Do you might have shoes on earth? Because it’s officially the “Cowboy Carter” season, and for some cowboys and cowboys it’s their first rodeo.

Queen Bey went to town for the primary night of her “Cowboy Carter Tour” at Sofi Stadium in Los Angeles on Monday, April 28, with large blondes, a deposit of cowboy hats, lots of bangs and three of her children.

The 43-year-old winner of Grammy began “American Requiem”, the primary song from her eighth studio album “Cowboy Carter”, People magazine Reported. In this system, which reached barely lower than three hours, he contained 35 songs and all three of her children (which she shares with her husband, Jay-Z), appeared all night.

While her oldest, 13-year-old Blue Ivy, continued the role of a member of her mother’s dancers-in this alteration of wardrobe matching Beyoncé-Oddysłu’s debut Beyoncé Tour, in response to the debut, in response to Rolling Stone warehouse. Beyoncé led her throughout the performance of “Protector”, the song “Cowboy Carter” with seven -year -old.

When the gang went crazy, Rumia fired a shiny smile and waved excitedly, then hugged her mother. At one point, Beyoncé posed with two daughters and the remaining of the dancers for a striking moment on the stage. After the moving performance, Beyoncé video was edited and all her children, including rare materials from brother Twing Rumia, Sir.

Beyoncé will perform 4 more concert events on the Sofi Stadium before it passes during a global concert tour. “Cowboy Carter Tour” will even stand out in Chicago, New Jersey, London, Paris, Houston, Washington, DC, Atlanta and Las Vegas. However, before every part began, the companion’s book became popular since it contained a replica of the singer’s birth certificate.

The route is well known by the eighth studio album Beyoncé and First Formal Flay In Country, “Cowboy Carter”, which took three Grammy Awards home, including “Best Country Album”, “Best Country Duo/Group Performance” for “II Most Wanted” with Miley Cyrus and the very wanted ” Despite the fact that he is the most decorated Grammy winner in the history of the Academy, this meant the first victory of “Album of the Year” for the singer “Texas Hold ‘EM.

“I just feel very full and very honored. It was many, many years. I just want to thank Grammys, every author of the songs, every colleague, every producer, all hard work,” she said during a speech to simply accept the award.

At the weekend, it was announced that Outkast along with Chubby Checker, Bad Company, White Stripes, Soundgarden and Cyndi Lauper might be introduced to Rock & Roll Hall of Fame. The commercial was released live during the Rock & Roll Hall of Fame episode. When I saw the message, as well as to saying “of course”, I also had a moment of reflection on how significant education and hip-hop life were. While most hip-hop groups, especially people who gained importance in the Nineties, are less apprehensive about recognizing the mainstream (like grammy), seems significant for Rock & Roll Hall of Fame.

At the starting, this can be a confirmation of “establishing” power and hip-hop power, through which various acts of the previous few years have been introduced. Past Hip-hop inuktei Take under consideration Eminem, DJ Kool Herc, tribal task, Missy Elliot, Jay-Z, LL Cool J, Tupac Shakur, The Notorious Big and NWA, Public Enemy, Beastie Boys, Run-DMC and Grandmaster Flash and The Furious Five.

The way the Wu-Tang clan just isn’t yet in the corridor is beyond me, but fortunately Outkast will soon add Rock & Roll Hall to their already strengthened legacy. Outkast is a bunch that made many children in the south who grew up on hip-hop, seen in a way that other groups didn’t do. Sure, from the south there have been many groups that preceded the Atlanta duo before he hit the national stage in 1994 – groups similar to Houston’s the Geto Boys and Memphis’ 8Ball & MJG to mention only just a few – but there was something about outkast, which made it different.

First of all, they represented Atlanta at a time when Atlanta became black national curiosity. For those of us who’ve connections with the city of Macocha, it comes from Atlanta, so my grandmother’s house on the west side of the city seemed zero for all emotions related to the music scene of Atlanta, mainly from the western and south-western part of the city-he felt like “home”. Their first video for “Player’s Ball” was in such a well -known character in 1993. I used to be 14 when “Play’s Ball” fell and fell in love with hip-hop.

However, most of the music I loved got here from the west coast. Ice Cube, Dr. Dre and Snoop Doggy Dogg took the whole space in my tape waist, and the movies from these places introduced me to remote places that I didn’t know if I ever see. The same thing was about New York. Hip-hop made me miss a city that I didn’t see for the first time until June 2001, after I was 22 years old. But Outkast made his movies in Atlanta and I knew Atlanta. I saw the streets I knew and stored, which weren’t removed from my grandmother’s house. I saw the house.

This feeling led me to my whole profession. Despite the indisputable fact that it’s one of the most successful hip-hop groups in history, their sound has changed almost blockades with the city, if it doesn’t change the sound of the city. I actually have long told a story about how I remember the exact automobile parking space of K-Mart, through which I used to be, after I first heard the changing album (for me), “Wind (Me & U)” in the summer of 1996. This song meant rather a lot to me.

This changed the way I listened to music and the way I interacted with what I knew I used to be a hip-hop. While their first album was a southern classic, they stuck the convention and transformed their second album “Atliens” into Odea to space and ethereal sound. The whole album sounds Muddy, the sound of Kanye West and Drake will popularize over a decade later, turning it into the sound of music as a complete.

Their Magnum Opus, “Aquemini”, was “one”. This album made sure that the whole country must sway with Outkast. They were lyrical at the top of their games and sound on one other planet, delving into funk, jazz, boom-bap … mainly every form of black music. And because we were all like “Yes!” They took their formula from “Stankconia”, an album that gave us two of their most species albums in “Bob” and “Mrs. Jackson”.

And because no discussion on Outkast will be conducted without their last act (as a duo) in avoiding tradition, to give every little thing we knew about hip-hop, “Loud BOOKXX/The Love below” appeared in 2003, and since it was so left fields, eventually the Grammy awarded for “Album of the Year” Lauryn Hill.

For those of us who grew up from Outkast, their introduction to Rock & Roll Hall of Fame is just one other pen of their hat. This is a pleasant distinction that permits fans like me to visit their catalogs again and appreciate them again. But this recognition would exist with or without every other awards.

When I used to be 14, Outkast created a everlasting fan of me, giving me a sound that looked like the spaces I knew and knew. Hip-hop has long been music about the environment, and other people and outkast talked about them each. It helped me that I could give you them in a food market if the right matter called. At this point, their contribution to music is needed; They belong to Rock & Roll Hall of Fame and I’m excited that they still get flowers once they are still nearby to smell them.

Room, a-city down.