Lifestyle
Judge Ketanji Brown Jackson Discusses New Memoir ‘Lovely One’ at Apollo Theater
NEW YORK (AP) — In one in all his first public appearances on behalf of her recently published memoirs“Charming”, Supreme Court Justice Ketanji Brown Jackson didn’t generate much attention, but she made history: she will add her name to the ranks of artists like James Brown, Stevie Wonder and Smokey Robinson on the subject of singing at the Apollo Theater.
Reminiscing Tuesday night with interviewer Gayle King about her love of musical theater, Jackson skillfully crooned just a few lines from “The Wiz” — “When I think of home, I think of a place/Where the love overflows” — and interjected a favourite chant from “Schoolhouse Rock” — “I’m just a bill, yeah, I’m just a bill. And I’m sitting here on Capitol Hill.”
The large audience at the famous Harlem performing arts center cheered and sang together with the artist.
King promised — and kept her promise — to concentrate on Jackson’s personal story, not the law. Jackson spoke about her childhood in Miami, the origins of her name (it means “dear,” the title of a book), her undergraduate years at Harvard University, her interracial marriage to Dr. Patrick Jackson — who was within the audience Tuesday night — and her journey through the judicial system, culminating in 2022 when she became the primary black woman on the Supreme Court. “The roar of the ocean” in her ears was how she remembered the decision from President Joe Biden asking if she would fill the emptiness left by retiring Justice Stephen Breyer, to whom she had once clerked.
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Jackson explained Tuesday that she had been curious about it since she was a woman, when she and her father, Johnny Brown, would sit together at the dining room table, she with coloring books and he with the law books he was studying at the time. Her ambition grew in highschool when she learned about Constance Baker Motley, the primary black woman to serve within the federal judiciary.
“I remember this bond with this fantastic woman,” Jackson told King. “I thought, ‘Why stop at law? I could be a federal judge.’”
Jackson’s 405-page book weaves together family history, legal history and private history as she recounts her own improbable journey — a black woman rising to the very best court in a rustic where segregation was legal until the twentieth century. “Lovely One” often reads as a form of lesson or road map, what Jackson calls in her foreword “a testament to young women, people of color and aspirations everywhere, especially those who have nurtured lofty ambitions and stubbornly believed they could be achieved.”
She has endured aggressive questioning from Republican senators during her nominating hearings, and she or he now sits on one of the vital conservative and divisive courts in U.S. history, voting against such landmark rulings as granting partial legal immunity to former presidents. But Jackson has avoided naming names — beyond noting that Senator Ted Cruz, a Texas Republican, went to law school along with her — or pointing fingers in her book, and on Tuesday night she balked when King pressed her to cite even one justice with whom she had clashed.
“I won’t answer that question,” she said with fun.
When King asked if the judges met socially, Jackson replied, “There are occasions to have lunch.”
Jackson spoke of staying calm during her confirmation hearings due to her determination, preparation and the realities of politics. The White House worked along with her at length to assist her anticipate questions that may otherwise have upset her. One aide advised her to have a selection: “You can be angry or you can be a Supreme Court justice.” Jackson also welcomed one other suggestion: Meet with senators before the hearings.
“Everybody was nice. They were polite, respectful in their interactions,” she said Tuesday night. “That was … very helpful during the hearings, because we were talking. So I said, ‘Oh, I get it. You’re not really talking to me,'” she said in her mind as I listened to them, “because we were talking. ‘You have to talk to your constituents or you have to talk to somebody else.'”
Lifestyle
Tina Knowles will tell her story in her memoir “Matriarch,” scheduled for release next year
NEW YORK (AP) — Tina Knowles will release a memoir next spring with a title that will not surprise her many admirers.
Fashion designer and Beyoncé’s motherSolange Knowles and “bonus daughter” Kelly Rowland have signed a take care of Random House Publishing Group to publish “Matriarch,” which the publisher calls in part the story of a “determined, self-possessed, self-aware and wise woman” who raised and inspired a number of the great artists of our time.
The book’s premiere is scheduled for April 22.
“I have always been a storyteller and I learned that from my mother,” Tina Knowles said in a press release Tuesday. “When I had my own family, I believed that my daughters needed to know where they came from to know where they were going.”
