Entertainment
Marlon Wayans Exposes DJ Vlad’s ‘Stupid Negotiation Tactics’ in Online Spat After Being Denied an Interview
Comedian Marlon Wayans knows his price and won’t accept less, regardless of what the “culture vultures” think.
But as a member of considered one of Hollywood’s most talented families, he recently engaged in a public dispute with popular street journalist DJ Vlad over his price, demanding $40,000 and 30 percent of all future earnings to look on Vlad’s platform.
The negotiations became public per week ago when Vlad released an almost four-minute clip interview with fellow comedian Aries Spears, where they questioned Wayans’ asking price, noting that he had not turn out to be popular or gained any significant traction in previous interviews.
They each laughed and criticized Wayans, saying the entire world knows Wayans doesn’t should receives a commission that much just to take a seat there.
However, the “White Chicks” actor and producer says his success as an entrepreneur and comedian justifies his price tag.
“@MarlonWayans you are right because @djvlad would have to pay me 500k for the interview if he had 55% of the video revenue across all platforms!” wrote the one who signed off on his X decision.
“See, I tried to tell him I was giving him a good deal… well,” Wayans replied, although he was only asking for 30 percent.
When the tweet began to realize traction, Vlad responded to the allegations on Twitter on X. He said“Marlon Wayans found someone with 200 followers who agrees with him. LOL. No one in the world is going to pay Marlon $40k for an interview when he gets 100k-300k views on whatever platform he interviews on.”
Marlon Wayans found someone with 200 followers who agrees with him. LOL. No one in the world goes to pay Marlon $40k for an interview when he gets 100-300k views on every platform he interviews on. This guy is seriously delusional.https://t.co/xMtfKShL3c photo:twitter.com/sARe77u9Zr
— DJ Vlad (@djvlad) August 16, 2024
“This guy is seriously delusional,” Vlad added, posting several of Marlon’s interviews to indicate how low his viewership was amongst his fans on those major platforms, which seemingly bolstered his argument in his conversation with Spears.
But Wayans has re-established his own production company and produced 4 stand-up specials at his own expense over the past 4 years, selling them to major networks like HBO and Amazon Prime, According to to his IMDb.
The “In Living Color” forged member responded by asking, “Are you mad? You’re unprofessional, buddy. If you don’t like the number, move on. You look BAD.”
I’m not mad in any respect. I find this all funny because you actually think you are price $40k for an interview. I said there is no one in the world who would pay you that much and I have never been proven fallacious yet. Throwing around a silly amount for an interview is unprofessional, mate –
— DJ Vlad (@djvlad) August 16, 2024
“You should have backed off. Angry at a black man who gave out his number?” he continued. “And now you’re taking the stage and using your platform to drag me in. I’ve never had to deal with this stupid negotiation tactic in my life.”
Vlad continued the exchange, insisting that he wasn’t “mad” but found it “funny.” Wayans believes that somebody would pay him that much for an interview.
“I said there’s no one in the world that would pay you that much and I haven’t been proven wrong yet. Throwing out a stupid number for an interview is unprofessional, mate, because your interviews don’t even make 5% of that on every platform you’re on. And bringing up race when it hasn’t been mentioned in our discussions shows how weak a person you really are,” he explained.
But Marlon was clear: “Yeah, it’s become a race issue. You’re trying to turn us into crabs in a barrel. Now I see your attitude. I’ve seen how you play your hand. You want us to talk shit and beef and call each other names while you sit there and make money. You don’t even show your face.”
Vlad then decided to share screenshots of each interviews on “The Breakfast Club” last 12 months. Each interview was a month apart, although Marlon’s interview only had 300,000 views while Vlad’s interview had near 800,000 views.
He further criticized Marlon, saying, “You peaked 20 years ago and have been in decline ever since. There’s nothing wrong with that, but it still feels like 2004. All this time I’ve been giving you facts with real numbers, and all you can do is play the pathetic race card in response. So look in the mirror and lie to yourself about who you think you are – the numbers don’t support it.”
Vlad is seen as someone who’s obsessive about exploiting black culture in any way he can. Many have seen him as harmful to the black community, and a few have even white people brought his behavior to his attention. He also threatened to finish the profession of the humans. But Marlon shouldn’t be moved or affected by his words or past actions.
“I am worth what I say. People like you don’t make me or break me. I am self taught” – Marlon decided“I go where I want. I don’t like your tactics. I’ve been a gentleman. I haven’t expressed my grievances to other people. You’re trying to screw other black men in my field over me. You’re asking them for my money?”
He Completed his series of responses: “You were being disrespectful, and I’ve been a gentleman up until that point. It was tactless, unprofessional, and petty. You’re trying to overthrow a king here. You’re trying to incite conflict in my community and among my peers. That’s not going to happen, buddy. I’m loved.”
If Jimmy Kimmel paid Marlon $40k for this interview, he would have lost $39,500. LOLLLLL
— DJ Vlad (@djvlad) August 16, 2024
Fans clearly shared different sides of the conflict.
