Entertainment
Stephen Curry’s four-pointers secure another gold medal in basketball for the USA

PARIS (AP) — Stephen Curry had just five 3-pointers in his first 4 games of the Paris Olympics. The shot just wasn’t going in.
And then got here the medal round.
All-time 3-point shooting leader in NBA history he found his stroke in the final moments for the Americans, hitting 17 3-pointers in his last two games against Serbia and France to assist the U.S. win its fifth consecutive gold medal with a 98-87 victory.
The last 4 of those 3-pointers got here in the final 2 minutes, 46 seconds of the gold-medal game — a shocking display that anyone who watched it’s going to be hard to forget.
“It’s just a lot of faith, living and dying with the shots you think you’re supposed to make,” Curry said. “The last 2 1/2 minutes were special. Guys were pumping me up. We had confidence in what we were trying to do. And I was just really in the moment, enjoying it.”
Analysis of Curry’s dramatic moves to secure US gold:
First
LeBron James — now a three-time gold medalist and, at 39, the MVP of this Olympic tournament — moved the ball across the middle of the court, and Curry dismissed Anthony Davis to create space for an incoming pick-and-roll. Curry set the ball, then went to the top of the three-second zone to catch a pass from James.
Curry broke free from the care of French defender Guerschon Yabusele and immediately converted a three-point shot.
No one knew he was just starting out.
— USA 85, France 79, 2:41 remaining.
Second
In a timeout with 2:22 left, Curry suggested he and James proceed the pick-and-roll and have everyone else unfolded on the floor. An easy set, but highly effective for someone widely considered the best shooter in basketball history. So they ran it, this time with James setting a screen.
“I said, ‘OK, let’s do this because I’ve seen this before,’” said U.S. coach Steve Kerr, who also coaches Curry on the Golden State Warriors. “And it usually works out well.”
Curry kept the ball, outplayed defender Nicolas Batum, waited for him to land and fired a shot from the left side of the penalty area.
Curry shouted a message as he walked back down. “Don’t worry about me,” he repeated.
There was nobody there at that moment.
— USA 90, France 81, 1:52 remaining.
Third
Batum had just hit a 3-pointer to chop the result in six. Curry drove the ball down the court and passed it to Kevin Durant, who immediately passed it back. Curry passed the ball back to himself, and it ended up in the hands of Devin Booker.
As Booker reached the end zone, he saw Curry again had an open position at the top of the three-second box.
He ended up using mainly the same move as before; this time he waited for Nando de Colo to bite his head. Another 3-pointer, good.
“He’s the greatest shooter that ever lived,” Booker said.

Curry later screamed several times before lifting the top of his shirt, revealing the word “USA” across his chest.
— USA 93, France 84, 1:18 remaining.
Fourth
Victor Wembanyama hit a 3-pointer, the last of a 26-point run, to place France up 93-87 with 54.4 seconds left. The Americans went back to Curry, as everyone knew.
He passed the ball to Durant, similar to he did on the previous possession. And Durant passed it back.
Curry got the hint. This time he held the ball. He forced a shot over Batum and Evan Fournier, a rather off-balanced shot that looked like a mistake.
“I was like, ‘What the hell,’” U.S. center Bam Adebayo said. “Then I remembered who was filming it.”
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Of course it was. The U.S. was leading 96-87 with 35 seconds left. The French swimming star of those Paris games, four-time gold medalist Léon Marchand, could only smile from his seat courtside.
Curry put his hands on the sides of his head in celebration. “Night night,” he says, referring to when he tells the other team it’s time for bed. In French, it’s translated as “nuit nuit.”
The game was over. The Americans would wear the gold again. Curry had watched Durant win gold at the previous three Olympics. He had watched Simone Biles win gold in the women’s all-around gymnastics event in the same arena earlier in the Paris Games. He had desperately craved this moment.
And with 4 unforgettable shots he lived as much as expectations.
“This may never happen again,” Curry said. “It was very, very special.”
Entertainment
Reebok continues to return to basketball with the signing of Dijonai Carrington – and Scape

Dijonai Carrington is the latest WNBA player who joined the Reebok basketball list.
The Dallas Wings guard has signed a protracted -term contract with the company based in Boston, which is able to establish it as a brand ambassador in the field of performance and lifestyle clothing, starting with the basketball sneakers engine.

The signing of Carrington is an element of a protracted -term effort for Reebok to restore to the basketball brand. The A engine, which Carrington wore during the inaugural inaugural season, is their first recent basketball sneakers from ZPump Rise.
“I am excited about continuing the family heritage and joining the Reebok basketball list,” said Carrington. Her father, former safety of NFL, Darren Carrington, also supported Reebok during his profession. “Reebok basketball has officially returned and I can’t wait to introduce energy outside in the new A. engine”

Carrington was appointed the most improved WNBA player in 2024, and also won the first ALL Defense Honors team. A profession from San Diego, on average, almost 13 points, 5 rebounds and a shadow below 2 thefts per match. Recently, it was exchanged with the Connecticut Sun to Wings under a 4 -person contract.
Carrington joins REEBOK WNBA basketball, including Angel Reese and Lexie Brown.
Entertainment
When hip -hop and classical collide: us to perform “Illmatic” live with Baltimore Symphony Orchestra – Essence

In what seems to be a cult combination of hip-hop and classical music, we can be joined by forces with the Baltimore Symphony Orchestra because of this of its groundbreaking debut album. A breakthrough event takes place on Wednesday, July 23, 2025, at 19:30 in Joseph Meyerhoff Symphony Hall.
The entitled concert guarantees to recuperate one of the famous albums of all time with sweeping orchestral arrangements carried out by Steven Reineke. The evening will happen iconic songs, akin to “Ny State of Mind”, “The World is Yours”, “Memory Lane (Sittin ‘in da Park)” and “It is not difficult to find”, each interpreted by wealthy textures of full symphony.