“I call this book ‘The Matriarch’ because I am inspired by the wisdom that women pass on to each other from generation to generation – and the inner wisdom that we long to discover within ourselves. Even at 70, I’m still learning valuable lessons that I would have learned in my 40s or even 20s. So I decided to tell my story because I know what it means for me, my daughters and future generations of women.”
Tina Knowles was recently honored as Glamor magazine’s Woman of the Year, and Beyoncé was amongst those in attendance on the ceremony in New York. “Matriarch” will be published by Random House’s One World imprint, which also includes Ta-Nehisi Coates, Trevor Noah and Cathy Park Hong.
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Lifestyle
Johns Hopkins begins work on a building in honor of Henrietta Lacks
In her short life, Henrietta Lacks inadvertently modified the face of medicine. Now the girl whose donated cells proceed to tell and advance medical research can even change the face of Johns Hopkins, because the institution begins work on a building named after her. On Monday, several of Lacks’ descendants joined representatives from Johns Hopkins University and Johns Hopkins Medicine at a groundbreaking ceremony on the corner of Ashland and Rutland Avenues in Baltimore.
“Today we make a concrete commitment to ensure that Henrietta Lacks’ name is as immortal as her cells,” said Ron Daniels, president of Johns Hopkins University, based on the report from the institution. “When the Henrietta Lacks Building is built, it will be a vibrant, multidisciplinary place of learning, discovery and dialogue that will facilitate community-oriented medical research and support the next wave of progress in research and the promotion of research ethics. We look forward to a building that does justice to the transformative legacy of Henrietta Lacks, and we sincerely thank the members of the Lacks family for their generosity in lending this building her name.”
As documented in the best-selling book “The immortal life of Henrietta Lacks“Lacks’ history with Johns Hopkins is controversial. After starting treatment at this institution, a 31-year-old mother of five children was diagnosed with cervical cancer. Despite treatment, she died in October 1951. However, a sample of cells taken during Lacks’ biopsy proved resistant, and never only survived but additionally multiplied, a previously unseen phenomenon. Intrigued by the rarity of Lacks’ genetic material, biologist and cancer researcher George Gey, who was collecting and studying cells from cancer patients in the hospital on the time, made the samples freely available to other global researchers.
Lacks’ cells, because the cells named “HeLa” (representing the primary two letters of her name) would prove to be the idea for future medical research and innovation. In the years because the tissue was collected, its cells have been used in research on the human genome, in the treatment of cancer and HIV/AIDS, and even in currently available vaccines against polio and Covid-19, Johns Hopkins reports. Yet for all their value in the medical world, for a long time Lacks received no recognition or any compensation for her surviving family; that’s, until researcher and writer Rebecca Skloot uncovered Lacks’ story and investigated, with John Hopkins’ input, the bioethical issues surrounding the unauthorized harvesting of her precious cells.
“At several points over these decades, we discovered that Johns Hopkins could have – and should have – done more to inform and engage with the family members of Henrietta Lacks out of respect for them, their privacy and their personal interests,” he added. the institution finally relentedcommitting to cement Lacks’ legacy along with her family. In 2013, Johns Hopkins partnered with the Lacks family and the National Institutes of Health (NIH) to create contract based on consent for the use of Lack’s genetic material in NIH-funded research. Two members of the Lacks family currently serve on the committee, one of whom is Henrietta Lacks’ granddaughter, Jeri Lacks Whye, who attended Monday’s groundbreaking.
“While this building will bear her name, it will also provide a space for further research, learning and inspiration for future generations,” Lacks Whye said in a statement. “We appreciate more than the scientific contributions her cells have made possible. We also acknowledge the story of a Black woman who didn’t live to see the world her cells helped create – a story that has been hidden for too long. We hope this building will continue to shine a light on her legacy.”
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At Monday’s groundbreaking ceremony, Theodore DeWeese, dean of the college of medicine and CEO of Johns Hopkins Medicine, reaffirmed the institution’s commitment to just do that, stating: “Today just isn’t about these immortal cells, necessary as they’re. Today it’s about immortalizing the name of the girl from whom these cells come. The idea is that her name and unconscious role will all the time be remembered by all students, all residents, all other interns, management and staff entering the building that shall be built on this plot.
