Connect with us

Lifestyle

Raygun deserves an Olympic gold medal for colonizing breakdance

Published

on

Harry was an advocate of cultural appropriation.

Formally trained by the Irish Clock DancersHarry Swinton was the undisputed champion goat and winga dance form that mixes tap dancing with historically black dance piece of cake dance. Swinton knew the Irish were disgusted by his shameful black additions to the normal dance of their homeland. But because the star of the hit musical “In Old Kentucky,” Swinton didn’t care. Every night after his performance, Swinton challenged the very best Irish tap dancers, black cakewalkers, and anyone within the audience to a dance battle. Whoever beat him won a gold medal and bragging rights over the very best stag and wingman in America. And every night, Swinton won…

Until he met Luther.

Luther was not a supporter of cultural appropriation.

Luther Robinson was not formally trained, but from the age of 5 he danced cakewalking, clogging and buck dancing. He was raised formerly enslaved womanso Luther knew that cakewalking originally made fun of the white people’s way of dancing. He knew that “buck dancing” referred to “flat feet”dancing to the buck jig of unruly Irish immigrants”, which Carolina Gullah Geechee described as “Bukra.” Although Luther hated his name, creator Constance Valis Hill notes, “One thing he (Luther) had in abundance was courage..” He didn’t care about medals or roles. When he accepted Harry’s challenge on the Bijou Theatre in Brooklyn on March 30, 1900, Luther wanted something different.

Harry’s crown.

Luther entered the competition under his brother’s name—Billy—and immediately began “calling” Harry. Luther ran off a gauntlet of New York’s biggest Irish dancers before facing the buck-and-wing king within the finale. Harry walked on stage and sprinkled a layer of sand on the ground, which added a scuttling sound to his buck-and-wing. To the Irish cloggers, it was shameful. The audience thought it was revolutionary. Luther had seen it done 1,000,000 times. He began by dancing on the bottom. When Luther began showing off his talent and athleticism, the audience went wild. The judges later said that they had never witnessed such “speed and clarity.” The Irish dancers watched in awe, planning to steal the brand new technique. In one night, Luther transformed a historically white dance genre right into a memory. Modern dance scholars credit clock dancing with giving birth to clogging, which gave birth to buck and wing, which gave birth to many American dance genres from jazz to hip-hop. Historians later noted that Luther’s contribution to bop was “precise and specific… He got him on his feet, dancing in an upright position and swinging.” For the next 50 years, critics hailed Luther as “The King of American Dance.” But these historians, scholars, and critics were fallacious. Luther was not an innovator or a co-creator. He was not even a king.

Featured Stories

Luther was a murderer.

The moment the judges awarded Luther the gold medal, Irish tap dance became a relic of the past. Buck and wing were dead. Every dancer—black or white—needed to be reborn into something recent. Harry Swinton’s profession was dead (within the film adaptation of “In Old Kentucky,” Luther played the old Swinton role). Perhaps the one thing that survived the explosive debut of this recent “tap” was the stolen stage name of the 22-year-old Luther:

Bill “Bojangles” Robinson.

Rachael “Raygun” Gunn is the Bill “Bojangles” Robinson of Olympic breakdancing.

Before becoming the oldest dancer to compete in the primary ever Olympic breakdance competition, the 36-year-old b-girl received formal training in white dances including ballroom and ballet. With moves like The Caucasian Kangaroo, the Epilepsy Slide, and — my favorite — the Silly ShuffleRaygun managed to stun Black Twitter and mix traditional breakdancing with an Outback Steakhouse version of b-boying. Her performance wasn’t rude or offensive, slightly embarrassing. Watching her Caucasian convulsions rating zero points within the Olympics was like listening to Iggy Azalea freestyle or watching local weather presenter “make your move.”

But Raygun will not be an advocate of cultural appropriation.

Although there is no such thing as a universally accepted definition of the term, cultural appropriation normally refers back to the misuse of art, terminology, or cultural artifacts by someone who doesn’t acknowledge the cultural roots. The Crocodile Dundee of Dance holds a Ph.D. in Cultural Studies and has lectured on the topic cultural policy of breaking. Gunn is not any different than a durag-wearing Lithuanian b-girl whose nickname sounds a little bit too very like the n-word for my taste (at the least she selected “Nick” and never Nickker”). Raygun wasn’t scary, she just buckdanced and clogged in front of Bojangler. She did

“I never intended to beat these girls at what they do best,” Gunn said. Independent“I wanted to move differently, be artistic and creative, because how many opportunities do you have in your life to do that on an international stage? … Sometimes it speaks to the judges and sometimes it doesn’t. I do my thing and it represents art. That’s what it’s about.”

