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Crabber Tia Clark Questions the Meaning of Fishing, Crab Fishing, and Hunting as a Black Woman — Andscape

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When I first met Tia Clark, she told me she had recently been spearfishing an alligator in the swamps of South Carolina. I saw the Gullah Geechee woman as a role model, a black woman using her passion and physical prowess to attain the goal I used to be pursuing— food sovereignty.For Clark, the owner Accidental crabbing with Tiait’s like a call from the sea. “I don’t feel like I’m choosing it. I feel like it’s what I have to do,” she told Andscape.

Seven years ago, Clark wasn’t fishing, crabbing or hunting. She worked in the food industry and had health problems brought on by inactivity, stress and late nights. “If you had asked me back then if I would kill an alligator, I would have said, ‘You better not come near me if there’s no alligator,’” she said. But after returning to the water, where her family found food and purpose, Clark saw her health improve dramatically. She was happier and stronger, she lost weight, now not had prediabetes and felt spiritually at peace. “Before, I was cut off from my culture and my family, from everything. I was wasting my days and never taking care of myself,” she said.

Clark now teaches people learn how to fish and crab since it’s fun and essential to understanding Gullah Geechee culture and sustainability. The sea is in the blood of the Gullah Geechee people; it’s sacred and has been a major part of their eating regimen since their ancestors were taken from Africa and enslaved here. Due to gentrification and restrictions, the lack of access to fishing and crabbing grounds has affected the eating regimen of the Gullah Geechee people in South Carolina, so it’s vital to remind them to take their place in the seas. It also helps — through the saltwater fishing licenses Clark requires of participants — to take care of the Charleston shoreline ecosystem through her partnership with the city of Charleston.

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Clark reminds people who being here may help them connect with their ancestors and community. Hunting, crabbing and fishing may help people come home to themselves, as it did for Clark. “My first memory is hand-feeding crabs and shrimp in the dirt in my grandmother’s garden,” Clark said. “If I close my eyes, I can tell where the table was and I can tell what the sea tasted like on those crabs. All of that was already in me. And now being able to go crabbing brought it all back.”

This is what sets sports like hunting and fishing aside from others, and what makes the exclusion of black people, especially black women, from these sports all the more insidious. Feeding ourselves is a form of self-preservation. If we leave hunting and fishing to others, we leave ourselves and our communities vulnerable. “The Atlantic Ocean is a mass graveyard,” Clark said. “That’s why we as black people need to reconnect with the water because if we don’t feel those emotions ourselves, it’s easier to ignore them.”

There is a misconception that blacks are usually not desirous about outdoor sports or activities such as swimming, hunting and fishing. In South Carolina, where fishing was a path to freedom, a forced occupation and an ancestral right limited by slave restrictions, people have complicated feelings. Slaves built the maritime and fishing industries, wearing special badges that showed they’d “permission” to be at sea or they might be killed, imprisoned or sold. But additionally they called — and still call — the water home.

“There are all these stereotypes that say black people don’t swim, don’t fish, don’t hunt. That keeps us away from those places. And when we are in those places, people look at us suspiciously because they’ve been told we don’t belong here,” Clark said, adding that she is commonly missed, with passersby assuming that white dock employees are more knowledgeable about their business than she is.

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Is this the kind of environment that Black people even wish to be in? Or will we, like Clark, wish to construct our own places away from the values ​​that emphasize resource extraction—expensive hunting resorts, the killing of wildlife, and illegal and even illegal hunting safaris? These are usually not just places where Black people are usually not welcome, but places that folks like Clark actively reject.

“We need to get a mass influx of black people back into the water,” Clark said. “We feel confident here, but we need to lower our guard a little bit because the sea is powerful, if you can get in there and connect and block everything. I know it’s not easy for everyone, so I’m trying to take their phones, all the things that connect them to the outside world, and pull them into that world.”

For blacks, hunting and fishing are greater than just sports; they are frequently not sports in any respect, not in the way others perceive them. They are a way of communing with ancestors, a form of community and individual self-defense, and a sacred responsibility. Clark is one of many mentors (including Chief Kimberly Tilsen-Brave Heart, Renville’s Chanceand Amethyst Ganaway) that taught me to respect the life I actually have taken and to make use of it in a way that honors all of us and brings us closer to a sustainable future.

