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Mariah Carey’s Mother and Sister Died on Same Day, Singer Says Her ‘Heart Is Broken’

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LOS ANGELES (AP) — Mariah Carey’s mother, Patricia, and sister, Alison, died on the identical day, the singer said Monday.

“My heart is broken that I lost my mother this past weekend. Sadly, in a tragic turn of events, my sister lost her life that same day,” the Grammy-winning singer said in a press release.

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“I feel blessed to have had the opportunity to spend one last week with my mom before she passed away,” the statement continued. “I appreciate everyone’s love and support and respect for my privacy during this impossible time.”

On Monday, the Times Union reported that Alison, who had long been estranged from Carey, died at age 63 from organ complications and was under hospice care.

The news of their deaths and Carey’s statement was first reported by People magazine.

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Patricia was an opera singer trained on the Juilliard School, which Carey says inspired her from an early age.

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“I would sing little tunes around the house, to my mother’s delight. And she always encouraged me to do that,” she wrote in her 2020 memoir, “The Meaning of Mariah Carey.”

Patricia was previously married to Alfred Roy Carey, the singer’s father. Her parents divorced when the “Vision of Love” singer was 3. Carey grew up in Suffolk County, Long Island, and lived primarily together with her mother after her parents divorced. Her father died of cancer in 2002 on the age of 72.

Carey detailed her complicated relationship together with her mother and sister in her memoir, wherein she wrote that she and her mother argued continuously, causing her “a great deal of pain and confusion,” and accused her sister of putting her in dangerous situations during her childhood.

“Like so many aspects of my life, my journey with my mother has been fraught with contradictions and competing realities. It has never been black and white—it has been a rainbow of emotions,” Carey wrote within the book. “Our relationship is a bittersweet string of pride, pain, shame, gratitude, jealousy, admiration, and disappointment. A complicated love that ties my heart to my mother’s.”

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Carey kept in contact together with her mother and even recorded a duet of “O Come All Ye Faithful/Hallelujah Chorus” for the singer’s second Christmas album in 2010.

This article was originally published on : thegrio.com
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Reebok continues to return to basketball with the signing of Dijonai Carrington – and Scape

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Dijonai Carrington is the latest WNBA player who joined the Reebok basketball list.

The Dallas Wings guard has signed a protracted -term contract with the company based in Boston, which is able to establish it as a brand ambassador in the field of performance and lifestyle clothing, starting with the basketball sneakers engine.

Dijonai Carrington will help realize the performance and lifestyle of Reebok.

The signing of Carrington is an element of a protracted -term effort for Reebok to restore to the basketball brand. The A engine, which Carrington wore during the inaugural inaugural season, is their first recent basketball sneakers from ZPump Rise.

“I am excited about continuing the family heritage and joining the Reebok basketball list,” said Carrington. Her father, former safety of NFL, Darren Carrington, also supported Reebok during his profession. “Reebok basketball has officially returned and I can’t wait to introduce energy outside in the new A. engine”

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Dijonai Carrington poses for a portrait during a press message Dallas Wings 2025 in Dallas TX.

Carrington was appointed the most improved WNBA player in 2024, and also won the first ALL Defense Honors team. A profession from San Diego, on average, almost 13 points, 5 rebounds and a shadow below 2 thefts per match. Recently, it was exchanged with the Connecticut Sun to Wings under a 4 -person contract.

Carrington joins REEBOK WNBA basketball, including Angel Reese and Lexie Brown.

Marcus Shorter is a communication specialist and author. When he didn’t write about consistency, cages or rattling disgusting seats, he makes exceptionally nerdy in the texts of rap, politics, poetry and comics.

This article was originally published on : andscape.com
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When hip -hop and classical collide: us to perform “Illmatic” live with Baltimore Symphony Orchestra – Essence

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In what seems to be a cult combination of hip-hop and classical music, we can be joined by forces with the Baltimore Symphony Orchestra because of this of its groundbreaking debut album. A breakthrough event takes place on Wednesday, July 23, 2025, at 19:30 in Joseph Meyerhoff Symphony Hall.

The entitled concert guarantees to recuperate one of the famous albums of all time with sweeping orchestral arrangements carried out by Steven Reineke. The evening will happen iconic songs, akin to “Ny State of Mind”, “The World is Yours”, “Memory Lane (Sittin ‘in da Park)” and “It is not difficult to find”, each interpreted by wealthy textures of full symphony.

When hip-hop and classical collide: us to perform

“Welcoming us with BSO will be an attraction of the year,” said Mark Hanson, president and general director of Baltimore Symphony Orchestra. “This cooperation speaks to our involvement in breaking borders and creating a space in which all recipients feel associated with the power of orchestral music. It is an honor to revive this iconic album in a new way and shed light on the amazing scope and talent of our musicians.”

Celebrating thirtieth anniversary From the primary studio effort, this performance is a cultural milestone that mixes raw lyricism with great classical instrumentation-impressing the impression once in life for fans of each species.