That’s not the purpose.

As considered one of five pillars of hip-hopBreakdancing is a historically black dance genre. Just as step dance has Irish and white American influences, hip-hop has Latin, African, and international influences. But the emcees, b-boying, DJing, graffiti, and knowledge haven’t made hip-hop a worldwide phenomenon. Its worldwide popularity is basically on account of its roots in black American culture. While breakdancing became an Olympic sport because hip-hop is global, the recognition, history, and cultural contributions of black American music, art, fashion, language, and dance that preceded hip-hop have laid the groundwork for the genre’s global appeal. Hip-hop is global.

However, Olympic breakdancing will not be a dark art. It is a product of sports entertainment that’s historically a dark genre. It was included within the Paris Olympics to “attract younger social media viewers and provide them with a new level of excitement,” in response to the president of the International Olympic Committee, Thomas Bach. Of course, after they say “younger, social media audiences,” they do not mean funny memes on black Twitter. He was talking about individuals who like plantation art and Shirley Temple music. He was talking about individuals who like black art without the pain.

what is the point. And that is why the IOC killed Olympic breakdancing. Just just like the organizers of the Paris Olympics selected breakdancers to draw individuals who don’t watch the competitions hula hoop Or underwater balletthe organizers of the Los Angeles Games “decided to incorporate cricket, squash, lacrosse, baseball, softball and flag football within the 2028 Games“The Olympic Games in Los Angeles don’t need a break.

One thing America has an abundance of is the commercialization of black art.

To be clear, it didn’t die. Like all black art, the genre evolved. But by disconnecting itself from the culture and folks who influenced it, it was reduced to a cultural artifact. Just as blacks had already moved on to “racial music” when Sam Perkins “discovered” rock and roll, pop-locking and windmills were eventually replaced drink too‘ and second line AND shaking.

Raygun and her fellow breakdancers are as hip-hop as Vanilla Ice or Post Malone. They are classically trained dancers competing for medals as a part of a show. They were simply imitating something black people did. They were pre-Bojangles buck dancers. They are masters of 1 small element of the culture that blackness has spawned. But their shortcomings don’t have anything to do with their ethnicity, nationality, or cultural background. They have every thing to do with

I do not regret the dearth of black defenders on the Olympics any greater than I disapprove Elvis’s impersonation of Sister Rosetta Tharpe or the Mormon Tabernacle Choir singing religious songs with a Negro theme or Eric Clapton listed as considered one of the “biggest blues guitarists of all time.“The Olympic Breaking symbolizes a particular era of a particular thing that black people once did; the people or culture that created it.

But there may be a priceless lesson hidden beneath Rachael Gunn’s story. Imagine being formally schooled in the basics of an art form by the very best and brightest white artists. Imagine becoming so good at what white people have taught you that you finally turn out to be an international celebrity. Imagine writing your thesis, performing world wide, teaching others, and being chosen to compete against everyone else who learned a white thing from white people. Now imagine knowing that at any moment, all the basics, creativity, and artistry you’ve gotten dedicated your entire life to could possibly be rendered obsolete and banished to the dustbin of antiquity by the courage and incredible power of the black imagination.

The Olympic break could also be dead, however the culture, influence and creativity that inspires admiration world wide won’t ever die.


This article was originally published on : thegrio.com
Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Lifestyle

Percival Everett wins the National Book Award for his Huckleberry Finn-inspired epic “James.”

Published

on

By

National Book Awards, 2024 National Book Awards, 75th National Book Awards, Percival Everett, Percival Everett James, Huckleberry Finn James, James novel, James book, theGrio.com

NEW YORK (AP) – Percival Everett’s “James,” a daring reworking of “The Adventures of Huckleberry Finn,” won the National Book Award for fiction. The winner in the nonfiction category was “Soldiers and Kings: Survival and Hope in the World of Human Smuggling” by Jason De León, while the finalists included Salman Rushdie’s memoir about his brutal stabbing in 2022, “The Knife.”

The youth literature prize was awarded Wednesday night to Shifa Saltaga Safadi’s coming-of-age story “Kareem Between,” and the poetry prize was awarded to Lena Khalaf Tuffah’s “Something About Living.” In the translation category, the winner was “Taiwan Travel Diary” by Yáng Shuāng-zǐ, translated from Mandarin Chinese by Lin King.

