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Netflix’s “Daughters” is a moving and moving film reminding us how important it is to be a present father to our daughters

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Panama Jackson theGrio.com

I’ll get right to the purpose — “Daughters,” a documentary currently streaming on Netflix, floored me. I cried, was almost inconsolable for a while, and truthfully, I wasn’t sure I could finish watching the movie. I did, but I didn’t feel any higher when it was over. I used to be grateful that I could hold, touch, talk to, and be with my daughter almost on a regular basis.

“Daughters,” directed by Angela Patton and Natalie Rae, follows a group of incarcerated fathers and their relationships with their daughters as they prepare for a “Date with Dad” dance at a Washington, D.C., prison where fathers are held. The fathers undergo a 10-week fatherhood course on what it means to be a present father, which is each a logistical and psychological nightmare within the lead-up to the dance. At the identical time, the daughters are also preparing for the day. The film follows 4 girls specifically, who’re all different ages and have different relationships with their fathers. The relationship part is where I knew the documentary was going to turn into an emotional disaster for me.

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For example, the youngest girl, Aubrey, is 5 after we meet her, and clearly loves her father, Keith. She is aware of how long he’ll be gone, is optimistic about his return, and has vivid memories of their relationship. She is a comfortable, smart girl. All I could take into consideration and wonder was whether this relationship was sustainable; young children naturally give attention to the positives, but older children grow to be content with reality, and the every day absence begins to wear on them. Unfortunately, we see this play out through the years as we follow the youngsters through the film. Where we start with Aubrey and Keith, it doesn’t end, and it broke my heart for his or her relationship because when Keith is released from prison, Aubrey will be about 15. You can’t take back those early life.

There’s Ja’Ana, who doesn’t even remember what her father, Frank, looks like and barely keeps in contact with him. There’s Santana, who’s mad at her father, Mark, for continually being in and out of prison, and then there’s 15-year-old Raziah, whose father, Alonzo, is serving a 30-year sentence and she’s pretty clear concerning the negative effects his imprisonment has on her.

Watching the women’ stories (and their moms’ too) and seeing how hard their father’s incarceration was on them was hard. I actually have a 15-year-old daughter who I can’t imagine being separated from. As a parent and a father, certain content about parenting all the time stirs up emotions I’m not even aware of. I cry at things now, from movies to commercials to deliberately manipulative videos and social media posts. Parenting changes you; my children are sometimes a source of motivation and, truthfully, they offer me strength when times are tough. I can’t imagine not seeing them or touching them. The empathy I felt for my daughters and their fathers tugged at me throughout the documentary.

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What shattered my ENTIRE soul was this realization: I do know these fathers had two and a half months of impatiently waiting to see their children for a few hours. I also knew the dance would end, and the separation endlessly (for a few of them) was coming, and watching it on screen was going to hurt. I used to be not prepared for how hard it was to watch these little girls leave their fathers. Everyone within the gym where the dance was happening knew that point was limited, but knowing and experiencing it, and then translating it onto the screen, hit me in a place that just about made it harder to watch. I hated seeing them separated; the hugs that had to end, not knowing when the following one would come. The guarantees that would not be kept from behind bars. The optimism you possibly can hear in a number of the fathers’ voices as they tried to stay positive despite the circumstances was palpable.

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And then he realized that there have been fathers on the prom whose daughters didn’t show up or didn’t show up. After the prom, Keith (Aubrey’s dad) mentioned going to his cell and crying, trying to recall the memory. Earlier within the documentary, the counselor mentioned how common this was and that fathers could try to recall the memory so long as possible as a response to the trauma of the breakup.

The realization that many prisons not allow in-person visits, often resorting to expensive video calls or plexiglass partitions that prevent families from touching, was a gut punch I didn’t expect. For lots of these fathers and daughters, this was the one hug they got until their father was released. Again, emotionally, the reality of their circumstances had a fully devastating effect on me, so I can only imagine the pain these men and girls felt.

There are some hints of comfortable endings within the documentary, however the criminal justice system doesn’t provide peace for all of the families involved. It made me want to cherish every moment I had with my children, especially my daughter. I’m unsure if I’ll ever be able to watch this documentary again, but knowing this is enough. I pray for the families caught up within the criminal justice system and its ability to destroy families. And I pray for all of the daughters who’re coping with similar circumstances. I can only suggest to those that should not, keep your head up and pray for peace, patience and understanding. I hope these families are able to rebuild; these daughters need it.


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“One of the greatest actors in history”: Spike Lee praises Denzel and Drops trailer of the new movie Together

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There are few dynamic duets in Hollywood that require attention like Spike Lee and Denzel Washington. Many of us still resemble the electric sense of watching “Got Game” or “Malcolm X” and about how their good history has transported us to a different place and time.

Now fans of the best filmmaker from Brooklyn and Money are gaining their very own Mount Vernon, they not must wait for fresh inspiration.

