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Crabber Tia Clark Questions the Meaning of Fishing, Crab Fishing, and Hunting as a Black Woman — Andscape

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When I first met Tia Clark, she told me she had recently been spearfishing an alligator in the swamps of South Carolina. I saw the Gullah Geechee woman as a role model, a black woman using her passion and physical prowess to attain the goal I used to be pursuing— food sovereignty.For Clark, the owner Accidental crabbing with Tiait’s like a call from the sea. “I don’t feel like I’m choosing it. I feel like it’s what I have to do,” she told Andscape.

Seven years ago, Clark wasn’t fishing, crabbing or hunting. She worked in the food industry and had health problems brought on by inactivity, stress and late nights. “If you had asked me back then if I would kill an alligator, I would have said, ‘You better not come near me if there’s no alligator,’” she said. But after returning to the water, where her family found food and purpose, Clark saw her health improve dramatically. She was happier and stronger, she lost weight, now not had prediabetes and felt spiritually at peace. “Before, I was cut off from my culture and my family, from everything. I was wasting my days and never taking care of myself,” she said.

Clark now teaches people learn how to fish and crab since it’s fun and essential to understanding Gullah Geechee culture and sustainability. The sea is in the blood of the Gullah Geechee people; it’s sacred and has been a major part of their eating regimen since their ancestors were taken from Africa and enslaved here. Due to gentrification and restrictions, the lack of access to fishing and crabbing grounds has affected the eating regimen of the Gullah Geechee people in South Carolina, so it’s vital to remind them to take their place in the seas. It also helps — through the saltwater fishing licenses Clark requires of participants — to take care of the Charleston shoreline ecosystem through her partnership with the city of Charleston.

Clark reminds people who being here may help them connect with their ancestors and community. Hunting, crabbing and fishing may help people come home to themselves, as it did for Clark. “My first memory is hand-feeding crabs and shrimp in the dirt in my grandmother’s garden,” Clark said. “If I close my eyes, I can tell where the table was and I can tell what the sea tasted like on those crabs. All of that was already in me. And now being able to go crabbing brought it all back.”

This is what sets sports like hunting and fishing aside from others, and what makes the exclusion of black people, especially black women, from these sports all the more insidious. Feeding ourselves is a form of self-preservation. If we leave hunting and fishing to others, we leave ourselves and our communities vulnerable. “The Atlantic Ocean is a mass graveyard,” Clark said. “That’s why we as black people need to reconnect with the water because if we don’t feel those emotions ourselves, it’s easier to ignore them.”

There is a misconception that blacks are usually not desirous about outdoor sports or activities such as swimming, hunting and fishing. In South Carolina, where fishing was a path to freedom, a forced occupation and an ancestral right limited by slave restrictions, people have complicated feelings. Slaves built the maritime and fishing industries, wearing special badges that showed they’d “permission” to be at sea or they might be killed, imprisoned or sold. But additionally they called — and still call — the water home.

“There are all these stereotypes that say black people don’t swim, don’t fish, don’t hunt. That keeps us away from those places. And when we are in those places, people look at us suspiciously because they’ve been told we don’t belong here,” Clark said, adding that she is commonly missed, with passersby assuming that white dock employees are more knowledgeable about their business than she is.

Is this the kind of environment that Black people even wish to be in? Or will we, like Clark, wish to construct our own places away from the values ​​that emphasize resource extraction—expensive hunting resorts, the killing of wildlife, and illegal and even illegal hunting safaris? These are usually not just places where Black people are usually not welcome, but places that folks like Clark actively reject.

“We need to get a mass influx of black people back into the water,” Clark said. “We feel confident here, but we need to lower our guard a little bit because the sea is powerful, if you can get in there and connect and block everything. I know it’s not easy for everyone, so I’m trying to take their phones, all the things that connect them to the outside world, and pull them into that world.”

