Entertainment
Colman Domingo Practices Racial Healing Both On and Off Screen—and He Wants You to Join Him

NEW YORK (AP) — Colman Domingo has spent his entire profession implicitly inviting audiences to embark on a journey of racial healing.
The Afro-Latino actor’s depictions often complicate popular depictions of black masculinity. There’s Oscar nominee Bayard Rustin, an underrated gay civil rights leader. Or Mister, the aggressive antagonist of “The Color Purple,” who sheds his misogyny in a final attempt at redemption. His latest film, “Sing Sing,” is in regards to the wrongly imprisoned leader of a jail theater troupe.
Now having fun with a hard-earned highlight for those starring performances and her avant-garde looks, Domingo is pondering more consciously about her off-screen platform. And that decision for racial healing has turn into more pronounced with a brand new partnership with the W.K. Kellogg Foundation.
The nonprofit organization that focuses on opportunities for kids has long focused on anti-racism, according to La June Montgomery Tabron, president. To help all young people thrive, she said, it’s essential to address root causes like racial inequality.
In 2017, the W.K. Kellogg Foundation launched the primary National Racial Healing Day, which is now observed annually after Martin Luther King Jr. Day.
Kellogg leaders hope a “storyteller” like Domingo can encourage year-round racial healing, which the inspiration describes as “the practice of reflecting on personal experiences, confronting past wrongs and present consequences, and cultivating trusted relationships.”
“When we look at Colman and his work, which is about elevating all of humanity and creating an empathetic response to stories, that’s what racial equality and racial healing is all about,” Tabron told The Associated Press.
Domingo recently spoke in regards to the collaboration and “Sing Sing” with AP. This conversation has been edited for clarity and length.
————————
Q: Why are you using your platform to promote this cause?
A: The more my platform grew, the more I wondered, “What are you talking about?” I would like to speak out on the problems that matter to me, especially on this National Day of Racial Healing.
Featured Stories
This is how I turn into somewhat more human. This is how we show one another somewhat more grace. This is how we are able to actually do the work of healing: not being offended, not being polarized, but finding more love, more grace, and more dignity in one another’s stories, of their pasts, and getting to know one another somewhat higher.
———
Q: In “Sing Sing,” your character tells a brand new actor that “anger is the easiest thing to play,” but “pain is more complicated.” How do you bring that lesson into the strategy of racial healing?
A: That’s something I learned as an actor and I’ve really applied that to my life — to really acknowledge more complex emotions. Anger is the best thing to feel. It’s really only one-way. You cannot heal from it and find other notes. I do know something that I find helpful in my life is to acknowledge every emotion that I feel. Anger is the quickest to feel, but it surely doesn’t aid you grow. All the opposite complex emotions aid you grow.
——-
Q: How has art influenced your individual journey towards racial healing?
A: It gave me a voice, actually — it gave me more of my place on the earth. And I actually have a job that helps me delve into history, so I actually have a way of my identity and who I’m and who other persons are. I still have a curiosity in regards to the world and its inhabitants, and I believe it’s made me somewhat more of an entire human being.
I do that on daily basis at work, which is such a blessing. I do know plenty of people don’t do that, but they’ll find the tools to do it at dayofracialhealing.org.
———
Q: The little bursts of joy in “Sing Sing” are so memorable: the circle dance at rehearsal, the post-audition pirouette. How do you discover joy in that healing process when racism can feel so heavy?
A: Pirouette was a really conscious decision to show who this black man is inside that the world may not see. To see somewhat more complexity and tenderness and really deconstruct their ideas of who this black man is — and who this black man is who’s trapped. No one would ever think that this man has a dancer within him.
For me, it really works as racial healing. You can see the black and brown male in another way. That’s the work that happens on a really subtle basis when people watch our film. They see black and brown men being affectionate with one another, laughing with one another. Even black men know what’s possible after we’re allowed to be free and whole in our experience.
Entertainment
Reebok continues to return to basketball with the signing of Dijonai Carrington – and Scape

Dijonai Carrington is the latest WNBA player who joined the Reebok basketball list.
The Dallas Wings guard has signed a protracted -term contract with the company based in Boston, which is able to establish it as a brand ambassador in the field of performance and lifestyle clothing, starting with the basketball sneakers engine.