This week, Lee divided for the first time into the “highest 2 lowest”, his new thriller with Washington, which also includes $ AP Rocky, Jeffrey Wright, Lachanze, and even the Ice Spice camera. He wrote on Instagram:

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“I know that you waited” Hella Long “, and here is the trailer will give a teaser (finally) to 5. Return D and Lee-Otwywy Street 2 lowest. I da Washington/Lees Family Truth, Ruth. Ya-dig? Sho-Nuff. Simple up (fire) “

The mysterious trailer plays on the hit of James Brown “The Big Payback”, and Denzel Washington talks a few warning about the pursuit of money: “Can you deal with it? All the money is not good.”

IN Last performance In Anthony’s Carmelo Podcastie, “19:00 in Brooklyn” Lee suggested the creation of a movie, not revealing an excessive amount of.

“Denzel plays a music tycoon known as the best ears in the industry – and there is a kidnapping,” Lee said. The film is a reinterpretation of Lee in the classic “High and low” by Akira Kurosawa from 1963.

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The film, produced by the iconic favorites A24 Studio, will definitely generate noise in theaters, and when Apple TV+will hit. His release appears amongst the growing expectations for one more known project Duo Black Filmmaking Duo-Ryan Coogler and “Sinners” by Michael B. Jordan.

“It’s as if we were outside in the garden … it’s amazing! Amazing,” Lee said, Praining Coogler and Jordan. “They do their job.”

Lee had nothing but Washington, saying Carmelo that their relationship was an actual creative blessing.

New York, New York – April 21: (LR) Denzel Washington and Spike Lee participate in Entertainment Community Fund 2025 Gala at Marriot Marquis on April 21, 2025 in New York. (Photo Jamie McCarthy/Getty Images)

“This is a blessing,” he said, serious about their ten-year partnership, including “Mo ‘Better Blues” and “Inside Man”. “I am blessed that I work with one of the greatest actors in history.”

Lee also shared that “the highest 2 lowest” was invited to be shown at the Cannes film festival – on a major date: May 19. This is the same day “To The Right Thing” of the premiere in Cannes in 1989, in addition to the birthday of Malcolm X.

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“I believe in numerology. It’s special for me,” Lee said.

“I am very pleased with the way the film has come up with, and I can’t wait to share it with the world.”

Check the trailer “top 2 lowest” below.

https://www.youtube.com/watch?v=n4cgw8aojbw

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Jeffrey Wright, Denzel Washington to play

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Trump threatened 100% tariff in a film made outside the USA. Here’s what we know

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President Donald Trump looks at Hollywood at the next round of tariffs, threatening to download all movies produced outside the US 100%.

At the weekend, Trump accused other countries of “theft of film abilities” of the USA and said that he authorized the US trade and US trade representative to instantly start the strategy of implementing this recent import tax on all foreign movies. But further details or dates haven’t been delivered. And the White House confirmed that no final decisions were made from Monday.

Later Trump said that he would meet with industry directors about this proposal, but many remain unclear as to how you may even implement import tax on complex, international productions.

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If they’re imposed, experts warn that such a tariff would dramatically raise the costs of making movies. This uncertainty can place film creators suspended, like other industries which have recently been caught on the sight of today’s ongoing industrial wars.

Unlike other sectors, which were recently addressed to tariffs, movies transcend physical goods, questioning the greater consequences of mental property. Here’s what we know.

Why does Trump threaten this steep film tariff?

Trump refers to fears related to national security, justification, which is similarly used to impose import taxes in some countries and a variety of goods specific to the sector.

On Sunday evening post On its Social Social Trump social networking platform, the American film industry “dies for a very fast death” because other countries offer “all kinds of encouragement” to drag out movies from the USA

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Trump previously expressed concern about the production of movies abroad. And in recent years, American film and tv production has been difficult between Covid-19 pandemic failures, Hollywood Guild Strikes from 2023 and up to date fires in the Los Angeles region. Motivation programs have also been inspired for a very long time where movies are shot each abroad and in the USA, and more production leaves California to states similar to Georgia and New Mexico-also countries similar to Canada.

But unlike other sectors directed until recently imposed Trump tariffs, the American film industry currently has a industrial deficit, which is in favor of the USA.

In cinemas, movies produced by America predominantly dominate the domestic market. Data from the Motorcyclist Association also show that American movies have earned $ 22.6 billion for export and $ 15.3 billion in 2023 – with the last report noted that these movies “generated a positive trade balance in every main market in the world” for the USA for the USA

Last yr, international markets accounted for over 70% of total money revenues in Hollywood, notes Heeyon Kim, assistant to the strategy professor at Cornell University. He warns that tariffs and potential retaliation from other countries affecting this industry may result in billions of dollars of lost earnings and 1000’s of jobs.

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“For me (this) there is simply no sense,” she said, adding that such tariffs can “undermine the flowering part of the American economy differently.”

The international Alliance of theatrical Stage Employees who represents the behind -the -scenes entertainment employees in the USA and Canada, on Monday said that Trump “correctly recognized” “urgent threat from international competition”, which is facing the American film and tv industry. But the union said that as a substitute, she really useful the administration of the implementation of the federal encouragement of production on production and other provisions regarding the “leveling of the pitch”, while not harming the industry.