“I hate DJ Vlad, man,” said one fan he saidbefore adding: “I understand if you don’t agree to the terms, but shitting on Marlon Wayan like that n***a hasn’t been doing this shit in almost 35-40 years at a high level is ridiculous.”
Another one rocked out to “Good Grief,” the comedian told Vlad: “You make money off of black men, period, you pay them what they’re worth! But as a culture vulture, you have a problem with that. You pray to the young and ignorant who have no idea how you are or don’t care. Pathetic. Black people stop this weirdo.”
There’s no telling what DJ Vlad’s next move might be, but that is the second time he’s come under fire in the past few months. The content creator was last attacked online in May of last 12 months after sharing his opinion on the Kendrick Lamar vs. Drake feud.
“Kendrick’s ‘Not Like Us’ needed a better mix. It takes away from the song,” he wrote in a now-deleted post on X.
Princeton University professor Morgan Jerkins, who worked in the creative writing program on the Lewis Center for the Arts, responded, “You’re WHITE. This is a BLACK PEOPLE ISSUE.”
The former Princeton graduate simply explained that his “opinion was in a discussion that was unnecessary. This conversation is and should be about black people, not you.” Vlad responded by threatening to contact the college and fire her over their exchange.
“Good luck being a professor at @Princeton again. I doubt the university would support its professors telling non-black students to shut the hell up about anything hip-hop related because of the color of their skin“- wrote Vlad in considered one of his many, now deleted, posts.
My friend 😭 Thank you https://t.co/dvEbBCLeKP
— Morgan Jerkins (@MorganJerkins) May 5, 2024
He later apologized for tagging Princeton in his posts, but not for what he said.
“DJ Vlad trying to expose and intimidate a black female professor from Princeton. It’s hilarious. But the funniest part is that she’s Darkchild’s niece, lol,” wrote one X user excellentreferring to Grammy Award-winning music producer Rodney “DarkChild” Jenkins.
Online fans supported the professor back then in the identical way they support Marlon now.
“But an interview with Vlad would take him down a few notches. Like Godfrey and Marlon Wayans. See the difference? His presence would help you and uh, you have to pay for that,” the fan said he said.
Godfrey, who was once an everyday guest on VladTV, later admitted that he would now not work with the Russian DJ because he’s, as some say, a “culture vulture.”
In 2022 interview In Pierre’s book Panic Room, he stated that his treatment of the black community was considered one of the explanations he left.
Vladimir #rule you are mad because black individuals are finally exposing your fraud @GodfreyComedian The neatest thing to say can be: you like to become profitable off our culture after which you need to disrespect us!
We ought to be boycotted, Vlad
You are only the police!
You bring black… photo:twitter.com/bJwhmQD9st— ¥OD££ (@Realyodee1) August 16, 2024
Entertainment
LaMelo Ball Charlotte turns heads as she arrives at the game in Scooby-Doo’s “The Mystery Machine.”
CHARLOTTE, N.C. (AP) – Say what you’ll about Charlotte’s LaMelo Ball, but there isn’t any denying the 2022 NBA All-Star has a mode all his own.
The Hornets point guard turned heads on Thursday night when he I drove as much as the Spectrum Center for the team’s game against the Detroit Pistons in a colourful Hummer a reproduction of Scooby-Doo’s “Mystery Machine” – only rather more expensive than the one Shaggy and Velma rode in the kid’s cartoon.
Ball, a lover of enormous dogs, promoted the release of his Scooby-Doo x Puma MB.04, which might be released on November 27.
Ball wore vivid, multi-colored Puma shoes during warm-ups after which become vivid orange shoes for the match.
After the Hornets won 123-121 in extra time, Ball said he liked how his rental equipment was dressed up.
Ball, nonetheless, stopped in need of saying he might try to purchase one, joking, “I already have a Hummer, so I wouldn’t even bother.”
Entertainment
Angelina Jolie’s disturbing performance in new interview sparks criticism Years after health problems caused her face to sag
Angelina Jolie promotes her next film, “Maria”, in which she plays the role of the famous opera singer Maria Callas.
However, for some fans, the press was more about Jolie’s health and appearance than her work in film.
On November 21, Jolie sat down with Michael Strahan for an interview on “Good Morning America” to discuss her fear of using her real voice to sing opera for the role and the enjoyment of motherhood. However, in the course of the chat, some fans claimed they noticed Jolie’s face looked different than usual.
One person was cited by Express US for this story he said“It looks rough.”
Another commentator on Page Six he wrote“Ok, I just read that her face looks different because she stated that she developed hypertension and Bell’s palsy, a condition that she said caused her face to droop to one side. I assumed she looked like she had a stroke, in order that explains it.
Debates about Jolie’s sickly appearance erupted when fans noticed visibly large veins on her arms during separate red carpet appearances. Even those that knew her health were still shocked and anxious by her photos.