“(Henrietta Lacks) is undoubtedly one of the most important figures in science and medicine, and we truly hope that this building will be an important reflection on the importance of her life to this world,” DeWeese added.
Designed by Black architect Victor Vines The future building bearing Lacks’ name, situated on the Johns Hopkins campus in East Baltimore, shall be a 34,000-square-foot facility adjoining to the university’s Deering Hall, the longtime home of the Berman Institute of Bioethics. According to Johns Hopkins, the brand new building “will support multiple programs of the Berman Institute, Johns Hopkins University and the School of Medicine, and will house flexible programs and teaching space for educational, research and community use.”
“With the new building, the scope and depth of our work will expand,” said Jeffrey Kahn, director of the Berman Institute, adding, “and the dedication to Henrietta Lacks serves as an important reminder of the need for ethics, equity, responsible science, and community-engaged research.”
As for the inspiration behind the design, architect Vines described the concept as “veil-like (and) delicate, (yet) strong, bold and beautiful, which we thought this person was.” The building’s evocative features include “a grand staircase leading up through the building towards the sky, where I believe Henrietta Lacks is today,” added Vines, who collaborated with each Johns Hopkins and the Lacks family on the design concept.
For JaBrea Rodgers, Lacks’ great-granddaughter, this architectural tribute continues to disclose the complete significance of Lacks’ long-overlooked legacy. “Today we recognize not only her cells, but her humanity,” she said of the laying of the cornerstone. “My great-grandmother was a mother, wife and friend. While we cannot change the injustices of the past, we can make its legacy known and celebrated. As we look to the future of this building, may it be a symbol not only of scientific progress, but also of the continuing journey towards recognizing the humanity behind every discovery.”
Construction on the Henrietta Lacks Building at Johns Hopkins is anticipated to be accomplished in 2026.
Lifestyle
It’s official: Rihanna is for kids
Rihanna and her family are stepping into the vacation spirit. This week, the Fenty mogul released a brand new Savage x Fenty campaign featuring two special guests — her children, RZA and Riot Rose. Posing along with her two-year-old and 14-month-old sons, Rihanna showed off the brand’s latest Christmas rompers at Instagram.
“We are officially one of those families that fits the holidays,” she captioned the post.
Since giving birth to her sons, Rihanna has been using her motherly instinct in her works, expanding her collections to incorporate kid’s sizes and more. However, it is not only her children who participate in her latest projects.
Recently, while promoting the discharge of her latest Fenty x Puma Avanti sneaker colorway, the mother of two invited a handful of her favorite kids’ social media influencers for a special press conference.
During the special event, the Fenty tycoon conducted quite a few interviews and conversations with young people, during which he gave and received advice. In an interview with seven-year-old E! News correspondent Francesca, who expressed hope of becoming “the next Rihanna,” the star encouraged her to dream greater.
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“Oh no, you must be better than Rihanna. Rihanna? It’s late. Before you grow up, I’ll be vintage. “Antique,” she joked. “Aim for the celebrities. Don’t aim at me. Aim beyond me. You shall be incredible. I need (the following generation) to all the time be greater, higher, smarter and alter the world in ways we couldn’t.
Just because the star followed her sons’ example when designing her brand’s kid’s sneakers, she also learned self-confidence by talking to seven-year-old Miles “Relaxation therapy”. Admitting that she doesn’t all the time feel confident, Rihanna asked Miles to share his secret.
“Being kind and brave,” he said, adding that it is a balance of pondering and never pondering on a regular basis. “Just look at everything around you,” he advised within the cute clip. “Because then you can barely think because you are watching.”
Outside of her work within the Fenty universe, Rihanna, like all other mom, is attempting to juggle all of it — a lot in order that she admits Halloween took her by surprise this yr. Previously known for her extravagant Halloween costumes, she teased that her family will probably try to maintain a low profile this yr.
“(Halloween) consumed me very quickly,” she said Entertainment Tonight, revealing that she won’t be making lavish costumes this yr. “We won’t be making family costumes this yr.
“I chose the easiest costume: a ghost,” she added, holding her sons’ costumes near the vest in a moment where you possibly can discover with the mother. “I don’t want to say it because if Amazon doesn’t deliver, I’ll have to come up with something else.”
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