For blacks, hunting and fishing are greater than just sports; they are frequently not sports in any respect, not in the way others perceive them. They are a way of communing with ancestors, a form of community and individual self-defense, and a sacred responsibility. Clark is one of many mentors (including Chief Kimberly Tilsen-Brave Heart, Renville’s Chanceand Amethyst Ganaway) that taught me to respect the life I actually have taken and to make use of it in a way that honors all of us and brings us closer to a sustainable future.

Hunting can grow to be a technique to bring a community together. After catching an alligator, Clark called her friends over to fry it in buttermilk and spices, then drizzled it with hot sauce. She gave sausage and alligator meat to those in the community who could use it, and she made a big pot of alligator, shrimp, and okra gumbo for her family and friends. In this manner, hunting and fishing became greater than solitary sports, but cultural legacies passed down through generations of families, elders, and friends.

Clark was one of the mentors who helped me prepare for my first duck hunt, during which I cried like a baby. Instead of specializing in teaching me to see it as a competition, Clark told me to acknowledge the sacred. “I’m telling you right now, your whole body is going to shake.” She told me the story of her alligator hunt. “The boat was a long way from the alligator, and the closer we got, the more the alligator doubled and doubled. I stabbed it with the harpoon and fired a .45, and when I touched my chest, my whole body went into convulsions and I was in a primal state. I couldn’t stop.”

Tia Clark with the alligator she hunted.

Aunt Clark

I felt breathless listening to Clark, pondering the seriousness of the journey I used to be about to embark on. It wasn’t just a sport. It was a duty and a responsibility. We had learned to view food as something frivolous, something that got here in plastic and paper. But something you possibly can catch. Fear and sadness were natural. Trophy hunting wasn’t.

Clark sees part of her mission in educating black youth and black women. “That’s where I put all my extra energy because they’re going to take it into the future. That’s their legacy. And if we don’t teach them, they’re going to be in robot mode, going to the grocery store, buying fake food, eating fake food, feeding their family that.”

For us, it’s greater than just a sport. It’s healing. It’s stewardship. It’s community. Black people have at all times belonged to the sea, and black women fishermen like Clark are helping us reclaim our space here, a place that’s home. As an African American and Caribbean woman, a descendant of slaves and migrants, I consider that the swirling center of the Atlantic Ocean is my home, my origins, my birthplace. And Clark echoed those feelings. “I felt so strange… The hairs on my arm would start to stand up as I approached the sea, especially near where my family would crab and fish,” she said.

“I asked my advisor, ‘What’s wrong with me? What’s wrong with me?’ And then this black man told me it was an ancestral connection. Something we don’t know about that causes us to react when we get near that water,” Clark said. It’s a response she’s seen in others when she shows people learn how to crab. “People are afraid to get in the water. They don’t want to feel the feelings it can bring up. They don’t want to revisit that trauma.” But it’s not only trauma, it’s our history. The sea holds great pain, but in addition great love. Here, in these waters, with Clark as a mentor, black people are usually not just playing sports. They can connect with our ancestors, honor our past, and move toward the horizon of our food future.

Nylah Iqbal Muhammad is a James Beard Award-nominated author whose work has appeared in Travel + Leisure, Vogue, and New York Magazine. Her work explores culture, politics, food, and their intersections, with a deal with North American indigenous, African diaspora, and South Asian foodways.

This article was originally published on : andscape.com
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Fans are declaring that Katt Williams is now Tyler Perry’s “Nemesis” after the comedian purchased a former military base just like Perry once did for his studio

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Katt Williams is now, no less than partly, considered a Hollywood whistleblower, but he desires to be known for calling the shots.

According to reports, the Emmy-winning actor and comedian is doing just that after purchasing a property that will house his own film studio.

“I can’t reveal the amount or the exact location yet, but I can confirm that he purchased a former military base in Alabama,” Williams’ publicist Amy Sisoyev confirmed. AL.com.

Katt Williams follows in the footsteps of Tyler Perry and buys a former military base to launch his production studio. (Photo by Tommaso Boddi/Getty Images for Vulture; Emma McIntyre/Getty Images for Academy Museum of Motion Pictures)

Various media reports, equivalent to the outlet mentioned above, focused on Fort McClellan in Anniston, which was listed for sale for $1.5 million. The 3-million-square-foot property includes 10 barracks, several buildings and 90 acres of flat, undeveloped land.