“Welcoming us with BSO will be an attraction of the year,” said Mark Hanson, president and general director of Baltimore Symphony Orchestra. “This cooperation speaks to our involvement in breaking borders and creating a space in which all recipients feel associated with the power of orchestral music. It is an honor to revive this iconic album in a new way and shed light on the amazing scope and talent of our musicians.”
Celebrating thirtieth anniversary From the primary studio effort, this performance is a cultural milestone that mixes raw lyricism with great classical instrumentation-impressing the impression once in life for fans of each species.
Since the discharge in 1994, he built a long-lasting heritage from Queensbridge, winning 16 Grammy nominations and winning one of the best rap album in 2020. Its influence includes a long time, and its recent revival keeps him on the forefront of the species.
TicketsPrice between USD 75 and USD 299They are already available by BSO website or on Meyerhoff Box Office. Do not miss this historical celebration of music, poetry and a timeless story.
Entertainment
She knows Suite celebrates Apple TV+ Doc ‘Number on the Call Archie “and Black Women’s resistance in Hollywood

Even when black women are visible, they still must fight to be really. This is one among the strongest take -out, the recent Apple TV+document that made the waves at the exclusive show run by The Wie Suite in New York.
It takes place in the luxurious New York Fouquet, the night was combined by an intergenerational meeting of black women – from fashion founders to Hollywood stars – in reflection on the message of the document: that for black women, breaking barriers in Hollywood never concerned talent. It was about survival, impudence and unwavering self -confidence.
Directing the award-winning filmmaker Sholi Lynch, the document accommodates sincere interviews with powerful actresses, including Viola Davis, Halle Berry, Angela Bassett and Whoopi Goldberg, taking a look at his journeys as leading women in a system that rarely gave them the highest places-the advantage of doubt.
During the event, the guests enjoyed the elegant reception of cocktails, after which the discussion about the show and panel moderated by the founder and general director of WIA Suite, Dee Poku. The participants were Shola Lynch, along with Lisa Price, the founding father of the daughter Carol and Jessica Cruel, editor -in -chief and magazine.
In a room filled with Changmakers-Ludzi akin to designer Fe Noel, actress Folake OlowoFoyload and founding father of Ami Colé Diarrha N’diaye-Mbaye-Rozmowa was intimate and urgent.
“It was amazing to be here with so many inspiring women who are their own numbers,” said Poku. “These women are so busy and have a crazy life, but understandable and felt the importance of gathering and supporting this film. As bosses, we can never lose sight of the importance of relying on ourselves when we move in our lives and career.”

This spirit of sister and solidarity is embedded in a movie that doesn’t pull out the emotional conscription of being the first, only or reflection. From saying that they should not beautiful enough to make a big screen to maneuver after exhausting the constant proved of their value, stories divided by black actresses “reflect the immunity needed to remain in the game.
Hattie McDaniel was the first black woman who won the Oscar in 1940 for “Best Actorsing Actors” for enjoying Mamma in “Gone with the Wind” and said that she hopes that she can be a recognition of her race. But the “supporting actress” category would turn out to be a little bit of her own ceiling, without every other black woman who doesn’t win the role of “the best actress”, apart from Halle Berry, twenty years ago in “Monster’s Ball”.

But the film accommodates powerful reminders of how black women actresses restrictions. In particular, Goldberg’s Whoopi journey stood out in the document. From making a stage production that helped to begin her profession in 1984-a fight for roles when Hollywood didn’t see her “Fit”, Goldberg Shatted Sufiing. She didn’t wait for the alternative; She selected herself. This example of Shol Lynch sees black women embarrassing outside Hollywood.
“After hearing that Dee Poku and Suite knew they wanted to organize a study, I was inspired to be part of the room and gathering similarly thinking people,” said Lynch. “You want to talk to women who are trying to be number one on their sheet of connections.”
Lisa Price added: “My deep recognition for the cinema, vaccinated by my father, made the film the main source of respite and insight. The victory of the Hallle Berry Academy was a breakthrough moment. This represented the rectification of historical supervision regarding the lack of diagnosis of Diana Ross for the injustice that has long worried me.”

For Jessica Cruel, the document was a moment of reflection on her own journey. “It inspired me to reflect on my own career from the writer to now the chief Edior. It is so important to remain faithful to his beliefs and allow the development of possibilities.”
When he showed himself, the crowd raised his glasses with a collective toast to the way forward for black women in Hollywood. It was not only a vacation of what these women achieved – it was a call to proceed, dreaming and demanding more.
This film reminds us of every part that black women were at all times greater than able to being primary on a sheet of connections – they simply needed to fight harder than most to get there.
The premiere around the world at Apple TV+ March 28, 2025 and is currently available to the stream.

(Tagstranslat) documental
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