The signing of Carrington is an element of a protracted -term effort for Reebok to restore to the basketball brand. The A engine, which Carrington wore during the inaugural inaugural season, is their first recent basketball sneakers from ZPump Rise.
“I am excited about continuing the family heritage and joining the Reebok basketball list,” said Carrington. Her father, former safety of NFL, Darren Carrington, also supported Reebok during his profession. “Reebok basketball has officially returned and I can’t wait to introduce energy outside in the new A. engine”

Carrington was appointed the most improved WNBA player in 2024, and also won the first ALL Defense Honors team. A profession from San Diego, on average, almost 13 points, 5 rebounds and a shadow below 2 thefts per match. Recently, it was exchanged with the Connecticut Sun to Wings under a 4 -person contract.
Carrington joins REEBOK WNBA basketball, including Angel Reese and Lexie Brown.
Entertainment
When hip -hop and classical collide: us to perform “Illmatic” live with Baltimore Symphony Orchestra – Essence

In what seems to be a cult combination of hip-hop and classical music, we can be joined by forces with the Baltimore Symphony Orchestra because of this of its groundbreaking debut album. A breakthrough event takes place on Wednesday, July 23, 2025, at 19:30 in Joseph Meyerhoff Symphony Hall.
The entitled concert guarantees to recuperate one of the famous albums of all time with sweeping orchestral arrangements carried out by Steven Reineke. The evening will happen iconic songs, akin to “Ny State of Mind”, “The World is Yours”, “Memory Lane (Sittin ‘in da Park)” and “It is not difficult to find”, each interpreted by wealthy textures of full symphony.

“Welcoming us with BSO will be an attraction of the year,” said Mark Hanson, president and general director of Baltimore Symphony Orchestra. “This cooperation speaks to our involvement in breaking borders and creating a space in which all recipients feel associated with the power of orchestral music. It is an honor to revive this iconic album in a new way and shed light on the amazing scope and talent of our musicians.”
Celebrating thirtieth anniversary From the primary studio effort, this performance is a cultural milestone that mixes raw lyricism with great classical instrumentation-impressing the impression once in life for fans of each species.
Since the discharge in 1994, he built a long-lasting heritage from Queensbridge, winning 16 Grammy nominations and winning one of the best rap album in 2020. Its influence includes a long time, and its recent revival keeps him on the forefront of the species.
TicketsPrice between USD 75 and USD 299They are already available by BSO website or on Meyerhoff Box Office. Do not miss this historical celebration of music, poetry and a timeless story.
Entertainment
She knows Suite celebrates Apple TV+ Doc ‘Number on the Call Archie “and Black Women’s resistance in Hollywood

Even when black women are visible, they still must fight to be really. This is one among the strongest take -out, the recent Apple TV+document that made the waves at the exclusive show run by The Wie Suite in New York.
It takes place in the luxurious New York Fouquet, the night was combined by an intergenerational meeting of black women – from fashion founders to Hollywood stars – in reflection on the message of the document: that for black women, breaking barriers in Hollywood never concerned talent. It was about survival, impudence and unwavering self -confidence.
Directing the award-winning filmmaker Sholi Lynch, the document accommodates sincere interviews with powerful actresses, including Viola Davis, Halle Berry, Angela Bassett and Whoopi Goldberg, taking a look at his journeys as leading women in a system that rarely gave them the highest places-the advantage of doubt.
During the event, the guests enjoyed the elegant reception of cocktails, after which the discussion about the show and panel moderated by the founder and general director of WIA Suite, Dee Poku. The participants were Shola Lynch, along with Lisa Price, the founding father of the daughter Carol and Jessica Cruel, editor -in -chief and magazine.
In a room filled with Changmakers-Ludzi akin to designer Fe Noel, actress Folake OlowoFoyload and founding father of Ami Colé Diarrha N’diaye-Mbaye-Rozmowa was intimate and urgent.
“It was amazing to be here with so many inspiring women who are their own numbers,” said Poku. “These women are so busy and have a crazy life, but understandable and felt the importance of gathering and supporting this film. As bosses, we can never lose sight of the importance of relying on ourselves when we move in our lives and career.”