Hunting can grow to be a technique to bring a community together. After catching an alligator, Clark called her friends over to fry it in buttermilk and spices, then drizzled it with hot sauce. She gave sausage and alligator meat to those in the community who could use it, and she made a big pot of alligator, shrimp, and okra gumbo for her family and friends. In this manner, hunting and fishing became greater than solitary sports, but cultural legacies passed down through generations of families, elders, and friends.

Clark was one of the mentors who helped me prepare for my first duck hunt, during which I cried like a baby. Instead of specializing in teaching me to see it as a competition, Clark told me to acknowledge the sacred. “I’m telling you right now, your whole body is going to shake.” She told me the story of her alligator hunt. “The boat was a long way from the alligator, and the closer we got, the more the alligator doubled and doubled. I stabbed it with the harpoon and fired a .45, and when I touched my chest, my whole body went into convulsions and I was in a primal state. I couldn’t stop.”

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Tia Clark with the alligator she hunted.

Aunt Clark

I felt breathless listening to Clark, pondering the seriousness of the journey I used to be about to embark on. It wasn’t just a sport. It was a duty and a responsibility. We had learned to view food as something frivolous, something that got here in plastic and paper. But something you possibly can catch. Fear and sadness were natural. Trophy hunting wasn’t.

Clark sees part of her mission in educating black youth and black women. “That’s where I put all my extra energy because they’re going to take it into the future. That’s their legacy. And if we don’t teach them, they’re going to be in robot mode, going to the grocery store, buying fake food, eating fake food, feeding their family that.”

For us, it’s greater than just a sport. It’s healing. It’s stewardship. It’s community. Black people have at all times belonged to the sea, and black women fishermen like Clark are helping us reclaim our space here, a place that’s home. As an African American and Caribbean woman, a descendant of slaves and migrants, I consider that the swirling center of the Atlantic Ocean is my home, my origins, my birthplace. And Clark echoed those feelings. “I felt so strange… The hairs on my arm would start to stand up as I approached the sea, especially near where my family would crab and fish,” she said.

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“I asked my advisor, ‘What’s wrong with me? What’s wrong with me?’ And then this black man told me it was an ancestral connection. Something we don’t know about that causes us to react when we get near that water,” Clark said. It’s a response she’s seen in others when she shows people learn how to crab. “People are afraid to get in the water. They don’t want to feel the feelings it can bring up. They don’t want to revisit that trauma.” But it’s not only trauma, it’s our history. The sea holds great pain, but in addition great love. Here, in these waters, with Clark as a mentor, black people are usually not just playing sports. They can connect with our ancestors, honor our past, and move toward the horizon of our food future.

Nylah Iqbal Muhammad is a James Beard Award-nominated author whose work has appeared in Travel + Leisure, Vogue, and New York Magazine. Her work explores culture, politics, food, and their intersections, with a deal with North American indigenous, African diaspora, and South Asian foodways.

This article was originally published on : andscape.com
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Usher to provide the address of the Emory University class start from 2025 graduates

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It seems that there will not be much that Usher Raymond IV – Better, known to the world, simply as a USher – no. He can sing. He can dance. He can sing and dance while skating. He works. Sells Las Vegas residences. Performs philanthropic work.

And also performs the completion addresses. Usher was utilized by the University in its own yard. May 12 Usher will provide the address at Emory University 180. Ceremony of graduation and shall be awarded with an honorary doctorate in humanitarian letters from the institution. This will not be the first Usher Rodeo with an honorary doctorate; In 2023 Berklee School of Music in Boston He awarded the International Superstar with distinction. He also gave comments then.

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Usher will not be alien to Emory University. His non-profit, New Usher Lookwhich according to the website“He transforms the lives of malnourished youth through a comprehensive program that develops passion, global leaders”, has established cooperation with Emory’s University’s University Goizueta Business School in a 400-hour program helping to prepare teenagers for faculty. Apparently, non-profit influenced over 50,000 students.

“I spent my life following my spark – my passion – and trying to support young people when they find and follow their own passions. I am excited that I have the opportunity to talk to these amazing Emory students who graduate and prepare for imprint in the world – said Usher in Billboard statement.

Usher is one of the most successful musical acts in history, selling over 80 million records, winning many Grammy awards and has toured throughout the world since his profession in the mid -90s. His album “Confessions” from 2004 is the second best -selling album from 2000 and is taken into account by Rolling Stone as one of the best albums of all of all of all.