Evaluation panels composed of writers, critics, booksellers and other representatives of the literary community chosen from lots of of submitted entries, and publishers nominated a complete of over 1,900 books. Each of the winners of the five competitive categories received $10,000.

Everett’s victory continues his remarkable development over the past few years. Little known to readers for many years, the 67-year-old was a finalist for the Booker and Pulitzer Prizes for such novels as “Trees” and “Dr. No” and the novel “Erasure” was adapted into the Oscar-nominated “American Fiction”.

Continuing Mark Twain’s classic about the wayward Southern boy, Huck, and the enslaved Jim, Everett tells the story from the latter’s perspective and highlights how in another way Jim acts and even speaks when whites usually are not around. The novel was a finalist for the Booker and won the Kirkus Prize for Fiction last month.

“James was well received,” Everett noted during his speech.

Demon Copperhead novelist Barbara Kingsolver and Black Classic Press publisher W. Paul Coates received Lifetime Achievement Medals from the National Book Foundation, which awards the awards.

Speakers praised diversity, disruption and autonomy, whether it was Taiwanese independence or immigrant rights in the US. The two winners, Safadi and Tuffaha, condemned the years-long war in Gaza and U.S. military support for Israel. Neither mentioned Israel by name, but each called the conflict “genocide” and were met with cheers – and more subdued reactions – after calling for support for the Palestinians.

Tuffaha, who’s Palestinian-American, dedicated her award partly to “all the incredibly beautiful Palestinians this world has lost, and all the wonderful ones who survive, waiting for us, waiting for us to wake up.”

Last yr, publisher Zibby Owens withdrew support for the awards after learning that the finalists planned to sentence the war in Gaza. This yr, the World Jewish Congress was amongst critics of Coates’ award, citing partly his reissue of the essay “The Jewish Onslaught,” which was called anti-Semitic.

National Book Foundation executive director Ruth Dickey said in a recent statement that Coates was being honored for his body of labor, not for any single book, and added that while the foundation condemns anti-Semitism and other types of bigotry, it also believes in free speech.

“Anyone who looks at the work of any publisher over the course of almost fifty years will find individual works or opinions with which they disagree or find offensive,” she added.

The National Book Awards took place way back in mid-November, shortly after the election, and supply an early glimpse of the book world’s response: hopeful in the wake of Barack Obama’s 2008 victory, when publisher and honorary winner Barney Rosset predicted a “new and uplifting program.” ; grim but determined in 2016, after Donald Trump’s first victory, when fiction winner Colson Whitehead urged viewers to “be kind to everyone, make art and fight power.”

Keke Palmer Recalls the Key Advice Will Smith Gave Her as a Child:

This yr, as lots of gathered for a dinner ceremony at Cipriani Wall Street in downtown Manhattan to have a good time the seventy fifth anniversary of the awards, the mood was certainly one of sobriety, determination and goodwill.

Host Kate McKinnon joked that she was hired because the National Book Foundation wanted “something fun and light to distract from the fact that the world is a bonfire.” Musical guest Jon Batiste led the crowd in a round of “When the Saints Go Marching In” and sang a couple of lines from “Hallelujah,” the Leonard Cohen standard that McKinnon somberly performed at the starting of the first “Saturday Night Live” after the 2016 election.

Kingsolver admitted that she feels “depressed at the moment”, but added that she has faced despair before. She compared truth and like to natural forces equivalent to gravity and the sun, that are at all times present whether you may see them or not. The screenwriter’s job is to assume “a better ending than the one we were given,” she said.

During Tuesday evening’s reading by the award finalists, some spoke of community and support. Everett began his turn by confessing that he really “needed this kind of inspiration after the last few weeks. In a way, we need each other. After warning that “hope just isn’t a technique,” he paused and said, “Never has a situation seemed so absurd, surreal and ridiculous.”

It took him a moment to understand that he wasn’t discussing current events, but fairly was reading James.

This article was originally published on : thegrio.com
Continue Reading

Lifestyle

What is GiveTuesday? The annual day of giving is approaching

Published

on

By

Giving Tuesday, GivingTuesday, What is GivingTuesday, What is Giving Tuesday, #GivingTuesday, philanthropy, the Tuesday after Thanksgiving, seasonal giving, seasonal donations, charitable donations, theGrio.com

Since it began as a hashtag in 2012, Giving on Tuesdaythe Tuesday after Thanksgiving, became one of the largest collection days yr for non-profit organizations within the USA

GivingTuesday estimates that the GivingTuesday initiative will raise $3.1 billion for charities in 2022 and 2023.