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Since the discharge in 1994, he built a long-lasting heritage from Queensbridge, winning 16 Grammy nominations and winning one of the best rap album in 2020. Its influence includes a long time, and its recent revival keeps him on the forefront of the species.

TicketsPrice between USD 75 and USD 299They are already available by BSO website or on Meyerhoff Box Office. Do not miss this historical celebration of music, poetry and a timeless story.

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This article was originally published on : www.essence.com
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She knows Suite celebrates Apple TV+ Doc ‘Number on the Call Archie “and Black Women’s resistance in Hollywood

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Even when black women are visible, they still must fight to be really. This is one among the strongest take -out, the recent Apple TV+document that made the waves at the exclusive show run by The Wie Suite in New York.

It takes place in the luxurious New York Fouquet, the night was combined by an intergenerational meeting of black women – from fashion founders to Hollywood stars – in reflection on the message of the document: that for black women, breaking barriers in Hollywood never concerned talent. It was about survival, impudence and unwavering self -confidence.

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Directing the award-winning filmmaker Sholi Lynch, the document accommodates sincere interviews with powerful actresses, including Viola Davis, Halle Berry, Angela Bassett and Whoopi Goldberg, taking a look at his journeys as leading women in a system that rarely gave them the highest places-the advantage of doubt.

During the event, the guests enjoyed the elegant reception of cocktails, after which the discussion about the show and panel moderated by the founder and general director of WIA Suite, Dee Poku. The participants were Shola Lynch, along with Lisa Price, the founding father of the daughter Carol and Jessica Cruel, editor -in -chief and magazine.

In a room filled with Changmakers-Ludzi akin to designer Fe Noel, actress Folake OlowoFoyload and founding father of Ami Colé Diarrha N’diaye-Mbaye-Rozmowa was intimate and urgent.

“It was amazing to be here with so many inspiring women who are their own numbers,” said Poku. “These women are so busy and have a crazy life, but understandable and felt the importance of gathering and supporting this film. As bosses, we can never lose sight of the importance of relying on ourselves when we move in our lives and career.”

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New York, New York – March 31: (LR) Jessica Cruel, Lisa Price, Shola Lynch and Dee Poku talk on stage during Suite, gathering women in New York to rejoice the primary edition on the Call sheet: black lead women in Hollywood, March 31, 2025 in New York. (Photo Slaven Vlasic/Getty Images for Apple)

This spirit of sister and solidarity is embedded in a movie that doesn’t pull out the emotional conscription of being the first, only or reflection. From saying that they should not beautiful enough to make a big screen to maneuver after exhausting the constant proved of their value, stories divided by black actresses “reflect the immunity needed to remain in the game.

Hattie McDaniel was the first black woman who won the Oscar in 1940 for “Best Actorsing Actors” for enjoying Mamma in “Gone with the Wind” and said that she hopes that she can be a recognition of her race. But the “supporting actress” category would turn out to be a little bit of her own ceiling, without every other black woman who doesn’t win the role of “the best actress”, apart from Halle Berry, twenty years ago in “Monster’s Ball”.

Eddie Murphy reveals early advice, which he received from legends in

But the film accommodates powerful reminders of how black women actresses restrictions. In particular, Goldberg’s Whoopi journey stood out in the document. From making a stage production that helped to begin her profession in 1984-a fight for roles when Hollywood didn’t see her “Fit”, Goldberg Shatted Sufiing. She didn’t wait for the alternative; She selected herself. This example of Shol Lynch sees black women embarrassing outside Hollywood.

“After hearing that Dee Poku and Suite knew they wanted to organize a study, I was inspired to be part of the room and gathering similarly thinking people,” said Lynch. “You want to talk to women who are trying to be number one on their sheet of connections.”

Lisa Price added: “My deep recognition for the cinema, vaccinated by my father, made the film the main source of respite and insight. The victory of the Hallle Berry Academy was a breakthrough moment. This represented the rectification of historical supervision regarding the lack of diagnosis of Diana Ross for the injustice that has long worried me.”

New York, New York – March 31: General view of guests during Suite Wie is leading a united meeting of influential women from New York to rejoice the primary on the Call: Black Women in Hollywood, March 31, 2025 in New York. (Photo Slaven Vlasic/Getty Images for Apple)

For Jessica Cruel, the document was a moment of reflection on her own journey. “It inspired me to reflect on my own career from the writer to now the chief Edior. It is so important to remain faithful to his beliefs and allow the development of possibilities.”

When he showed himself, the crowd raised his glasses with a collective toast to the way forward for black women in Hollywood. It was not only a vacation of what these women achieved – it was a call to proceed, dreaming and demanding more.

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This film reminds us of every part that black women were at all times greater than able to being primary on a sheet of connections – they simply needed to fight harder than most to get there.

The premiere around the world at Apple TV+ March 28, 2025 and is currently available to the stream.

Denzel Washington, Angela Bassett and more withdraw Hollywood curtains in the new document

(Tagstranslat) documental

This article was originally published on : thegrio.com
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