Video Games
Harvest Moon: Home Sweet Home iOS Game Review – A Great Start, But Still Needs Work
was a really interesting game to trace down before its release. I say that not only since it’s a premium mobile game, but additionally since the reactions of my friends who’re long-time fans of the series went from apathy to interest with every gameplay snippet shown. It recently released on iOS and Android as a mobile exclusive within the Natsume series, and I’ve been playing it for about every week and a half on my iPhone 15 Pro and iPad Pro for review. It’s a excellent farming simulation game, nevertheless it’s currently held back by a number of issues.
Many fans of the Marvelous series of games have been around for the reason that SNES or N64, but I only really got into it on the 3DS with . At the time, I had no idea concerning the name change and that the Marvelous releases could be called Marvelous, while Natsume would use that name from then on. I’m explaining this now because I don’t need people to get confused about what it’s, and likewise to inform you my history with the series before I get into my feelings about ($17.99).
If you’re latest to farming and simulation games, it takes you back from the town to a peaceful village where you fish, farm, interact with a bunch of NPCs, attend festivals (which you might have to unlock), and even discover a companion. The village of Alba, your latest home, is dense and comfortable (sorry, but I needed to), and I’m glad it’s not an enormous open area, because those are inclined to end in a whole lot of empty spaces relating to simulation games. If you’ve played a whole lot of this genre, consider this one, which focuses more on the characters and has a bit of less depth relating to farming.
After a brief tutorial explaining the fundamentals of movement and a little bit of farming, you unlock the map and primary menu, allowing you to avoid wasting your game almost anywhere (this may be very vital for mobile games). This is where you begin trying to finish quests for NPCs, upgrade tools, gather, mine (this unlocks a bit later), and naturally, farm within the primary chapters of the sport.
The more I played, the more I spotted that the creators understood what makes life and farming simulation games great, but in some ways they fell short. They may appeal to newcomers to the genre, but those that have played many recent games will find them lacking. The potential partners are probably the weakest aspect. They simply aren’t as interesting as other games within the genre. If you do not care about that aspect, it’s a reasonably well-rounded entry within the genre.
From a life simulation enthusiast’s perspective, the approach seems different. While other platforms are spoiled with a plethora of games from developers big and small, we don’t see a lot of those on mobile, but that doesn’t make up for a few of the flaws here, especially at a much higher price point. I feel it’s a really solid base that developers can construct on to the purpose where it’s an ideal fit for PC and consoles. The only “mobile” aspect for now’s the touch control option.
Visually, performance and cargo times aside, which I’ll discuss below, it looks excellent. Some of the characters look generic, however the interface, farm, constructing layout, and the whole lot else look good. I also appreciate that it supports full screen on the iPhone 15 Pro and iPad Pro. It really appears like a game that’s been properly adapted for mobile devices by way of graphics and controls.
While visually it looks nice for essentially the most part, it falls short relating to character designs. This includes your personal character with customization options, which could use more detail, in addition to the primary NPCs within the town. Many of them seem lifeless even during cutscenes. Other than that, I actually just like the aesthetics and it looks great on my iPhone and iPad. The only disappointment is the performance. It is currently capped at 30 fps on my iPhone 15 Pro and iPad Pro. I used to be expecting over 60 fps, let alone 60 fps, but now you possibly can’t play at the next frame rate. Loading times are also not as fast as they must be.
Sound-wise, I used to be pleased with the music and sounds in . Nothing stood out enough to hearken to outside of the sport, nevertheless it sounded good and the changes in music were appropriate for the gameplay.
When it was announced that the sport could be a mobile exclusive, I used to be curious to see how it might control. The developers have done a improbable job with the touch controls, allowing you to play by tapping to maneuver, swiping to maneuver, and more. Interacting with objects or characters, farming, and navigating menus is enjoyable. Some of the text and touch targets seem a bit too small on the iPhone, but they’re nice on the iPad. I do wish there was some haptic feedback on the iPhone for using tools and even fishing, though. Maybe they will add that in a future update.
If you’ve got played the 2 best life sim games on mobile: and , it feels closer to the primary one, nevertheless it’s not as polished. I do not like comparing other games in the identical genre, but I’m doing it here specifically for the mobile version. These two games were made for PC/console and ported to mobile, while they were made for mobile, and yet they do not feel as tailored to the platform by way of features.
is a mobile-only game, and while I appreciate the touch controls, it currently has a number of issues relating to features. The lack of cloud saves is greater than a bit of disappointing. When I first downloaded the sport on my iPhone, I played for about three hours before I picked up my iPad to see the way it felt. I couldn’t discover a strategy to transfer saves, and I still can’t transfer saves between devices. The lack of controller support can also be disappointing for a game like this. The developers did an awesome job with the touch controls, nevertheless it could be nice to have controller support once I’m playing on an iPad. I also wish there have been some quality of life features that addressed motion, like we’ve seen in recent games within the genre.
As a newbie to Natsume’s latest games, but a fan of all of the recent and other life simulation games, the sport proved to be price playing, nevertheless it does need a number of updates and features to be truly worthwhile at full price. I even have nothing against developers charging premium prices on mobile, but the shortage of basic features like cloud saves and controller support definitely make it hard to recommend, given the opposite design issues. If the developers keep working on it, this may very well be among the best games within the genre on mobile, and I’m glad they took a probability and made a premium life simulation game for mobile, because those are very rare.
