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Colman Domingo Holds Back Tears While Discussing ‘Sing Sing’

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Colman Domingo, thegrio.com

Colman Domingo gave his all in his latest role as a wrongly convicted man.

In “Sing Sing,” Domingo plays John “Divine G” Whitfield, a real-life figure who served as a pacesetter in Rehabilitation through art program while in prison. RTA is a program that gives creative arts workshops to over 230 incarcerated men and ladies across the country. As Whitfield fights to be released from prison, he finds belonging with a gaggle of incarcerated men who create a theatrical production as a part of this system.

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The role required Domingo to stretch himself emotionally and provides what he calls his most liberating performance yet. The Oscar-nominated actor had just wrapped filming “The Color Purple” and was preparing to shoot “Rustin” when he began production on “Sing Sing” in 2022. Domingo says in a brand new interview with theGrio that he had just 18 days to complete the film, which forced him to let go and go deep.

“I usually put myself through a very rigorous process of research and all these other details that can drive someone crazy, but that’s my process,” the 54-year-old actor shares. “But for this (film), I had to liberate myself in a different way. I just had to figure out what was human, what was deeply connected to me as just a black man in the world.”

“I could have been in that situation, or I could have been in that situation, and my life path would have been different,” he adds. “But holding on to life and hope and art in the way that (Whitfield) did, because I think that’s what he had to do, and that’s the true essence of the spirit.”

Colman Domingo speaks on stage as CÎROC Limonata & The House Of Creed have fun the film “Sing Sing” and Colman Domingo throughout the opening of the 2024 Martha’s Vineyard African American Film Festival on the Performing Arts Center on August 2, 2024 in Edgartown, Massachusetts. (Photo by Arnold Turner/Getty Images for CÎROC Limonata)

Domingo says he also had to interrupt free “from the company of men who may not have been professional actors but who respected their craft.” “Sing, Sing” features several formerly incarcerated actors and RTA participants playing past versions of themselves, including Clarence “Divine Eye” Maclin, who received critical approval for his performance.

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“I couldn’t come in with any preconceived notions about them or their process. I had to be completely free, and that’s the only way we could create a film that I think has more soul work than anything else.”

Domingo tells Grio that he was the “leader” on set among the many forged, but made sure the opposite actors, whom he calls “artisans,” felt supported and had “the space to do their job.”

“I trusted that these were men who had actually done the work when they were in these programs, when they were incarcerated, and some of them were doing the work outside of them,” he explains. “A lot of them had never done a movie before. I never looked at it as something that wasn’t great. I thought, ‘Oh, what a great opportunity that we can create something different.’ The texture will be different; the authenticity will be different because they have life experience.”

Domingo gets emotional during an interview with theGrio, talking about one scene where his character hugs Maclin after he gets out of prison. In that scene, Whitfield has an entire breakdown, sobbing and unleashing years of emotion as Maclin hugs him.

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“That scene was rewritten at least 20 times,” Domingo says of the scene, which director Greg Kwedar shot in a single take.

“When we were going to shoot it, I asked Greg to give us a take where—we already have the skeleton of the scenes in us, but I think we just have to let them play out,” he says. “All I need to know about my character is that he’s been incarcerated for 25 years, wrongly convicted of a crime for 25 years. His last parole was seven years earlier, when he had to stay in prison. My own secret is that his mother had also died, so he had no one waiting for him at the end.”

“We shot that scene once and we knew that was it,” Domingo explains. Describing the scene as “organic and guttural,” Domingo says he had no idea he would “let out that wail” like that.

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“It came from my brother Clarence hugging me. The shared story of ‘this man can carry my pain, my trauma.’ It became for me a little bow tied around our story of these two men who you never thought would get along, and suddenly they’re really accountable to each other on the outside. You have someone there — Oh, I’m about to cry — you have someone there who has your back.”

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Domingo, who was previously nominated for an Oscar for his role in “Rustin,” is already reaping the rewards for his role in “Sing Sing.” The actor says the accolades are nice — not due to the glamour and glitz, but due to the light they shed on the film and its significance.