Williams was reportedly a frequent visitor to the purchase. “This is a visionary endeavor and we look forward to the evolution of this historic site under his leadership,” said Connie Alexander, Luxe Group broker representing the seller.

The comedian first revealed his plans to grow to be a Tyler Perry-like mogul in a recent interview GQ published on November 20.

Regarding his plans for the studio, the Money Mike actor said: “It’s not fair that we’re putting this much pressure on Tyler Perry. There’s only a lot he can do.”

Earlier this 12 months, the billionaire entertainment mogul was amongst the celebrities named in Williams’ explosive “Club Shay Shay” discussion with host Shannon Sharpe.

Perry, a producer and director who also writes all of his projects, purchased most of the former Fort McPherson military base in 2015. The 330-acre installation positioned in southwest Atlanta is currently home to Perry’s state-of-the-art Tyler Studio.

The “Madea” star movies his shows and films on campus, which also rents out its quite a few sound stages to outside productions. Perry’s name got here up as Williams addressed a rift between him and fellow comedian Rickey Smiley over a decades-old film role.

The stand-up comedian told Sharpe: “I signed a contract saying I won’t work with Rickey Smiley again unless he’s in a dress. What was Rickey Smiley’s next movie? Was this the “first Sunday”? Was he wearing this dress? I bet you do; it’s in my contract. In this respect, he is a credible actor. He and Tyler Perry cannot play man to save lots of lives. They are played by good women and I imagine that the best actor should play the best role.

These demeaning words resurfaced as social media users reacted to news of the takeover. “The same guy who said that TP is now doing….nvm” – we read in certainly one of them tweet.

Second user he stated“Good for Katt. I’m glad they’re learning from Tyler Perry, the man in the dress. Tyler was first, he’s 50 now (it wasn’t a former military base, but you get the idea) and Katt. Continue to use your dress money to set an example for Tyler. “I can’t wait for Katt to introduce the community.”

50 Cent had the honor of getting his day in Shreveport, Louisiana after purchasing several properties, including G-Unit Film & TV Studios.

And the third individual he tweeted“Anti-tyl3r Perry and I feel that Katy will allow new, new BLACK talent to tell their stories here too, instead of being the only one making videos here.” But much more wrote messages congratulating Williams on his business enterprise.

At least one person saw the Emmy winner’s entry into the executive entertainment sphere as a likelihood to bring recent talent to the forefront.

“Please hire new writers and production staff. “This could be a really innovative move for Black filmmakers,” this person said he wrotethis sentiment was echoed by Loni Love after Perry’s “Black Divorce” premiered on Netflix.

“I love that Tyler is now paying black actors. “I wish he had hired black writers and directors with experience to help him with his films,” she wrote in X in July.

At this time, it is unclear when Katt Williams will begin to make progress in transforming military land. In the meantime, fans can expect to see him on the road again starting in January with his “Heaven on Earth” tour.


This article was originally published on : atlantablackstar.com
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Widow of Stephen ‘tWitch’ boss Allison Holker slammed for dating a white boy after years of naive comments about raising children in white communities

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Allison Holker, widow of Stephen “tWitch” Boss, is clearly living her best life along with her recent man, but some fans aren’t too completely happy along with her.

On November 20, Holker posted a photo of her and her boyfriend Adam Edmunds embracing in what appears to be a street. She wore a dark dress with matching heels while her lover kept it casual in light pants and a dark shirt.

Stephen “tWitch” Boss’s widow, Allison Holker, is being slammed for finding love again two years after losing her husband. (Photo: @sir_twitch_alot/Instagram)

She wrote: “Thankful and happy! @adam.edmunds” in the caption.

Before dating Edmunds, Holker was on target to succeed in 10 years of marriage to “So You Think You Can Dance” star Stephen “TWitch” Boss. The couple met in 2006, but only made their relationship public in 2012. They married a yr later, in 2013.