This yr, GivingTuesday falls on December 3.

How did GivingTuesday start?

The hashtag #GivingTuesday began as a project of the 92nd Street Y in New York City in 2012 and have become an independent organization in 2020. It has grown right into a worldwide network of local organizations that promote giving of their communities, often on various dates which have local significance. like a vacation.

Today, the nonprofit organization GivingTuesday also brings together researchers working on topics related to on a regular basis giving. This too collects data from a big selection of sources comparable to payment processors, crowdfunding sites, worker transfer software and offering institutions donor really helpful fundstype of charity account.

What is the aim of GivingTuesday?

The hashtag has been began promote generosity and this nonprofit organization continues to advertise giving within the fullest sense of the word.

For nonprofits, the goal of GivingTuesday is to boost money and have interaction supporters. Many individuals are aware of the flood of email and mail appeals that coincide on the Tuesday after Thanksgiving. Essentially all major U.S. nonprofits will host fundraising campaigns, and plenty of smaller, local groups will participate as well.

Nonprofit organizations don’t have to be affiliated with GivingTuesday in any method to run a fundraising campaign. They can just do it, although GivingTuesday provides graphics and advice. In this manner, it stays a grassroots endeavor during which groups and donors participate as they please.

Keke Palmer Recalls the Key Advice Will Smith Gave Her as a Child:

Was GivingTuesday a hit?

It will depend on the way you measure success, but it surely has definitely gone far beyond initial efforts to advertise giving on social media. The day has change into an everlasting and well-known event that focuses on charitable giving, volunteerism and civic participation within the U.S. and all over the world.

For years, GivingTuesday has been a serious fundraising goal for nonprofits, with many looking for to arrange pooled donations from major donors and leverage their network of supporters to contribute. This is the start year-end fundraising peakas nonprofits strive to fulfill their budget goals for next yr.

GivingTuesday giving in 2022 and 2023 totaled $3.1 billion, up from $2.7 billion in 2021. While that is loads to boost in a single day, the trend last yr was flat and with fewer donorswhich, in accordance with the organization, is a disturbing signal.

This article was originally published on : thegrio.com
Continue Reading

Lifestyle

BlaQue Community Cares is organizing a cash crowd for serious food

Published

on

By


QNS reports that Queens, New York-based nonprofit BlaQue Community Cares is making an effort to assist raise awareness of Earnest Foods, an organic food market with the Cash Mob initiative.

The BlaQue Cash Mob program is a community-led event that goals to support local businesses, reminiscent of grocery stores in Jamaica, by encouraging shoppers to go to the shop and spend a certain quantity of cash, roughly $20. BlaQue founder Aleeia Abraham says cash drives are happening across New York City to extend support for local businesses. “I think it’s important to really encourage local shopping habits and strengthen the connections between residents and businesses and Black businesses, especially in Queens,” she said after hosting six events since 2021.

“We’ve been doing this for a while and we’ve found that it really helps the community discover new businesses that they may not have known existed.”

As a result, crowds increase sales and strengthen social bonds for independent businesses.

Earnest Foods opened in 2021 after recognizing the necessity for fresh produce in the world. As residents struggled to seek out fresh food, Abraham defines the shop as “an invaluable part of the southeast Queens community.” “There’s really nowhere to go in Queens, especially Black-owned businesses in Queens, to find something healthier to eat. We need to keep these businesses open,” she said.

“So someone just needs to make everyone aware that these companies exist and how to keep the dollars in our community. Organizing this cash crowd not only encourages people to buy, but also shows where our collective dollars stand, how it helps sustain businesses and directly serves and uplifts our community.”

The event will happen on November 24 from 2:00 p.m. to 4:00 p.m. at 123-01 Merrick Blvd in St. Albans. According to the shop’s co-owner, Earnest Flowers, he has partnered with several other Black-owned brands in the world to sell his products at the shop. Flowers is comfortable that his neighbors can come to his supermarket to purchase organic food and goods from local vendors like Celeste Sassine, owner of Sassy Sweet Vegan Treats.

At the grand opening three years ago which was visited by over 350 viewersSassine stated that the collaboration was “super, super, super exciting” to the purpose that the majority of the products were off the shelves inside hours.


This article was originally published on : www.blackenterprise.com
Continue Reading
Advertisement

OUR NEWSLETTER

Subscribe Us To Receive Our Latest News Directly In Your Inbox!

We don’t spam! Read our privacy policy for more info.

Trending