“I think if it leads people to the film and its message, then great,” Domingo concludes. “I did it with love. I did it with respect for these men, believing that their stories matter. That’s why I produced the film. I think stories like that matter. That’s what I want to tell the world. And if we get the amplification and all the buzz and nominations and awards, I say go for it.”

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This article was originally published on : thegrio.com

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Salt-N-Pępa accuse UMG of minor retaliation in the fight for the property of “push it” a few months after Angie Stone claims against the same label

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Salt-N-Pepa

Salt-N-Pepa claims that the Universal Music Group punishes them amongst the legal battle to get masters to work their lives. Cheryl “Salt” James and Sandra “Pepa” Denton submitted a civil trial against the Global Music Corporation on May 19, looking for a command relief, declaratory relief and compensation, that are to exceed $ 1 million.

Deidra “DJ Spinderella” Roper isn’t part of the claim. She joined the group in 1987 and was released in 2019. Documents reviewed by Atlanta Black Star reveal that in 2022 the Rap duo “tried to use his rights” to take over the full property of his recordings through section 203 of the Act on the copyright of 1976.

Salt-n-Pępa
Salt-N-Pępa last performed as a trio during the route after the explosion! in 2020 (photo: @SaltnpePaOfficial/Instagram)

The law allows artists to regain mental property after 35 years. Salt-N-Pepa operates with UMG, respectively through its predecessors of the next plateau and London record records, from 1986 and 1992.

“The fees generated by their sound recordings are significant, generating about USD 1,000,000 in the last five months in the synchronization licenses themselves and generating tens of millions of dollars a year through all forms of exploitation,” says the notification.

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UMG “timely notifications of termination were served, but he’s accused of refusing to honor the request. Instead, female hip-hop pioneers claim that a malicious effort made of earnings was implemented and blocking their masters.

Salt-N-Pepa discography was faraway from evaporation services, resembling Spotify and Apple Music in the battle for the ownership of their music. Photos: Spotify and Apple music.

Therefore, most of their discography was taken from streaming services, resembling Spotify and Apple Music. “UMG pointed out that it would be a hostage of the plaintiff’s rights, even if it means refueling the plaintiff’s musical catalog and depriving fans of access to their work,” Salt-N-Pepa lawyers have invaded.

Pushing is dated on May 15, 2024 – on the same day lawyers say that some masters (“Hot, Cool & Vicious and” Solt with a Deadly Pepa “) would return to artists.

Additional reverse dates include November 2024 and March 2025 in the case of the recordings of “Black’s Magic”, “A Blitz of Salt-N-Pepa” on November 20, 2025, and around 2026 for “very needed”, “biggest hits”, “let’s talk about AIDS” and “Filly.”

They also argue: “UMG seems to take the position that he can unilaterally decide when and/or the recording artist has the right to solve. This is not the right, and the UMG has no power.” Social media users didn’t express support for corporations.

One user on Instagram wrote“What happens to musicians deceiving UMG over their masters and publishing their rights.” Another person commented“It looks like UMG must be dismantled.” Many fans noticed that the Salt-N-Pępa fight resembled Angie Stone’s claims that the corporation stole 4 a long time with their royalties.

The soul singer tragically passed after a automobile accident in March, just two months after she talked about financial dispute. Fan warned“Yes, we know how it is going to go, rest easy Angie .. Soon there will be a scandal or death.”

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UMG at the same time fights with the artist Drake in court. The rapper claims that the label sabotaged his earnings, participating in defamation and harassment during his rap with Kendrick Lamar.

(Tagstotransate) salt ‘n’ pepa

This article was originally published on : atlantablackstar.com
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Jayson Tatum is personally about the cooperation of full circle trainers – Essence

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Thanks to the courtesy of the trainer

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When Jayson Tatum enters the room, he not only brings NBA Superstar Energy – he brings the intention, style and this character “you look how good they smell.” Now basketball phenomena directs all this right into a cordial partnership with the trainer, lighting a brand new fragrance campaign, which seems as personal as powerful.