However, Boss tragically committed suicide in December 2022, leaving Holker with two children and a stepdaughter with Holker.

Since her soft begin to her relationship with Edmunds, Holker has faced criticism about her leaving the Boss too quickly.

One person commented on this topic post“I frolicked in her shoes. My husband committed suicide a month after Twitch, which was almost 2 years ago, and I can not even imagine being in a relationship with someone that quickly. I even have two daughters who lost their dad and that is what I’m focused on without delay.”

Another one that responded in a different way said, “Can I just remind everyone who says ‘she moved on quickly’ that the marriage vows are ’till death do us part’ and NOT ’till death do us part’ you then will likely be sad for 10 years.” I can move on! Be completely happy for her. She has someone who will love her again and people beautiful girls of hers. If you possibly can’t be completely happy for her then possibly don’t comment…. I’m just saying…”

But another person felt concern for Holker’s two mixed-race children, Maddox, 8, and her 5-year-old daughter Zaia, whom she had with Boss.

The commenter, who is seemingly also a white woman with mixed children, said: “Why do so many WW have black children and then choose WM? I hope you teach your children about their culture and the reason…jmo.”

This is a topic that Holker considered. She and Boss were interviewed on “Entertainment Tonight” in 2020, when the Black Lives Matter movement was at its peak. Two parents expressed it their younger children were too young to grasp, regardless that Holker’s oldest daughter, Weslie Fowler, 16, asked questions and talked to her adolescent friends.

Holker even admitted to being “naive” about the subject at times because he grew up in a “very white community.”

But she said, “It’s time for us to tear down these walls. We have to open our eyes (to the fact) that this is really happening,” Holker said. “Just saying you’re not racist is not enough. We need to join in and help, because we are all in this fight. This is our world. This is the human race and we all need to be together and united.”

Later, the creator, entrepreneur and Boss said they might discuss the subject with their children after they become old. Holker continued: “We have mixed children and we would like to share this recommendation, this role and this education with them. “I think we’re not just educating our kids, but we really just want to educate others.”


This article was originally published on : atlantablackstar.com
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Lil Wayne, GloRilla and more will headline the Atlanta college football concert series

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Lil Wayne, GloRilla, Lil Wayne and GloRilla, Lil Wayne GloRilla AT&T Playoff Playlist Live!, Lil Wayne Glorilla State Farm Arena, AT&T Playoff Playlist Live!, college football concert series, Lil Wayne Glorilla college football concert, theGrio.com

LOS ANGELES (AP) — Lil Wayne, GloRilla AND Camila Cabello are preparing to make their presence felt during the holiday concert series leading as much as the college football national championship game.

On Thursday, it was announced that the hit makers will headline the AT&T Playoff Live! will begin on January 18 at State Farm Arena in Atlanta. The two-day series will happen before National College Football Playoff Championship January 20, the same day as the presidential inauguration and Martin Luther King Jr. Day.

“The incredible line-up for this year’s AT&T Playoff Live playlist! will deliver an unforgettable experience in Atlanta where sports and music thrive together,” said Mark Wright, vice chairman of media services and sponsorships at AT&T. “It’s a great way to kick off the championship weekend and keep fans excited, regardless of which team they support.”

Hip-hop stars Lil Wayne and GloRilla will take the stage on January 18. Singers Camila Cabello, Myles Smith and Knox are expected to perform on January 19.

Along with a series of live shows, country music artists Kane Brown and Ashley Cooke will perform in the Allstate Championship Tailgate, which will kick off the game day festivities. The tailgate performance will happen in front of Mercedes-Benz Stadium at Georgia International Plaza and The Home Depot Backyard.

Championship game ticket holders will have access to the tailgate concert.

Playoff Playlist Tickets Live! the series will go on sale on November 25 at 10:00 a.m. EST.

Previous performers in the concert series include Lenny Kravitz, Jack Harlow, Latto, Saweetie, Pitbull, Doja Cat, Usher, Meghan Trainor and Sting.

This article was originally published on : thegrio.com
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