Experts warn that Trump Cuts to Federal Grants will make black communities less safe and prosperous

How could a tax on foreign movies work?

This is no person.

“Traditional tariffs apply to physical imports cutting boundaries, but film production includes primarily digital services-photographing, editing and post-production work that takes place electronically,” notes Ann Koppuzha, a lawyer and lecturer in business law at the Leave School of Business University at the University of Santa Clara.

Koppuzha said that film production is more like a used service that could be taxed, not a cell. But taxes require confirmation by the Congress, which could also be a challenge even in the case of a republican majority.

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Making a film can be an incredibly complex – and international process. Both large and small movies include production in the US and other countries. For example, large budget movies, similar to the upcoming “Mission: Impossible-The Final Reconing”, are shot throughout the world.

US studies often shoot abroad because tax incentives may help in production costs. But the general tariff around the world can discourage or limit options, she said Kim – hurting each Hollywood movies and global industry that help to create them.

“When you create this kind of vocabulary, you lack any nuances of how production works,” added Steven Schiffman, a longtime industry veteran and assistant professor at Georgetown University. “Sometimes it is enough to go to the location, because to be honest, it is too expensive to try to create on the sound stage”

Schiffman points to popular titles shot outside the USA – similar to the “Harry Potter” Warner Bros series, which was almost entirely shot in Great Britain “the costs of making that would literally produce these films under the proposed tariff,” he said.

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Trump in a new interview says that he does not know if he supports constitutional rights

Can film tariffs have repercussions on one other mental property?

In general, experts warn that the perspective of tariffing foreign movies falls into unexplored waters.

“There is simply no precedent or the sense of using tariffs for this type of creative services,” said Koppuzha. And although the Trump administration can extend similar threats to other types of mental property, similar to music, “they would encounter the same practical obstacles.”

But if it succeeds, some also warn of potential retaliation. Kim points to “amounts” that some countries had to assist in increasing their national movies, ensuring that, for instance, they get a few of the theater screens. Many of them have reduced or suspended such amounts over the years in the name of an open trade-but if the US imposes a wide tariff to all foreign movies, such amounts could return, “which will hurt a Hollywood film or any intellectual property,” Kim said.

And although the US domination in the film means “there are fewer substitutes”, Schiffman notes that other types of entertainment – similar to game development – could see related effects on the road.

Others emphasize the potential consequences of international cooperation.

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“Creative distribution of content requires thoughtful economic approaches that recognize how modern story story flows over the boundaries,” notes Frank Albarrella, the American leader of the media and telecommunications sector at KPMG. “The question hanging on every screen: can we better cultivate American history through intelligent, targeted incentives, and maybe inadvertently force the audience to pay for more for what can become a narrower creative landscape?”

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“Sinners” by Michael B. Jordan and Ryan Coogler is the number 1 at the ticket office, earning $ 45.6 million at the opening weekend

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As expected, the film “Sinners” by Ryan Coogler, with the participation of Michael B. Jordan, was an enormous success at the ticket office at the opening weekend. According to Diversity“Sinners” reached first place at the ticket office, earning about $ 45.6 million in the USA and $ 15.6 million abroad, which is $ 61 million of their global debut.

“When we still try to introduce a number of films to filmmakers, we are glad that Ryan Coogler Sinners’ original film (…) resonated with the audience in such a star way,” said in an announcement Mike de Luca and Pam Ryan Abdy Ryan Ryan Bros. Motion Picture Group for a thr. “Movies have the power to transport us to the worlds seen only on the big screen, and Warner Bros. Pictures remains involved in providing individual experience in the theater among viewers looking for bold films, both original and based on beloved existing real estate.”

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“Sinners” not only defeated “Minecraft Movie” from place 1, but apparently it is also the best starting of the original film since Jordan Peele’s “US”, who reached $ 71.1 million at the opening weekend in 2019. However, money sales should not the only thing that makes Coogler’s film observed. When negotiating the production of a movie with studies, Coogler reportedly asked to take care of the final reduction of the film, the percentage of revenues from the money register, and not waiting for a return, and most significantly, Property of “sinners” 25 years after its release.

“My uncle James was from Mississippi, he was born there and raised. I was very close to him and was my introduction, my point of entry into the blues (because) listened to him when I spent time with him,” explained Coogler. “After my death in 2015, I listened to CDs with a renovated perspective and a desire to understand my uncle again, although he was not here anymore. And thanks to these research I found the motivation to make this movie.”

(*1*)

With an almost ideal rating at Rotten Tomatoes, vampires Horror tells everyone talking. In 1932, Mississippi, “Sinners” appears in Jordan in double roles as an identical twins that smoke and piles that return to his hometown to open Juke Juke. But things are taken by an unexpected phrase when the great opening of dual entrepreneurs, which was to be full of music and fun, is interrupted by vampires. Delroy Lindo, Hailee Steinfeld, Wunmi Mosaku and Pękaw Miles CatonThe sinners make clear the blues delta, spirituality and way more.

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