of your hair, create an incredible shape and silhouette, because without it nothing will look good. And then providing them with styling, whether or not it’s ironing silk, washing and cooking, or an updo, but only this transformation.
A hair myth I would like to debunk
Beauty itself is a myth. The textures are beautiful. Recently I talked about what an ideal wash and go is. I can show you find out how to get an excellent defined hairstyle, but don’t think that should you do not have definition in the wash, you are not beautiful. The biggest myth I would like to debunk is what beauty means to humans. Short hair is gorgeous, long hair is gorgeous. Thick hair is gorgeous, thin hair is gorgeous.
Growing up in a Caribbean home, your hair is your beauty, your crown and your glory. Our identity, our hair is our freedom. So why should we limit it and box it in to say what beauty is? The way you express yourself is your individual beauty.
What she learned from her clients
First of all, they taught me to just accept my gift. For a few years I simply viewed it as a skill slightly than a present. At the time I just did a twist out, wash and go or a set of rolls. I learned from them that it’s greater than that, that it’s greater than only a skill. It’s nearly being present, encouraging, and just using that presence, that healing space.
I also love my mature clients. They are like mother figures. I learned rather a lot from them about find out how to speak, find out how to carry myself and find out how to imagine in myself. Just with regards to coaching, being a mentor. I am unable to even point to 1 lesson – they gave me parenting advice and wife advice.
How he lifts the spirits of his clients
I realize that I show up and study their needs, what they express, and I also provide encouragement, highlighting that they’re special and helping them appreciate their very own beauty. Then equip them with education in order that they can [take on] the biggest challenge: find out how to style your hair. If I give them the tools with a bit of confidence, I recharge their batteries with the encouragement and skills I impart to them.
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