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This article was originally published on : thegrio.com
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The most iconic moments of the beauty of Robert Flack – Essence

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Anthony Barboza/Getty Images

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Robert Flack, a valued singer, songwriter and pianist, died on February 24, 2025, at the age of 88. The legendary singer, whose velvety voice again defined the soul and R&B, stays a everlasting icon of elegance, emotions and artistry. With timeless classics, resembling “Killing Me Softly with His Song” and “The First Time Ever and Wis See Your Face”, the singer died the audience captivated the audience along with her ability to weave delicacy and power in every note. Not only will we take heed to her repetitive music, but we won’t stop eager about its most iconic moments of beauty.

In the 70s Robert seriously swayed Afro – a daring statement of being black and proud – during performances at live shows, including the famous Newport Jazz festival. Two years later, she honored the scene of Ronnie Scott in London along with her hair drawn into the band, combined with dramatic long eyelashes, which defined her characteristic appearance. Always to experiment with hair, she also accepted braids decorated with beads, without effort combining style and cultural pride.

Just a few many years quickly forward, and Robert was still turning her head. While playing in Gillette Civil Rights 2010 between Cincinnati Reds and St. Louis Cardinals, she stunned the navy blue eye shadow, a dark light highlighter and daring red lipstick. The following yr, she performed at Bideawee Ball from 2011 with full rhythm – eyeliner, mascara, highlighter and its characteristic red lips. And in 2020 she performed unforgettable during the 62th annual Grammy Awards, wearing a beautiful curly crown and the same red lipstick that we met and loved.

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In honor of her everlasting legacy, we glance back at some of the most iconic beauty moments of Roberta’s incomparable flack.

This article was originally published on : www.essence.com
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Joe Freshgoods X New Balance 992 “Starn Well” is celebrating cooperation

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New Balance, Joe Freshgoods, Chicago

 


Joe Freshgoods selects five years and counts with New Balance because of his latest version 992 “Arged Well”, a tribute to his creative partnership with a characteristic brand of sportswear, which still supports his design talents and a contagious passion.

After Debut On the Joe Freshgoods New Balance 992 website, Chicago Creative is preparing for a wider version of February 28 via newbalance.com and chosen retail sellers. The new edition of the sneakers means the fifth anniversary of Joe of New Balance, milestone after almost stood before closing his now widely beloved and known brand.

The document coming in June 2025 is shared within the history of Joe’s success, from his start as an area Streetwearus brand in his hometown of Chicago to providing New Balance partnership in 2020, when he wasn’t sure find out how to keep his business.

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“He examines how the partnership influenced the global culture of sneakers and development transparency”, Joe common In the announcement on Instagram, “which was more important to me than just doing it about tennis games. This is a real life. ”

The trailer of the documentation offers access to Joe’s journey, presenting his modest approach to success and its influence on the Boston brand of sportswear founded in 1906. Since joining New Balance, Joe Robinson (higher referred to as Joe Freshgoods), a champion with a young history.

Five years later, with 20 Sneakers Publishing House and counting the most recent cooperation of New Balance Joe Freshgoods is a love letter for his creative journey with the Boston brand.

“Sometimes I feel that I shouldn’t be here. But I am here and say, “Oh, I’m good at what I do,” he says within the film.

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Project 992 “Agnish well” attracts the inspiration from the primary cooperation of Joe Freshgoods from New Balance – the edition of New Balance 992 “No Emotions”, also referred to as “heart anatomy”. It was a right away hit and celebrated in the course of the NBA All-Star weekend, and now charges resale prices around $ 3,000.

While the explanations for the New Balance revival may vary, many consider the primary release of Joe 992 to be a catalyst that enlivened the brand. Sneakers have pink and red suede silhouettes placed on an olive mesh base and accented saddle skin on the tongue and rear card.

Four sets of lace are attached, and the box is decorated with unique details reflecting the theme “aging well”. In addition, Joe Freshgoods designed the “Championship Dreams” leather university jacket to commemorate his five -year success as a designer.

“I wanted this jacket to capture the essence of the last five years – each project was a milestone, another closed chapter, another dream,” Joe signature Post on Instagram. “Over time, I had the honor to tell culturally important stories, and this jacket reflects this travel project according to the design.”

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This article was originally published on : www.blackenterprise.com
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