This spirit of sister and solidarity is embedded in a movie that doesn’t pull out the emotional conscription of being the first, only or reflection. From saying that they should not beautiful enough to make a big screen to maneuver after exhausting the constant proved of their value, stories divided by black actresses “reflect the immunity needed to remain in the game.
Hattie McDaniel was the first black woman who won the Oscar in 1940 for “Best Actorsing Actors” for enjoying Mamma in “Gone with the Wind” and said that she hopes that she can be a recognition of her race. But the “supporting actress” category would turn out to be a little bit of her own ceiling, without every other black woman who doesn’t win the role of “the best actress”, apart from Halle Berry, twenty years ago in “Monster’s Ball”.

But the film accommodates powerful reminders of how black women actresses restrictions. In particular, Goldberg’s Whoopi journey stood out in the document. From making a stage production that helped to begin her profession in 1984-a fight for roles when Hollywood didn’t see her “Fit”, Goldberg Shatted Sufiing. She didn’t wait for the alternative; She selected herself. This example of Shol Lynch sees black women embarrassing outside Hollywood.
“After hearing that Dee Poku and Suite knew they wanted to organize a study, I was inspired to be part of the room and gathering similarly thinking people,” said Lynch. “You want to talk to women who are trying to be number one on their sheet of connections.”
Lisa Price added: “My deep recognition for the cinema, vaccinated by my father, made the film the main source of respite and insight. The victory of the Hallle Berry Academy was a breakthrough moment. This represented the rectification of historical supervision regarding the lack of diagnosis of Diana Ross for the injustice that has long worried me.”

For Jessica Cruel, the document was a moment of reflection on her own journey. “It inspired me to reflect on my own career from the writer to now the chief Edior. It is so important to remain faithful to his beliefs and allow the development of possibilities.”
When he showed himself, the crowd raised his glasses with a collective toast to the way forward for black women in Hollywood. It was not only a vacation of what these women achieved – it was a call to proceed, dreaming and demanding more.
This film reminds us of every part that black women were at all times greater than able to being primary on a sheet of connections – they simply needed to fight harder than most to get there.
The premiere around the world at Apple TV+ March 28, 2025 and is currently available to the stream.

(Tagstranslat) documental
-
Press Release12 months ago
U.S.-Africa Chamber of Commerce Appoints Robert Alexander of 360WiseMedia as Board Director
-
Press Release1 year ago
CEO of 360WiSE Launches Mentorship Program in Overtown Miami FL
-
Business and Finance10 months ago
The Importance of Owning Your Distribution Media Platform
-
Business and Finance1 year ago
360Wise Media and McDonald’s NY Tri-State Owner Operators Celebrate Success of “Faces of Black History” Campaign with Over 2 Million Event Visits
-
Ben Crump12 months ago
Another lawsuit accuses Google of bias against Black minority employees
-
Theater1 year ago
Telling the story of the Apollo Theater
-
Ben Crump1 year ago
Henrietta Lacks’ family members reach an agreement after her cells undergo advanced medical tests
-
Ben Crump1 year ago
The families of George Floyd and Daunte Wright hold an emotional press conference in Minneapolis
-
Theater1 year ago
Applications open for the 2020-2021 Soul Producing National Black Theater residency – Black Theater Matters
-
Theater10 months ago
Cultural icon Apollo Theater sets new goals on the occasion of its 85th anniversary