Jolie first revealed that she had the disease in 2017. In an interview with Vanity Fair she said he said she discovered she had hypertension and Bell’s palsy in 2016, the identical yr she filed for divorce from Brad Pitt.
So when she was diagnosed with the disease, she said she wasn’t sure what could have caused it. “I can’t tell if it’s menopause or if it’s just the year,” said Jolie, then 42. “Sometimes women in families put themselves last until it manifests itself in their own health.”
However, she also said that she is trying to pay more attention to her health. “I actually feel more like a woman because I make wise choices, I put my family first and I am responsible for my life and health. I think that’s what makes a woman complete.”
Last yr, the “Maleficent” star opened up again about her condition, revealing that it was caused by the stress of ending her relationship with Pitt.
In an interview with The Wall Street Journal, she said he said“My body reacts very strongly to stress. My blood sugar levels go up and down. Six months before the divorce, I suddenly developed Bell’s palsy.
According to National Institute of Neurological Disorders and Stroke“Bell’s palsy is a neurological disorder that causes paralysis or weakness on one side of the face. It occurs when one in every of the nerves that control the facial muscles becomes damaged or stops working properly, which may cause the facial muscles to droop or sag.
Entertainment
“The Honorable Shyne” is a hit. This is why I wanted to tell this story. — Andlandscape
One of the primary reasons Andscape culture author Justin Tinsley and I were tapped to co-executive produce was our backgrounds as music journalists. The documentary chronicling Moses “Shyne” Barrow’s rise to fame, imprisonment, and re-emergence as a political leader suits firmly into our wheelhouse, as his best rap years got here within the early 2000s – right at the center of our hip-hop fandom. I donated my time helping with the documentary, which was a top ten show in its debut week on Huluas a likelihood to help tell the story of hip-hop. I got here away from the project with an understanding of a man in conflict, at odds with himself and his past, and wanting to forge a path forward.
Shyne’s story illustrates the American dream: a poor black immigrant comes to America and from nowhere becomes one in all the largest rap stars. It is also a story about how the American criminal justice system and music industry chew up and spit out so many young Black people. To carelessly follow Shyne’s story is to consider him as just one other young black man who fell into a bad situation and never recovered. After all, his rap profession was effectively derailed when in 2001 he was sentenced to ten years in prison for the 1999 shooting at Club New York in Manhattan. But what inspired me about Shyne’s story was his refusal to let this devastation define him.
In 2021, I hung out in New Orleans with former No Limit rapper McKinley “Mac” Phipps, who had just been released from prison after spending 21 years in prison for a murder he denied committing. As I listened to Shyne’s story, I considered Mac. Both were avatars of a system that tested rap as much because it tested individual men. Mac’s story was about how hip-hop lyrics may be used to accuse someone within the face of overwhelming evidence of their innocence. Similarly, Shyne’s trial created a sensation about hip-hop’s relationship to violence in a city hungry for head on a plate.
Both Shyne and Mac emerged from prison as completely different people than once they entered. In Mac’s case, it was the period of time he spent at home, during which he transformed from a teenage rapper into a man after 20 years spent in confinement. For Shyne, his transformation got here from faith when he converted to Orthodox Judaism in prison. When I have a look at people like Shyne and Mac, I wonder how they’ll survive being locked in a cage, and their answers are inspiring.
While Shyne’s rap stories are what drew me to this project, it’s his journey as a man that makes me proud to help tell his story. And we actually get to see that journey after he raps the ultimate bars of his rap profession.
Shyne got here to the film wanting to discuss his lowest moments – the time after his release from prison in 2009, when he lashed out, frustrated at seeing a latest crop of rap stars emerge within the void left by his absence. He was rudderless. As rudderless as anyone may be who has lost a decade to a prison system that wanted to destroy him. And much more, since it was closed when the superstar’s fame was on the tip of his fingers.
The raspy-voiced rapper could have let these mishaps define him, but that is where Shyne’s story resonates with everyone, whether or not they’re a rap fan or not. Shyne’s second act, the one through which he finds purpose in community and family, where he uses his innate charisma and true genius to turn out to be a political leader and motivational speaker.
I cannot discuss Shyne’s reappearance without mentioning Sean “Diddy” Combs. Combs, the disgraced hip-hop mogul who signed Shyne to his label Bad Boy Records and helped launch his profession, is the elephant within the room throughout the documentary and in Shyne’s life. So lots of the artists who emerged under Diddy – from G Depp and Mase to The Notorious BIG – suffered terrible consequences. Shyne’s name was all the time on the list because he spent ten years in prison. And yet, Shyne’s approach to healing and moving forward is as inspiring as his ability to overcome what he sees because the sabotage of his life and profession.
These are lessons I didn’t expect to learn from the stories in regards to the hip-hop star from my childhood. These are inspiring moments that can be of interest to those that haven’t yet turn out to be inquisitive about the Brooklyn, or somewhat Belizean, rapper featured within the documentary. These are the points that make me proud to be a a part of telling Shyne’s story.
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