Video Games
Can’t-Miss January Game Releases, Unexpected Horror on Steam, and More Top Stories of the Week
Last week saw the end of 2024, the dawn of 2025, and what’s going to likely be the slow start of the often unrelenting video game news cycle. But slow news doesn’t necessarily mean no news, so we’re kicking off the recent 12 months with a take a look at the games it’s best to concentrate to this month. Additionally, the creative director at Arrowhead, the studio behind , weighed in on “DEI” in gaming on a web based exchange, the developers suggested why last 12 months’s hit hasn’t yet released on Xbox, and the people behind a shocking remake for fans of using the engine announced, that we will expect the premiere of this huge project this 12 months. Read these and other stories.
Video Games
Secret Level: Kotaku review
Amazon’s stunningly animated video game anthology is either a beautiful, impressive vehicle through which short stories are told or a soulless piece of high-C content, depending on the episode you watch.
The series was developed primarily by Blur Studio with help from Amazon’s MGM Studios. If Blur’s work on a few of these best movie trailers from the last decade, you will not be surprised that the animation of all 15 episodes is de facto beautiful. It’s a noticeable lack of heart and soul within the storytelling within the pursuit of high emotional prestige that lets down several episodes that, if cut, could have made for a more impressive series. Instead, we principally have 15 trailers, all with roughly the identical emotional beat, and only just a few of them manage to inform a story that does not feel like a very expensive business.
When I have a look at the covers of the 15-game anthology episodes, I’m still unsure why the show selected these stories to inform. However, I even have this theory: an Amazon series that may release an episode based on the corporate’s MMO game under the guise of a creative endeavor makes it easier to advertise. , short-lived hero shooter Sony has no intention of promoting anymore, however it clearly hoped that its next big hit on the live service could be a complete episode that plays like an prolonged theatrical trailer dedicated to the world of the stay-at-home mom. In other words, while several of the games featured are massive properties with a cultural base that make them obvious decisions for an anthology paying homage to video games, a lot of the episodes feel like an extension of promoting.
will air on December 10, which implies a few of the show’s biggest games either have not released yet or were in development alongside the series. is clearly the strangest and most awkward addition given the sport’s fate, but this – the upcoming sci-fi game from Wizards of the Coast’s Archetype Entertainment – features one of the crucial exhausting and indulgent episodes yet. The game was announced lower than a 12 months ago and we’ve not even seen it in motion. Wizards of the Coast properties also appear within the episode once more. Again, it makes more sense in a business transaction than in telling 15 stories because someone actually thought they were value telling.
This is not the only episode of PlayStation. By far the worst and least self-aware episode of the series tells the story of a young woman who works as a courier for an organization that rewards employees for one of the best delivery times with proven cosmetic upgrades. He leaves behind his monotonous corporate life by hanging out with a blue slime monster and escaping virtual reality (or possibly real? It’s not entirely clear) versions of PlayStation characters like Colossus and Kratos while riding his bike around town. See, you get up every morning with this attitude, attempting to get one of the best cosmetics, working your whole life on your careless corporate owners, however the really cool kids do not buy this technique with their silly jobs and as an alternative play PlayStation games? Corporations are evil and manipulate you into doing their bidding and providing terrible rewards, but returning to PlayStation is your secure space? Brand won’t ever hurt you? Or something? Unless you might be a developer under his umbrellaI suppose. It trades any type of coherent storytelling for appearances by multiple PlayStation characters in an effort to get fans clapping and cheering, and will easily be condensed right into a Super Bowl TV business.
Several episodes are strangely bland. This episode is a reasonably typical military shooter cutscene, characterised almost entirely by early twenty first century dreariness. The episode is great, but in case you put a gun to my head, I do not think I’d have the option to discover which game it’s from. Episodes from this era really stand out when the show relies on stylistic animation that does not mix in with the remaining of the show. These are 15 unique games, so why do half of them look the identical? This makes an enormous difference when they appear distinct, just like the episode based on , which summarizes the structure of roguelike fighting games, and the one based on , which abandons the photorealism utilized by most and captures the adventurous spirit of Mossmouth’s cave-exploring adventure.
Some adaptations are less faithful. The episode harks back to the early psychological horror arcade mega-hit, and the concept is interesting in a vacuum and leads to a few of the show’s most memorable sequences. However, within the context of a typically centuries-old story, it appears to be the officially licensed equivalent of the Disney character being pushed into the mansion of horror after entering the general public domain. doesn’t go all that tough in that direction, however it nonetheless turns the colourful action-platformer series right into a somewhat dark coming-of-age story that mixes the creator’s prestige storytelling leanings with the father-son dynamic of the titular robot hero and his creator. This is one in every of the standout episodes of the series, however it’s even higher like this one, and it may possibly’t erase the stench of cynical promoting that hangs over your entire series.
is, in a word, unequal. The animation is stunning, however it appears like Blur Studio has leaned too heavily on its experience in creating emotion-building trailers designed to lure customers to the closest game store. When creator Tim Miller announced the show again at Gamescom in Augusthe tearfully called it a “love letter” to video games. The result, nonetheless, is something that appears more like a group of pricey advertisements, one in every of which is for a game that may now not even be played.
Video Games
December’s can’t-miss game releases, free Amazon games for Prime members, and more holiday season tips
Holiday sales and giveaways are in full swing this week, and we have got a roundup of all of the games Amazon is gifting away to Prime members, the very best games to purchase within the PlayStation thirtieth Anniversary sale, and more.
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