“It’s a full moment for me,” says Tatum. “When I was about 10 or 11 years old, my mother got a clip from Brown Coach Money for my birthday. It made me feel an adult – as if I had some responsibility. Quickly forward, being an official partner with the trainer feels like this little child lives his dream.”

Jayson Tatum is personally about cooperation with the full circle

The latest fragrance of the trainer – Bold, alive and compelled to reverse his head – is deeply realized in the philosophy of the Tatum style. “There is no better compliment than someone who stops you to say:” Hey, you smell nice, “he says. “It’s a sort of certainty that this smell gives you. You may be in a suit at a black party or simply go at night-but in the event you smell good, you walk in another way. You keep your head higher.”

Asked what this smell recalls for him, Tatum doesn’t hesitate: “Extreme confidence.” And this manner of pondering is not reserved just for the days of the game or red rugs – it is something that brings to each area of ​​your life, from personal care to paternity.

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“You leave the shower like three or four times a day,” he laughs. “I have face washing, moisturizing cream, beard oil and gel for my curls. Then I am outside the door.” His increased trust? “Fresh cut. There is nothing like leaving a hairdressing chair. You feel unsuccessful.”

Jayson Tatum is personally about cooperation with the full circle

In addition to care, the Wellness Rutin Tatum is based on the family. “Being a dad, doing everyday things-pupils, parent-scientific conferences-it brings me peace,” he shares. “It reminds me that I’m more than just an athlete.”

While the trainers’ campaign is the fundamental milestone, Tatum covers unknown with gratitude and openness. “I never thought that the fragrance campaign would take me to the first New York Fashion Week,” he wonders. “I don’t know what will happen next – but I’m excited about what is coming.”

One thing is certain: Jayson Tatum not only defines what it means to be a NBA star – he prescribes the principles of modern masculinity, one Spritz directly.

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This article was originally published on : www.essence.com
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Minnesota Lynx, Nafiesa Collier, joins the WNBA Jordan Brand – AndScape list

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Jordan Brand officially signed the 4-time WnBA All-Star Nafiesa Collier, today announced the company. This announcement coincides with the Tipoff of the WNBA 2025 season.

Collier, the prevailing defensive player of the 12 months, and second place in the MVP race last season, still strengthens his place as one in all the most talented league stars. In addition to W can also be a co -founder of unparalleled, the latest 3 × 3 basketball league, which goals to lift the rim of girls.

“Attaching to the Jordan family, I am now part of the legacy, which consistently defined what is possible in basketball,” said Collier in a press release. “This partnership seems particularly significant since it combines my results on the pitch with influence that goes far beyond the game itself.

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“When young girls see this cult figure, I want them to inspire them to aim higher than they think. It is an honor to help achieve a tradition that smoothly combines the athletic size with cultural importance.”

Minnesota Lynx Nafiesa Collier can be a number one face for Jordan in WNBA.

Jordan Brand

“Attaching to the Jordan family, I am now part of the legacy, which consistently defined what is possible in basketball,” said Collier.

Jordan Brand

Collier earlier signed a contract with Nike in 2020, which included each footwear and clothing. During her stick with Nike, she wore several models and debuted Exclusive colours for a lot of KD15 players in 2022

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Her signing of Jordan appears when the brand refreshes its women’s basketball composition amongst the popularity of WNBA. Current athletes from Jordan are comparable to Rhyne Howard, Kia Nurse and Jordin Canada.

“Jordan Brand believes that the current monumental transition in women’s basketball can change the world in a similar way that Michael Jordan did in 1984 and later,” said the company in a press release. “By investing in trailblazers such as Collier, Jordan Brand confirms his commitment to shaping the future of basketball, while crossing cultural borders around the world.”

In the first round in 2019, Collier comes out of the best season with Minnesota Lynx. She obtained a mean of 20.4 points, 9.7 rebounds, 3.4 assists and 1.9 thefts per match, leading the team to the WNBA finals.

Jacob Delawrence is an independent author, podcaster and occasional threat to society. When he doesn’t create, you will discover it in the basketball gym, what the future trains or argue about Wrestling on Twitter, @_jdela.

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This article was originally published on : andscape.com
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